The South African Architectural Record 1

Total Page:16

File Type:pdf, Size:1020Kb

The South African Architectural Record 1 3 The Year in Review 5 A Letter from Mr. W. G. Lansley 7 A Roman Construction 15 Professional Notes and News 17 The Street of Patios 22 Book Reviews Honorary Editor Professor G. E. Pearse Business Manager A. S. Pearse The editor will be glad to consider any mss., photographs or sketches submitted to him, but they should be accompanied by stamped addressed envelopes for return if unsuitable. In case of loss or injury he cannot hold himself responsible for mss., photographs or sketches, and publication in the journal can alone be taken as evidence of acceptance. The name and address of the owner should be placed on the back of all pictures and mss. The Institute does not hold itself responsible for the opinions expressed by individual members. Annual subscription per post 10/6 direct from the business manager. the south african architectural record The journal of the Transvaal, Natal and Orange Free State Provincial Institutes of South African Architects and the Chapter of South African Quantity Surveyors. 67, Exploration Buildings, Commissioner Street, Johannesburg, P.O. Box 2266. Telephone 33— 1936. Volume Eighteen Number One, January Nineteen Hundred and Thirty Three, 1 patio sevillano • photo linares J C 1 6 4 0 4 6 the year in review • g. e. pearse The past year has been an unhappy one as During the year the Transvaal Provincial far as the majority of architects and builders Institute has done magnificent work in in South Africa are concerned. Building- pro­ generously assisting many of its members in gress which was fairly active at the com­ straitened circumstances. It is in times mencement of the year very rapidly declined like these that the need of a well endowed and the end of the year witnessed a period benevolent fund is absolutely essential and of stagnation and unemployment. The new we urgently appeal to all members to contri­ year has opened with a feeling of optimism bute to this fund whenever possible. Here and hopefulness which augurs well for the again concerted action is required. future of the building industry, but, with the It amazed me to see how well organised was prevailing uncertainty, development is sure the profession in America to cope with a to be slow. The architectural profession and similar problem, in comparison with which the building industry should make every ours pales into insignificance. I was informed effort to encourage the authorities to proceed by the President of the New York Chapter with their building programmes and cons­ of the Institute of Architects that every mem­ tantly urge them to distribute the work ber of the profession, who had suffered as a amongst individual architects thus giving result of the depression, was well provided some ray of hope to those who are in practice for. This was made possible by the concerted or who are in training for our profession. action of all members ably assisted by the ladies. To these latter the outlook is black. The In every large centre organisations existed important architectural work of this country which carried out their work in a remarkable is either government, municipal, commercial manner. Our benevolent fund should be or speculative and very little of it reaches the encouraged in every possible way and more offices of qualified practitioners. Govern­ particularly should every effort be made in ment work is still the prerogative of a govern­ boom periods to swell its coffers. There are ment department owing chiefly to the fallacy many ways in which this can be done, but in that having built a hospital, school or post the past little encouragement has been given office the department is necessarily expert in to the Trustees in their self sacrificing efforts. this class of work. The fact that the present generation of architects is trained in research in the planning of all types of building is Very little architectural work of outstand­ quite overlooked. ing merit or importance appears to have been carried out during the year. In Pretoria one With the majority of municipalities the or two large Government buildings have been town engineer is still looked upon as a erected. In Johannesburg the new Railway qualified architect with disastrous results in Station is perhaps the most important addi­ most cases, whilst the value of a qualified tion to the City, whilst in Cape Town the architect’s services has not yet been fully most notable building is the new Reserve appreciated as is the case overseas. Bank. It is hoped to illustrate these more The profession is still overcrowded with important buildings with plans and photo­ members who appear to have little respect graphs in the near future. Few important for professional etiquette or ethics and give commercial buildings have been erected little or no encouragement to their juniors. during the year and the construction of flats Could we not make an earnest appeal to mem­ in the larger centres appears to have been bers to co-operate in these matters which, if carried out by speculators, in most cases in tackled in the right spirit, must eventually the worst of bad taste. It is only after a benefit all. visit overseas that the low standard of taste in 3 architecture in South Africa is brought home Martienssen and Lefebvre for their splendid very forcibly. One cannot help feeling, how­ and arduous work during the year. We should ever, that the time must come when some also like to take this opportunity of urging enterprising individual or company will take members of the profession to support the the matter in hand and erect flats and hotels advertisers in the “ Record ” whenever which will be an indication of an improved possible. public appreciation of architecture. It was interesting to read recently the comments of Town Planning is at last coming into the Union High Commissioner, in London, on the subject of our hotels which must always its own and the Transvaal Town Planning be the stumbling block in the encouragement Association is to be congratulated on the of tourist traffic from overseas. passing of the Transvaal Ordinance, the result of many years of tireless effort on their part. It is encouraging to see the interest being dis­ Since the commencement of last year the played by many municipalities in the subject “ Record” has been published as a monthly which augurs well for the future well being journal and has proved an unqualified success. of our town and city dwellers. In a new Not only in this country but overseas appre­ country such as ours, if we except the Cape ciative opinions have been expressed on the Peninsula and its environs, a great deal general improvement of its form and subject depends upon the satisfactory lay out of our matter. The Transvaal Provincial Institute urban areas both from the point of view of the has now decided to send a copy each month to inhabitants and the interest and attraction every practising architect in the Union with to visitors. The conservation of water, the the hope that members of the Institute planting of trees, the avoidance of monotony throughout the country will assist the in the general lay out are all-important publication by contributing articles and factors which make for the health and well expressing their views on matters of profes­ being of the community. sional interest. It is hoped during the year to still further increase the attractiveness of the journal and widen its scope so as to in­ In conclusion we take this opportunity of clude all matters of artistic interest. Our wishing our readers and advertisers a pros­ thanks are due to the acting editors Messrs. perous New Year. 4 a letter from mr^ w. g. lansley • With the proposed introduction of a new advanced mind made manifest, and no stereo­ cover and title for the above journal offering type can hope to stem the tide of evolutional such a grand opportunity to introduce to the advancement. public the activities of the profession, an There then arises the question in the mind extraordinary effort should be made to of the public that architects’ fees are out of popularise our journal outside of the present proportion for services rendered, especially limited sphere of the profession. The fact on small contracts or part services in respect cannot be gainsaid that it is from the public thereof. A whole treatise could be written that we derive our existence in face of our on this subject and every point would go to apparent disinterest and aloofness of public prove that in every case the architect’s client opinion, nor is it fair for the profession to benefits in every respect over the ill advised keep the public unadvised of the magnitude individual who dispenses with the architect. of the essential services of the architects to In a word architecture can bring the public the public welfare. to a realisation of its true worth and the absolute essentiality of the trained minds The concensus of public opinion of the embodied in the architectural profession. We value of the architectural profession is alto­ want the sympathy of the public and their gether at variance with its true purpose and support in all matters pertaining to our pro­ value ; this is entirely the fault of our profes­ fession and this we can never achieve while sion in its mistaken ideas on the question of our light lies hidden under a bushel. equity and the fear that popularising the pro­ Admitting that some, if not all, of the pre­ fession may appear too much like advertising mises advanced subscribe the position of the and unprofessional conduct, yet the work of profession, the question arises, how otherwise an architect being such a necessary factor of can the public become acquainted with the the public life in its provision of shelter as a aims and objects of the profession but through secondary necessity of life, the public has its Journal wherein we can vindicate our pro­ every reason to be made acquainted with the fession by co-operative justified assertion.
Recommended publications
  • La Alhambra in Granada, One of the Most Beautiful and Admired Monuments in the Wold
    La Alhambra in Granada, one of the most beautiful and admired monuments in the wold. An old legend says that the Alhambra was built by night, in the light of torches. Its reddish dawn did believe the people of Grenada that the color was like the strength of the blood. The Alhambra, a monument of Granada for Spain and the world. La Alhambra was so called because of its reddish walls (in Arabic, («qa'lat al-Hamra'» means Red Castle ). It is located on top of the hill al-Sabika, on the left bank of the river Darro, to the west of the city of Granada and in front of the neighbourhoods of the Albaicin and of the Alcazaba. The Alhambra is one of the most serenely sensual and beautiful buildings in the world, a place where Moorish art and architecture reached their pinnacle. A masterpiece for you to admire, and it is in Granada, a city full of culture and history. Experience the beauty and admire this marvel of our architectural heritage. Let it touch your heart. Granada is the Alhambra and the gardens, the Cathedral, the Royal Chapel, convents and monasteries, the old islamic district Albayzin where the sunset is famous in the world or the Sacromonte where the gypsies perform flamenco shows in the caves where they used to live...Granada is this and many more things. The Alhambra is located on a strategic point in Granada city, with a view over the whole city and the meadow ( la Vega ), and this fact leads to believe that other buildings were already on that site before the Muslims arrived.
    [Show full text]
  • Arquitectura Doméstica Tardoandalusí Y Morisca
    ALEJANDRO PÉREZ ORDÓÑEZ CONSEJO SUPERIOR DE INVESTIGACIONES CIENTÍFICAS (CSIC) ESCUELA DE ESTUDIOS ÁRABES LABORATORIO DE ARQUEOLOGÍA Y ARQUITECTURA DE LA CIUDAD (LAAC) TRABAJO DE INVESTIGACIÓN TUTELADA Codirigido por el Dr. Rafael López Guzmán (U. Granada) y el Dr. Julio Navarro Palazón (CSIC) ARQUITECTURA DOMÉSTICA TARDOANDALUSÍ Y MORISCA: APROXIMACIÓN AL MODELO DE FAMILIA Y A SU PLASMACIÓN EN LA ARQUITECTURA Y EL URBANISMO DE LOS SIGLOS XIII AL XVI Granada, 2008 La finalidad (al-mutammima) es aquello por lo que el agente (al-f×þila) realiza su acción con la materia (þun½ur), como preguntarse ¿para qué hacer una copa?, y se responde, para beber, o como la casa (bayt) que construye el albañil (al-bann×ÿ), ¿para qué la hace?: para que sea habitada; la causa de la edificación (buny×n) de una casa son sus moradores al servicio de los cuales se construye; es la causa final por la que se realiza esa acción. IBN ©AZM, “al-Radd þalà l-Kind÷ al-faylasýf”, en Ras×ÿil Ibn ©azm al-Andalus÷, ed. de I¬s×n þAbb×s, Beirut, Muÿassasat al-þArabiyya li-l-Dir×s×t wa-l-Na¹r, 4 v., 1980-1983, vol. IV, p. 389. Y Dios os ha dado habilidad para construir vuestras casas como lugares de descanso, y os ha dotado de destreza para hacer viviendas con pieles de animales –fáciles de manejar cuando viajáis y cuando acampáis-. Qur'an: Sura 16. La Abeja, 80. La honra para unos está Dentro de una… Para otros está Encadenada… a… Una cama, a una cocina,… Unos y otros No saben ni lo que es LA HONRA Porque nunca han estado Sólo en una cama, En una cocina,… Ni en una mujer.
    [Show full text]
  • APUNTES-ALCAZAR-15-BAJA.Pdf
    AS A S N , AS A S 1 2 Apuntes del Alcázar de Sevilla PRESIDENTE D. Juan Ignacio Zoido Álvarez PRIMER TENIENTE DE ALCALDE DELEGADO DE RELACIONES INSTITUCIONALES D. Javier Landa Bercebal DIRECTOR D. Jacinto Pérez Elliott CONSEJO ASESOR D. Javier Landa Bercebal D. Manuel del Valle Arévalo D. Ángel Díaz del Río Hernando D. David Marín García EDITA: Patronato del Real Alcázar y de la Casa Consistorial Patio de Banderas s/n 41004 Sevilla Telf.: 95 450 23 24 / Fax: 95 450 20 68 www.patronato-alcazarsevilla.es [email protected] COLABORADORES DEL NÚMERO 15: Miguel Ángel Tabales Rodríguez, Cristina Vargas Lorenzo, María Dolores Robador, Rocío Campos de Alvear, Pedro M. Martínez Lara, Mª Isabel Baceiredo Rodríguez, Juan Carlos Pérez Ferrer, Sebastián Fernández Aguilera, Inmaculada Ramírez López, Sergio Rodríguez Estévez, María Salas Mendoza Muro, Francisco José Pazos García, Juan Alberto Romero Rodríguez, Luis Medardo Fernández Arche. DISEÑO, PRODUCCIÓN Y EDICIÓN: ARTS&PRESS FOTOGRAFÍAS: Arts&Press y Autores FOTOGRAFÍA DE PORTADA: Juana María Ruiz Montero TRADUCCIÓN: Olivia Puntas Badder ISSN: 1578-0619 IMPRIME: Tecnographic S. L. Depósito Legal: SE-1196/2000 Nº 15, 2014 3 SUMARIO 9. 61. ARQUEOLOGÍA RESTAURACIÓN LA ARQUEOLOGÍA RESTAURACIÓN DE LA PUERTA DE MARCHENA EN EL ALCÁZAR DE SEVILLA DEL REAL ALCÁZAR DE SEVILLA NUEVOS ESTUDIOS EN EL RECINTO PRIMITIVO RESPETO A LA HUELLA DEL TIEMPO E INVESTIGACIONES DERIVADAS DE HALLAZGOS CASUALES (2012-2104) María Dolores Robador Miguel Ángel Tabales Rodríguez Cristina Vargas Lorenzo. 131. 147. RESTAURACIÓN CONSERVACIÓN LOS ALFARJES DERECHO E IZQUIERDO COLOCACIÓN DE ZÓCALO SOBRE DEL VESTÍBULO DEL PALACIO BAJO DE PEDRO I AUTOPORTANTE EN EL VESTÍBULO DEL PALACIO EN EL REAL ALCÁZAR DE SEVILLA DEL REY DON PEDRO I Juan Carlos Pérez Ferrer Inmaculada Ramírez López Sebastián Fernández Aguilera 4 Apuntes del Alcázar de Sevilla 87.
    [Show full text]
  • Spanish-Colonial Architecture in Mexico
    >* 111 111 11 I 111 SPANISH COLONIAL ARCHITECTURE IN MEXICO. THIS GOMEZ DE MORA EDITION OF SPANISH-COLONIAL ARCHITECTURE IN MEXICO IS LIMITED TO ONE HUNDRED AND FIFTY NUMBERED AND REGISTERED COPIES OF WHICH THIS IS NUMBER *3 SPANISH-COLONIAL ARCHITECTURE IN MEXICO BY SYLVESTER BAXTER WithPhotographicPlates by HENRY GREENWOOD FEABOEV andPlans by BERTRAM GROSVENOR GOODHUE BOSTON Published by J.B.MILLET. MCMI Copyright, 1902, By Art Library Publishing Company, J. B. Millet, Proprietor. TO THE MEMORY OF FREDERIC EDWIN CHURCH AND OF CHARLES DUDLEY WARNER THIS BOOK IS AFFECTIONATELY DEDICATED. TABLE OF CONTENTS. CHAPTER PAGE I. ARCHITECTURAL CHARACTER i I. Colonial Architecture in North America 2 II. Organic Character ; Concentration of Ornament 5 III. Spanish Qualities and their Relation to Local Environment ... 6 IV. Mexico a Land of Domes 10 V. Glazed Tile in Polychrome Decoration of Surfaces 14 VI. Character of Ornament 14 VII. The Indigenous Influence; Native Artist-Artisans 18 VIII. Construction and Style 23 IX. The Renaissance in Mexico 24 X. TheTwoDominantStvi.es; Spanish Baroque and the Churkigl krksquk 26 XI. The Churrigueresque — Magnificent, though Debased, It has Decided Merits 2S XII. A Mexican Appreciation of the Churrigukresque 31 XIII. Various Characteristics, General and Specific 36 XIV. The Architects of Mexico 4° II. DECORATIVE SCULPTURE 43 III. DECORATIVE PAINTING 60 I. The Earlier Painters 63 II. A Decadence 69 III. The Influence of Murili.o 72 IV. Last Masters of the Mexican Schooi 77 IV. THE CATHEDRAL OF MEXICO AND THE SAGKARIO MFTROPOLITANO 87 I. The Cathedral Interior 94 II. The Sagrario Metropoi.itano 102 V.
    [Show full text]
  • La Alcazaba De Onda En El Contexto De Los Palacios- Fortaleza Musulmanes
    LA ALCAZABA DE ONDA EN EL CONTEXTO DE LOS PALACIOS- FORTALEZA MUSULMANES TRABAJO DE 3º DE GRADO Mª Dolores Llopico Cerdá 3º A Curso 2013-2014 LA ALCAZABA DEL CASTILLO DE ONDA Mª Dolores Llopico Cerdá ÍNDICE . EL ESPACIO FÍSICO ……………………….………………………… 2 . EL RELIEVE …………..……………………………………..… 2 . EL CLIMA ..…………………………...……………………..….. 3 . HIDROGRAFÍA ……………………..……………...……… 3 . LA VEGETACIÓN NATURAL ………………………………… 4 . EL ESPACIO TEMPORAL …………………………...…………….… 6 . PREHISTORIA …………………………………………….. 6 . LAS COLONIZACIONES. FENICIOS Y GRIEGOS ……….. 8 . LA CULTURA IBÉRICA………………………………………. 9 . LA ROMANIZACIÓN EN ONDA ……………………………… 10 . ÉPOCA PALEOCRISTIANA Y VISIGÓTICA …………..…… 11 . ONDA MUSULMANA ……………………………………. 13 . XARQ AL-ANDALUS: LA VALENCIA MUSULMANA ……. 13 . LA CONQUISTA DE “EL CID” (1094-1002) ……………….. 15 . IMPERIO ALMORÁVIDE (1086-1143) ……………………. 15 . IMPERIO ALMOHADE (1145-1238/1273) ………………… 16 . EL FIN DEL DOMINIO MUSULMÁN EN VALENCIA ……….16 . LA CONQUISTA CRISTIANA, S.XIII ……………………….. 25 . SIGLO XIV ……………………………………………………… 30 . SIGLO XV ………………………………………………………. 31 . SIGLO XVI ……………………………………………………… 31 . SIGLO XVII …………………………………………………….. 34 . SIGLOS XVIII –XIX ………………………………………...…. 35 . SIGLO XIX ……………………………………………………… 37 . SIGLO XX ………………………………………………………. 42 . LAS EXCAVACIONES EN LA ALCAZABA………………………… 43 . DESCRIPCIÓN DEL PALACIO ………………………...……. 44 . CRONOLOGÍA Y CONTEXTO HISTÓRICO ………………. 52 . IMÁGENES DE UNA RECONSTRUCCIÓN VIRTUAL DE LA ALCAZABA …………………..……………………………….. 55 . CASTILLO DE ONDA ………………….……………………… 58 . ALGUNAS APORTACIONES DEL SIMPOSIO INTERNACIONAL………………………………………………………
    [Show full text]
  • Tropical Mudejar: Mosque-Type Chapels in Mexico and Their Role in Early Spanish America
    American University in Cairo AUC Knowledge Fountain Theses and Dissertations 6-1-2017 Tropical Mudejar: Mosque-type chapels in Mexico and their role in early Spanish America. Luis Carlos Barragan Castro Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Barragan Castro, L. (2017).Tropical Mudejar: Mosque-type chapels in Mexico and their role in early Spanish America. [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/692 MLA Citation Barragan Castro, Luis Carlos. Tropical Mudejar: Mosque-type chapels in Mexico and their role in early Spanish America.. 2017. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/692 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences Tropical Mudejar: Mosque-type Chapels in Mexico and their role in early Spanish America. A Thesis Submitted to The Department of Arab and Islamic Civilizations In Partial Fulfillment of the Requirements For the Degree of Master of Arts By Luis Carlos Barragán Castro. Under the supervision of Dr. Ellen Kenney May 2017 The American University in Cairo DEDICATION For Sara Ahmed. ACKNOWLEDGEMENTS This thesis wouldn´t be possible without the help of Laura Rodriguez, who sent me a copy of Hernan Taboada’s La sombra del islam en la conquista de America, a book that gave me all the initial information to get started.
    [Show full text]
  • An Islamicate History of the Alcazar of Seville: Mudejar Architecture and Andalusi Shared Culture (1252-1369 CE)
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Summer 8-7-2018 An Islamicate History of the Alcazar of Seville: Mudejar Architecture and Andalusi Shared Culture (1252-1369 CE) John Sullivan Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Sullivan, John, "An Islamicate History of the Alcazar of Seville: Mudejar Architecture and Andalusi Shared Culture (1252-1369 CE)." Dissertation, Georgia State University, 2018. https://scholarworks.gsu.edu/history_diss/67 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. AN ISLAMICATE HISTORY OF THE ALCAZAR OF SEVILLE: MUDÉJAR ARCHITECTURE AND SHARED ANDALUSI CULTURE (1252-1369 CE) by JOHN F. SULLIVAN Under the Direction of Allen Fromherz, PhD ABSTRACT At the height of the Reconquista c. 1340 CE, Christian King Alfonso XI of Castile-León constructed a new throne room to commemorate his victory over Muslim forces from neighboring Granada and North Africa. The throne room called the Sala de la Justicia (Hall of Justice) was built almost entirely in the Mudéjar style, a style that looked Islamic in nature and included inscriptions in Arabic, several referencing the Qur’an, but predominantly intended for non-Muslims. The construction of this throne room in the Alcazar of Seville, a palace built by the Muslims and later used as the royal residence for the conquering Christians, has puzzled scholars due to its clearly Islamicate design being used in a new construction by a Christian ruler against a backdrop of the Crusades and the Reconquista in Spain.
    [Show full text]
  • Recuerdos De La Alhambra. Expresiones Orientalistas En La Arquitectura De Torreón
    Recuerdos de la Alhambra. Expresiones orientalistas en la arquitectura de Torreón. Introducción La identidad de una ciudad también se encuentra en la arquitectura. De esa manera, las construcciones, los materiales empleados y los estilos, reflejan una historia de cómo los personas han construido las ciudades. La arquitectura permite leer esas historias. A través de las huellas materiales, se muestran la manera estilos, formas y gustos, pero también, influencias del pasado. En México existe una profunda tradición de orientalista en su arquitectura. Más todavía, se adoptó durante la colonia, un gusto por el mudéjar, que nos llegó directamente de España. Así llegamos a dos raíces: la hispana y la musulmana. Aunque el mudéjar fue un estilo histórico que floreció entre los siglos XIII y XV en España, su influencia siguió vigente. No sólo por las técnicas constructivas que se exportaron a las colonias españolas. También, por los modernismos que retomaron e incorporaron gustos orientalistas. En Torreón, una ciudad moderna que explica su auge económico en pleno porfiriato, reflejó en su arquitectura, sencillas formas basadas en estilos históricos de profunda tradición como el mudéjar. Por supuesto, no fue la único ciudad. Por el contrario, el fenómeno arquitectónico se reprodujo en otras ciudades como parte de una tendencia que utilizó estilos de otras épocas. Los rastros de esa influencia queda en Torreón y ciudades Laguneras de mayor raigambre como Lerdo y San Pedro de las Colonias. Desde el Museo Arocena se continúa una serie de exposiciones que buscan resaltar el orgullo y la identidad de la ciudad a través de la historia. En esta ocasión, a través de la arquitectura con estilos y gustos orientalistas.
    [Show full text]
  • Mudéjar Architecture and Its Historiography in Spain A
    IDIOSYNCRATIC NARRATIVES: MUDÉJAR ARCHITECTURE AND ITS HISTORIOGRAPHY IN SPAIN A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY MELTEM ÖZKAN ALTINÖZ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF HISTORY OF ARCHITECTURE APRIL 2013 Approval of the Graduate School of Social Sciences Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Prof.Dr. A.Güven Sargın Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree Doctor of Philosophy. Prof. Dr. Ali Uzay Peker Supervisor Examining Committee Members Prof. Dr. Ömür Bakırer (METU, RES) Prof. Dr. Ali Uzay Peker (METU, AH) Prof. Dr. M. Necati Kutlu (A.U, DTCF) Assoc. Prof. Dr. Z. Kenan Bilici (A.U, DTCF) Assist. Prof. Dr. Aylin Topal (ADM, METU) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Meltem Özkan Altınöz Signature : iii ABSTRACT IDIOSYNCRATIC NARRATIVES: MUDÉJAR ARCHITECTURE AND ITS HISTORIOGRAPHY IN SPAIN Özkan Altınöz, Meltem Ph.D., Department of History of Architecture Supervisor: Prof. Dr. Ali Uzay Peker April 2013, 391 pages The Iberian Peninsula has witnessed the emergence of an architectural style called Mudéjar, whose origin and practice is still subject to discussion.
    [Show full text]
  • Absorbing the Mudéjar: the Islamic Imprint on the Spanish Architectural Aesthetic
    Absorbing the Mudéjar: The Islamic Imprint on the Spanish Architectural Aesthetic By Eve Grinstead Student of Professor Dana Leibsohn, Ph.D. Smith College, Vol 4, Yr Northampton, MA 2009 One of the greatest pleasures of the Spaniards is to sit in the beautiful summer evenings, and listen to traditional ballads, and tales about the wars of the Moors and Christians, and the "buenas andanzas" and "grandes hechos," the "good fortunes" and "great exploits" of the hardy warriors of yore. It is worthy of remark, also, that many of these songs, or romances, as they are called, celebrate the prowess and magnanimity in war, and the tenderness and fidelity in love, of the Moorish cavaliers, once their most formidable and hated foes. - Washington Irving, Recollections of the Alhambra Irving’s words justly express both the multifaceted history of the Iberian Peninsula and the close rapport between some of its many civilizations throughout time. The geographical placement of this landmass situates it at the threshold of Europe and Africa, two of the most dynamic continents of the Early Modern Era. It is thanks in part to these cultural crossroads that the culture of modern-day Spain has more exotic resonances for foreigners than perhaps other European nations. A great deal of these seemingly "Spanish" characteristicsare rooted not in Spain’s Catholic and European ancestry, but rather in its history of interaction with the Romans, Visigoths, and various Muslim dynasties. Some traits are faithful examples of an Islamic influence, since they are original mosques, palaces, and other buildings or monuments that exist to this day.
    [Show full text]
  • III. Dossier Destrucción, Pérdida Y Extrañamiento Del Patrimonio Arquitectónico Valenciano: Desde La Guerra Del Francés Hasta La Democracia
    III. Dossier Destrucción, pérdida y extrañamiento del patrimonio arquitectónico valenciano: Desde la Guerra del Francés hasta la Democracia A cargo de Francisco Javier Delicado Martínez Doctor en Historia del Arte Universitat de València-Estudi General 395 B 396 Destrucción, pérdida y extrañamiento del patrimonio arquitectónico valenciano: Desde la Guerra del Francés hasta la * Democracia Francisco Javier Delicado Martínez D o c t o r e n H i s t o r i a d e l A r t e Departament d'Història de l´Art Universitat de València - Estudi General RESUMEN El patrimonio cultural valenciano ha venido sufriendo en las dos últimas centurias (XIX y XX) una considerable pérdida, debido a guerras (del Francés, carlistas y civil española de 1936-1939), desamortizaciones (Mendizábal y Madoz), derribos incontrolados, ventas fraudulentas de obras de arte y expolios. Fue la arquitectura monu- mental la mayormente afectada por esta lacra, particularmente los monasterios y conventos exclaustrados, lo que derivaría en la destrucción de una parte muy importante del patrimonio de las órdenes religiosas, y en la dispersión de sus bienes artísticos, siendo claro ejemplo la cartuja de Valldecrist, el monasterio cisterciense de Santa María de la Valldigna y el monasterio jerónimo de la Murta), lugares donde sus propietarios hicieron leña del árbol caído; y un centenar de cenobios franciscanos, capuchinos y carmelitas emplazados en Segorbe, Sagunto, Xàtiva y Orihuela, muchos de ellos arruinados o desaparecidos No le anduvieron a la zaga los palacios nobiliarios como los de mosén Sorell, Pinohermoso o Centelles, algunos de cuyos elementos arquitectónicos (portadas, columnas, frisos y artesonados) fueron extrañados a Europa y América por coleccionistas y comerciantes acaudalados.
    [Show full text]
  • Cathedral Cities of Spain
    i I i GIFT OF ill CATHEDRAL CITIES OF SPAIN •"XT ' . ..-.'. • • ,: . .*" . * . -* .. i.. , . ::..L-!L-: . .. i^?Fy-^ •"..^v fa»^&.* i -i SANTIAGO. So;(//; Door of the Cathedral. ) 7^ CATHEDRAL CITIES OF SPAIN BY W. W. COLLINS, R. L ILLUSTRATIONS BY THE AUTHOR NEW YORK DODD, MEAD AND COMPANY 1909 > > J ', > ' ) ' ) ) , >' > '0 3 ' ' '.'> "','^ ;> :: Copyright, igoQ, By Dodd, Mead and Company Published October, 1909 'q'~U-w«w-^ « • « « « « PAIN, the country of contrasts, of races dif- fering from one another in habits, customs, and language, has one great thing that welds it into a homogenous nation, and this is its Religion. Wherever one's footsteps wander, be it in the progressive provinces of the north, the mediaevalism of the Great Plain, or in that still eastern portion of the south, Andalusia, this one thing is ever omnipresent and stamps itself on the memory as the great living force throughout the Peninsula. In her Cathedrals and Churches, her ruined Monas- teries and Convents, there is more than abundant evi- dence of the vitality of her Faith; and we can see how, after the expulsion of the Moor, the wealth of the na- tion poured into the coffers of the Church and there centralised the life of the nation. In the mountain fastnesses of Asturias the churches of Santa Maria de Naranco and San Miguel de Lino, [v] PREFACE dating from the ninth century and contemporary with San Pablo and Santa Cristina, in Barcelona, are the earliest Christian buildings in Spain. As the Moor was pushed further south, a new style followed his retreat- ing steps; and the Romanesque, introduced from over the Pyrenees, became the adopted form of architecture in the more or less settled parts of the country.
    [Show full text]