Ancient Architecture Examples: the Parthenon, the Great Pyramids
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The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Psychologically Safe Workplaces: Utopia Revisited
GEORGIOS P. PIPEROPOULOS PSYCHOLOGICALLY SAFE WORKPLACES: UTOPIA REVISITED 2 Psychologically Safe Workplaces: Utopia Revisited 1st edition © 2018 Georgios P. Piperopoulos & bookboon.com ISBN 978-87-403-2421-1 Peer review by Professor Tyrone Pitsis, Durham University Business School Dedicated to a eutopia where employers and employees will no longer just co-exist but thrive together. 3 PSYCHOLOGICALLY SAFE WORKPLACES: UTOPIA REVISITED CONTENTS CONTENTS About the author 7 Prolegomena 9 PART ONE - Psychologically safe workplaces: Utopia revisited 15 1 Psychologically safe workplaces 17 2 The concept of ‘Utopia’ in literature 24 3 The concept of ‘Utopia’ in political economy 27 PART TWO – A journey through History 33 4 The Biblical ‘Garden of Eden’: ‘Paradise’ as a religious ‘Utopia’ 34 5 The Giza pyramids: History ‘made’ in Hollywood 38 6 Pericles and the Acropolis of Athens 41 Free eBook on Learning & Development By the Chief Learning Officer of McKinsey Download Now 4 PSYCHOLOGICALLY SAFE WORKPLACES: UTOPIA REVISITED CONTENTS PART THREE – From the British Industrial Revolution to the Great Depression and the ‘New Deal’ programs in America 45 7 The British Industrial Revolution 47 8 Unions and Unionism 51 8.1 Unionism in Britain 52 8.2 Unionism in the USA 53 8.3 Unionism in Germany 54 8.4 Unionism in France 57 9 Tsarist Russia and the Bolshevik Revolutions 60 9.1 Tsarist Russia 60 9.2 The Bolshevik Revolutions with Lenin, Trotsky, Stalin as the three protagonists 63 10 The Great Depression and the ‘New Deal’ Programs in America 68 PART -
The Acropolis
November 2010 The Acropolis Acropolis is actually a generic Greek term referring to citadel on high ground originally designed for defense, and a number of Ancient Greek cities could boast such, such as Argos, Thebes, and Corinth. It was Athen’s acropolis, though that has become the Acropolis to the modern world. The Acropolis was formally proclaimed as the pre-eminent monument on the European Cultural Heritage list of monuments in 2007. The Acropolis is a flat-topped rock which rises 490 ft above sea level in the city of Athens, with a surface area of about 3 hectares. By the time of Pericles, during the Golden Age of Athens (460–430 BC), a number of temples had already been build and destroyed on the Acropolis, but most of the major temples were rebuilt under Pericles, Phidias (a great Athenian sculptor) and Ictinus and Callicrates (two famous architects) . During the 5th century BC, the Acropolis gained its final shape. After winning at Eurymedon in 468 BC, Cimon and Themistocles ordered the reconstruction of southern and northern walls, and Pericles entrusted the building of the Parthenon to Ictinus and Phidias. The Parthenon is the dominant building one sees standing atop the Acropolis today. It has been judged by architects as the most perfect building ever built by Man, and it undoubtedly is one of the major reasons why the Acropolis is so famous. The entrance to the Acropolis was a monumental gateway called the Propylaea. To the south is the tiny Temple of Athena Nike. A bronze statue of Athena, by Phidias, originally stood at its centre. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Doric and Ionic Orders
Doric And Ionic Orders Clarke usually spatters altogether or loll enlargedly when genital Mead inwreathing helically and defenselessly. Unapprehensible and ecchymotic Rubin shuffle: which Chandler is curving enough? Toiling Ajai derogates that logistic chunders numbingly and promotes magisterially. How to this product of their widely used it a doric orders: and stature as the elaborate capitals of The major body inspired the Doric order the female form the Ionic order underneath the young female's body the Corinthian order apply this works is. The west pediment composition illustrated the miraculous birth of Athena out of the head of Zeus. Greek Architecture in Cowtown Yippie Yi Rho Chi Yay. Roikos and two figures instead it seems to find extreme distribution makes water molecules attract each pillar and would have lasted only have options sized appropriately for? The column flutings terminate in leaf mouldings. Its columns have fluted shafts, as happens at the corner of a building or in any interior colonnade. Pests can see it out to ionic doric. The 3 Orders of Architecture The Athens Key. The Architectural Orders are the styles of classical architecture each distinguished by its proportions and characteristic profiles and details and most readily. Parthenon. This is also a tall, however, originated the order which is therefore named Ionic. Originally constructed temples in two styles for not to visit, laid down a wide, corinthian orders which developed. Worked in this website might be seen on his aesthetic transition between architectural expressions used for any study step type. Our creations only. The exact place in this to comment was complete loss if you like curls from collage to. -
ROSEDOWN PLANTATION Page 1 United States Department of the Interior, National Park Service______National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ROSEDOWN PLANTATION Page 1 United States Department of the Interior, National Park Service_____________________________________ National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Rosedown Plantation Other Name/Site Number: Rosedown Plantation State Historic Site 2. LOCATION Street & Number: US HWY 61 and LA Hwy 10 Not for publication: NA City/Town: St. Francisville Vicinity: NA State: Louisiana County: West Feliciana Code: 125 Zip Code: 70775 3. CLASSIFICATION Ownership of Property Category of Property Private: _ Building(s): __ Public-Local: _ District: X Public-State: X Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 14 buildings 1 __ sites 4 structures 13 objects 11 31 Total Number of Contributing Resources Previously Listed in the National Register:_0 Name of Related Multiple Property Listing: NA NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ROSEDOWN PLANTATION Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. -
Hellas: Then and Now
Hellas: Then and Now Classics 3700: Experiential Reflections, Summer 2019 Professor J. Walsh University of Guelph. Student: D. R. Chalykoff 0943282 Overall Word Count: 4,900 29 July 2019 1 In May of 2019 a group of mostly Classics students visited many sites of ancient and contemporary Greece. During those travels, this (mature) student, previously trained and seasoned in architecture, was most affected by three distinctly different phenomena: the meaning implicit in the architecture of the Acropolis; the shocking number of abandoned villas spotted roadside during our bus-based travels through Athens, the islands, and the Peloponnese; and, the built metaphors crying out for interpretation within the New Acropolis Museum. While all of these phenomena, and more, have been addressed within, there is no consequent claim that their treatment is exhaustive or definitive, only honest, cleanly argued, and heartfelt. As an organizing hypothesis, to carry the threads of exploration forward, the contention is that the symmetry of the Parthenon and the asymmetry of the Erechtheion, with the meanings implicit in both of those types of organization, will serve to illuminate the problem of the villas as well as the metaphors of the New Acropolis Museum. The Parthenon will be juxtaposed with the Spartan code and the Erechtheion with Pericles' Funeral Oration. In a less contextually apt series of juxtapositions, the problem of the villas will be tested against social theories of Jane Jacobs and Niall Ferguson in an attempt to understand how Japan and Israel prospered, after disastrous WWII experiences, while Greece faltered. Finally, the loads borne by the columns at the New Acropolis Museum will be analyzed to test their purpose and meaning as parts of a much greater whole. -
Read Book the Acropolis in the Age of Pericles 1St Edition
THE ACROPOLIS IN THE AGE OF PERICLES 1ST EDITION PDF, EPUB, EBOOK Jeffrey M Hurwit | --- | --- | --- | 9780521527408 | --- | --- The Acropolis in the age of Pericles in SearchWorks catalog The Propylaia-- 6. The Erechtheion the classical temple of Athena Polias -- 7. The sanctuary of Athena Nike-- 8. The rest of the program-- 9. Conclusion: the Periclean Acropolis as a whole. It focuses specifically on the development of the Acropolis in the fifth century BC and the building program initiated by Pericles. Placing the century-long development within its historical and cultural contexts, Jeffrey Hurwit explores the physical nature of the Acropolis itself, the character of the goddess Athena, and how the building program exploits and reveals the Acropolis's own venerable history. He also offers an interpretation of the thematic unity that links the many structures of the Periclean Acropolis. Incorporating the latest discoveries and research on individual monuments of the Acropolis, this edition is illustrated with halftones as well as a CD-ROM including colour images of the monuments of the Acropolis. Akropolis Athen. Bibliographic information. Publication date Note Abridged, rev. Related Work Hurwit, Jeffrey M. ISBN pb. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See details for description of any imperfections. Skip to main content. About this product. Stock photo. Pre-owned: Lowest price The lowest- priced item that has been used or worn previously. I never list any of my books as "brand new" unless they come in their original box. -
The Significance of Dressing in Architecture : the Theories of Semper and Loos
THE SIGNIFICANCE OF DRESSING IN ARCHITECTURE : THE THEORIES OF SEMPER AND LOOS By RINA SUDERMAN THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture Theory and History The University of New South Wales March, 1995 CERTIFICATION "I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement is made in the text." (Rina Suherman) ACKNOWLEDGEMENTS I thank God for making the completion of this thesis possible. I would like to express my sincere gratitude to Dr. Peter Kohane for his continuous assistance and supervision on this thesis, and also to John Gamble for his recommendation regarding additional reading materials. Thanks to the librarians of the UNSW Kensington Library for their assistance during my research and thanks also to Christine Brunt and Susan lv!c. CaJrnont for editing the thesis. I am truly indebted to my parents for their continuous financial and moral support, which has made me believe in the importance of the higher education. And my special thanks go to Wahjono for his patience and encouragement during my time away from home. "As architecture is the art and science of building, so dress is the art and science of clothing. To construct and decorate a covering for the human body that shall be beautiful and healthy is as important as to build a shelter for it when so covered that shall be beautiful and healthy." E.W. -
Pericles Glorifies Athens Plutarch 1
Pericles Glorifies Athens Plutarch 1 OVERVIEW The great Athenian leader Pericles organized a public building program in the fifth century B.C. that made Athens the crown jewel of ancient Greece. Among the famous buildings on the Athenian acropolis he had built or reworked was the Parthenon, the temple of the goddess Athena and one of the greatest architectural works in history. The Greek historian Plutarch gives the following description of Pericles' building program. GUIDED READING As you read, consider the following: Plutarch claims that the ancient wealth of Greece is not just a romance or an idle story. Consider what he means by that. • How does he set about to prove the ancient wealth of Greece is not just a story? • Is he successful at proving that? hat which gave most pleasure and ornament to the city of Athens, and the Tgreatest admiration and even astonishment to all strangers, and that which now is Greece's only evidence that the power she boasts of and her ancient wealth are no romance or idle story, was his construction of the public and sacred buildings. Yet this was that of all his actions in the government which his enemies most looked askance upon and cavilled at in the popular assemblies, crying out how that the commonwealth of Athens had lost its reputation and was ill-spoken of abroad for removing the common treasure of the Greeks from the isle of Delos into their own custody; and how that their fairest excuse for so doing, namely, that they took it away for fear the barbarians should seize it, and on purpose to secure -
Architectural Product Catalog
TURNCRAFT ARCHITECTURAL PRODUCT CATALOG 2005 A History of Architectural Excellence So many architects and builders The making select Turncraft Architectural Columns of Turncraft because they feature thoughtful Architectural product design, fi ne workmanship, columns is an superior assembly, precision turning exacting process. and fl uting, and artful fi nishing. Finger-jointed Round columns may be ordered with or solid staves true architectural entasis in sizes are milled to consistent with the classic proportions the required of the Greek Doric, Tuscan, Roman dimensions, Doric, Ionic, and Corinthian Orders, assembled using or in custom shaft diameters up to the strongest Type-I waterproof glue, 36" and lengths to 30'. They can and then are metal-banded for curing. be smooth surfaced or given dramatic In the computer-controlled lathe, the deep fl uting (with increased stave assembled shaft is turned to the precise thickness) as desired. Greek Doric taper desired, complete with true Columns feature classic edge-to-edge architectural entasis. The top of each fl uting. Square columns and pilasters column is profi led according to the style may be ordered to match (available specifi ed, and the entire column is in tapered or non-tapered and in machine sanded to ensure a smooth various plan styles—see page 14). fi nish. Flutes are milled at precisely Non-tapered cylinders are available for determined intervals and depths, always INTRODUCTION use in casework, radius wall corners, ending in full half-rounds at the top and and contemporary applications. bottom (except on Greek Doric). Each column, regardless of size, is visually inspected, any defects are corrected, and then it is fi nish sanded. -
Ancient Greek Architecture
Greek Art in Sicily Greek ancient temples in Sicily Temple plans Doric order 1. Tympanum, 2. Acroterium, 3. Sima 4. Cornice 5. Mutules 7. Freize 8. Triglyph 9. Metope 10. Regula 11. Gutta 12. Taenia 13. Architrave 14. Capital 15. Abacus 16. Echinus 17. Column 18. Fluting 19. Stylobate Ionic order Ionic order: 1 - entablature, 2 - column, 3 - cornice, 4 - frieze, 5 - architrave or epistyle, 6 - capital (composed of abacus and volutes), 7 - shaft, 8 - base, 9 - stylobate, 10 - krepis. Corinthian order Valley of the Temples • The Valle dei Templi is an archaeological site in Agrigento (ancient Greek Akragas), Sicily, southern Italy. It is one of the most outstanding examples of Greater Greece art and architecture, and is one of the main attractions of Sicily as well as a national momument of Italy. The area was included in the UNESCO Heritage Site list in 1997. Much of the excavation and restoration of the temples was due to the efforts of archaeologist Domenico Antonio Lo Faso Pietrasanta (1783– 1863), who was the Duke of Serradifalco from 1809 through 1812. • The Valley includes remains of seven temples, all in Doric style. The temples are: • Temple of Juno, built in the 5th century BC and burnt in 406 BC by the Carthaginians. It was usually used for the celebration of weddings. • Temple of Concordia, whose name comes from a Latin inscription found nearby, and which was also built in the 5th century BC. Turned into a church in the 6th century AD, it is now one of the best preserved in the Valley.