Arquitectura Doméstica Tardoandalusí Y Morisca

Total Page:16

File Type:pdf, Size:1020Kb

Arquitectura Doméstica Tardoandalusí Y Morisca ALEJANDRO PÉREZ ORDÓÑEZ CONSEJO SUPERIOR DE INVESTIGACIONES CIENTÍFICAS (CSIC) ESCUELA DE ESTUDIOS ÁRABES LABORATORIO DE ARQUEOLOGÍA Y ARQUITECTURA DE LA CIUDAD (LAAC) TRABAJO DE INVESTIGACIÓN TUTELADA Codirigido por el Dr. Rafael López Guzmán (U. Granada) y el Dr. Julio Navarro Palazón (CSIC) ARQUITECTURA DOMÉSTICA TARDOANDALUSÍ Y MORISCA: APROXIMACIÓN AL MODELO DE FAMILIA Y A SU PLASMACIÓN EN LA ARQUITECTURA Y EL URBANISMO DE LOS SIGLOS XIII AL XVI Granada, 2008 La finalidad (al-mutammima) es aquello por lo que el agente (al-f×þila) realiza su acción con la materia (þun½ur), como preguntarse ¿para qué hacer una copa?, y se responde, para beber, o como la casa (bayt) que construye el albañil (al-bann×ÿ), ¿para qué la hace?: para que sea habitada; la causa de la edificación (buny×n) de una casa son sus moradores al servicio de los cuales se construye; es la causa final por la que se realiza esa acción. IBN ©AZM, “al-Radd þalà l-Kind÷ al-faylasýf”, en Ras×ÿil Ibn ©azm al-Andalus÷, ed. de I¬s×n þAbb×s, Beirut, Muÿassasat al-þArabiyya li-l-Dir×s×t wa-l-Na¹r, 4 v., 1980-1983, vol. IV, p. 389. Y Dios os ha dado habilidad para construir vuestras casas como lugares de descanso, y os ha dotado de destreza para hacer viviendas con pieles de animales –fáciles de manejar cuando viajáis y cuando acampáis-. Qur'an: Sura 16. La Abeja, 80. La honra para unos está Dentro de una… Para otros está Encadenada… a… Una cama, a una cocina,… Unos y otros No saben ni lo que es LA HONRA Porque nunca han estado Sólo en una cama, En una cocina,… Ni en una mujer. LAMIAE EL AMRANI: “Palabras”. Un suspiro inapreciable de una noche cualquiera. Poemas leídos en el Carmen de la Victoria (Albayzín, Granada) con motivo de su centenario (1907-2007). Para las palabras, nombres y expresiones árabes se ha seguido el sistema de transcripción de árabe a español de la revista Al-QanÐara: ق – q ا – ÿ ك – k ب – b ل – l ت – t م – m ث – £ ن – n ج – ¥ ه – h ح – ¬ و – w خ – j ي – y د – d ذ – ² no se transcribe (ء) hamza inicial ر – r ز – z a (en estado absoluto) y at = (ة) t×ÿ marbýÐa س – s (en estado constructo) ¹ – ش -al- (aun ante solares) y -l = (ال) Artículo ص – ½ precedido de palabra terminada en vocal ض – Å ط – Ð vocales = a, i, u (breves); ×, ÷, ý (largas) ظ – Þ diptongos = ay, aw ع – þ غ – g à = (ى) alif maq½ýra ف – f ARQUITECTURA DOMÉSTICA TARDOANDALUSÍ Y MORISCA: APROXIMACIÓN AL MODELO DE FAMILIA Y A SU PLASMACIÓN EN LA ARQUITECTURA Y EL URBANISMO DE LOS SIGLOS XIII AL XVI 1. INTRODUCCIÓN. OBJETIVOS Y METODOLOGÍA 7 2. LA VIVIENDA ANDALUSÍ. APROXIMACIÓN TIPOLÓGICA Y EVOLUTIVA. APORTACIONES DE LA ARQUEOLOGÍA 15 2.1. TIPOLOGÍAS RESIDENCIALES ANDALUSÍES: CASA-BLOQUE Y CASA-PATIO. 16 2.1.1. PARTES CONSTITUTIVAS DE LAS VIVIENDAS 25 2.1.1.1. Zaguán 25 2.1.1.2. Patio 30 2.1.1.3. Salón y alhanías 32 - Las alhanías 35 2.1.1.4. Pórticos y galerías 39 2.1.1.5. Cocina 41 2.1.1.6. Letrinas 42 2.1.1.7. Plantas altas (algorfas y almacerías) 44 2.2. EVOLUCIÓN HISTÓRICA DE LA ARQUITECTURA RESIDENCIAL EN AL-ANDALUS Y EL MAGREB. 46 2.2.1. ANTECEDENTES: LAS CASAS-PATIO MESOPOTÁMICAS, EGIPCIAS, GRIEGAS Y ROMANAS. 48 2.2.1.1. Ur y Babilonia 48 2.2.1.2. Egipto faraónico: las casas del señor y la señora 49 2.2.1.3. La casa-patio mediterránea en la Grecia clásica 50 2.2.1.4. La casa itálica y la domus romana: el atrium. 50 2.2.2. LA VIVIENDA ANDALUSÍ DESDE LOS ORÍGENES HASTA LOS NAZARÍES: EMIRATO, CALIFATO OMEYA, TAIFAS, ALMORÁVIDES, MARDANISÍES, ALMOHADES Y HUDÍES. 51 2.2.2.1. Ba¥¥×na (Pechina, Almería) 53 2.2.2.2. Mad÷nat al-Zahr×ÿ 55 2.2.2.3. Norte de África: A¹÷r, Sétif, Sedr×ta 59 2.2.2.4. Los reinos de taifas 61 - La Aljafería 61 - La Alcazaba de Málaga 63 - La Alcazaba de Almería 63 2.2.2.5. Los almorávides e Ibn Mardani¹ 66 - El Castillejo (Qasr Ibn Saþid) 66 - El palacio antiguo de Santa Clara de Murcia (D×r al-Sugrà) 68 - El palacio de Pinohermoso (Játiva) 68 2.2.2.6. Los almohades e Ibn Hýd 68 - La Buhayra de Sevilla 69 - El Alcázar de Sevilla 70 - El Garb al-Andalus 73 - El ³arq al-Andalus 75 - La Casa de Onda (Castellón) 81 2.2.3. MERINÍES: BELYOUNECH, QA½R AL-¼AG÷R Y CEUTA 82 2.2.4. NAZARÍES. 85 2.2.4.1. La Casa del Gigante (Ronda) 88 2.2.4.2. La casa del Cobertizo de Santa Inés 90 2.2.4.3. La Casa de Zafra 92 2.2.4.4. La casa de los Girones 94 2.2.5. LA VIVIENDA MORISCA. 96 2.2.5.1. La Casa de Yanguas 99 2.2.5.3. Las Casas del Chapiz 103 2.2.5.4. La casa del callejón de San Luis Alto 105 2.2.5.5. La casa morisca de calle Pardo 5 107 2.2.5.6. La casa morisca de la calle San Martín 109 2.2.5.7. La casa del Horno de Oro 110 3. LA CIUDAD ISLÁMICA Y ANDALUSÍ: SU FORMACIÓN Y EVOLUCIÓN 113 3.1. DE LA CIUDAD TARDOANTIGUA A LA CIUDAD ISLÁMICA. TRANSFORMACIONES URBANAS Y REUTILIZACIONES EN LAS CIUDADES CONQUISTADAS POR LOS MUSULMANES. 116 3.2. CIUDADES DE NUEVA PLANTA. AGENTES Y TIPOS DE PLANIFICACIÓN. 127 3.2.1. TIPOS DE PLANIFICACIÓN 129 3.2.1.1. Total o intensiva 131 3.2.1.2. Parcial 132 3.2.1.3. Mínima 135 4. LA VIVIENDA COMO CÉLULA CONSTITUTIVA DE LA CIUDAD ISLÁMICA. IMPLICACIONES URBANÍSTICAS DE LA ARQUITECTURA DOMÉSTICA EN LA CULTURA ÁRABE-ISLÁMICA 137 4.1. PROCESOS DE FORMACIÓN Y SATURACIÓN DE LOS ESPACIOS URBANOS RESIDENCIALES. 141 4.1.1. CRECIMIENTO EN ALTURA. 142 4.1.2. PARTICIÓN DE FINCAS 142 4.1.3. FORMACIÓN DE ADARVES. 143 5. RASGOS ANTROPOLÓGICOS DE LAS SOCIEDADES ISLÁMICAS 145 5.1. LA FAMILIA MUSULMANA. 146 5.1.2. EL SISTEMA DE PARENTESCO 147 5.1.3. LOS MODELOS MATRIMONIALES 148 5.1.4. EL PAPEL DE LA MUJER 152 5.1.4.1. Espacios femeninos en la arquitectura andalusí. 156 5.2. DE LA SOCIEDAD ANDALUSÍ A LA MORISCA. 162 5.3. FAMILIAS Y VIVIENDAS: LA FAMILIA ANDALUSÍ Y MORISCA DESDE LA ARQUEOLOGÍA Y LAS FUENTES TEXTUALES 167 6. CONCLUSIONES 169 7. AGRADECIMIENTOS 171 8. GLOSARIO 173 9. BIBLIOGRAFÍA 197 ARQUITECTURA DOMÉSTICA TARDOANDALUSÍ Y MORISCA (SS. XIII-XVI) 1. INTRODUCCIÓN. OBJETIVOS Y METODOLOGÍA El trabajo de investigación tutelada que aquí se presenta se enmarca en un proyecto de tesis doctoral titulado Arquitectura doméstica tardoandalusí y morisca (XIII-XVI): contexto urbano, modelo social y propuestas metodológicas para su estudio y recuperación, dirigido por el Dr. Julio Navarro Palazón (CSIC). El presente proyecto de tesis estudiará la arquitectura residencial no palaciega que se dio en al-Andalus en el último periodo de su historia (reino nazarí de Granada) y que tuvo cierta continuidad en el periodo morisco (siglo XVI), tras la conquista castellana, y se centrará en tres aspectos bien diferenciados: el urbanístico, estudiando las unidades domésticas como elemento de la trama urbana; el antropológico, indagando en el modelo de familia que habitaba estas viviendas, y el patrimonial, con la elaboración de propuestas metodológicas aplicables a la recuperación de este patrimonio arquitectónico. Así, el objeto de estudio son las unidades domésticas, tratando de dilucidar las características que presentaban estas viviendas a partir de todas las fuentes disponibles, pero sobre todo los propios edificios, tanto los conservados en alzado como aquellos de los que sólo subsiste el registro arqueológico. Se pretende realizar, como primer paso en esta investigación, una aproximación al estudio antropológico del modelo de familia para poder realizar la conexión entre el conocimiento de estos grupos humanos y la plasmación de sus características en el marco físico de las viviendas que ocupaban1. La documentación escrita aporta escasa información sobre la vida cotidiana en la cultura islámica y especialmente en al-Andalus, pero en las compilaciones de fetuas y, más aún, en 1 Cristóbal Torres Delgado ya apuntaba ligeramente la importancia que podría alcanzar realizar un estudio de las características del que ahora iniciamos: “Por último nos queda por apuntar las costumbres y la tipología de las viviendas, que todavía hoy se conservan en los distintos pueblos de Andalucía Oriental, y muy especialmente en aquellos emplazados en las zonas montañosas. A título de ejemplo citamos el habla del campesino almeriense, la alfarería de Coín, las costumbres de los pueblos del macizo Grazalema, Algodonales, Ubrique y otros, donde creemos se acentúa el africanismo de Andalucía, Jubrique, Parauta, Pujerra en la Serranía de Ronda. Es curioso advertir que la fiesta de Moros y Cristianos, no continúa celebrándose en las villas montañosas de la Penibética malagueña, y sí en cambio en las más próximas a la costa, en el sector levantino (Orihuela, Caravaca, Alcoy, Adra, Válor de Alpujarra, etc.). Sugerimos un estudio de Etnología en la región andaluza que nos daría un valioso testimonio de la civilización y la Etnia, interesantísimo para el mundo islámico, español y andaluz” (TORRES DELGADO, C.: El antiguo Reino Nazarí de Granada (1232-1340). Granada, Anel, 1974, p. 378). - 7 - ALEJANDRO PÉREZ ORDÓÑEZ la literatura biográfica, podemos recabar datos sobre los ulemas entre los que podemos ir extrayendo información para estudiar sus familias, siendo la onomástica la herramienta metodológica fundamental para este propósito.
Recommended publications
  • © in This Web Service Cambridge University Press
    Cambridge University Press 978-0-521-83824-5 - The New Cambridge History of Islam: Volume 4 Islamic Cultures and Societies to the End of the Eighteenth Century Edited by Robert Irwin Index More information Index NOTES 1. The Arabic definite article (al-), the transliteration symbols for the Arabic letters hamza (p) and qayn (q), and distinctions between different letters transliterated by the same Latin character (e.g. d and d.) are ignored for purposes of alphabetisation. 2. In the case of personal names sharing the same first element, rulers are listed first, then individuals with patronymics, then any others. 3. Locators in italics denote illustrations. Aba¯d.iyya see Iba¯d.iyya coinage 334, 335, 688–690, 689 qAbba¯da¯n 65 Dome of the Rock built by 690 qAbba¯s I, Sha¯h 120, 266, 273, 281, 300–301, 630 qAbd al-Qa¯dir al-Baghda¯d¯ı 411 qAbba¯s II, Sha¯h 266 qAbd al-Rapu¯f al-Singkil¯ı 103, 518 al-qAbba¯s ibn qAbd al-Mut.t.alib 109, 112 qAbd al-Rah.ma¯n II ibn al-H. akam, caliph of qAbba¯s ibn Firna¯s 592 Cordoba 592, 736 qAbba¯s ibn Na¯s.ih. 592 qAbd al-Rah.ma¯n III, caliph of Cordoba qAbba¯sids 621, 663 qAbba¯sid revolution 30, 228–229, 447; and qAbd al-Rah.ma¯n al-S.u¯f¯ı 599–600, 622 religion 110, 111–112, 228; and qAbd al-Razza¯q Samarqand¯ı 455 translation movement 566, qAbd al-Wa¯h.id ibn Zayd 65 567–568 qAbda¯n 123–124 foundation of dynasty 30, 31, 229 qAbdu¯n ibn Makhlad 397 Mongols destroy Baghdad caliphate 30, 49 abjad system 456 rump caliphate in Cairo 49, 56, 246, 251, ablaq architectural decoration 702 253–254 abna¯ p al-dawla 229 see also individual caliphs and individual topics Abraham 19, 27, 36, 125, 225 qAbba¯siyya see Ha¯shimiyya abrogation, theory of 165 qAbd Alla¯h ibn al-qAbba¯s 111, 225 A¯ bru¯, Sha¯h Muba¯rak 436 qAbd Alla¯h al-Aft.ah.
    [Show full text]
  • La Alhambra in Granada, One of the Most Beautiful and Admired Monuments in the Wold
    La Alhambra in Granada, one of the most beautiful and admired monuments in the wold. An old legend says that the Alhambra was built by night, in the light of torches. Its reddish dawn did believe the people of Grenada that the color was like the strength of the blood. The Alhambra, a monument of Granada for Spain and the world. La Alhambra was so called because of its reddish walls (in Arabic, («qa'lat al-Hamra'» means Red Castle ). It is located on top of the hill al-Sabika, on the left bank of the river Darro, to the west of the city of Granada and in front of the neighbourhoods of the Albaicin and of the Alcazaba. The Alhambra is one of the most serenely sensual and beautiful buildings in the world, a place where Moorish art and architecture reached their pinnacle. A masterpiece for you to admire, and it is in Granada, a city full of culture and history. Experience the beauty and admire this marvel of our architectural heritage. Let it touch your heart. Granada is the Alhambra and the gardens, the Cathedral, the Royal Chapel, convents and monasteries, the old islamic district Albayzin where the sunset is famous in the world or the Sacromonte where the gypsies perform flamenco shows in the caves where they used to live...Granada is this and many more things. The Alhambra is located on a strategic point in Granada city, with a view over the whole city and the meadow ( la Vega ), and this fact leads to believe that other buildings were already on that site before the Muslims arrived.
    [Show full text]
  • Resources for the Study of Islamic Architecture Historical Section
    RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION Prepared by: Sabri Jarrar András Riedlmayer Jeffrey B. Spurr © 1994 AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION BIBLIOGRAPHIC COMPONENT Historical Section, Bibliographic Component Reference Books BASIC REFERENCE TOOLS FOR THE HISTORY OF ISLAMIC ART AND ARCHITECTURE This list covers bibliographies, periodical indexes and other basic research tools; also included is a selection of monographs and surveys of architecture, with an emphasis on recent and well-illustrated works published after 1980. For an annotated guide to the most important such works published prior to that date, see Terry Allen, Islamic Architecture: An Introductory Bibliography. Cambridge, Mass., 1979 (available in photocopy from the Aga Khan Program at Harvard). For more comprehensive listings, see Creswell's Bibliography and its supplements, as well as the following subject bibliographies. GENERAL BIBLIOGRAPHIES AND PERIODICAL INDEXES Creswell, K. A. C. A Bibliography of the Architecture, Arts, and Crafts of Islam to 1st Jan. 1960 Cairo, 1961; reprt. 1978. /the largest and most comprehensive compilation of books and articles on all aspects of Islamic art and architecture (except numismatics- for titles on Islamic coins and medals see: L.A. Mayer, Bibliography of Moslem Numismatics and the periodical Numismatic Literature). Intelligently organized; incl. detailed annotations, e.g. listing buildings and objects illustrated in each of the works cited. Supplements: [1st]: 1961-1972 (Cairo, 1973); [2nd]: 1972-1980, with omissions from previous years (Cairo, 1984)./ Islamic Architecture: An Introductory Bibliography, ed. Terry Allen. Cambridge, Mass., 1979. /a selective and intelligently organized general overview of the literature to that date, with detailed and often critical annotations./ Index Islamicus 1665-1905, ed.
    [Show full text]
  • “Development of Traditional Architecture in Nigeria: a Case Study of Hausa House Form”
    International Journal of African Society Cultures and Traditions Vol.1, No.1, pp.61-74, June 2014 Published by European Centre for Research Training and Development UK (www.ea-journals.org) “DEVELOPMENT OF TRADITIONAL ARCHITECTURE IN NIGERIA: A CASE STUDY OF HAUSA HOUSE FORM” Oluwagbemiga Paul Agboola*1 and Modi Sule Zango2 Department of Architecture Faculty of Built Environment Universiti Teknologi Malaysia 81310 UTM, Johor Bahru Malaysia ABSTRACT: Traditional buildings across Nigeria’s geographical zones are known to have demonstrated a thorough response to the climate, local technology and socio-economic milieu in which they evolved. The origin of these different traditional building body associates with the natural materials availability to the local builders as well as religious belief, cultural and taboos. The advent of colonialism in Nigeria changed the traditional life and culture of Nigerian which creates a weak connection between traditional architecture and contemporary architecture in Nigeria. Most recent buildings designs across Hausa regions in Nigeria have been built with imported materials and the construction techniques tailored to satisfy the modernity self-ego and aspirations. Thus, traditional architecture ought not to be abandoned and forgotten, hence; experts’ awareness should be tailored to the understanding of its original essence. This paper through intensive literature review of documents, journals, books, periodical, seminar papers amongst others critically explore the key importance relating to the development of Hausa traditional architecture. In addition, paper identifies the “determinant” and “moderating” factors as main issues that contributed to the development of Hausa traditional architecture, in cognizance of local materials, method of construction, methods lay- out, social, cultural factors, and environmental factors amongst others.
    [Show full text]
  • THE IMPACT of COLONIALISM of AFRICA's INTERIOR ARCHITECTURE and CULTURE Submitted by HAFSAT IBRAHIM a TUTORIAL PAPER PRESENTE
    THE IMPACT OF COLONIALISM OF AFRICA’S INTERIOR ARCHITECTURE AND CULTURE Submitted by HAFSAT IBRAHIM A TUTORIAL PAPER PRESENTED TO THE INTERIOR ARCHITECTURE PROGRAM IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF BACHELOR IN INTERIOR ARCHITECTURE CHATHAM UNIVERSITY DECEMBER, 2017 AFRICAS INTERIOR DESIGN AND CULTURE 2 TABLE OF CONTENTS Page LIST OF TABLES...................................................................................................................... ii ACKNOWLEGEMENTS............................................................................................................ iv ABSTRACT.................................................................................................................................. v CHAPTER 1. INTRODUCTION............................................................................................................ 6 2. REVIEW OF LITERATURE .......................................................................................... 10 What is Colonization.........................................................................................................10 Architecture in Africa………………............................................................................... 14 Nigeria and its Art…........................................................................................................ 17 Furniture and household objects………………………………………………………... 22 Nigerian Hausa Architecture…………………………………………………………… 26 3. METHODOLOGY..........................................................................................................
    [Show full text]
  • Dictionary of Islamic Architecture
    DICTIONARY OF ISLAMIC ARCHITECTURE DICTIONARY OF ISLAMIC ARCHITECTURE Andrew Petersen London and New York First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 First published in paperback 1999 © 1996 Andrew Petersen All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0-415-06084-2 (hbk) ISBN 0-415-21332-0 (pbk) ISBN 0-203-20387-9 Master e-book ISBN ISBN 0-203-20390-9 (Glassbook Format) Contents Preface vii Acknowledgements ix Entries 1 Appendix The Mediterranean World showing principal historic cities and sites 320 The Middle East and Central Asia showing principal historic cities and sites 321 Dedication This book is dedicated to my friend Jamie Cameron (1962–95) historian of James V of Scotland. Preface In one of the quarters of the city is the Muhammadan town, where the Muslims have their cathedral, mosque, hospice and bazar. They have also a qadi and a shaykh, for in every one of the cities of China there must always be a shaykh al- Islam, to whom all matters concerning Muslims are referred.
    [Show full text]
  • The Patterned Imagination: a Study of Selected West
    THE PATTERNED IMAGINATION: A STUDY OF SELECTED WEST AFRICAN TEXTILES IN MUSEUM COLLECTIONS WITH REGARD TO THE MAGIC SQUARES REPRESENTED ON THEM PATRICIA BENTLEY A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts Graduate Program in Interdisciplinary Studies York University Toronto, Canada April 2012 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91722-0 Our file Notre reference ISBN: 978-0-494-91722-0 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • The Contribution of Uthman Bin Foduye (D.1817) in Changing Nigerian Society: a Discussion from the Perspective of Ibn Khaldun’S Concept Ofñumran
    THE CONTRIBUTION OF UTHMAN BIN FODUYE (D.1817) IN CHANGING NIGERIAN SOCIETY: A DISCUSSION FROM THE PERSPECTIVE OF IBN KHALDUN’S CONCEPT OFÑUMRAN SHUAIBU UMAR GOKARU ACADEMY OF ISLAMIC STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR 2017 THE CONTRIBUTION OF UTHMAN BIN FODUYE (D.1817) IN CHANGING NIGERIAN SOCIETY: A DISCUSSION FROM THE PERSPECTIVE OF IBN KHALDUN’S CONCEPT OF ÑUMRAN SHUAIBU UMAR GOKARU THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ACADEMY OF ISLAMIC STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR 2017 UNIVERSITY OF MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: Shuaibu Umar Gokaru (I.C/Passport: No: A06882764) Matric No: IHA140056 Name of Degree: Doctor of Philosophy Title of Project Paper/Research Report/Dissertation/Thesis (“this Work”) THE CONTRIBUTION OF UTHMAN BIN FODUYE (D. 1817) IN CHANGING NIGERIAN SOCIETY: A DISCUSSION FROM THE PERSPECTIVE OF IBN KHALDUN’S CONCEPT OF ÑUMRAN Field of Study: Islamic Civilisation (Religion) I do solemnly and sincerely declare that: (1) I am the sole author/author of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement
    [Show full text]
  • A Lesson from Vernacular Architecture in Nigeria
    Contemporary Urban Affairs 2018, Volume 2, Number 1, pages 84– 95 A Lesson from Vernacular Architecture in Nigeria Joyce Lodson 1, *John Emmanuel Ogbeba 2 , Ugochukwu Kenechi Elinwa 3 1 Department of Architecture, Federal Polytechnic Bauchi, Bauchi state, Nigeria 2 Department of Architecture, Eastern Mediterranean University, Famagusta, Mersin 10, Turkey 3 Department of Architecture, Cyprus International University, Famagusta, Mersin 10, Turkey A R T I C L E I N F O: A B S T R A C T Article history: Contemporary architecture has its roots from the vernacular. Every cultural group in Received 20 July 2017 the world has its own form of vernacular though the approach may vary from place to Accepted 10 August 2017 place and from people to people. Vernacular architecture has many values which are Available online 21 September relevant to contemporary architecture today. This paper looks at vernacular 2017 architecture in Nigeria as practiced by two ethnic groups who have varying climatic, Keywords: religious and socio-cultural practices. The approaches to architecture by these two Vernacular; Architecture, groups, i.e. the Hausas and Igbos, are looked at with the intention of finding positive Nigeria; values in the vernacular which can be applied to the contemporary. One of such Contemporary; values as seen in this paper is the harmony of traditional building materials with Values. nature. Local building materials are able to meet housing needs without having detrimental effect on the environment. More emphasis should therefore be given to local building materials in the building industry today. The paper concludes by stating that for contemporary architecture to adequately meet the needs of man today, vernacular values which apply to the cultural and climatic needs of such places should be selected and imbibed.
    [Show full text]
  • APUNTES-ALCAZAR-15-BAJA.Pdf
    AS A S N , AS A S 1 2 Apuntes del Alcázar de Sevilla PRESIDENTE D. Juan Ignacio Zoido Álvarez PRIMER TENIENTE DE ALCALDE DELEGADO DE RELACIONES INSTITUCIONALES D. Javier Landa Bercebal DIRECTOR D. Jacinto Pérez Elliott CONSEJO ASESOR D. Javier Landa Bercebal D. Manuel del Valle Arévalo D. Ángel Díaz del Río Hernando D. David Marín García EDITA: Patronato del Real Alcázar y de la Casa Consistorial Patio de Banderas s/n 41004 Sevilla Telf.: 95 450 23 24 / Fax: 95 450 20 68 www.patronato-alcazarsevilla.es [email protected] COLABORADORES DEL NÚMERO 15: Miguel Ángel Tabales Rodríguez, Cristina Vargas Lorenzo, María Dolores Robador, Rocío Campos de Alvear, Pedro M. Martínez Lara, Mª Isabel Baceiredo Rodríguez, Juan Carlos Pérez Ferrer, Sebastián Fernández Aguilera, Inmaculada Ramírez López, Sergio Rodríguez Estévez, María Salas Mendoza Muro, Francisco José Pazos García, Juan Alberto Romero Rodríguez, Luis Medardo Fernández Arche. DISEÑO, PRODUCCIÓN Y EDICIÓN: ARTS&PRESS FOTOGRAFÍAS: Arts&Press y Autores FOTOGRAFÍA DE PORTADA: Juana María Ruiz Montero TRADUCCIÓN: Olivia Puntas Badder ISSN: 1578-0619 IMPRIME: Tecnographic S. L. Depósito Legal: SE-1196/2000 Nº 15, 2014 3 SUMARIO 9. 61. ARQUEOLOGÍA RESTAURACIÓN LA ARQUEOLOGÍA RESTAURACIÓN DE LA PUERTA DE MARCHENA EN EL ALCÁZAR DE SEVILLA DEL REAL ALCÁZAR DE SEVILLA NUEVOS ESTUDIOS EN EL RECINTO PRIMITIVO RESPETO A LA HUELLA DEL TIEMPO E INVESTIGACIONES DERIVADAS DE HALLAZGOS CASUALES (2012-2104) María Dolores Robador Miguel Ángel Tabales Rodríguez Cristina Vargas Lorenzo. 131. 147. RESTAURACIÓN CONSERVACIÓN LOS ALFARJES DERECHO E IZQUIERDO COLOCACIÓN DE ZÓCALO SOBRE DEL VESTÍBULO DEL PALACIO BAJO DE PEDRO I AUTOPORTANTE EN EL VESTÍBULO DEL PALACIO EN EL REAL ALCÁZAR DE SEVILLA DEL REY DON PEDRO I Juan Carlos Pérez Ferrer Inmaculada Ramírez López Sebastián Fernández Aguilera 4 Apuntes del Alcázar de Sevilla 87.
    [Show full text]
  • Space and Cultural Development in Hausa
    ISSN: 2277-9655 [Abiodun* et al., 5(9): September, 2016] Impact Factor: 4.116 IC™ Value: 3.00 CODEN: IJESS7 IJESRT INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY SPACE AND CULTURAL DEVELOPMENT IN HAUSA TRADITIONAL HOUSING Abiodun Olukayode Olotuah*, Damilola Esther Olotuah * Department of Architecture, Federal University of Technology, Akure 340001, Nigeria Sheffield Business School, Sheffield Hallam University, UK DOI: 10.5281/zenodo.155089 ABSTRACT Hausa traditional housing is informed and shaped by the culture of the people and their religious belief. The savannah region in northern Nigeria is the home of the Hausa people. The Hausas form the majority of the people inhabiting the middle belt and northern states of Nigeria. Across the Nigerian borders the Hausas are natives of the northern parts of many West African countries. This paper examines the spatial planning of the Hausa traditional housing with data obtained from randomly selected homesteads in Kano, Kaduna, and Niger states. The paper examines the relationship between the spatial planning of the compounds and the cultural development of women with regard to the circulation restrictions in the compounds. The Hausa traditional compound has sleeping and living quarters for household members, spaces for rearing of domestic animals, and spaces for the practice of the occupation of the family head. Courtyards are enclosed within the compound, which also serve as a playground for children. Islam places a lot of premium on the privacy of women and prescribes in practical terms varying degrees of seclusion for them. Seclusion of women places severe restrictions on the movement of women, limiting them to a part of the compound designated for them.
    [Show full text]
  • Spanish-Colonial Architecture in Mexico
    >* 111 111 11 I 111 SPANISH COLONIAL ARCHITECTURE IN MEXICO. THIS GOMEZ DE MORA EDITION OF SPANISH-COLONIAL ARCHITECTURE IN MEXICO IS LIMITED TO ONE HUNDRED AND FIFTY NUMBERED AND REGISTERED COPIES OF WHICH THIS IS NUMBER *3 SPANISH-COLONIAL ARCHITECTURE IN MEXICO BY SYLVESTER BAXTER WithPhotographicPlates by HENRY GREENWOOD FEABOEV andPlans by BERTRAM GROSVENOR GOODHUE BOSTON Published by J.B.MILLET. MCMI Copyright, 1902, By Art Library Publishing Company, J. B. Millet, Proprietor. TO THE MEMORY OF FREDERIC EDWIN CHURCH AND OF CHARLES DUDLEY WARNER THIS BOOK IS AFFECTIONATELY DEDICATED. TABLE OF CONTENTS. CHAPTER PAGE I. ARCHITECTURAL CHARACTER i I. Colonial Architecture in North America 2 II. Organic Character ; Concentration of Ornament 5 III. Spanish Qualities and their Relation to Local Environment ... 6 IV. Mexico a Land of Domes 10 V. Glazed Tile in Polychrome Decoration of Surfaces 14 VI. Character of Ornament 14 VII. The Indigenous Influence; Native Artist-Artisans 18 VIII. Construction and Style 23 IX. The Renaissance in Mexico 24 X. TheTwoDominantStvi.es; Spanish Baroque and the Churkigl krksquk 26 XI. The Churrigueresque — Magnificent, though Debased, It has Decided Merits 2S XII. A Mexican Appreciation of the Churrigukresque 31 XIII. Various Characteristics, General and Specific 36 XIV. The Architects of Mexico 4° II. DECORATIVE SCULPTURE 43 III. DECORATIVE PAINTING 60 I. The Earlier Painters 63 II. A Decadence 69 III. The Influence of Murili.o 72 IV. Last Masters of the Mexican Schooi 77 IV. THE CATHEDRAL OF MEXICO AND THE SAGKARIO MFTROPOLITANO 87 I. The Cathedral Interior 94 II. The Sagrario Metropoi.itano 102 V.
    [Show full text]