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BKCG Wins $80 Million in Hollywood Accounting Trial. . . So
SPRING 2019 EDITION “Just One More Thing . .” Ninth Circuit Delivers Justice, And A Serving BKCG Wins $80 Million in Hollywood Accounting Trial. So Far Of Cold Pizza, In Latest ADA Ruling BKCG’s trial team of Alton Burkhalter, Dan Kessler and Keith Butler have now completed two phases The Americans with Disabilities Act (the “ADA”) established a national of a three-phase trial for the creators of the television series Columbo. BKCG’s clients are William mandate for the elimination of discrimination against individuals Link and Christine Levinson Wilson, the daughter of the late Richard Levinson. Link and Levinson with disabilities. Title III of the ADA entitles all individuals to the “full created, wrote and produced a number of award-winning TV shows for Universal Studios, including and equal enjoyment of the goods, services, facilities, privileges, Murder She Wrote, Mannix, and Columbo. advantages, or accommodations of any place of public accommodation by any person who owns, leases (or leases to), or operates a place of Alton Burkhalter extended his jury trial win streak with Phase 1, where the jury returned unanimous public accommodation.” 12-0 verdicts in less than 90 minutes on all questions put to them. This was significant because it established a baseline of substantial damages and dispelled Universal’s affirmative defense based In a ruling that could only be surprising to those who have not been following recent trends in the law, the Ninth Circuit of the U.S. Court on statute of limitations. of Appeal decided that the ADA also applies to the internet and Dan Kessler led the team to victory on Phase 2, in which a number of other high stakes issues were cyberspace! In 2016, a blind man named Guillermo Robles filed a tried in a bench trial before the Honorable Judge Richard Burdge. -
The Vampire in the Detective Story
-^---'^ vfr . —1{^ i W:' .— » j«^,.. • >-«i j/^-^j\.V. > J^X^ MONSTRUM: THE VAMPIRE IN THE DETECTIVE STORY A THESIS SUBMITTED TO THE GRADUATE PROGRAM IN POPULAR CULTURE OF BROCK UNIVERSITY ST. CATHARINES, ONTARIO IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN POPULAR CULTURE By Caroline Stikkelbroeck May 2007 © Caroline Stikkelbroeck For Chris and Jake, with love and thanks. I couldn't have done it without you guys. My sincere thanks to Professor Jeanette Sloniowski, thesis advisor extraordinaire, and her partner in crime, Professor Marilyn Rose, for the ongoing support and encouragement. ABSTRACT My approach to the vampire detective highlights its connections to the private detective's story and reveals the monstrous investigators' debt to early feminist forms of detection ~ specifically in their reformation of the 'other' and of traditional forms of power and authority. Seen in this light the movement of horror's imaginary 'other' into the rational world of detection can be seen as not an abrupt breach of detection's realist conventions, but an almost seamless transition into symbolic spaces that point to the detective's primary function ~ to make sense of the senseless. It is in this light that I explore the monster that is a detective as a symbol that is also a sense-maker, and a quintessential postmodern figure. I argue that the distinctions between monsters and 'others', and between popular narratives and postmodern religion have faded, culminating in a character that can not only model 'otherness' as an exemplary condition, but also provide strategies for modeling the form of active postmodern subjectivity that postmodern theorist Jim Collins' (1989) conceives of as heretical activity. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Lecture Notes in Computer Science
Modelling Suspicion as a Game Mechanism for Designing a Computer-Played Investigation Character Nahum Alvarez1 and Federico Peinado2 1 Production Department, Gameloft Tokyo 151-0061 Tokyo, Japan [email protected] 2 Departamento de Ingeniería del Software e Inteligencia Artificial, Facultad de Informática, Universidad Complutense de Madrid 28040 Madrid, Spain [email protected] Abstract. Nowadays creating believable characters is a top trend in the video game industry. Recent projects present new design concepts and improvements in artificial intelligence that are oriented to this goal. The expected behaviour of computer-played characters becomes increasingly demanding: proactivity, au- tonomous decision-making, social interaction, natural communication, reason- ing and knowledge management, etc. Our research project explores the possibil- ity for one of these characters to investigate, solving an enigma while dealing with incomplete information and the lies of other characters. In this paper we propose how to manage trust issues when modelling suspicion in the artificial mind of a Columbo-like detective, considering that our desired gameplay is a murder mystery game in which the player plays the role of the culprit. Keywords. Interactive Digital Storytelling, Video Game Design, Artificial In- telligence, Believable Characters, Epistemic Modal Logic, Trust Systems 1 Introduction Computer simulations allow a high grade of realism; however, computer-controlled characters in virtual worlds still feel like mere automatons: the user gives an input and receives a response. Advances in intelligent behaviour are changing the user experi- ence, improving these characters’ performance and expanding the scope of their po- tential uses. One aspect that refrain us from believing such characters are “alive” is that they seem completely “naive”: they will believe without doubts all the infor- mation received from other sources. -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B. -
Perkins, Anthony (1932-1992) by Tina Gianoulis
Perkins, Anthony (1932-1992) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com The life and career of actor Anthony Perkins seems almost like a movie script from the times in which he lived. One of the dark, vulnerable anti-heroes who gained popularity during Hollywood's "post-golden" era, Perkins began his career as a teen heartthrob and ended it unable to escape the role of villain. In his personal life, he often seemed as tortured as the troubled characters he played on film, hiding--and perhaps despising--his true nature while desperately seeking happiness and "normality." Perkins was born on April 4, 1932 in New York City, the only child of actor Osgood Perkins and Janet Esseltyn Rane. His father died when he was only five, and Perkins was reared by his strong-willed and possibly abusive mother. He followed his father into the theater, joining Actors Equity at the age of fifteen and working backstage until he got his first acting roles in summer stock productions of popular plays like Junior Miss and My Sister Eileen. He continued to hone his acting skills while attending Rollins College in Florida, performing in such classics as Harvey and The Importance of Being Earnest. Perkins was an unhappy young man, and the theater provided escape from his loneliness and depression. "There was nothing about me I wanted to be," he told Mark Goodman in a People Weekly interview. "But I felt happy being somebody else." During his late teens, Perkins went to Hollywood and landed his first film role in the 1953 George Cukor production, The Actress, in which he appeared with Spencer Tracy. -
Anthology Drama: the Case of CBS Les Séries Anthologiques Durant L’Âge D’Or De La Télévision Américaine : Le Style Visuel De La CBS Jonah Horwitz
Document generated on 09/26/2021 8:52 a.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Visual Style in the “Golden Age” Anthology Drama: The Case of CBS Les séries anthologiques durant l’âge d’or de la télévision américaine : le style visuel de la CBS Jonah Horwitz Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 Despite the centrality of a “Golden Age” of live anthology drama to most histories of American television, the aesthetics of this format are widely URI: https://id.erudit.org/iderudit/1015184ar misunderstood. The anthology drama has been assumed by scholars to be DOI: https://doi.org/10.7202/1015184ar consonant with a critical discourse that valued realism, intimacy and an unremarkable, self-effacing, functional style—or perhaps even an “anti-style.” See table of contents A close analysis of non-canonical episodes of anthology drama, however, reveals a distinctive style based on long takes, mobile framing and staging in depth. One variation of this style, associated with the CBS network, flaunted a virtuosic use of ensemble staging, moving camera and attention-grabbing Publisher(s) pictorial effects. The author examines several episodes in detail, demonstrating Cinémas how the techniques associated with the CBS style can serve expressive and decorative functions. The sources of this style include the technological limitations of live-television production, networks’ broader aesthetic goals, the ISSN seminal producer Worthington Miner and contemporaneous American 1181-6945 (print) cinematic styles. 1705-6500 (digital) Explore this journal Cite this article Horwitz, J. (2013). Visual Style in the “Golden Age” Anthology Drama: The Case of CBS. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Small Episodes, Big Detectives
Small Episodes, Big Detectives A genealogy of Detective Fiction and its Relation to Serialization MA Thesis Written by Bernardo Palau Cabrera Student Number: 11394145 Supervised by Toni Pape Ph.D. Second reader Mark Stewart Ph.D. MA in Media Studies - Television and Cross-Media Culture Graduate School of Humanities June 29th, 2018 Acknowledgments As I have learned from writing this research, every good detective has a sidekick that helps him throughout the investigation and plays an important role in the case solving process, sometimes without even knowing how important his or her contributions are for the final result. In my case, I had two sidekicks without whom this project would have never seen the light of day. Therefore, I would like to thank my thesis supervisor Toni Pape, whose feedback and kind advice was of great help. Thank you for helping me focus on the important and being challenging and supportive at the same time. I would also like to thank my wife, Daniela Salas, who has contributed with her useful insight, continuous encouragement and infinite patience, not only in the last months but in the whole master’s program. “Small Episodes, Big Detectives” 2 Contents Introduction ...................................................................................................................... 4 1. Literature Seriality in the Victorian era .................................................................... 8 1.1. The Pickwick revolution ................................................................................... 8 -
Sunday February 11Th,1996 Vol. 3, Issue 8 “If You Torture the Data Enough, It Will Confess.”
Sunday February 11th,1996 Vol. 3, issue 8 “If you torture the data enough, it will confess.” Warning,Achtung,Attenzionne: the ambient randomness and bizarre nonreferences contained herein grossly exceed any and all prerequisites for a contiguous and linear literary experience; you 'ave been warned. You rush from your room to class, from class to class, from class to go eat, from eating to your room, and your day is over in a blink. Soon it's your week, month and quarter gone the same way. In four years you look back and you simply can not figure out where the time went. So where does all of your time go? Of course you must know by now that we have been thinking hard about this very topic (and no, your time does not travel through a vortex straight to us. We simply maintain rock steady grade point averages of 1.2 while coming up with random thoughts to amuse ourselves). We figure there are some pretty obvious cul- prits who until now have eluded the larger public’s detection. Here's the Most Wanted List: •Santa Claus ("..you have a very nasty habit of surviving"). We can buy the fact that he can make toys for all the world's children in one year (hooray for non-existent North Pole labor laws!), but delivering all the goods in one night? Forget about it. He must suck up some of everyone's free time and use it all on his mid- night run. Think of losing your time as a trade-off for one magical, feel-good day (maybe he uses quantum physics; after all, if you believe in Santa, it's no great stretch to believe in quantum physics). -
Wednesday Primetime B Grid
SUNDAY MORNING GRID 5/17/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA: Spotlight PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Cycling Tour of California, Stage 8. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) IndyCar Racing Indianapolis 500, Qualifying Day 2. NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program Enough ›› (2002) 13 MyNet Paid Program Surf’s Up ››› (2007) 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Dynamic Europe: Amsterdam Orphans of the Genocide 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly The Client ››› (1994) 34 KMEX Paid Program Al Punto (N) Hotel Todo Incluido La Madrecita (1973, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Charlotte’s Web ››› (2006) Julia Roberts.