Granada Master
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Un Ecce Homo De Diego De Siloe
UN ECCE HOMO DE DIEGO DE SILOE María José Redondo Cantera y Miguel Angel Zalama Durante los nueve años transcurridos desde la vuelta de Diego de ^loe ^ gos, después de su estancia en Italia, hasta su instalación definitiva en Granada en 1528, la labor de este artista debió de ser fecunda. Sin embargo, no son muc las obras que se conozcan en las que interviniera, máxime cuando sa emos que en la ciudad castellana estaba asociado con su hermano Juan, también «ma^tro e yma ginería», y que ambos estaban al frente de un taller donde trabajaban menos o os dos colaboradores'. , .. _ Al regresar a la capital burgalesa, Diego de Siloe se encontró con un am en el que el peso de la tradición medieval comenzaba a ser desp aza o por a in ducción de un Renacimiento epidérmico, y con un mercado artístico presidido por el gran prestigio de que gozaba Felipe Bigamy entre la clientela e esta y e ^ras ciudades^. Por tales motivos Diego de Siloe pasaría largos perío os era e ur gos -en 1521-22 se encontraba en Jaén dando trazas para su catedral - en busca o al servicio de comitentes más proclives al gusto auténticamente renaciente que él traía de primera mano. Estos alejamientos de su ciudad natal permiünan explicar las obras relativamente escasas que incluso en los catálogos más amp ios se a s criben al artista en su etapa burgalesa. No obstante, debió de tener mas encargos • ZALAMA, Miguel Angel: «Diego y Juan de Siloe. Un dato para su biografía», B.S.A.A., t. -
Best Local History & Culture in Granada
"Best Local History & Culture in Granada" Erstellt von : Cityseeker 5 Vorgemerkte Orte El Palacio de los Olvidados "Retelling Jewish History" Palacio de los Olvidados documents the rough history of Sephardic Jews (the Jewish community of Spain), their exile from the country, or the choice of losing lives over exile. The chronology is well-presented, and the display spurs strong emotions. The museum also hosts other forms of story-telling, such as the Spanish Flamenco dance, dramatically by Jebulon demonstrating the skirmish of the bygone era. There are also musical concerts and and plays. Palacio de los Olvidados is worth a visit for a glance in this historic time. +34 958 10 0840 palaciodelosolvidados.co palaciodelosolvidados@gm Cuesta de Santa Inés 6, m/ ail.com Granada Museo de la Alhambra "Art from the Alhambra" Come here directly after visiting the Nasrid Palaces on your tour of the Alhambra. It'll help you to bring the place to life. You'll find an interesting collection of furniture, pottery, money, clothing, scientific instruments and other objects that were used as part of daily life in the palaces during the 13th, 14th and 15th centuries. The fabulous blue and gold ceramic Jarre by dailyinvention las Gacelas, or Alhambra Vase, is the showpiece item. You'll find it on the ground floor of Palacio de Carlos V (Carlos V's Palace). +34 958 027 971 www.alhambra-patronato.es/index. Calle de Real de Alhama, (Palacio de php/Museo-de-la-Alhambra/68/0/ Carlos V), Granada Casa Museo Manuel de Falla "Visit the Composer's House" For 20 years the internationally famous composer, Manuel de Falla lived and worked in this lovely old Moorish-style house in the Antequeruela district, on the eastern slopes of the Alhambra hill. -
GRANADA SPAIN Travel Guide
GRANADA SPAIN Travel Guide BY CANDACE ELIZABETH FYKES Granada Spain Travel Guide By Candace Elizabeth Fykes for Travel Inspires Oh, Granada! Of all the cities and pueblos on But whether you stay in Granada for three the Iberian Peninsula, this one may be the days or a month, here are the sites you simply most Spanish—and I mean that in the best must see! way possible. The city shares its name in Spanish with the pomegranate. And much like 1. Granada Cathedral the fruit, the city has a tough exterior. But its insides are lush and delicious. Commissioned by Queen Isabella 1523, at the Granada Cathedral is a masterpiece of the Spanish Renaissance style and a physical embodiment to the triumphant will of the Catholic Kings. For many of us extranjeros (foreigners), Granada’s As the fourth largest cathedral in the world, it beauty and architecture are what many of us was the crowning glory of the Reconquista or imagine when we think of Spain. From its origins as a small Iberian settlement in the 5th century BC to re-Christianisation of Spain. As Granada was the seat of the last Moorish stronghold, this city has the last of the Muslim strongholds on the been charming every inhabitant and passerby, and Peninsula, Queen Isabella wanted to mark tourist for centuries. Just ask Washington Irving. the success of the Reconquista in Grand Fashion. Like most of Spain, the city has had many lives. But in my humble opinion, Granada has the best evidence of its spectacular past--the Moorish Palace of Alhambra. -
Capileira Medium
GR-7 Busquístar - Capileira Medium This section of the GR-7 long-distance walking path goes through the Easy heart of the Alpujarras. Make your way through the orchards, terraces and open countryside between Medium Key Facts the picturesque white villages of Length 11.5 km Busquístar, Pórtugios, Atalbéitar, Pitres, ISCLAIMER: While we Time 3 h 30 mins D have made every Capilerilla and Capileira. There are plenty effort to ensure that this Min/Max Altitude 1139 m /1583 m information is accurate, of places along the way to stop for a Accumulated height 612 m asc / conditions can change, and difference 301 m desc you are responsible for drink or a snack. As you near Capileira your own safety. you get some spectacular views of the Season All year Note: Distances and timings are one-way. Sierra Nevada. N Keep right © INSTITUTO GEOGRÁFICO NACIONAL DE ESPAÑA, Original Scale 1:25,000 1. From the church in 4. At the next farmhouse (after a further and follow it round to the right. At the T- Busquístar, head uphill 250m), keep right, skirting round the edge junction, turn left and immediately cross towards the main road, of a field. the road to playground/ and turn left along it. 5. At the end of the path, turn left then viewpoint on the other side. 2. After about 300m, take right onto the main road. Follow this for 8. Just after the viewpoint, the track turning off to the about 500m. take the turning down to the right (marked with GR-7 post 6. -
Turismo De Granada
of Granada of l, 95, Granada 95, l, a bi a Ar lle a C 22, Granada 22, - 20 en, rg i V la de era r Car . n io t o m o pr is h t n i g n cipati i t r pa l a bi a Ar l a ci r Come o r Cent Street Map Map Street S. D BRAN 3.000 THAN MORE AND l Genil l a ci r Come o r Cent s s ment t ar p de d n a s n io t c ri t s e r er h t o r o f e tor S in ck e Ch acilities F e r o t In-S , HEAD, NIKE... HEAD, , T A ABOL B AS, D ADI Granada D UN F RE L A G U T R PO & N I A P S , , ER IG F L I H Y OMM T UREN, A L RALPH , K HAR S & UL A P Ciudad de de Ciudad AX S E R O T S T N E M T R A P E D T A D ORS, K MICHAEL OEWE, L TE, S O C A L Plano Plano S, S, S BO HUGO , T CKET A H S, S GUE A, D A C ES VIN KLEIN, CHANEL, DIOR, DIOR, CHANEL, KLEIN, VIN L A C ARMANI, s e . es l ng ei t r co l e . w ww 3 Bars and Restaurants and Bars hases c r pu wing o oll f e r o-measu t made- Men´s our our y in lance a b the edeem r and shopping A N S R E V O L G N I P P O H S R O F our our y f o lue a v the f o 10% e t ccumula A e g han c de eau r Bu ents v e ailor-made T ogram r p ery v Deli D AR W RE 0 1 ff a st l a Multilingu % ee shopping ee r Handsf A GR S CE I V R E S ARE C D ORE L I A T . -
NIT 2011 Natural Information Technologies
NIT 2011 Natural Information Technologies Madrid, october 4th – 7th Organizers ITHEA International Scientific Society Universidad Politécnica de Madrid (Spain) Institute of Mathematics and Informatics, Bulgarian Academy of Sciences (Bulgaria) Institute of Information Theories and Applications FOI ITHEA (Bulgaria) Institute for Informatics and Automation Problems, Armenian Academy of Sciences (Armenia) Association of Developers and Users of Intelligent Systems (Ukraine) Dorodnicyn Computing Centre of the Russian Academy of Sciences (Russia) Spanish Network on Biomolecular and Biocellular Computing (Spain) Conference Venue: Escuela Universitaria de Informática Crta. De Valencia Km. 7, 28031 Madrid http://www.foibg.com/conf/ITA2011/2011nit.htm NIT 2011 4th - 7th October 2011 PRELIMINARY PROGRAM Tuesday 4th 15:00 to 17:00 Registration Wednesday 5th FIRST SESSION – Moderator: Fernando Arroyo Montoro 10:00 – 10:30 Opening Session 10:30 – 11:30 Invited Speaker: Mario de J. Pérez Jimenez (Universidad de Sevilla, Spain) MEMBRANE SYSTEMS: A BIO-INSPIRED COMPUTING MODELLING FRAMEWORK Membrane systems provide a high level computational modeling framework which integrates the structural and dynamical aspects of biological phenomena in a compressive and relevant way. The inherent randomness, external noise and uncertainty in those phenomena are captured by using stochastic and probabilistic strategies. Rather than being an alternative to more classical modeling frameworks, like ordinary differential equations, membrane systems constitute a complementary approach to be used when the classical modeling approaches fail to specify and simulate certain population’s biology correctly. In this talk, a membrane system based general framework for modeling the dynamics of population biology computationally is presented, and some applications to phenomena at micro (quorum sensing) and macro (real ecosystem) levels are described. -
Guide of Granada
Official guide City of Granada 3 Open doors To the past. To the future. To fusion. To mix. To the north. To the south. To the stars. To history. To the cutting edge. To the night. To the horizon. To adventure. To contemplation. To the body. To the mind. To fun. To culture. Open all year. Open to the world. Welcome The story of a name or a name for history 5TH CENTURY B.C.: the Turduli founded Elybirge. 2ND CENTURY B.C.: the Romans settled in Florentia Iliberitana. 1ST CENTURY: according to tradition, San Cecilio, the patron saint of the city, Christianised Iliberis. 7TH CENTURY: the Visigoths fortified Iliberia. 8TH CENTURY: the Arabs arrived in Ilvira. 11TH CENTURY: the Zirids moved their capital to Medina Garnata. 15TH CENTURY: Boabdil surrendered the keys of Granada to the Catholic Monarchs. Today, we still call this city GRANADA which, over its 25 century–history, has been the pride of all those who lived in it, defended it, those who lost it and those who won it. 25 centuries of inhabitants have given the city, apart from its different names, its multicultural nature, its diversity of monuments, religious and secular works of art, its roots and its sights and sounds only to be found in Granada. Iberians, Romans, Arabs, Jews and Christians have all considered this Granada to be their own, this Granada that is today the embodiment of diversity and harmonious coexistence. Since the 19th century, Granada has also been the perfect setting for those romantic travellers that had years on end free: the American Washington Irving, with his Tales of the Alhambra (1832), captivated writers, artists and musicians of his generation, telling them about that “fiercely magnificent” place that also fascinated Victor Hugo and Chateaubriand. -
Manifiesto De La Alhambra English
Fernando Chueca Goitia and others The Alhambra Manifesto (1953) Translated by Jacob Moore Word Count: 2,171 Source: Manifiesto de la Alhambra (Madrid, Dirección General de Arquitectura, 1953). Republished as El Manifiesto de la Alhambra: 50 años después: el monumento y la arquitectura contemporánea, ed. Ángel Isac, (Granada: Patronato de la Alhambra y Generalife, Consejería de Cultura, Junta de Andalucía : Tf Editores, 2006) 356-375. We, the signers of this Manifesto, do not want to be pure iconoclasts, for we are already too weary of such abrupt and arbitrary turns. So people will say: “Why the need for a Manifesto, a term which, almost by definition, implies a text that is dogmatic and revolutionary, one that breaks from the past, a public declaration of a new credo?” Simply put, because reality, whose unequivocal signs leave no room for doubt, is showing us that the ultimate traditionalist posture, which architecture adopted after the war of Liberation, can already no longer be sustained and its tenets are beginning to fall apart. […] Today the moment of historical resurrections has passed. There is no use denying it; just as one cannot deny the existence of the Renaissance in its time or that of the nineteenth century archaeological revivals. The arts have tired of hackneyed academic models and of cold, lifeless copies, and seek new avenues of expression that, though lacking the perfection of those that are known, are more radical and authentic. But one must also not forget that the peculiar conditions implicit in all that is Spanish require that, within the global historical movement, we move forward, we would not say with a certain prudence, but yes, adjusting realities in our own way. -
A Critical Bibliography of the Theatre of Federico García Lorca, 1940-1970
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1973 A critical bibliography of the theatre of Federico García Lorca, 1940-1970. Dennis A. Klein University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Klein, Dennis A., "A critical bibliography of the theatre of Federico García Lorca, 1940-1970." (1973). Doctoral Dissertations 1896 - February 2014. 2686. https://scholarworks.umass.edu/dissertations_1/2686 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A CRITICAL BIBLIOGRAPHY OF THE THEATRE OF FEDERICO GARCIA LORCA: 19^0 THROUGH 1970 A Dissertation Presented By Dennis A. Klein Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY June 1973 Hispanic Languages and Literatures (C) Dennis A. Klein f^73 All Rights Reserved A CRITICAL BIBLIOGRAPHY OF THE THEATRE OF FEDERICO GARCIA LORCA; 19^ THROUGH 1970 A Dissertation By Dennis A. Klein Approved as to style and content by: Professor Sumner •rofessor Harold L. Boudreau June 1973 Iv For My Parents And for Jordan V acknowledgments Since it is impossible to acknowledge all of the faculty and staff members, relatives and friends who have seen me through my years of graduate studies and through this dissertation, I shall limit myself to five faculty members of the University of Massachu- setts: Professor Blanche DePuy and Professor David Lenson for their time and suggestions; Professor Sumner M. -
Functionalism and Caprice in Stonecutting. the Case of the Nativity Chapel in Burgos Cathedral
Proceedings of the Third International Congress on Construction History, Cottbus, May 2009 Functionalism and Caprice in Stonecutting. The Case of the Nativity Chapel in Burgos Cathedral Miguel Ángel Alonso Rodríguez, Ana López Mozo, José Carlos Palacios Gonzalo, Enrique Rabasa Díaz Technical University of Madrid, Spain José Calvo-López Polytechnic University of Cartagena, Spain Alberto Sanjurjo Álvarez San Pablo-CEU University, Madrid, Spain ABSTRACT: Starting from the inaugural text of Philibert de L'Orme, stereotomic treatises and manuscripts are subject to the opposing forces of reason and fancy. The Nativity Chapel in Burgos Cathedral provides an outstanding case study on this subject. It was built in 1571-1582 by Martín de Bérriz and Martín de la Haya, using an oval vault resting on trumpet squinches to span a rectangular bay. Bed joints and rib axes are not planar curves, as usual in oval vaults. This warping is not capricious; we shall argue that it is the outcome of a systematic tracing method. As a result of this process, the slope of the bed joints increases slightly in the first courses, but stays fairly constant after the third course; this solution prevents the upper courses from slipping. Thus, in the Nativity Chapel of Burgos Cathedral, the constraints of masonry construction fostered a singular solution verging on capriccio. It is also worthwhile to remark that the warping of the joints is not easily appreciable to the eye and that the tracing process does not seem to start from a previous conception of the resulting form. All this suggests that we should be quite careful when talking about the whimsical character of Late Gothic and Early Renaissance; in some occasions, apparent caprice is the offspring of practical thinking. -
3 Bed Apartment for Sale €120,000 Alhama De Granada, Granada, Spain Ref: 418020
3 Bed Apartment For Sale €120,000 Alhama De Granada, Granada, Spain Ref: 418020 * On Market * 3 Beds * 2 Baths Modern, fully centrally heated 3 bed apartment with stunning views, elevator and private parking in the 'El Mirador' area of Alhama de Granada. Located on the 1st floor of this beautifully maintained small apartment block with an elevator and privated par Property Type: Apartment Bedrooms: 3 Bathrooms: 2 Reference: 418020 Build/Unit: 120 sq m UK, Spain, Villamartin and Portugal Offices https://www.girasolhomes.com/ For full office details please refer to the contact page on the website Property Description Modern, fully centrally heated 3 bed apartment with stunning views, elevator and private parking in the 'El Mirador' area of Alhama de Granada. Located on the 1st floor of this beautifully maintained small apartment block with an elevator and privated parking spaces the apartment benefits from full natural gas central heating, double glazing, a modern fitted kitchen with small patio off, 3 double bedrooms with master en-suite plus separate family bathroom. Nicely laid out the apartment has a bright entrance hallway with the large open plan lounge/dining room which is dual aspect with stunning views of the Sierra Tejeda mountains. All three double bedrooms have large windows with amazing views over the town of Alhama de Granada which is to the east which allows the morning sun to flood into each bedroom. Central heating and hot water provided by natural gas combi boiler and all windows are double glazed making this truly a comfortable all year around home or investment holiday let. -
INFOPACK 13 -20Th of July, 2017. Íllora (Granada), Spain
INFOPACK YE The Fact. 13th-20th of July, 2017. Íllora (Granada), Spain 1 Dear Partners, dear Friends! Nowadays creativity is one of the most required skill on the labour market, it is useful and needed in many areas of job positions and areas like project management, risk management, planning future and career, team work, work under the stressful situation, critical thinking… Formal education very often forgets about development of creativity potential, even if it is so important. That is why even if creativity is a natural skill which just needs to be find and develop, very often is notice like a talent or rare skill. We would like to increase knowledge about creativity as a natural skill and show the ways how it can be develop and use at the labour market, especially in an intercultural environment. That is why, thanks to this youth exchange we would like: - To show that creativity potential is natural competence and can be develop as a natural human skill, increasing the belief of each participant in own creativity potential and its power. - To learn how to use creativity potential at the labor market, focused in intercultural environments. - To learn how to use tools of creativity at labor areas like critical thinking process and collaborative problem solving process. - To provide an individual and group learning experience through a practical process and experimentation, enabling participants to reflect on their learning process and learn more about Youthpass. - To provide a broad introduction to Erasmus + in the part of youth. 2 Who we are Somos La Otra was founded for a group of people with a long experience working in youth and social issues as a platform of project development.