Y.M.O. Naughty Boys mp3, flac, wma

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Genre: Electronic / Pop : Naughty Boys Country: Released: 1983 Style: Synth-pop MP3 version RAR size: 1678 mb FLAC version RAR size: 1325 mb WMA version RAR size: 1481 mb Rating: 4.7 Votes: 312 Other Formats: MMF TTA DMF FLAC AC3 AAC WMA

Tracklist Hide Credits

Kimi Ni Mune Kyun (Uwaki Na Bakansu) A1 By – Takashi MatsumotoWritten-By – , , Yukihiro 4:05 Takahashi Expected Way A2 4:33 Lyrics By – Yukihiro TakahashiWritten-By – Focus A3 Lyrics By – Haruomi Hosono, Peter BarakanWritten-By – Haruomi Hosono, Yukihiro 3:40 Takahashi Ongaku A4 3:25 Lyrics By – Ryuichi SakamotoWritten-By – Ryuichi Sakamoto Opened My Eyes A5 3:39 Lyrics By – Peter Barakan, Yukihiro TakahashiWritten-By – Yukihiro Takahashi You've Got To Help Yourself B1 0:30 Written-By – Ryuichi Sakamoto, Yukihiro Takahashi Lotus Love B2 4:04 Lyrics By – Haruomi HosonoWritten-By – Haruomi Hosono Kai-Koh B3 4:26 Written-By – Ryuichi Sakamoto, Ryuichi Sakamoto Expecting Rivers B4 4:37 Lyrics By – Yukihiro Takahashi, Yukihiro TakahashiWritten-By – Ryuichi Sakamoto Wild Ambitions B5 5:11 Lyrics By – Haruomi HosonoWritten-By – Haruomi Hosono, Ryuichi Sakamoto Companies, etc.

Phonographic Copyright (p) – , Inc Copyright (c) – Alfa Records, Inc Published By – 1980 Music Inc. Published By – Yano Music Publishing Co., Ltd. Manufactured By – Alfa Records, Inc Recorded At – ALFA Studio A Recorded At – Onkio Haus

Notes

Includes insert and obi

Barcode and Other Identifiers

Matrix / Runout (Side 1, Label): YLR-28008-A Matrix / Runout (Side 2, Label): YLR-28008-B Matrix / Runout (Side 1, Runout): YLR-28008A 1 1-A-14 〄 CS 3 S 5 Matrix / Runout (Side 2, Runout): YLR-28008B 1 1-B-1 Rights Society: JASRAC

Other versions

Category Artist Title (Format) Label Category Country Year Yellow Magic Naughty Boys (CD, ALCA-293 Alfa ALCA-293 Japan 1992 Orchestra Album, RE) Naughty Boys (CD, 38XA-6 Y.M.O.* Alfa 38XA-6 Japan 1984 Album) Yellow Magic Naughty Boys (CD, ALCA-9045 Alfa ALCA-9045 Japan 1994 Orchestra Album) Yellow Magic Naughty Boys (CD, 32XA-143 Alfa 32XA-143 Japan 1987 Orchestra Album, RE) Naughty Boys (LP, Pick Up LPU 0014 Y.M.O.* LPU 0014 Europe 1984 Album) Records, Alfa

Comments about Naughty Boys - Y.M.O.

Nten If the second half of YMO's original run is grossly overlooked and underappreciated (which it is, at least in the west), then Naughty Boys is YMO's most unsung work. It might also be their best. Easily YMO's poppiest record, but by no mean /merely/ "the YMO pop record", Naughty Boys stands in somewhat of a contrast to their previous work, particularly BGM and , the two directly preceding it. Those albums both seemed to be headed towards a jagged edged, sometimes bone-chilling approach to synthesis and sampling, but it's worth noting, however, that both of those albums also saw YMO becoming more comfortable with vocal driven, pop-structured songs, in comparison to their earlier work that exemplified the mostly instrumental, hyper-melodic proto- that the band is usually associated with. Indeed, Naughty Boys is a very different beast then anything to come before it: a high gloss, spacious--glamorous, even!--synth-pop masterwork. The title alone is golden and when I first heard about the record I couldn't stop laughing. But Naughty Boys is nothing if not a full commitment to a style. On the cover we see the three "boys", each in their early to mid thirties, in softly colored sweaters and lite makeup, an appearance more suited to men at least 10 years younger. It's a humorous image and a strange new look for a band as established as YMO, but also one that radiates a sort of innocence. Boybands do often seem to be sold on a peculiar combination of naughtiness and innocence. But there's real tenderness there too. The back cover shows one hand from each band member gently holding on to the others.The boyband image is furthered on the promotional video for the albums opening track and single "Kimi Ni Mune Kyun" which shows the trio barely keeping up with the choreography as they dance across a floor tiled with the album's cover. The video is easily found on youtube and well worth a watch by anyone. The song itself is also the albums most airy and whimsical track, one that in the context of the album works as sort of a subtle bait and switch. The rest of the album, for being as bright and poppy and humorous as it is, is also surprising heavy. The band here has learned how to use huge gated drums and glistening spires of sound to tug right at the heartstrings in just a way that you might not even it realize at first. The final track, "Wild Ambitions," in particular, with it's deadly double dose of longing and confusion has driven me to tears on more than one occasion. Same goes for "Kai-Koh," a swirling mass of soaring synth lines that feels like a strange ecstasy that may accompany the confontaion of an ultimate sorrow. It's also one of the most amazing songs ever recorded.Elsewhere, the album feels angsty, even. The song "Focus," in one of the album's few passages in English, has Hosono "You'll be burning with a new love tonight, and I'll be burning old pictures in my mind."Another area where the album really shines is in the vocals. The thing about YMO is that not one of them has the greatest voice in a traditional sense. Each of their voices has its own peculiarities, but here they're singing to their fullest potential anyway, straight from the heart. During the second verse of "Ongaku" we hear each of them taking a line of their own before joining together again in unison. The result is one of the more endearing moments in recorded music.Also worth mentioning is the invaluable contributions from on guitar, who appears on most of the album's tracks. The guitar itself sounds more like a synth at times, but carries an incredibly angelic tone like nothing I've heard be for.I recommend this particular pressing of the album if only because it features some of the most beautifully designed center labels I've ever seen. Grosho I would love to have been there in the 81-85 or so period with the Bill Nelson, Robin Scott and various Japan member collabs...agreed this is an AMAZING album...poppy, melancholy, beautifully produced...reminds me a lot of Bill Nelsons solo material from this time period (also sorely under appreciated IMO)

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