An Introduction to Optical Media Preservation
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DVD/CD Rewritable Drive
IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. -
International Preservation Issues Number Seven International Preservation Issues Number Seven
PROCEEDINGS OF THE INTERNATIONAL SYMPOSIUM THE 3-D’SOFPRESERVATION DISATERS, DISPLAYS, DIGITIZATION ACTES DU SYMPOSIUM INTERNATIONAL LA CONSERVATION EN TROIS DIMENSIONS CATASTROPHES, EXPOSITIONS, NUMÉRISATION Organisé par la Bibliothèque nationale de France avec la collaboration de l’IFLA Paris, 8-10 mars 2006 Ed. revised and updated by / Ed. revue et corrigée par Corine Koch, IFLA-PAC International Preservation Issues Number Seven International Preservation Issues Number Seven International Preservation Issues (IPI) is an IFLA-PAC (Preservation and Conservation) series that intends to complement PAC’s newsletter, International Preservation News (IPN) with reports on major preservation issues. IFLA-PAC Bibliothèque nationale de France Quai François-Mauriac 75706 Paris cedex 13 France Tél : + 33 (0) 1 53 79 59 70 Fax : + 33 (0) 1 53 79 59 80 e-mail: [email protected] IFLA-PAC Director e-mail: [email protected] Programme Officer ISBN-10 2-912 743-05-2 ISBN-13 978-2-912 743-05-3 ISSN 1562-305X Published 2006 by the International Federation of Library Associations and Institutions (IFLA) Core Activity on Preservation and Conservation (PAC). ∞ This publication is printed on permanent paper which meets the requirements of ISO standard: ISO 9706:1994 – Information and Documentation – Paper for Documents – Requirements for Permanence. © Copyright 2006 by IFLA-PAC. No part of this publication may be reproduced or transcribed in any form without permission of the publishers. Request for reproduction for non-commercial purposes, including -
The Emergence of the Compact Disc Hans B
IEEE A Communications Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page BEF MaGS HISTORY OF COMMUNICATIONS EDITED BY MISCHA SCHWARTZ INTRODUCTION BY EDITOR The article following on the history of the development of the development process, but of the pitfalls and difficulties encoun- CD, written especially for this column by one of the engineers tered and eventually overcome before the system could be who participated in the development effort, should be of interest deemed successful. As another reviewer noted, “ I also appreciat- to all readers of this magazine. As one of the reviewers of the ed the depiction of the human elements that are invariably part article noted, “CDs and successor optical discs are so much a of these projects,” in this case the initial naming of the project or part of our lives, it is fascinating to read about their genesis.” As the reasons for the choice of the final dimensions of the CD. The he goes on to note, “As an engineer, it is equally fascinating and ability of two major companies, Philips and Sony, from two dif- insightful to see how technologies which now seem so obvious ferent parts of the world, to collaborate and come up with such a and inevitable were once open to debate.” I venture to guess that successful product is another fascinating lesson taught by this this is true of almost all technologies, whether large systems or particular history. I suggest you read on to see all of this for your- devices within systems. This is what makes reading about the his- self. -
CD-ROM, CD-R, CD-RW, and DVD-ROM Drives) Are the Hardware Devices That Read Computer Data from Disks
A Brief History of CD/DVD The first disc that could be written and read by optical means (using light as a medium) was developed by James T. Russell. In the late 1960s, Russell created a system that recorded, stored, and played audio/video data using light rather than the traditional contact methods, which could easily damage the disks during playback. Russell developed a photosensitive disc that stored data as 1 micron-wide dots of light and dark. The dots were read by a laser, converted to an electrical signal, and then to audio or visual display for playback. Russell's own company manufactured the first disc player in 1980, although the technology never reached the marketplace until Philips and Sony developed the technology. In late 1982, Philips and Sony released the first of the compact disc (CD) formats, which they then called CD-DA (digital audio). In the years since, format has followed format as the original companies and other industry members developed more adaptations of the original specifications. Digital Versatile disc (DVD) had its beginning in 1994, when two formats, Super disc (SD) and Multimedia CD (MMCD) were introduced. Promoters of the competing technologies failed to reach an agreement on a single standard until 1996, when DVD was selected as a convergence format. DVD has, in the few years since, grown to include variations that do anything that CD does, and more efficiently. Standardization and compatibility issues aside, DVD is well-placed to supplant CD. Magnetic vs Optical Media Optical media are storage media that hold information in digital form and that are written and read by a laser; these media include all the various CD and DVD variations, as well as optical jukeboxes and autochangers. -
CD-Rewriter - Plexwriter S88TUCD-Rewriter S88TU
CD-ReWriter - PleXWriter S88TUCD-ReWriter S88TU available in Europe Leading Edge Performance Plextor, one of the leading companies for the development and production of CD-ROM drives, CD-Recorders and CD-ReWriters is expanding its range with the PlexWriter S88TU, one of the fastest portable CD-ReWriters on market today, which writes CD's at 8-speed, rewrites at 8-speed and reads at 24-speed. It has stylish silver and blue casing and measures only 141 x 22 x 171 mm (W x H x D) The PlexWriter S88TU is the ideal instrument for both professional and private users who want to copy CD's, archive large files, or create multimedia productions. The Retail package contains: PlexWriter S88TU ,1 blank CD-R disk, 1 blank CD-R/W disk, CD-Recording software Nero + InCD, Plextor Utility software (PlexTools), manual in 16 languages, 1 USB cable, 1 AC poweradapter. The firmware is stored in FlashROM which makes it possible to quickly and easily upgrade to the latest version. CD-Text is also completely supported. With the PlexWriter S88TU, the user has a perfect all-in-one product for backup, duplication and all multimedia applications. CD's can be written, rewritten and read on a single unit, and at the highest possible speed. PlexWriter S88TU Benefits l 8X write (when connected to USB 2.0 host) l 8X rewrite (when connected to USB 2.0 host) l 24X read (when connected to USB 2.0 host) l USB 2.0 Interface (USB 1.1 supports 4x Write, 4x Rewrite, 6x Read) l BURN-Proof Technology (Buffer Under Run Proof) l Two year full-warranty (parts, labor, and replacement) * l Writes CD-ROM Modes 1 and 2, CD-XA Form 1 and 2, CD-DA, CD-I, Video CD & Photo CD. -
AZ1025 CD Sound Machine • Bass Reflex Speaker System Acoustic System That Enhances the Upper Bass Tones to Provide a Warmer, Punchier Bass Sound
CD sound machine AZ1025 CD sound machine • Bass reflex speaker system Acoustic system that enhances the upper bass tones to provide a warmer, punchier bass sound. • Dynamic bass boost Enhances bass tone frequencies to give deep, rich sounds. • Digital tuner with 29 presets Provides fast, accurate tuning to your favourite stations.You can store up to 29 FM and MW stations in memory for fast, easy access. • CD synchro start recording Synchronises the start of a recording on audio cassette with the start of a CD at the touch of a button. • Compact disc digital audio player • Stereo cassette deck • 20-Track programmable • 14-key remote control CD sound machine Standard product information Amplifier AZ1025 • Output power : 2 x 1.6 W RMS • Dynamic bass boost • Up/down digital volume control Sound system Product highlights • 2 x 4" full range speakers • Bass reflex speaker system • Compact disc digital audio player • Metal speaker grilles Compact Disc technology that combines superb digital sound quality with the convenience of random track access and CD functions like CD programme, CD player Shuffle Play and Repeat. • Top loader • 20-Track programmable • 20 track CD programme Stores up to 20 of your favourite CD tracks for playing back in your order of • CD programme, shuffle and repeat function preference. • CD synchro start recording • Shuffle play • Search/Skip/review Plays disc selection randomly, giving you a new sequence of tracks each time. • Repeat one/all Cassette deck Repeats the current track, the total CD, or your pre-selected programme. • Single stereo cassette deck • CD next/previous track search • Normal tape type Plays the next or previous track at the touch of a button. -
Devicelock® DLP 8.3 User Manual
DeviceLock® DLP 8.3 User Manual © 1996-2020 DeviceLock, Inc. All Rights Reserved. Information in this document is subject to change without notice. No part of this document may be reproduced or transmitted in any form or by any means for any purpose other than the purchaser’s personal use without the prior written permission of DeviceLock, Inc. Trademarks DeviceLock and the DeviceLock logo are registered trademarks of DeviceLock, Inc. All other product names, service marks, and trademarks mentioned herein are trademarks of their respective owners. DeviceLock DLP - User Manual Software version: 8.3 Updated: March 2020 Contents About This Manual . .8 Conventions . 8 DeviceLock Overview . .9 General Information . 9 Managed Access Control . 13 DeviceLock Service for Mac . 17 DeviceLock Content Security Server . 18 How Search Server Works . 18 ContentLock and NetworkLock . 20 ContentLock and NetworkLock Licensing . 24 Basic Security Rules . 25 Installing DeviceLock . .26 System Requirements . 26 Deploying DeviceLock Service for Windows . 30 Interactive Installation . 30 Unattended Installation . 35 Installation via Microsoft Systems Management Server . 36 Installation via DeviceLock Management Console . 36 Installation via DeviceLock Enterprise Manager . 37 Installation via Group Policy . 38 Installation via DeviceLock Enterprise Server . 44 Deploying DeviceLock Service for Mac . 45 Interactive Installation . 45 Command Line Utility . 47 Unattended Installation . 48 Installing Management Consoles . 49 Installing DeviceLock Enterprise Server . 52 Installation Steps . 52 Installing and Accessing DeviceLock WebConsole . 65 Prepare for Installation . 65 Install the DeviceLock WebConsole . 66 Access the DeviceLock WebConsole . 67 Installing DeviceLock Content Security Server . 68 Prepare to Install . 68 Start Installation . 70 Perform Configuration and Complete Installation . 71 DeviceLock Consoles and Tools . -
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting. -
Instructions and Dehinitions: FY2014
Instructions and Deinitions: FY2014 Table of Contents Introduction 2 Background 2 What’s New for the FY2014 Survey 2 FAQ 4 General Instructions 6 General Information 6 Section 1: Conservation Treatment 8 Section 2: Conservation Assessment, Digitization Preparation, Exhibit Preparation 9 Section 3: General Preservation Activities 10 Section 4: Reformatting and Digitization 10 Section 5: Digital Preservation and Digital Asset Management 13 Introduction Count what you do and show preservation counts! The Preservation Statistics Survey is an effort coordinated by the Preservation and Reformatting Section (PARS) of the American Library Association (ALA) and the Association of Library Collections and Technical Services (ALCTS). Any library or archives in the United States conducting preservation activities may complete this survey, which will be open from January 20, 2015 through February 27, 2015. The deadline has been extended to March 20, 2015. Questions focus on production-based preservation activities for /iscal year 2014, documenting your institution's conservation treatment, general preservation activities, preservation reformatting and digitization, and digital preservation and digital asset management activities. The goal of this survey is to document the state of preservation activities in this digital era via quantitative data that facilitates peer comparison and tracking changes in the preservation and conservation /ields over time. Background This survey is based on the Preservation Statistics survey program by the Association of Research Libraries (ARL) from 1984 to 2008. When the ARL Preservation Statistics program was discontinued in 2008, the Preservation and Reformatting Section of ALA / ALCTS, realizing the value of sharing preservation statistics, worked towards developing an improved and sustainable preservation statistics survey. -
Drives User Guide © Copyright 2009 Hewlett-Packard Product Notice Development Company, L.P
Drives User Guide © Copyright 2009 Hewlett-Packard Product notice Development Company, L.P. This user guide describes features that are Windows is a U.S. registered trademark of common to most models. Some features Microsoft Corporation. may not be available on your computer. The information contained herein is subject to change without notice. The only warranties for HP products and services are set forth in the express warranty statements accompanying such products and services. Nothing herein should be construed as constituting an additional warranty. HP shall not be liable for technical or editorial errors or omissions contained herein. First Edition: August 2009 Document Part Number: 539578-001 Table of contents 1 Handling drives 2 Using an optical drive Identifying the installed optical drive ..................................................................................................... 3 Using optical discs ................................................................................................................................ 4 Selecting the right disc (CDs, DVDs, and BDs) .................................................................................... 5 CD-R discs ........................................................................................................................... 5 CD-RW discs ....................................................................................................................... 5 DVD±R discs ...................................................................................................................... -
The Preservation of Archaeological Records and Photographs
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Anthropology Department Theses and Dissertations Anthropology, Department of 12-2010 The Preservation of Archaeological Records and Photographs Kelli Bacon University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/anthrotheses Part of the Anthropology Commons Bacon, Kelli, "The Preservation of Archaeological Records and Photographs" (2010). Anthropology Department Theses and Dissertations. 9. https://digitalcommons.unl.edu/anthrotheses/9 This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Anthropology Department Theses and Dissertations by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE PRESERVATION OF ARCHAEOLOGICAL RECORDS AND PHOTOGRAPHS By Kelli Bacon A THESIS Presented to the Faculty of The Graduate College of the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Anthropology Under the Supervision of Professor LuAnn Wandsnider Lincoln, Nebraska December 2010 THE PRESERVATION OF ARCHAEOLOGICAL RECORDS AND PHOTOGRAPHS Kelli Bacon, M.A. University of Nebraska, 2010 Advisor: LuAnn Wandsnider Substantive and organized research about archaeological records and photograph preservation, especially those written by and for archaeologists, are few. Although the Society for American Archaeology has a code of ethics regarding archaeological records preservation, and the federal government has regulations regarding the care and preservation of federally owned archaeological collections, there is a lack of resources. This is detrimental to archaeology because not all archaeologists, given the maturity of the discipline, understand how important it is to preserve archaeological records and photographs. -
CD Audio, DDP Master Or WAV Files)
GZ Digital Media, a.s., Tovární 340, Loděnice, ZIP: 267 12, Czech Republic, Registration no.: 25685511, VAT no.: CZ25685511 Web: www.gzdm.cz, E-mail: [email protected], Tel.: +420 311 673 111 Vinyl - Technical Conditions These technical conditions describe the acceptable source data and materials, including documentation required for the vinyl record production in the company GZ Digital Media, a. s. The customer has the duty to get acquainted with them prior to placing the order. The source data not mentioned in these technical conditions, or source data, which are inconsistent with these conditions, should be consulted in advance with a pre-mastering engineer. 1 Technical Specifications Vinyl record is a carrier of mechanical analogue recording of natural sounds. It is predetermined for listening of this recording by means of amplitude linear reproduction chain at uniform revolving of vinyl record at nominal speed in the clockwise direction. Therefore the problems caused by any other use of record cannot be the subject of claim. Each side of vinyl record carries one physically continuous spiral groove, which begins at the perimeter of record and is ended on the specified diameter by ring closure into itself. Any possible requested different geometrical layout must be defined precisely as intended deviation from the standard IEC 98. Technical parameters of vinyl record must conform to the specification of the standard IEC 98:1987. If the supplied source materials do not allow to carry out the recording in compliance with the abovementioned standard or the character of supplied sound recording at standard setting-up of the recording device exceeds its limit values, the supplied source materials will be adjusted in the pre-mastering, or will be rejected as nonconforming, should it be impossible to adjust them.