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Distribution of Sales of Manufacturing Plants
SALESF O MANUFACTURING PLANTS: 1929 5 amounts h ave in most instances been deducted from the h eading, however, are not representative of the the total sales figure. Only in those instances where total amount of wholesaling done by the manufacturers. the figure for contract work would have disclosed data 17. I nterplant transfers—The amounts reported for individual establishments, has this amount been under this heading represent the value of goods trans left in the sales figure. ferred from one plant of a company to another plant 15. I nventory.—The amounts reported under this of the same company, the goods so transferred being head representing greater production than sales, or used by the plant to which they were transferred as conversely, greater sales than goods produced, are so material for further processing or fabrication, as con— listed only for purposes of reconciling sales figures to tainers, or as parts of finished products. production figures, and should not be regarded as 18. S ales not distributed.—In some industries, actual inventories. certain manufacturing plants were unable to classify 16. W holesaling—In addition to the sale of goods their sales by types of customers. The total distrib— of their own manufacture, some companies buy and uted sales figures for these industries do not include sell goods not made by them. In many instances, the sales of such manufacturing plants. In such manufacturers have included the sales of such goods instances, however, the amount of sales not distributed in their total sales. The amounts reported under is shown in Table 3. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Thomas Silkstede's Renaissance-Styled Canopied Woodwork in the South Transept of Winchester Cathedral
Proc. Hampshire Field Club Archaeol. Soc. 58, 2003, 209-225 (Hampshire Studies 2003) THOMAS SILKSTEDE'S RENAISSANCE-STYLED CANOPIED WOODWORK IN THE SOUTH TRANSEPT OF WINCHESTER CATHEDRAL By NICHOLAS RIALL ABSTRACT presbytery screen, carved in a renaissance style, and the mortuary chests that are placed upon it. In Winchester Cathedral is justly famed for its collection of another context, and alone, Silkstede's work renaissance works. While Silkstede's woodwork has previ might have attracted greater attention. This has ously been described, such studies have not taken full been compounded by the nineteenth century account of the whole piece, nor has account been taken of thealteration s to the woodwork, which has led some important connection to the recently published renaissancecommentator s to suggest that much of the work frieze at St Cross. 'The two sets ofwoodwork should be seen here dates to that period, rather than the earlier in the context of artistic developments in France in the earlysixteent h century Jervis 1976, 9 and see Biddle sixteenth century rather than connected to terracotta tombs1993 in , 260-3, and Morris 2000, 179-211). a renaissance style in East Anglia. SILKSTEDE'S RENAISSANCE FRIEZE INTRODUCTION Arranged along the south wall and part of the Bishop Fox's pelican everywhere marks the archi west wall of the south transept in Winchester tectural development of Winchester Cathedral in Cathedral is a set of wooden canopied stalls with the early sixteenth-century with, occasionally, a ref benches. The back of this woodwork is mosdy erence to the prior who held office for most of Fox's panelled in linenfold arranged in three tiers episcopate - Thomas Silkstede (prior 1498-1524). -
The Rinceau Design, the Minor Arts and the St. Louis Psalter
The Rinceau Design, the Minor Arts and the St. Louis Psalter Suzanne C. Walsh A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art History. Chapel Hill 2011 Approved by: Dr. Jaroslav Folda Dr. Eduardo Douglas Dr. Dorothy Verkerk Abstract Suzanne C. Walsh: The Rinceau Design, the Minor Arts and the St. Louis Psalter (Under the direction of Dr. Jaroslav Folda) The Saint Louis Psalter (Bibliothèque National MS Lat. 10525) is an unusual and intriguing manuscript. Created between 1250 and 1270, it is a prayer book designed for the private devotions of King Louis IX of France and features 78 illustrations of Old Testament scenes set in an ornate architectural setting. Surrounding these elements is a heavy, multicolored border that uses a repeating pattern of a leaf encircled by vines, called a rinceau. When compared to the complete corpus of mid-13th century art, the Saint Louis Psalter's rinceau design has its origin outside the manuscript tradition, from architectural decoration and metalwork and not other manuscripts. This research aims to enhance our understanding of Gothic art and the interrelationship between various media of art and the creation of the complete artistic experience in the High Gothic period. ii For my parents. iii Table of Contents List of Illustrations....................................................................................................v Chapter I. Introduction.................................................................................................1 -
Library of Congress Classification
T TECHNOLOGY (GENERAL) T Technology (General) Periodicals and societies. By language of publication 1 English 2 French 3 German 4 Other languages (not A-Z) (5) Yearbooks see T1+ 6 Congresses Industrial museums, etc. see T179+ International exhibitions see T391+ 7 Collected works (nonserial) 8 Symbols and abbreviations Dictionaries and encyclopedias 9 General works 10 Bilingual and polyglot Communication of technical information 10.5 General works Information centers 10.6 General works Special countries United States 10.63.A1 General works 10.63.A2-Z By region or state, A-Z 10.65.A-Z Other countries, A-Z 10.68 Risk communication 10.7 Technical literature 10.8 Abstracting and indexing Language. Technical writing Cf. QA42 Mathematical language. Mathematical authorship 11 General works 11.3 Technical correspondence 11.4 Technical editing 11.5 Translating 11.8 Technical illustration Cf. Q222 Scientific illustration Cf. T351+ Mechanical drawing 11.9 Technical archives Industrial directories 11.95 General works By region or country United States 12 General works 12.3.A-Z By region or state, A-Z Subarrange each country by Table T4a 12.5.A-Z Other regions or countries, A-Z Subarrange each country by Table T4a 13 General catalogs. Miscellaneous supplies 14 Philosophy. Theory. Classification. Methodology Cf. CB478 Technology and civilization 14.5 Social aspects Class here works that discuss the impact of technology on modern society For works on the role of technology in the history and development of civilization see CB478 Cf. HM846+ Technology as a cause of social change History Including the history of inventions 14.7 Periodicals, societies, serials, etc. -
The Deinstallation of a Period Room: What Goes in to Taking One Out
Figure 1. Brown Pearl Hall, West Boxford, Massachusetts, about 1704. Figure 2. Oak Hill Parlor, early 19th century, Peabody, Massachusetts. 2006 WAG Postprints—Providence, Rhode Island The Deinstallation of a Period Room: What Goes in to Taking One Out Gordon Hanlon, Furniture and Frame Conservation, Museum of Fine Arts, Boston Melissa H. Carr, Masterwork Conservation ABSTRACT Many American museums installed period rooms in the early twentieth century. Eighty years later, different environmental standards and museum expansions mean that some of those rooms need to be removed and either reinstalled or placed in storage. Over the past four years the Museum of Fine Arts, Boston has deinstalled all of their European and American period rooms as part of a Master Plan to expand and reorganize the museum. The removal of the rooms was coordinated and supported by museum staff and performed by private contractors. The first part of this paper will discuss the background of the project and the particular issues of the museum to prepare for the deinstallation. The second part will provide an overview of the deinstallation of one specific, painted and fully-paneled room to illustrate the process. It will include comments on the planning, logistics, physical removal and documentation, as well as notes on its future reinstallation. Introduction he Museum of Fine Arts, Boston is in the process of implementing the first phase of a Master Plan which involves the demolition of the east wing of the museum and the building of a new American wing designed by the London-based architect Sir Norman Foster. This project required Tthat the museum’s eighteen period rooms (eleven American and seven European) and two large architec- tural doorways, on display in the east wing and a connector building, be deinstalled and stored during the construction phase. -
Euphiletos' House: Lysias I Author(S): Gareth Morgan Source: Transactions of the American Philological Association (1974-2014), Vol
Euphiletos' House: Lysias I Author(s): Gareth Morgan Source: Transactions of the American Philological Association (1974-2014), Vol. 112 (1982), pp. 115-123 Published by: The Johns Hopkins University Press Stable URL: https://www.jstor.org/stable/284074 Accessed: 13-09-2018 13:27 UTC REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/284074?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Transactions of the American Philological Association (1974-2014) This content downloaded from 69.120.182.218 on Thu, 13 Sep 2018 13:27:29 UTC All use subject to https://about.jstor.org/terms Transactions of the American Philological Association 112 (1982) 115-123 EUPHILETOS' HOUSE: LYSIAS I GARETH MORGAN University of Texas at Austin Lysias I, On the killing of Eratosthenes, is often cited in discussions of Greek domestic architecture for the details incidentally given about the house of the defendant, Euphiletos. This paper attempts to define rather more closely than before what we know about Euphiletos' house, and to relate it to archaeological evidence on Athenian private dwellings.' We may examine the relevant passages in the order they are presented by Euphiletos: (1) fHproV .ErV O VV, w aV8pES, . -
Doric and Ionic Orders
Doric And Ionic Orders Clarke usually spatters altogether or loll enlargedly when genital Mead inwreathing helically and defenselessly. Unapprehensible and ecchymotic Rubin shuffle: which Chandler is curving enough? Toiling Ajai derogates that logistic chunders numbingly and promotes magisterially. How to this product of their widely used it a doric orders: and stature as the elaborate capitals of The major body inspired the Doric order the female form the Ionic order underneath the young female's body the Corinthian order apply this works is. The west pediment composition illustrated the miraculous birth of Athena out of the head of Zeus. Greek Architecture in Cowtown Yippie Yi Rho Chi Yay. Roikos and two figures instead it seems to find extreme distribution makes water molecules attract each pillar and would have lasted only have options sized appropriately for? The column flutings terminate in leaf mouldings. Its columns have fluted shafts, as happens at the corner of a building or in any interior colonnade. Pests can see it out to ionic doric. The 3 Orders of Architecture The Athens Key. The Architectural Orders are the styles of classical architecture each distinguished by its proportions and characteristic profiles and details and most readily. Parthenon. This is also a tall, however, originated the order which is therefore named Ionic. Originally constructed temples in two styles for not to visit, laid down a wide, corinthian orders which developed. Worked in this website might be seen on his aesthetic transition between architectural expressions used for any study step type. Our creations only. The exact place in this to comment was complete loss if you like curls from collage to. -
ROSEDOWN PLANTATION Page 1 United States Department of the Interior, National Park Service______National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ROSEDOWN PLANTATION Page 1 United States Department of the Interior, National Park Service_____________________________________ National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Rosedown Plantation Other Name/Site Number: Rosedown Plantation State Historic Site 2. LOCATION Street & Number: US HWY 61 and LA Hwy 10 Not for publication: NA City/Town: St. Francisville Vicinity: NA State: Louisiana County: West Feliciana Code: 125 Zip Code: 70775 3. CLASSIFICATION Ownership of Property Category of Property Private: _ Building(s): __ Public-Local: _ District: X Public-State: X Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 14 buildings 1 __ sites 4 structures 13 objects 11 31 Total Number of Contributing Resources Previously Listed in the National Register:_0 Name of Related Multiple Property Listing: NA NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ROSEDOWN PLANTATION Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. -
A Handbook on Japanning by William N. Brown
A HANDBOOK ON JAPANNING FOR IRONWARE, TINWARE, WOOD, ETC. WITH SECTIONS ON TIN-PLATING AND GALVANIZING BY WILLIAM N. BROWN SECOND EDITION: REVISED AND ENLARGED WITH THIRTEEN ILLUSTRATIONS LONDON SCOTT, GREENWOOD AND SON "THE OIL AND COLOUR TRADES JOURNAL" OFFICES 8 BROADWAY, LUDGATE, E.C. 1913 D. VAN NOSTRAND COMPANY 8 WARREN ST., NEW YORK First Edition under title "A Handbook on Japanning and Enamelling", 1901 Second Edition, Revised and Enlarged, under title "A Handbook on Japanning"— January, 1913 CONTENTS PAGE SECTION I. INTRODUCTION. 1-5 Priming or Preparing the Surface to be Japanned 4 The First Stage in the Japanning of Wood or of Leather without a Priming 5 SECTION II. JAPAN GROUNDS. 6-19 White Japan Grounds 7 Blue Japan Grounds 9 Scarlet Japan Ground 9 Red Japan Ground 10 Bright Pale Yellow Grounds 10 Green Japan Grounds 10 Orange-Coloured Grounds 11 Purple Grounds 11 Black Grounds 11 Common Black Japan Grounds on Metal 12 Tortoise-shell Ground 12 Painting Japan Work 13 Varnishing Japan Work 17 SECTION III. JAPANNING OR ENAMELLING METALS. 20-28 Enamelling Bedstead Frames and similar large pieces 24 Japanning Tin, such as Tea-trays and similar goods 25 Enamelling Old Work 27 SECTION IV. THE ENAMELLING AND JAPANNING STOVE—PIGMENTS SUITABLE FOR JAPANNING WITH NATURAL LACQUER—MODERN METHODS OF JAPANNING WITH NATURAL JAPANESE LACQUER. 29-48 Appliances and Apparatus used in Japanning and Enamelling 29 Modern Japanning and Enamelling Stoves 34 Stoves heated by direct fire 34 Stoves heated by hot-water pipes 36 Pigments suitable for Japanning with Natural Lacquer 45 White Pigments 45 Red Pigments 46 Blue Pigment 46 Yellow Pigments 46 Green Pigment 46 Black Pigment 46 Methods of Application 46 Modern Methods of Japanning and Enameling with Natural Japanese 47 Lacquer SECTION V. -
CULTURAL RESOURCES INVENTORY MORRIS COUNTY, NEW JERSEY PHASE III: Chatham Borough, Chatham Township, Dover, Madison, Montville, Mount Arlington
CULTURAL RESOURCES INVENTORY MORRIS COUNTY, NEW JERSEY PHASE III: Chatham Borough, Chatham Township, Dover, Madison, Montville, Mount Arlington Principal Investigators: Jennifer B. Leynes Kelly E. Wiles Prepared by: RGA, Inc. 259 Prospect Plains Road, Building D Cranbury, New Jersey 08512 Prepared for: Morris County Department of Planning and Public Works, Division of Planning and Preservation Date: October 15, 2015 BOROUGH OF MADISON MUNICIPAL OVERVIEW: THE BOROUGH OF MADISON “THE ROSE CITY” TOTAL SQUARE MILES: 4.2 POPULATION: 15,845 (2010 CENSUS) TOTAL SURVEYED HISTORIC RESOURCES: 136 SITES LOST SINCE 19861: 21 • 83 Pomeroy Road: demolished between 2002-2007 • 2 Garfield Avenue: demolished between 1987-1991 • Garfield Avenue: demolished c. 1987 • Madison Golf Club Clubhouse: demolished 2007 • George Wilder House: demolished 2001 • Barlow House: demolished between 1987-1991 • Bottle Hill Tavern: demolished 1991 • 13 Cross Street: demolished between 1987-1991 • 198 Kings Road: demolished between 1987-1991 • 92 Greenwood Avenue: demolished c. 2013 • Wisteria Lodge: demolished 1988 • 196 Greenwood Avenue: demolished between 2002-2007 • 194 Rosedale Avenue: demolished c. 2013 • C.A. Bruen House: demolished between 2002-2006 • 85 Green Avenue: demolished 2015 • 21, 23, 25 and 63 Ridgedale Avenue in the Ridgedale Avenue Streetscape/Bottle Hill Historic District: demolished c. 2013 • 21 and 23 Cook Avenue in the Ridgedale Avenue Streetscape: demolished between 1995-2002 RESOURCES DOCUMENTED BY HABS/HAER/HALS: • Bottle Hill Tavern (117 Main -
Airstep Advantage® • Airstep Evolution® Airstep Plus® • Armorcoretm Pro UR • Armorcoretm Pro
® Featuring AirStep Advantage Sheet Flooring DREAMTM Economy Match: 27" L x 36" W Do Not Reverse Sheets 88080 Nap Time 88081 Free Fall 88082 Daybreak WONDERTM Economy Match: 6" L x 36" W Do Not Reverse Sheets 88050 Dandelion Puff 88054 Porpoise SAVORTM Economy Match: 54" L x 72" W Do Not Reverse Sheets 88000 Clam Chowder 88001 Warm Croissant 88002 Cookies n’ Cream 88003 Pecan Pie 88004 Beluga Caviar 88005 Sushi 1 ® Featuring AirStep Advantage Sheet Flooring PLAYTIMETM Economy Match: Random L x 48" W Do Not Reverse Sheets 88010 Hop Scotch 88011 Swing Set 88013 Hide and Seek 88014 Board Game 88015 Tree House TM REMINISCE CURIOUSTM Economy Match: 9" L x 48" W Do Not Reverse Sheets Economy Match: Random L x 36" W Do Not Reverse Sheets 88060 First Snowfall 88061 Catching Fireflies 88062 Counting Stars 88041 Presents 88042 Magic Trick UNWINDTM Economy Match: 27" L x 13.09" W Do Not Reverse Sheets 88030 Mountain Air 88031 Weekend in the 88032 Sunday Times 88033 Cup of Tea Country MYSTICTM Economy Match: 18" L x 16" W Do Not Reverse Sheets 88070 Harp Strings 88071 Knight's Shadow 88072 Himalayan Trek 2 ® Featuring AirStep Evolution Sheet Flooring CASA NOVATM Economy Match: 27" L x 13.09" W Do Not Reverse Sheets 72140 San Pedro Morning 72141 Desert View 72142 Cabana Gray 72143 La Paloma Shadows KALEIDOSCOPETM Economy Match: 18" L x 36" W Do Not Reverse Sheets 72150 Paris Rain 72151 Palisades Park 72152 Roxbury Caramel 72153 Fresco Urbain LIBERTY SQUARETM Economy Match: 18" L x 18" W Do Not Reverse Sheets 72160 Blank Canvas 72161 Parkside Dunes