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Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals. -
The Literature of China in the Twentieth Century
BONNIE S. MCDOUGALL KA此1 LOUIE The Literature of China in the Twentieth Century 陪詞 Hong Kong University Press 挫芋臨眷戀犬,晶 lll 聶士 --「…- pb HOMAMnEPgUimmm nrRgnIWJM inαJ m1ιLOEbq HHny可 rryb的問可c3 們 unn 品 Fb 心 油 β 7 叫 J『 。 Bonnie McDougall and Kam Louie, 1997 ISBN 962 209 4449 First published in the United Kingdom in 1997 by C. Hurst & Co. (Publishers) Ltd. This soft cover edition published in 1997 by Hong Kong University Press is available in Hong Kong, China and Taiwan All righ臼 reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the Publisher. Printed in England CONTENTS Acknowledgements page v Chapters 1. Introduction 1 Part I. 1900-1937 2. Towards a New Culture 13 3. Poetry: The Transformation of the Past 31 4. Fiction: The Narrative Subject 82 5. Drama: Writing Performance 153 Part II. 1938-1965 6. Return to Tradition 189 7. Fiction: Searching for Typicality 208 8. Poetry: The Challenge of Popularisation 261 9. Drama: Performing for Politics 285 Part III. 1966-1989 10. The Reassertion of Modernity 325 11. Drama: Revolution and Reform 345 12. Fiction: Exploring Alternatives 368 13. Poe世y: The Challenge of Modernity 421 14. Conclusion 441 Further Reading 449 Glossary of Titles 463 Index 495 Vll INTRODUCTION Classical Chinese poet可 and the great traditional novels are widely admired by readers throughout the world. Chinese literature in this centu可 has not yet received similar acclaim. -
C China Allgemein
Seite 1 C China Allgemein R C 1 Biblio-Bibliographien / Kataloge von Bibliographien / periodisch erscheinende Bibliographien / Bücherkataloge / Bibliographische Jahrbücher C 1 Bibliographien: allgemeine Studien R C 2 Bibliographien, Kataloge und Indices von Zeitschriften, Zeitungen, Datenbanken / allgemeine Verzeichnisse von Zeitschriften- und Zeitungsartikeln [Indices von einzelnen Zeitschriften, welche die Bibliothek besitzt, stehen bei der ZS] R C 3 Bibliographien von Sammelwerken C 4 Geschichte und Technik der Papierherstellung, des Buchdrucks und des Buchbindens / Konservierung alter Materialien / banben 版本 [s.a. → C 299] C 6 Bibliotheken, Archive, Privatsammlungen, Buchhandlungen und Verlagswesen, Zeitschriften und Zeitungen C 7 Bibliothekskunde R C 11 Bibliothekskataloge: bis 1850 (China und Japan) R C 13 Bibliothekskataloge: nach 1850 (nur China) R C 16 Bibliothekskataloge: Privatsammlungen in China (inkl. Hongkong und Taiwan) R C 18 Bibliothekskataloge: Sammlungen chinesischer Bücher im Ausland (ab 1850 inkl. Japan) R C 21 Allg. Bibliographien und Indices / Bibliographien und Indices von allg. Nachschlagewerken C 24 Bibliographische Hinweise, Notizen und Essays / dushu ji 讀書記 R C 25 Spezialbibliographien zu historischen Perioden, geographischen Gebieten, verbotenen, verlorenen und wiedergefundenen Büchern etc. [Bibliographien zu den einzelnen Fachgebieten → Fachgebiete] Seite 2 C 27 Textüberlieferung / Authentizität / jiaokanxue 校勘學 / wenxianxue 文獻學 / [xungu 訓詁 → C 411]/ Verfolgung von Texten, Literatur wenhuo 文禍, wenzi yu 文字獄, Textedition jiaoben 校本 / guji 古 籍 R C 29 Bibliographien und Indices zu Sammelwerken congshu 叢書 R C 31 Enzyklopädien / leishu 類書 [ cihai 辭海 → RC 472] C 31 Sekundärliteratur zu Enzyklopädien, leishu 類書 und congshu 叢書 R C 765 Allgemeine Nachschlagewerke / Handbücher gongjushu 工具書 [Bibliographien dazu → RC 21] C 34 Sekundärliteratur zu Nachschlagewerken und Handbüchern R C 35 Adress- und Telefonbücher C 37 Studiengesellschaften / Museen / Institutionen / Kongresse etc. -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
Reimagining Revolutionary Labor in the People's Commune
Reimagining Revolutionary Labor in the People’s Commune: Amateurism and Social Reproduction in the Maoist Countryside by Angie Baecker A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in the University of Michigan 2020 Doctoral Committee: Professor Xiaobing Tang, Co-Chair, Chinese University of Hong Kong Associate Professor Emily Wilcox, Co-Chair Professor Geoff Eley Professor Rebecca Karl, New York University Associate Professor Youngju Ryu Angie Baecker [email protected] ORCID iD: 0000-0003-0182-0257 © Angie Baecker 2020 Dedication This dissertation is dedicated to my grandmother, Chang-chang Feng 馮張章 (1921– 2016). In her life, she chose for herself the penname Zhang Yuhuan 張宇寰. She remains my guiding star. ii Acknowledgements Nobody writes a dissertation alone, and many people’s labor has facilitated my own. My scholarship has been borne by a great many networks of support, both formal and informal, and indeed it would go against the principles of my work to believe that I have been able to come this far all on my own. Many of the people and systems that have enabled me to complete my dissertation remain invisible to me, and I will only ever be able to make a partial account of all of the support I have received, which is as follows: Thanks go first to the members of my committee. To Xiaobing Tang, I am grateful above all for believing in me. Texts that we have read together in numerous courses and conversations remain cornerstones of my thinking. He has always greeted my most ambitious arguments with enthusiasm, and has pushed me to reach for higher levels of achievement. -
ABSTRACT Title of Document: the ANTI-CONFUCIAN CAMPAIGN
ABSTRACT Title of Document: THE ANTI-CONFUCIAN CAMPAIGN DURING THE CULTURAL REVOLUTION, AUGUST 1966-JANUARY 1967 Zehao Zhou, Doctor of Philosophy, 2011 Directed By: Professor James Gao, Department of History This dissertation examines the attacks on the Three Kong Sites (Confucius Temple, Confucius Mansion, Confucius Cemetery) in Confucius’s birthplace Qufu, Shandong Province at the start of the Cultural Revolution. During the height of the campaign against the Four Olds in August 1966, Qufu’s local Red Guards attempted to raid the Three Kong Sites but failed. In November 1966, Beijing Red Guards came to Qufu and succeeded in attacking the Three Kong Sites and leveling Confucius’s tomb. In January 1967, Qufu peasants thoroughly plundered the Confucius Cemetery for buried treasures. This case study takes into consideration all related participants and circumstances and explores the complicated events that interwove dictatorship with anarchy, physical violence with ideological abuse, party conspiracy with mass mobilization, cultural destruction with revolutionary indo ctrination, ideological vandalism with acquisitive vandalism, and state violence with popular violence. This study argues that the violence against the Three Kong Sites was not a typical episode of the campaign against the Four Olds with outside Red Guards as the principal actors but a complex process involving multiple players, intraparty strife, Red Guard factionalism, bureaucratic plight, peasant opportunism, social ecology, and ever- evolving state-society relations. This study also maintains that Qufu locals’ initial protection of the Three Kong Sites and resistance to the Red Guards were driven more by their bureaucratic obligations and self-interest rather than by their pride in their cultural heritage. -
Global Chinese 2018; 4(2): 217–246
Global Chinese 2018; 4(2): 217–246 Don Snow*, Shen Senyao and Zhou Xiayun A short history of written Wu, Part II: Written Shanghainese https://doi.org/10.1515/glochi-2018-0011 Abstract: The recent publication of the novel Magnificent Flowers (Fan Hua 繁花) has attracted attention not only because of critical acclaim and market success, but also because of its use of Shanghainese. While Magnificent Flowers is the most notable recent book to make substantial use of Shanghainese, it is not alone, and the recent increase in the number of books that are written partially or even entirely in Shanghainese raises the question of whether written Shanghainese may develop a role in Chinese print culture, especially that of Shanghai and the surrounding region, similar to that attained by written Cantonese in and around Hong Kong. This study examines the history of written Shanghainese in print culture. Growing out of the older written Suzhounese tradition, during the early decades of the twentieth century a distinctly Shanghainese form of written Wu emerged in the print culture of Shanghai, and Shanghainese continued to play a role in Shanghai’s print culture through the twentieth century, albeit quite a modest one. In the first decade of the twenty-first century Shanghainese began to receive increased public attention and to play a greater role in Shanghai media, and since 2009 there has been an increase in the number of books and other kinds of texts that use Shanghainese and also the degree to which they use it. This study argues that in important ways this phenomenon does parallel the growing role played by written Cantonese in Hong Kong, but that it also differs in several critical regards. -
[!J.V] TAP CHI KHOA HOC JOURNAL of SCIENCE ISSN KHOA HOC XA HO' Va NHAN VAN SOCIAL SCIENCES and HUMANITIES 1859-3100 Tip 16, S6 7 (2019): 79-87 Vol
|r'„1 _ TRU'&NG DAI HOC SU' PH^M TP HO CHI MINH HO CHI MINH CITY UNIVERSITY OF EDUCATION [!j.V] TAP CHI KHOA HOC JOURNAL OF SCIENCE ISSN KHOA HOC XA HO' vA NHAN VAN SOCIAL SCIENCES AND HUMANITIES 1859-3100 Tip 16, S6 7 (2019): 79-87 Vol. 16, No. 7 (2019)' 79-87 Email: [email protected]; V\/ebsite- httpj/tckh.hcmue.edu.vn Research Article TRANSLATION OF CHINESE NEW ERA FICTION FROM THE CONTEXT OF CONTEMPORARY PERIOD OF VIETNAM Nguyen Thi Dieu Linh Ha Noi University of Education Corresponding author- Nguyen Thi Dieu Linh - Email; [email protected] Received May 08. 2019; Revised: June 16. 2019; Accepted: July 10, 2019 ABSTRACT This article focuses on the situation of translation, pubhcation, and introduction of Chinese New Era Fiction in Vietnam in the context of contemporaiy period of Vietnam. Translation of Chinese New Era Fiction has been seen as a puzzle piece in the big picture of literaiy translating of Vietnam It is influenced by the tendency to focus on literary translation and peripheral culture of literature, and it also is an explanation for the connection related to the issue of new Chinese in the view of Vietnamese people. Keywords: fiction. New Era, China, translation, Vietnamese, contemporary. 1. Introduction "Chinese New Era literature" is a concept in which Chinese literary reseachers refer to the literature from the late 1970s to the early 1990s. The new era of Chinese literature has formed and developed from the late 1970s, but due to some historical reasons (the Sino-Vietnamese War in 1979 which led to a break of 10 years between Vietnam and China), Vietnam has just begun to translate and introduce authors and works of this literary period in the late 1980s. -
Veda Publishing House of the Slovak Academy of Sciences Slovak Academy of Sciences
VEDA PUBLISHING HOUSE OF THE SLOVAK ACADEMY OF SCIENCES SLOVAK ACADEMY OF SCIENCES INSTITUTE OF LITERARY SCIENCES DEPARTMENT OF ORIENTAL STUDIES EDITORS JOZEF GENZOR VIKTOR KRUPA ASIAN AND AFRICAN STUDIES SLOVAK ACADEMY OF SCIENCES BRATISLAVA INSTITUTE OF LITERARY SCIENCES DEPARTMENT OF ORIENTAL STUDIES XXIII 1987 1988 VEDA, PUBLISHING HOUSE OF THE SLOVAK ACADEMY OF SCIENCES • BRATISLAVA CURZON PRESS • LONDON PUBLISHED OUTSIDE THE SOCIALIST COUNTRIES SOLELY BY CURZON PRESS LTD • LONDON ISBN 0 7007 0211 3 ISBN 0571 2 7 4 2 © VEDA, VYDAVATEĽSTVO SLOVENSKEJ AKADÉMIE VIED, 1988 CONTENTS A rtic le s G á I i k, Marián: Some Remarks on the Process of Emancipation in Modern Asian and African Literatures ................................................................................................................... 9 G ru ner, Fritz: Some Remarks on Developmental Tendencies in Chinese Contempo rary Literature since 1979 ....................................................................................................... 31 Doležalová, Anna: New Qualities in Contemporary Chinese Stories (1979 — Early 1 9 8 0 s ).................................................................................................................................. 45 Kalvodová, Dana: Time and Space Relations in Kong Shangren's Drama The Peach Blossom Fan ........................................................................................................................... 69 Kuťka, Karol: Some Reflections on the Atomic Bomb Literature and Literature on the Atomic -
Xinjiang's 100000
Xinjiang’s 100,000: State-led Urban-to-Rural Population Resettlement in Socialist China by Charles Richard Kraus B.A. in History, May 2010, Hiram College M.A. in History, August 2014, The George Washington University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 21, 2017 Dissertation directed by Edward A. McCord Professor of History and International Affairs The Columbian College of Arts and Sciences of The George Washington University certifies that Charles Richard Kraus has passed the Final Examination for the degree of Doctor of Philosophy as of March 3, 2017. This is the final and approved form of the dissertation. Xinjiang’s 100,000: State-led Urban-to-Rural Population Resettlement in Socialist China Charles Richard Kraus Dissertation Research Committee: Edward A. McCord, Professor of History and International Affairs, Dissertation Director Gregg Andrew Brazinsky, Associate Professor of History and International Affairs, Committee Member Shawn Frederick McHale, Associate Professor of History and International Affairs, Committee Member ii © Copyright 2017 by Charles Richard Kraus All rights reserved iii Acknowledgements It is immensely satisfying that, after five years of graduate study, I can finally acknowledge in writing the many mentors, colleagues, friends, and family members who supported the completion of this dissertation. The research for this project began in earnest in summer 2013, but it would have never started if not for several prior interventions. In January 2011, when I was a master’s student in the Elliott School of International Affairs, Professor Shawn McHale, then the director of the Asian Studies program and my advisor, called me to his office. -
Rendering the Regional
Rendering the Regional Rendering the Regional LOCAL LANGUAGE IN CONTEMPORARY CHINESE MEDIA Edward M.Gunn University of Hawai`i Press Honolulu Publication of this book was aided by the Hull Memorial Publication Fund of Cornell University. ( 2006 University of Hawai`i Press All rights reserved Printed in the United States of America 111009080706654321 Library of Congress Cataloging-in-Publication Data Gunn, Edward M. Rendering the regional : local language in contemporary Chinese media / Edward M. Gunn. p. cm. Includes bibliographical references and index. ISBN 0-8248-2883-6 (alk. paper) 1. Language and cultureÐChina. 2. Language and cultureÐTaiwan. 3. Popular cultureÐChina. 4. Popular cultureÐTaiwan. I. Title. P35.5.C6G86 2005 306.4400951Ðdc22 2005004866 University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press Production Staff Printed by The Maple-Vail Book Manufacturing Group Contents List of Maps and Illustrations /vi Acknowledgments / vii A Note on Romanizations /ix Introduction / 1 1 (Im)pure Culture in Hong Kong / 17 2 Polyglot Pluralism and Taiwan / 60 3 Guilty Pleasures on the Mainland Stage and in Broadcast Media / 108 4 Inadequacies Explored: Fiction and Film in Mainland China / 157 Conclusion: The Rhetoric of Local Languages / 204 Notes / 211 Sources Cited / 231 Index / 251 ±v± List of Maps and Illustrations Figure 1. Map showing distribution of Sinitic (Han) Languages / 2 Figure 2. Map of locations cited in the text / 6 Figure 3. The Hong Kong ®lm Cageman /42 Figure 4. Illustrated romance and pornography in Hong Kong / 46 Figure 5. -
International Law Rules and Historical Evidences Supporting China's Title to the South China Sea Islands Jianming Shen
Hastings International and Comparative Law Review Volume 21 Article 1 Number 1 Fall 1997 1-1-1997 International Law Rules and Historical Evidences Supporting China's Title to the South China Sea Islands Jianming Shen Follow this and additional works at: https://repository.uchastings.edu/ hastings_international_comparative_law_review Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Jianming Shen, International Law Rules and Historical Evidences Supporting China's Title to the South China Sea Islands, 21 Hastings Int'l & Comp. L. Rev. 1 (1997). Available at: https://repository.uchastings.edu/hastings_international_comparative_law_review/vol21/iss1/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings International and Comparative Law Review by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. International Law Rules and Historical Evidences Supporting China's Title to the South China Sea Islands By JIANMING SHEN, S.J.D. * Table of Contents I. Introduction .........................................................................................2 Il. Rules of Title Applicable to Barely Inhabitable Territories ................. 7 A. General Modes of Territorial Acquisition .................................... 7 B. Criteria for Sovereignty over Uninhabitable Islands ......................... 10 III. China's Historic Title to the Xisha and Nansha Islands ...................... 15 A. Discovery and Expeditions Prior to the Han Dynasty .................. 15 B. Chinese Activities between the Han and Song Dynasties ............ 17 C. The Qian Li Changsha and Wanli Shitang of the Song Dynasty ...... 21 D. Chinese Activities in the Yuan Dynasty .................................... 27 E. Chinese Activities During the Ming and Qing Dynasties ...........