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Librologie 8 : Les Petits Cœurs De Tatie Nina
Librologie 8 : Les petits cœurs de tatie Nina Bonjour à vous, courageux public du Framablog ! Avec l’épisode d’aujourd’hui et le prochain, qui concluera cette première partie de saison Librologique, je vous propose d’ébaucher le portrait de deux personnalités importantes du monde Libre, parfois complémentaires, parfois opposées. Contrairement à Linus Torvalds ou Richard Stallman avec qui nous avions ouvert ces chroniques, il ne s’agit pas là de programmeurs ni de techniciens, mais d’auteurs : de ces auteurs qui réfléchissent sur leur propre droit — puisque le droit d’auteur, c’est bien conçu pour… les auteurs, non ? (Comment ça, « rien compris » ?) V. Villenave. Librologie 8 : Les petits cœurs de tatie Nina « En 1988, à l’âge tendre de 20 ans, je quittai ma ville natale de Urbana, Illinois, pour Santa Cruz en Californie, afin d’y poursuivre le rêve naïf de devenir hippie, new-age et ésotérique. Au lieu de quoi je suis devenue illustratrice et cynique. » C’est ainsi que Nina Paley raconte son histoire, de la banlieue de Chicago (Urbana, dont son père a été un maire courageux) à la Californie — le choix de Santa Cruz n’est pas innocent : indissociable des bouleversements sociaux des années 1960-1970, cette ville correspond bien à l’arrière-plan idéologique de la « Nouvelle Gauche » de cette époque, effectivement liée au mouvement hippie, mais également à l’avènement d’une conception nouvelle des sciences humaines (sociologie, psychiatrie alternative,…). Avec toutefois une tournure moins optimiste dans le cas de Paley : par exemple, elle revendique son choix de ne pas faire d’enfants comme un choix militant ; membre revendiquée duMouvement pour l’Extinction Volontaire de l’Espèce Humaine, sa principale préoccupation politique (tout au moins dans la période 1995-2005) semble être la surpopulation humaine. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Librologie 8 : Les Petits Cœurs De Tatie Nina
Librologie 8 : Les petits cœurs de tatie Nina Bonjour à vous, courageux public du Framablog ! Avec l’épisode d’aujourd’hui et le prochain, qui concluera cette première partie de saison Librologique, je vous propose d’ébaucher le portrait de deux personnalités importantes du monde Libre, parfois complémentaires, parfois opposées. Contrairement à Linus Torvalds ou Richard Stallman avec qui nous avions ouvert ces chroniques, il ne s’agit pas là de programmeurs ni de techniciens, mais d’auteurs : de ces auteurs qui réfléchissent sur leur propre droit — puisque le droit d’auteur, c’est bien conçu pour… les auteurs, non ? (Comment ça, « rien compris » ?) V. Villenave. Librologie 8 : Les petits cœurs de tatie Nina « En 1988, à l’âge tendre de 20 ans, je quittai ma ville natale de Urbana, Illinois, pour Santa Cruz en Californie, afin d’y poursuivre le rêve naïf de devenir hippie, new-age et ésotérique. Au lieu de quoi je suis devenue illustratrice et cynique. » C’est ainsi que Nina Paley raconte son histoire, de la banlieue de Chicago (Urbana, dont son père a été un maire courageux) à la Californie — le choix de Santa Cruz n’est pas innocent : indissociable des bouleversements sociaux des années 1960-1970, cette ville correspond bien à l’arrière-plan idéologique de la « Nouvelle Gauche » de cette époque, effectivement liée au mouvement hippie, mais également à l’avènement d’une conception nouvelle des sciences humaines (sociologie, psychiatrie alternative,…). Avec toutefois une tournure moins optimiste dans le cas de Paley : par exemple, elle revendique son choix de ne pas faire d’enfants comme un choix militant ; membre revendiquée duMouvement pour l’Extinction Volontaire de l’Espèce Humaine, sa principale préoccupation politique (tout au moins dans la période 1995-2005) semble être la surpopulation humaine. -
Act East: Asean-India Shared Cultural Heritage
ACT EAST: ASEAN-INDIA SHARED CULTURAL HERITAGE Culture is the key to the India-ASEAN partnership. Shared histori- cal ties, culture and knowledge continue to underpin India’s sustained interactions with Southeast Asia. The commonalities between India and Southeast Asia provide a platform for building synergies with the countries of the region. As India’s engagement with the ASEAN moves forward with support of the Act East Policy (AEP), the socio-cultural linkages between the two regions can be utilized effectively to expand collaboration, beyond economic and political domains into areas of education, tourism ACT EAST: and people to people contact. This book presents historical and contemporary dimensions between India and Southeast Asia with particular reference to cultural heritage. One of the recommenda- ASEAN-INDIA tions of this book is to continue our efforts to preserve, protect, and restore cultural heritage that represents the civilisational bonds SHARED CULTURAL between ASEAN and India. The book will serve as a knowledge product for policymakers, academics, private sector experts and HERITAGE regional cooperation practitioners; and is a must-read for anyone interested in the cultural heritage. fodkl'khy ns'kksa dh vuqla/ku ,oa lwpuk iz.kkyh Core IV-B, Fourth Floor, India Habitat Centre ACT EAST: ASEAN-INDIA SHARED CULTURAL HERITAGE ASEAN-INDIA SHARED CULTURAL ACT EAST: Lodhi Road, New Delhi-110 003, India Tel.: +91-11-2468 2177-80, Fax: +91-11-2468 2173-74 AIC E-mail: [email protected]; [email protected] AIC fodkl'khy ns'kksa dh vuqla/ku -
SITA SINGS the BLUES Generation SITA SINGS the BLUES 14Plus SITA SINGS the BLUES Regie: Nina Paley
K14_1891:K14_ 24.01.2008 20:42 Uhr Seite 316 Berlinale 2008 SITA SINGS THE BLUES Generation SITA SINGS THE BLUES 14plus SITA SINGS THE BLUES Regie: Nina Paley USA 2007 Animationsfilm Länge 82 Min. Format 35 mm, 1:1.78 Farbe Stabliste Buch Nina Palay, nach dem Versepos „Ramayana“ von Valmiki Animation, Schnitt Nina Paley Ton Greg Sextro Musik Todd Michaelsen Produzentin Nina Paley Produktion Nina Paley 415 W. 44th Street, Apt. 20 USA-New York NY 10036 Tel.: +1 212 7577786 [email protected] SITA SINGS THE BLUES In ihrem Animationsfilm verknüpft die Regisseurin die Geschichte der Sita, Weltvertrieb noch offen einer Gottheit aus dem indischen Nationalepos „Ramayana“, mit der Geschichte einer Frau von heute. Die ist gerade von ihrem Mann verlassen worden, der ihr die Trennung in einer E-Mail mitgeteilt hat. In dem indischen Märchen wird Sita dem Prinzen Rama zur Frau gegeben, der bei einem Wett streit um die Hand der Königstochter die anderen ange- tretenen Prin zen besiegt. Als Rama zum Kronprinzen ernannt werden soll, wird er nach einer Intrige für 14 Jahre in die Verbannung geschickt. Sita beglei tet ihren Mann, doch wird sie kurz darauf entführt. Mit Hilfe ihm freundlich gesinnter Götter nimmt Rama die Verfolgung auf und kann sie nach gefährlichem Kampf befreien. Rama und Sita kehren in ihre Heimat zurück, wo Rama zum König gekrönt wird. Doch weil er an Sitas Treue zwei- felt, verstößt Rama seine Frau schon bald. Darauf unterzieht sich Sita einer Feuer probe, die sie unverletzt übersteht, und kehrt zu Rama zurück. In ihrem Debütfilm vereint die Regisseurin die unterschiedlichsten Ele men te vom klassischen Zeichentrickfilm bis zur computergenerierten 3-D-Ani ma - tion mit einem Score, der indische Musik mit den Hits von Annette Hanshaw, dem lasziven Star der 20er Jahre, kombiniert. -
Copyright and Inequality
Washington University Law Review Volume 92 Issue 1 2014 Copyright and Inequality Lea Shaver Indiana University Robert H. McKinney School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Intellectual Property Law Commons, and the Law and Society Commons Recommended Citation Lea Shaver, Copyright and Inequality, 92 WASH. U. L. REV. 117 (2014). Available at: https://openscholarship.wustl.edu/law_lawreview/vol92/iss1/7 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. COPYRIGHT AND INEQUALITY LEA SHAVER ABSTRACT The standard theory of copyright law imagines a marketplace efficiently serving up new works to an undifferentiated world of consumers. Yet the reality is that all consumers are not equal. Class and culture combine to explain who wins, and who loses, from copyright protection. Along the dimension of class, the inequality insight reminds us just because new works are created does not mean that most people can afford them, and calls for new attention to problems of affordability. Copyright protection inflates the price of books, with implications for distributive justice, democratic culture, and economic efficiency. Along the dimension of culture, the inequality insight points out that it is not enough for copyright theory to speak generally of new works; it matters crucially what languages those works are being created in. Copyright protection is likely to be an ineffective incentive system for the production of works in “neglected languages” spoken predominantly by poor people. -
Many Arrows from Rama's Bow: Paintings of the Ramayana
Ann P. Wyckoff Teacher Resource Center Educator Resource List Many Arrows from Rama’s Bow: Paintings of the Ramayana September 1–December 2, 2012 BOOKS FOR STUDENTS RESOURCES FOR EDUcaTORS Indian Children’s Favourite Stories by Somaiah, Books & Resource Guides Rosemarie. North Clarendon, VT: Tuttle Publishing, 2006. 5,000 Designs and Motifs from India by Mookerjee, Ajit. PZ 8.1 S55 Mineola, NY: Dover Publications, 1996. NK 1476 A1 A18 A delightful collection of Indian folk tales retold for Collection of copyright-free designs from a wide range of children. unique and decorative Indian artistic styles. The Little Book of Hindu Deities: From the Goddess Beliefs Made Visible: Understanding South Asian Hindu of Wealth to the Sacred Cow by Patel, Sanjay. London: and Buddhist Art by Hogarth, Brian and the Asian Art Penguin Books, 2006. NB 1912 H55 Museum of San Francisco. San Francisco, CA: Department Short descriptions of Hindu god and goddesses, with of Education, Asian Art Museum, 2004. original illustrations. CURR GD N 7301 H63 This packet contains CD of images exclusively illustrating Mama’s Saris by Makhijani, Pooja. New York: Little, Brown art from India. and Company, 2007. PZ 7 M282545 An East Indian American daughter pleads with her mother Hands–On Asia by Merrill, Yvonne Y. Salt Lake City: Kits to be allowed to wear one of her mother’s colorful saris in Publishing, 1999. N 7260 M47 honor of her seventh birthday. Step–by–step instructions, tied to curricula, for over thirty art activities related to Asia. Rama and the Demon King: An Ancient Tale from India by Souhami, Jessica. -
|||GET||| Concise Ramayana of Valmiki 1St Edition
CONCISE RAMAYANA OF VALMIKI 1ST EDITION DOWNLOAD FREE Swami Venkatesananda | 9780887068638 | | | | | Index Ramayana, First Edition Again, wrong. Seller Rating:. View basket. I should probably go back and re-read it, because I really don't know what it was The original poem is tremendously long - usually running for at least three large volumes in translation. No colour, limited contrast - by which I mean they are not boldly drawn, but subtly drawn, and they are excellent. I found that this telling captured how I'd felt about the Ramayana, having grown up listening to all the stories as part of nightcaps or preludes to evening prayers, living both unashamedly indian and unconfusedly western lives. A good time is had by all including the bad guys and girls who, having been resoundingly defeated, just seem happy to have resolved some of their karma as Anyone who wants to know how the gods and goddesses really live should read this. Trivia About Ramayana. The book constantly tells me that he is noble, honourable, brave, etc etc, but these traits are never shown in action, in fact much like Achilles he seems like more of a sulky little baby through much of the book. The following traditional Sanskrit commentaries on the Yoga Vasistha are extant: [23]. Random musings: - All the old myths and epics I've read always describe the Men as beautiful, having slender faces and almond-shaped eyes and smooth complexion. Ramayana Mahabharata. What really cemented my dislike for Rama was in the final pages. Lazarus and co. It is a well-known Indian epic. -
3.Hindu Websites Sorted Country Wise
Hindu Websites sorted Country wise Sl. Reference Country Broad catergory Website Address Description No. 1 Afghanistan Dynasty http://en.wikipedia.org/wiki/Hindushahi Hindu Shahi Dynasty Afghanistan, Pakistan 2 Afghanistan Dynasty http://en.wikipedia.org/wiki/Jayapala King Jayapala -Hindu Shahi Dynasty Afghanistan, Pakistan 3 Afghanistan Dynasty http://www.afghanhindu.com/history.asp The Hindu Shahi Dynasty (870 C.E. - 1015 C.E.) 4 Afghanistan History http://hindutemples- Hindu Roots of Afghanistan whthappendtothem.blogspot.com/ (Gandhar pradesh) 5 Afghanistan History http://www.hindunet.org/hindu_history/mode Hindu Kush rn/hindu_kush.html 6 Afghanistan Information http://afghanhindu.wordpress.com/ Afghan Hindus 7 Afghanistan Information http://afghanhindusandsikhs.yuku.com/ Hindus of Afaganistan 8 Afghanistan Information http://www.afghanhindu.com/vedic.asp Afghanistan and It's Vedic Culture 9 Afghanistan Information http://www.afghanhindu.de.vu/ Hindus of Afaganistan 10 Afghanistan Organisation http://www.afghanhindu.info/ Afghan Hindus 11 Afghanistan Organisation http://www.asamai.com/ Afghan Hindu Asociation 12 Afghanistan Temple http://en.wikipedia.org/wiki/Hindu_Temples_ Hindu Temples of Kabul of_Kabul 13 Afghanistan Temples Database http://www.athithy.com/index.php?module=p Hindu Temples of Afaganistan luspoints&id=851&action=pluspoint&title=H indu%20Temples%20in%20Afghanistan%20. html 14 Argentina Ayurveda http://www.augurhostel.com/ Augur Hostel Yoga & Ayurveda 15 Argentina Festival http://www.indembarg.org.ar/en/ Festival of -
ELIZABETH TOWNSEND GARD Tulane
Annotated Curriculum Vitae (updated as of February 2019) ELIZABETH TOWNSEND GARD Tulane University Law School Office 355B Weinmann Hall (504) 862 8822 (office) 6329 Freret Street (504) 339 3857 (cell) New Orleans, LA 70118 skype: elizabethtownsendgard [email protected] CURRENTLY (Now) Professor of Law, Tulane University Law School, 2007- Founder and Co-Director, Tulane Law Center for IP, Media and Culture, 2009- Director and Host Just Wanna Quilt Research Podcast, www.justwannaquilt.com Director and Co-Inventor, Durationator® Experiment, 2007- Director, Copyright Research Lab, 2007- Non-Resident Fellow, Center for Internet and Society, Stanford Law School, 2004- Newcomb Fellow, Tulane University, 2012- EDUCATION LL.M. University of Arizona James E. Rogers College of Law, May 2005 Trade Law, NAFTA, Copyright and International Intellectual Property; Chair: David Gantz, with Graeme Austin J.D. University of Arizona James E. Rogers College of Law, May 2002 International and Comparative Journal of Law, University of Arizona Clerking NAFTA Dispute Panels (Chapter 20 and Chapter 11 cases) Ph.D. Modern European History, University of California, Los Angeles, June 1998 Dissertation: "Reconstructing Vera Brittain's War Generation: A Comparative Biography" Committee: Robert Wohl (chair), Joyce Appleby, Anne Mellor (English), and Orals Committee included Robert Dallek and Albion Urdank. M.A. Modern European History University of California, Los Angeles, June 1994 B.A. History (Honors Thesis) University of California, Los Angeles, 1991 TEACHING POSITIONS -
Download Your Free Digital Copy of the June 2018 Special Print Edition of Animationworld Magazine Today
ANIMATIONWorld GOOGLE SPOTLIGHT STORIES | SPECIAL SECTION: ANNECY 2018 MAGAZINE © JUNE 2018 © PIXAR’S INCREDIBLES 2 BRAD BIRD MAKES A HEROIC RETURN SONY’S NINA PALEY’S HOTEL TRANSYLVANIA 3 BILBY & BIRD KARMA SEDER-MASOCHISM GENNDY TARTAKOVSKY TAKES DREAMWORKS ANIMATION A BIBLICAL EPIC YOU CAN JUNE 2018 THE HELM SHORTS MAKE THEIR DEBUT DANCE TO ANiMATION WORLD © MAGAZINE JUNE 2018 • SPECIAL ANNECY EDITION 5 Publisher’s Letter 65 Warner Bros. SPECIAL SECTION: Animation Ramps Up 6 First-Time Director for the Streaming Age Domee Shi Takes a Bao in New Pixar Short ANNECY 2018 68 CG Global Entertainment Offers a 8 Brad Bird Makes 28 Interview with Annecy Artistic Director Total Animation Solution a Heroic Return Marcel Jean to Animation with 70 Let’s Get Digital: A Incredibles 2 29 Pascal Blanchet Evokes Global Entertainment Another Time in 2018 Media Ecosystem Is on Annecy Festival Poster the Rise 30 Interview with Mifa 71 Golden Eggplant Head Mickaël Marin Media Brings Creators and Investors Together 31 Women in Animation to Produce Quality to Receive Fourth Mifa Animated Products Animation Industry 12 Genndy Tartakovsky Award 72 After 20 Years of Takes the Helm of Excellence, Original Force Hotel Transylvania 3: 33 Special Programs at Annecy Awakens Summer Vacation Celebrate Music in Animation 74 Dragon Monster Brings 36 Drinking Deep from the Spring of Creativity: Traditional Chinese Brazil in the Spotlight at Annecy Culture to Schoolchildren 40 Political, Social and Family Issues Stand Out in a Strong Line-Up of Feature Films 44 Annecy -
Sita Sings the Blues
Journal of Religion & Film Volume 13 Issue 2 October 2009 Article 16 October 2009 Sita Sings the Blues Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Dodd, Kevin V. (2009) "Sita Sings the Blues," Journal of Religion & Film: Vol. 13 : Iss. 2 , Article 16. Available at: https://digitalcommons.unomaha.edu/jrf/vol13/iss2/16 This Film Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Sita Sings the Blues Abstract This is a review of Sita Sings the Blues (2008). This film er view is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol13/iss2/16 Dodd: Sita Sings the Blues Sita Sings the Blues resists a quick summary, but it has already received a number of standard reviews and has its own website.1 In this review, therefore, I wish to concentrate on some of the religious and social issues raised by the film. The Hindu epic, The Ramayana,2 has been gaining traction in the West over the last several decades. Nothing displays this so vividly as the rising popularity of this very personal film, which credits the story with aiding the writer and director through the pain of separation and divorce. This is particularly interesting since the director, Nina Paley, is Jewish. Through the use of diverse and highly engaging animation techniques, she tells a very pared-down version of The Ramayana, intersecting it with the story of the loss of her own marriage.