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Future for Local and Regional Media
House of Commons Culture, Media and Sport Committee Future for local and regional media Fourth Report of Session 2009–10 Volume II Oral and written evidence Ordered by The House of Commons to be printed 24 March 2010 HC 43-II (Incorporating HC 699-i-iv of Session 2008-09) Published on 6 April 2010 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon and East Chelmsford) (Chair) Mr Peter Ainsworth MP (Conservative, East Surrey) Janet Anderson MP (Labour, Rossendale and Darwen) Mr Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr Mike Hall MP (Labour, Weaver Vale) Alan Keen MP (Labour, Feltham and Heston) Rosemary McKenna MP (Labour, Cumbernauld, Kilsyth and Kirkintilloch East) Adam Price MP (Plaid Cymru, Carmarthen East and Dinefwr) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) The following members were also members of the committee during the inquiry: Mr Nigel Evans MP (Conservative, Ribble Valley) Helen Southworth MP (Labour, Warrington South) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk. Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. -
Tennessee, Chamber of Commerce Page 1 of 8 4
D . Lake City, Tennessee, Chamber of Commerce Page 1 of 8 4 Business Directory Select the classification of the business you- desire. IBanks & Financial Sewices 4%- Banks I Financial Services Member Name I Address I City \Statel Zip I Phone BankAmerica 1P.O. Box614 ]Lake Citv. ITN 1377691 426-7481 SunTrust Bank IP.0. Box 68 ILake City ITN 1377691 426-7451 First Choice Financial I I I I I Group 2841 Norris Freeway Andemnville TN 37705 494-0702 First National Bank 2106 N Charles Seivers Blvd. Clinton TN 37716 457-8684 423-562- Peoples National Bank P.O. Box 1221 LaFolletle TN 37766 4921 . ~-Return to Top of .me Chambers of Commerce Member Name I Address I Ci lStatel Zia I Phone 1 ~ ~~ -~ Anderson County Chamber of Commerce 245 N. Main St., Suite 200 Clinton TN 37716 457-2559 Knoxville Chamber 601 W. Summit Hill Dr., Suite Partnership 300 Knoxville TN 37902 637-4550 Monroe County Chamber 423-442- of Commerce 4765 Highway 68 Madisonville TN 37354 4588 http://~.lak~i~.or~directory.html 711 6/03 . Lake City, Tennessee, Chamber of Commerce Page 2 of 8 Member Name Address City State Zip Phone Lake City Chnstian Fellowship 506 4th Street, POB 939 LakeCity TN 37769 426-6544 Ret-umto1op-dPme Communications Yellow Book Southern Returnto Top of Page Healthcare I http Nwww lakecitytn.org/directory html 71 16/03 . Lake City, Tennessee, Chamber of Commerce Page 3 of 8 Noe, Dr. Ronald E IP.0. Box 599 ILake City ITN 1377691 426-7421 Pryse, Dr. John C., Jr I180 Edgewood Ave. -
Weekly Highlights Week 04/05: Sat 30Th January - Fri 5Th February 2021
Weekly Highlights Week 04/05: Sat 30th January - Fri 5th February 2021 Joanna Lumley’s Home Sweet Home - Travels in My Own Land Tuesday, 8pm The presenter sets off on a journey around the UK. This information is embargoed from reproduction in the public domain until Tue 26th January 2021. Press contacts Further programme publicity information: ITV Press Office [email protected] www.itv.com/presscentre @itvpresscentre ITV Pictures [email protected] www.itv.com/presscentre/itvpictures ITV Billings [email protected] www.ebs.tv This information is produced by EBS New Media Ltd on behalf of ITV +44 (0)1462 895 999 Please note that all information is embargoed from reproduction in the public domain as stated. Weekly highlights Simply Raymond Blanc Saturday, 11.40am 30th January ITV Join Raymond Blanc and enjoy some Le Manoir Magic as he rustles up a selection of simple yet delicious dishes from the heart of his Oxfordshire kitchen. In this series opener, the chef is joined by Angela Hartnett, who’s cooking a stunning tagliatelle for her friend. Plus, the host creates food for every palette, from a sumptuous meringue with blackcurrant coulis to a heritage salad with beetroot. The Masked Singer Saturday, 7pm 30th January ITV TV’s craziest guessing game continues its second series. Joel Dommett presents as a gang of celebrities don costumes and sing with their identities hidden. There are shocks in store as the remaining seven are cut to five in a double elimination. Will Rita Ora, Jonathan Ross, Davina McCall, Mo Gilligan and guest Alan Carr be able to guess who is performing? Two singers are unmasked at the end of tonight’s show. -
JOHN HENNI Nevjvian the O Rigins and a P P Licatio N of H Is E Ducational Ideas Ph.D. T Hesis 1968 JOHN JACKSON
JOHN HENNI NEVJvIAN The Origins and Application of his Educational Id eas Ph.D. Thesis 1968 JOHN JACKSON ProQuest Number: U622466 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U622466 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONTENTS C hapter Page One Introduction • • • 1 Two The impact of his family 16 Three The impact of Ealing School .. 31 Four The impact of Oxford University 52 Five His early ventures 71 Six His work in Ireland 84 Seven How he established the Oratory School 120 Eight How he saved the Oratory School 149 Nine His work as headmaster of the Oratory School 193 Ten His abortive plans to return to Oxford 234 Eleven His reaction to Manning’s Kensington scheme 241 Twelve Conclusion 245 Appendices 258 Bibliography 280 CHAPTER ONE INTHODUCTION 1. CHAPTER ONE INTRODUCTION When he wrote his memoirs, Newman declared that **from first to last education in the large sense of the word has been my line," (1 ) ( 2) By this he meant that his educational ideas 'were an integral part of his philosophical and spiritual thinking, that they were basic to the most fundamental and personal of his beliefs, and had been acquired gradually over the years. -
ITV Plc Corporate Responsibility Report 04 ITV Plc Corporate Responsibility Report 04 Corporate Responsibility and ITV
One ITV ITV plc Corporate responsibility report 04 ITV plc Corporate responsibility report 04 Corporate responsibility and ITV ITV’s role in society is defined ITV is a commercial public service by the programmes we make broadcaster. That means we and broadcast. The highest produce programmes appealing ethical standards are essential to to a mass audience alongside maintaining the trust and approval programmes that fulfil a public of our audience. Detailed rules service function. ITV has three core apply to the editorial decisions public service priorities: national we take every day in making and international news, regional programmes and news bulletins news and an investment in and in this report we outline the high-quality UK-originated rules and the procedures in place programming. for delivering them. In 2004, we strengthened our longstanding commitment to ITV News by a major investment in the presentation style. Known as a Theatre of News the new format has won many plaudits and helped us to increase our audience. Researched and presented by some of the finest journalists in the world, the role of ITV News in providing accurate, impartial news to a mass audience is an important social function and one of which I am proud. Our regional news programmes apply the same editorial standards to regional news stories, helping communities to engage with local issues and reinforcing their sense of identity. Contents 02 Corporate responsibility management 04 On air – responsible programming – independent reporting – reflecting society – supporting communities – responsible advertising 14 Behind the scenes – encouraging creativity – our people – protecting the environment 24 About ITV – contacts and feedback Cover Image: 2004 saw the colourful celebration of a Hindu Wedding on Coronation Street, as Dev and Sunita got married. -
Live Assist Panels
True Creative Control Live Production Automation LIVE ASSIST PRODUCT INFORMATION SHEET TRUE CREATIVE CONTROL HOW IS IT USED? Optimize the potential of equipment and human resources. Produce compelling TV shows with just one or two operators by scripting the entire format and automate tasks. In Live Assist, a collection of scenes defines the running order for a show. Easily create, modify and reuse scene templates. Live Assist is our Playout automation engine that sits on top of Live Compositor. It offers an ultra- intuitive user interface and open API for smooth 2 integration with, for example, your existing newsroom system. Live Assist is a highly flexible automation engine that is capable of operating in three different modes: Linear Production Automation, Non-Linear Production Automation, and Data Driven Production Automation. • Linear Mode is ideal for news production where there is a news rundown available and in instances where ChyronHego’s CAMIO Universe is operating. • Non-Linear Mode is the perfect automation solution for users who want a fully configurable user interface, such as arena or stadium venues. • Data Driven Mode provides producers with a variety of options by connecting Live Assist to external data feeds. Say goodbye to complex and partial automation of singular hardware devices. Welcome the most advanced and easy to use workflow for live newscast automation. 3 WHO BUYS THIS? DELIVERABLES OPTIONS Anyone who wants to produce broadcast- • 2 ChyronHego engine servers + • Depends on the required level quality content, with less cost, in less Live Compositor User Interfaces of automation. Automate from time, and without the need for large (hard- and software) 1 to 100% of all powerful Live Compositor features. -
Register of Journalists' Interests
REGISTER OF JOURNALISTS’ INTERESTS (As at 14 June 2019) INTRODUCTION Purpose and Form of the Register Pursuant to a Resolution made by the House of Commons on 17 December 1985, holders of photo- identity passes as lobby journalists accredited to the Parliamentary Press Gallery or for parliamentary broadcasting are required to register: ‘Any occupation or employment for which you receive over £795 from the same source in the course of a calendar year, if that occupation or employment is in any way advantaged by the privileged access to Parliament afforded by your pass.’ Administration and Inspection of the Register The Register is compiled and maintained by the Office of the Parliamentary Commissioner for Standards. Anyone whose details are entered on the Register is required to notify that office of any change in their registrable interests within 28 days of such a change arising. An updated edition of the Register is published approximately every 6 weeks when the House is sitting. Changes to the rules governing the Register are determined by the Committee on Standards in the House of Commons, although where such changes are substantial they are put by the Committee to the House for approval before being implemented. Complaints Complaints, whether from Members, the public or anyone else alleging that a journalist is in breach of the rules governing the Register, should in the first instance be sent to the Registrar of Members’ Financial Interests in the Office of the Parliamentary Commissioner for Standards. Where possible the Registrar will seek to resolve the complaint informally. In more serious cases the Parliamentary Commissioner for Standards may undertake a formal investigation and either rectify the matter or refer it to the Committee on Standards. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
Sony Pictures Television to Acquire Csc Media Group
June 26, 2014 Sony Corporation SONY PICTURES TELEVISION TO ACQUIRE CSC MEDIA GROUP London, June 26, 2014 – Sony Pictures Television (SPT), a wholly-owned subsidiary of Sony Pictures Entertainment Inc. primarily engaged in the production and distribution of television programming and ownership and operation of television networks, announced today the acquisition of CSC Media Group (CSC), one of the UK’s largest independent cable/satellite TV channel groups. For further details, please refer to the attached press release. Upon consummation of this transaction, SPT will acquire 100 percent of CSC’s shares for consideration of approximately GBP 107 million (approximately 179 million U.S. dollars). In addition to customary closing conditions, the acquisition is subject to the receipt of approval of the Irish Competition Authority. No material impact from this acquisition is anticipated on Sony’s consolidated results forecast for the fiscal year ending March 31, 2015 that was announced on May 14, 2014. SONY PICTURES TELEVISION TO ACQUIRE CSC MEDIA GROUP Adds 16 Channels to UK Portfolio LONDON (June 26, 2014)—Sony Pictures Television (SPT) today announced that it has reached an agreement to acquire CSC Media Group (CSC) in the UK. Under the agreement, SPT will own and operate the 16 ad-supported channels in the company’s portfolio, pending regulatory approval. The deal has been struck between SPT Networks and private equity firm Veronis Suhler Stevenson, majority shareholders in the CSC Media Group, with SPT acquiring 100 percent of the company. “The acquisition of CSC further demonstrates our commitment to the UK market and our intent to continue to grow our tremendously successful global portfolio of networks,” said Andy Kaplan, president of worldwide networks for Sony Pictures Television. -
Cteea/S5/20/C19/C015
CTEEA/S5/20/C19/C015 CULTURE, TOURISM, EUROPE AND EXTERNAL AFFAIRS COMMITTEE CALL FOR VIEWS ON THE IMPACT OF COVID-19 ON SCOTLAND’S CULTURE AND TOURISM SECTORS SUBMISSION FROM STV GROUP PLC STV Group plc (“STV”) is pleased to take this opportunity to respond to the Culture, Tourism, Europe And External Affairs Committee inquiry on the impact of Covid-19. STV holds the Channel 3 licences for central and north Scotland, broadcasting both the network schedule of drama, entertainment and events alongside regional content which is primarily news and current affairs. We reach over 85% of the population in our regions every month and our STV News at Six programme is Scotland’s most watched bulletin. STV is also Scotland’s largest commercial producer of television programmes in a range of genres including drama (The Victim and Elizabeth is Missing) - and entertainment (Catchphrase), working with all the major UK networks. In digital, the STV Player has enjoyed significant growth over the past year, with availability on more platforms and an increasing range of new content and channels in addition to our 30 day catchup service. STV is a proud commercial partner for Scottish business including many SMEs. Our Growth Fund initiative enables many businesses to access television advertising for the first time. We have committed £20m to the Growth Fund and worked with nearly 200 businesses already. We are pleased to attach below two documents for the Committee as they examine the impact of Covid-19. Both are forward looking as we consider the challenge of doing business post-lockdown. -
MGEITF Prog Cover V2
Contents Welcome 02 Sponsors 04 Festival Information 09 Festival Extras 10 Free Clinics 11 Social Events 12 Channel of the Year Awards 13 Orientation Guide 14 Festival Venues 15 Friday Sessions 16 Schedule at a Glance 24 Saturday Sessions 26 Sunday Sessions 36 Fast Track and The Network 42 Executive Committee 44 Advisory Committee 45 Festival Team 46 Welcome to Edinburgh 2009 Tim Hincks is Executive Chair of the MediaGuardian Elaine Bedell is Advisory Chair of the 2009 Our opening session will be a celebration – Edinburgh International Television Festival and MediaGuardian Edinburgh International Television or perhaps, more simply, a hoot. Ant & Dec will Chief Executive of Endemol UK. He heads the Festival and Director of Entertainment and host a special edition of TV’s Got Talent, as those Festival’s Executive Committee that meets five Comedy at ITV. She, along with the Advisory who work mostly behind the scenes in television times a year and is responsible for appointing the Committee, is directly responsible for this year’s demonstrate whether they actually have got Advisory Chair of each Festival and for overall line-up of more than 50 sessions. any talent. governance of the event. When I was asked to take on the Advisory Chair One of the most contentious debates is likely Three ingredients make up a great Edinburgh role last year, the world looked a different place – to follow on Friday, about pay in television. Senior TV Festival: a stellar MacTaggart Lecture, high the sun was shining, the banks were intact, and no executives will defend their pay packages and ‘James Murdoch’s profile and influential speakers, and thought- one had really heard of Robert Peston. -
Broadcasting Committee
Broadcasting Committee Alun Davies Chair Mid and West Wales Peter Black Paul Davies South Wales West Preseli Pembrokeshire Nerys Evans Mid and West Wales Contents Section Page Number Chair’s Foreword 1 Executive Summary 2 1 Introduction 3 2 Legislative Framework 4 3 Background 9 4 Key Issues 48 5 Recommendations 69 Annex 1 Schedule of Witnesses 74 Annex 2 Schedule of Committee Papers 77 Annex 3 Respondents to the Call for Written Evidence 78 Annex 4 Glossary 79 Chair’s Foreword The Committee was established in March 2008 and asked to report before the end of the summer term. I am very pleased with what we have achieved in the short time allowed. We have received evidence from all the key players in public service broadcasting in Wales and the United Kingdom. We have engaged in lively debate with senior executives from the world of television and radio. We have also held very constructive discussions with members of the Welsh Affairs Committee and the Scottish Broadcasting Commission. Broadcasting has a place in the Welsh political psyche that goes far beyond its relative importance. The place of the Welsh language and the role of the broadcast media in fostering and defining a sense of national identity in a country that lacks a national press and whose geography mitigates against easy communications leads to a political salience that is wholly different from any other part of the United Kingdom. Over the past five years, there has been a revolution in the way that we access broadcast media. The growth of digital television and the deeper penetration of broadband internet, together with developing mobile phone technology, has increased viewing and listening opportunities dramatically; not only in the range of content available but also in the choices of where, when and how we want to watch or listen.