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The Language of Columns by Renée Carpenter, Jennings Furniture & Design

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The Language of Columns by Renée Carpenter, Jennings Furniture & Design The Language of Columns By Renée Carpenter, Jennings Furniture & Design From high-end luxury homes to the most basic spec-built home, it seems that a traditionally designed house has to have at least one column based on designs from antiquity. About 2,500 years ago, the Greeks invented what have become known as the classical orders. These orders (Doric, Ionic and Corinthian) were adopted by the ancient Romans, who simplified the Doric to make their own order, the Tuscan. The Romans also combined the Ionic and Corinthian to form the Composite. Each order had a distinct meaning. A building designed using one order would have been quite different in tone than a building designed in another order. The same holds true today. While a grand palace may warrant the Corinthian order, Tuscan might be more appropriate for a small home. Here are some ideas to help you sort out how, as a homeowner, one would use a column: the rules for scale, proportion and detail. Tuscan-style columns are the most popular classical order since the Colonial era. Developed by the ancient Romans as a simple, clean and "virtuous" order, it's no surprise that the colonials would use the Tuscan to add style and tradition to their buildings while maintaining those puritanical sensibilities. Whether used on the exterior or the interior, the Tuscan order adds a touch of classical formality and traditional "always been there" feel — without the overall stiffness of the Doric or the exuberance of the Corinthian. Placing the columns at an opening between rooms makes the transition from one to the other all the more special. The Tuscan can be livened a little with the addition of fluting and pedestals. Paired up, these columns are used as points defining functional areas in what appears to be one large room. Doric: Distinctly Classical. The Doric was the simplest as well as the most masculine of the original Greek orders. There are minimal decorative elements and, in its original form, no base. Certainly the Doric order wasn't devoid of decorative embellishment. Fluting of the column shaft as well as some decorative elements at the capital can soften what can be a plain and almost severe design. Ionic: Large scale, high style. The Ionic is a bit more luxurious than the Spartan Doric and Tuscan. As such, it's best used where a little more polish, high style, and bigger scale is warranted. Also, Ionic capitals visually ease the transition from column to pediment. The way the capitals flatten and stretch out make for a nice transitional element. The scale of the column should also be in tune with the scale of the overall architecture. More often than not, classically inspired columns are too thin, making them look like silly toothpicks rather than the robust reminders of antiquity they are. When in doubt, adhere to the 2,000-year-old rules for scale, one of which is that the column height should be seven times the column diameter. In rooms with richly appointed finishes and details — such as a wall with sconces and larger architectural moldings and trim — using a simpler Doric or Tuscan column would seem out of place. The Corinthian would be out of place here as well, as its exuberant richness would detract from the elegance of the space. Corinthian: Rational exuberance. The most exuberant and luxurious of the orders are the Corinthian and Composite. Seldom used in modest homes, these orders are richly detailed with plant-like capitals, fluted shafts and richly detailed bases. The Corinthian is the appropriate order in a room that exudes an intricacy of surface detail and a richness of finish. Bottom line - if you are using columns, adhere to the 2,000-uear-old rules. Truly, nothing can cause a home to look more out of balance than use of the wrong column Order, or worse yet, the wrong scale. If in doubt, ask! Tuscan Column Doric Column Ionic Column Corinthian Column .
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