CULTURAL RESOURCES INVENTORY MORRIS COUNTY, NEW JERSEY PHASE III: Chatham Borough, Chatham Township, Dover, Madison, Montville, Mount Arlington
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RETROSPECTIVE BOOK REVIEWS by Esley Hamilton, NAOP Board Trustee
Field Notes - Spring 2016 Issue RETROSPECTIVE BOOK REVIEWS By Esley Hamilton, NAOP Board Trustee We have been reviewing new books about the Olmsteds and the art of landscape architecture for so long that the book section of our website is beginning to resemble a bibliography. To make this resource more useful for researchers and interested readers, we’re beginning a series of articles about older publications that remain useful and enjoyable. We hope to focus on the landmarks of the Olmsted literature that appeared before the creation of our website as well as shorter writings that were not intended to be scholarly works or best sellers but that add to our understanding of Olmsted projects and themes. THE OLMSTEDS AND THE VANDERBILTS The Vanderbilts and the Gilded Age: Architectural Aspirations 1879-1901. by John Foreman and Robbe Pierce Stimson, Introduction by Louis Auchincloss. New York: St. Martin’s Press, 1991, 341 pages. At his death, William Henry Vanderbilt (1821-1885) was the richest man in America. In the last eight years of his life, he had more than doubled the fortune he had inherited from his father, Commodore Cornelius Vanderbilt (1794-1877), who had created an empire from shipping and then done the same thing with the New York Central Railroad. William Henry left the bulk of his estate to his two eldest sons, but each of his two other sons and four daughters received five million dollars in cash and another five million in trust. This money supported a Vanderbilt building boom that remains unrivaled, including palaces along Fifth Avenue in New York, aristocratic complexes in the surrounding countryside, and palatial “cottages” at the fashionable country resorts. -
Wayneflete Tower, Esher, Surrey
Wessex Archaeology Wayneflete Tower, Esher, Surrey. Archaeological Evaluation and Assessment of Results Ref: 59472.01 March 2006 Wayneflete Tower, Esher, Surrey Archaeological Evaluation and Assessment of Results Prepared on behalf of Videotext Communications Ltd 49 Goldhawk Road LONDON SW1 8QP By Wessex Archaeology Portway House Old Sarum Park SALISBURY Wiltshire SP4 6EB Report reference: 59472.01 March 2006 © Wessex Archaeology Limited 2006, all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 Contents Summary Acknowledgements 1 BACKGROUND..................................................................................................5 1.1 Introduction................................................................................................5 1.2 Description of the Site................................................................................5 1.3 Historical Background...............................................................................5 1.4 Previous Archaeological Work ...............................................................12 2 AIMS AND OBJECTIVES...............................................................................13 3 METHODS.........................................................................................................14 3.1 Introduction..............................................................................................14 3.2 Dendrochronological Survey...................................................................14 3.3 Geophysical Survey..................................................................................14 -
The Rinceau Design, the Minor Arts and the St. Louis Psalter
The Rinceau Design, the Minor Arts and the St. Louis Psalter Suzanne C. Walsh A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art History. Chapel Hill 2011 Approved by: Dr. Jaroslav Folda Dr. Eduardo Douglas Dr. Dorothy Verkerk Abstract Suzanne C. Walsh: The Rinceau Design, the Minor Arts and the St. Louis Psalter (Under the direction of Dr. Jaroslav Folda) The Saint Louis Psalter (Bibliothèque National MS Lat. 10525) is an unusual and intriguing manuscript. Created between 1250 and 1270, it is a prayer book designed for the private devotions of King Louis IX of France and features 78 illustrations of Old Testament scenes set in an ornate architectural setting. Surrounding these elements is a heavy, multicolored border that uses a repeating pattern of a leaf encircled by vines, called a rinceau. When compared to the complete corpus of mid-13th century art, the Saint Louis Psalter's rinceau design has its origin outside the manuscript tradition, from architectural decoration and metalwork and not other manuscripts. This research aims to enhance our understanding of Gothic art and the interrelationship between various media of art and the creation of the complete artistic experience in the High Gothic period. ii For my parents. iii Table of Contents List of Illustrations....................................................................................................v Chapter I. Introduction.................................................................................................1 -
An Ancient Cave Sanctuary Underneath the Theatre of Miletus
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Philipp Niewöhner An Ancient Cave Sanctuary underneath the Theatre of Miletus, Beauty, Mutilation, and Burial of Ancient Sculpture in Late Antiquity, and the History of the Seaward Defences aus / from Archäologischer Anzeiger Ausgabe / Issue 1 • 2016 Seite / Page 67–156 https://publications.dainst.org/journals/aa/1931/5962 • urn:nbn:de:0048-journals.aa-2016-1-p67-156-v5962.3 Verantwortliche Redaktion / Publishing editor Redaktion der Zentrale | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/aa ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 Verlag / Publisher Ernst Wasmuth Verlag GmbH & Co. Tübingen ©2017 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]). -
Isurium Brigantum
Isurium Brigantum an archaeological survey of Roman Aldborough The authors and publisher wish to thank the following individuals and organisations for their help with this Isurium Brigantum publication: Historic England an archaeological survey of Roman Aldborough Society of Antiquaries of London Thriplow Charitable Trust Faculty of Classics and the McDonald Institute for Archaeological Research, University of Cambridge Chris and Jan Martins Rose Ferraby and Martin Millett with contributions by Jason Lucas, James Lyall, Jess Ogden, Dominic Powlesland, Lieven Verdonck and Lacey Wallace Research Report of the Society of Antiquaries of London No. 81 For RWS Norfolk ‒ RF Contents First published 2020 by The Society of Antiquaries of London Burlington House List of figures vii Piccadilly Preface x London W1J 0BE Acknowledgements xi Summary xii www.sal.org.uk Résumé xiii © The Society of Antiquaries of London 2020 Zusammenfassung xiv Notes on referencing and archives xv ISBN: 978 0 8543 1301 3 British Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library. Chapter 1 Introduction 1 1.1 Background to this study 1 Library of Congress Cataloguing in Publication Data 1.2 Geographical setting 2 A CIP catalogue record for this book is available from the 1.3 Historical background 2 Library of Congress, Washington DC 1.4 Previous inferences on urban origins 6 The moral rights of Rose Ferraby, Martin Millett, Jason Lucas, 1.5 Textual evidence 7 James Lyall, Jess Ogden, Dominic Powlesland, Lieven 1.6 History of the town 7 Verdonck and Lacey Wallace to be identified as the authors of 1.7 Previous archaeological work 8 this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. -
Lot Description LOW Estimate HIGH Estimate 2000 German Rococo Style Silvered Wall Mirror, of Oval Form with a Wide Repoussé F
LOW HIGH Lot Description Estimate Estimate German Rococo style silvered wall mirror, of oval form with a wide repoussé frame having 2000 'C' scroll cartouches, with floral accents and putti, 27"h x 20.5"w $ 300 - 500 Polychrome Murano style art glass vase, of tear drop form with a stick neck, bulbous body, and resting on a circular foot, executed in cobalt, red, orange, white, and yellow 2001 wtih pulled lines on the neck and large mille fleur designs on the body, the whole cased in clear glass, 16"h x 6.75"w $ 200 - 400 Bird's nest bubble bowl by Cristy Aloysi and Scott Graham, executed in aubergine glass 2002 with slate blue veining, of circular form, blown with a double wall and resting on a circular foot, signed Aloysi & Graham, 6"h x 12"dia $ 300 - 500 Monumental Murano centerpiece vase by Seguso Viro, executed in gold flecked clear 2003 glass, having an inverted bell form with a flared rim and twisting ribbed body, resting on a ribbed knop rising on a circular foot, signed Seguso Viro, 20"h x 11"w $ 600 - 900 2004 No Lot (lot of 2) Art glass group, consisting of a low bowl, having an orange rim surmounting the 2005 blue to green swirl decorated body 3"h x 11"w, together with a French art glass bowl, having a pulled design, 2.5"h x 6"w $ 300 - 500 Archimede Seguso (Italian, 1909-1999) art glass sculpture, depicting the head of a lady, 2006 gazing at a stylized geometric arch in blue, and rising on an oval glass base, edition 7 of 7, signed and numbered to underside, 7"h x 19"w $ 1,500 - 2,500 Rene Lalique "Tortues" amber glass vase, introduced 1926, having a globular form with a 2007 flared mouth, the surface covered with tortoises, underside with molded "R. -
Document Review and Archaeological Assessment of Selected Areas from the Revolutionary War and War of 1812
American Battlefield Protection Program Grant 2287-16-009: Document Review and Archaeological Assessment Document Review and Archaeological Assessment of Selected Areas from the Revolutionary War and War of 1812. Plattsburgh, New York PREPARED FOR: The City of Plattsburgh, NY, 12901 IN ACCORDANCE WITH REQUIREMENTS OF GRANT FUNDING PROVIDED THROUGH: American Battlefield Protection Program Heritage Preservation Services National Park Service 1849 C Street NW (NC330) Washington, DC 20240 (Grant 2287-16-009) PREPARED BY: 4472 Basin Harbor Road, Vergennes, VT 05491 802.475.2022 • [email protected] • www.lcmm.org BY: Cherilyn A. Gilligan Christopher R. Sabick Patricia N. Reid 2019 1 American Battlefield Protection Program Grant 2287-16-009: Document Review and Archaeological Assessment Abstract As part of a regional collaboration between the City of Plattsburgh, New York, and the towns of Plattsburgh and Peru, New York, the Maritime Research Institute (MRI) at the Lake Champlain Maritime Museum (LCMM) has been chosen to investigate six historical Revolutionary War and War of 1812 sites: Valcour Island, Crab Island, Fort Brown, Fort Moreau, Fort Scott, and Plattsburgh Bay. These sites will require varying degrees of evaluation based upon the scope of the overall heritage tourism plan for the greater Plattsburgh area. The MRI’s role in this collaboration is to conduct a document review for each of the six historic sites as well as an archaeological assessment for Fort Brown and Valcour Island. The archaeological assessments will utilize KOCOA analysis outlined in the Battlefield Survey Manual of the American Battlefield Protection Program provided by the National Park Service. This deliverable fulfills Tasks 1 and 3 of the American Battlefield Protection Program (ABPP) Grant 2887-16-009. -
Corinth, 1987: South of Temple E and East of the Theater
CORINTH, 1987: SOUTH OF TEMPLE E AND EAST OF THE THEATER (PLATES 33-44) ARCHAEOLOGICAL INVESTIGATIONS by the American School of Classical Studies at Athens were conductedin 1987 at Ancient Corinth south of Temple E and east of the Theater (Fig. 1). In both areas work was a continuationof the activitiesof 1986.1 AREA OF THE DECUMANUS SOUTH OF TEMPLE E ROMAN LEVELS (Fig. 1; Pls. 33-37:a) The area that now lies excavated south of Temple E is, at a maximum, 25 m. north-south by 13.25 m. east-west. The earliest architecturalfeature exposed in this set of trenches is a paved east-west road, identified in the 1986 excavation report as the Roman decumanus south of Temple E (P1. 33). This year more of that street has been uncovered, with a length of 13.25 m. of paving now cleared, along with a sidewalk on either side. The street is badly damaged in two areas, the result of Late Roman activity conducted in I The Greek Government,especially the Greek ArchaeologicalService, has again in 1987 made it possible for the American School to continue its work at Corinth. Without the cooperationof I. Tzedakis, the Director of the Greek ArchaeologicalService, Mrs. P. Pachyianni, Ephor of Antiquities of the Argolid and Corinthia, and Mrs. Z. Aslamantzidou, epimeletria for the Corinthia, the 1987 season would have been impossible. Thanks are also due to the Director of the American School of Classical Studies, ProfessorS. G. Miller. The field staff of the regular excavationseason includedMisses A. A. Ajootian,G. L. Hoffman, and J. -
Friends Portrait Project Update
Friends of FRIENDSF lorham PORTRAIT PROJECT UPDATE SPRING 2018 BOARD OF TRUSTEES FRIENDS OF FLORHAM Valerie Adams Christine Adrignolo Carol Bere Samuel M. Convissor Dawn Dupak Elaine Earlywine Susan Garrubbo Beth Hennessy James Howard Jennifer Johnson Lisa MacNair Suzy Moran Antoinette C. Petrocelli Natalia Semenova Ann Wellbrock Peter Woolley Edward Zimmermann HONORARY TRUSTEES Susan Adams Linda Carrington Phyllis Conway Walter Cummins CHARLES FOLLEN MCKIM STANFORD WHITE Gabriella D’Amico The significant and enterpris- Among the portraits to be in- curator of collections, gave Emma Joy Dana ing Portrait Project, initiated in cluded in Phase II of the project Darden and Hillringhouse a Kim Dougherty 2013 by Gary Helm Darden, are those of Florham architects, tour of the club and facilitated Carol C. Knauff Linda Meister historian, associate professor access to the image of McKim. Charles Follen McKim and Stan- Audrey Parker of history, chair of the social sci- ford White, partners in the lead- In September 2017, Darden Troy Simmons ences and history department ing architectural firm of McKim, and Hillringhouse visited Box Arthur T. Vanderbilt, II and member of the Friends Mead & White, founded in 1872 Hill, the legendary country home Board, was designed to tell and joined by White in 1879. of Stanford White in St. James, UNIVERSITY LIAISONS through portraits the “history of Their work embodied the Beaux Long Island, N.Y., which was Carol Black this estate within the larger nar- Arts style imported from Paris completed in 1885. They were Christopher A. Capuano rative of American history from that brought Neoclassical forms given a tour of Box Hill by Daniel Katie Carpenter Gary Helm Darden the Gilded Age well into the to their height in the late Gilded White, great-grandson of Stan- 20th century.” Phase I, which Matthew Dikovics Age. -
TROVE at ICFF 2014 Release FINAL
TROVE BRINGS STUNNING NEW SPRING COLLECTION TO ICFF New York, NY, May 17-20 Booth #2006 (May, 2014 – New York, NY) Returning to ICFF this year, Trove celebrates spring with an alluring new collection of images and patterns that once again push the dimension of wallpaper design in beautiful and unexpected ways. Jee Levin and Randall Buck, co- founders of Trove, are innovative multimedia designers who approach each new collection as artists to a blank canvas. Drawing influences from myriad media and experiences—from architecture, film and art history to travel and nature—this new collection exhibits the distinctive qualities of Trove designs: surprising scale, unconventional color palette, and a poetry and grace that transforms walls into works of art, inviting interpretation. At ICFF in the Javits Center (Booth #2006), Trove will present five arresting new designs: Allee, Rinceau, Grotte, Suichuka, and Macondo along with Trace, a recently released design that makes its ICFF debut this year. All of the patterns are available in 6 colorways and in Trove’s signature scale, which repeats at 12-foot high and 6-foot wide and can be customized to height. Allee Allee presents an expansive dreamscape inspired by Alain Resnais’ 1961 film, “Last Year at Marienbad.” Set in an unspecified formal garden, the film plays with spatial and temporal shifts in scenes to create an ambiguous narrative. The designers translate the cinematic repetition to photographic repetition, composing a landscape organized around a central pathway thereby inviting the passerby to wander into this mise en scene. Rinceau French for foliage, “rinceau” describes a style of filigree that is characterized by leafy stems, florid swirls and sinuous natural elements. -
VANDERBILT MAUSOLEUM, Staten Island
Landmarks Preservation Commission April 12, 2016, Designation List 487 LP-1208 VANDERBILT MAUSOLEUM, Staten Island Built: c. 1884-87; Richard Morris Hunt, architect; F. L. & J. C. Olmsted, landscape architects; John J. R. Croes, landscape engineer Landmark Site: Borough of Staten Island, Tax Map Block 934, Lot 250 in part, consisting of the entire mausoleum, its steps, and retaining walls; the hillock enclosing the mausoleum; the terrace in front of the mausoleum’s main facade and the base and walls of the terrace; the pathway leading from the terrace northeasterly, southeasterly, southwesterly, and southeasterly, beneath the arch near the southernmost entrance to the lot, to the lot boundary; the entrance arch and gates, and the adjoining stone retaining walls extending from the south face and sides of the arch northeasterly and southwesterly to the north and south lot lines; the stone retaining walls extending from the north face of the arch along both sides of a portion of the pathway; the land beneath the opening in the entrance arch; and the land upon which these improvements are sited. On September 9, 1980, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Vanderbilt Mausoleum and Cemetery and the proposed designation of the related Landmark Site (Item No. 5). The hearing had been duly advertised in accordance with the provisions of law. A representative of the trustees overseeing the property testified in opposition to the proposed designation. A representative of New Dorp Moravian Church also testified in opposition to the proposed designation. Two people spoke in favor of the proposed designation, including a representative of the Preservation League of Staten Island. -
Schloss Burg Orientierungsplan 2015
What else? www.surroundings.schlossburg.de Welcome There is a quick, comfortable and spectacular way to reach to Burg Castle! Burg Castle. If you take the cable car railway you can glide Burg Castle sits enthroned above wooded hills – a compact silently up the hillside above the site with a castle at its centre, an outer bailey, narrow passa- Wupper to the top. Once there geways, massive walls, huge archways, constricted courtyards you will be able to get a typical and sunny terraces. Burg pretzel in one of the cafes: and it’s always worth taking a This map will help you find your bearings stroll through the many small quickly, not only in the castle area itself but arts and crafts shops. also in its turbulent history. For the Dukes of Berg resided here for several centuries from … in the neighbourhood the time it was completed around 1130. They Solingen is famous for the ma- once ruled over huge parts of today’s North nufacture of knives and scissors. Rhine Westphalia. But Burg Castle later de- The German Blade Museum in clined in importance and the site fell to ru- Solingen deals with the cultu- ins. Nonetheless the local inhabitants still ral history of cutting goods in retained a soft spot for Burg Castle: donations the town. Historic local town were made and reconstruction work started centres like the Remscheid in 1890. Today Burg Castle is a place where The outer walls suburb of Lennep bear witness history comes to life once more. And while of the castle site to the modest wealth of the in- we’re at it, why not take a look in the calen- The twin-tailed originally contained a habitants.