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Cimf20201520program20lr.Pdf
CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival. -
Summer on Ice Students Go to Polar Extremes Back to the Future New Chancellor Comes Full Circle Ruapehu Rocks Measuring the Puls
MAGAZINE FOR FRIENDS AND ALUMNI OF VICTORIA UNIVERSITY OF WELLINGTON Summer 2002 Summer on ice Students go to polar extremes Back to the future New Chancellor comes full circle Ruapehu rocks Measuring the pulse of the mountain E-text centre Victoria establishes electronic archive Classic pieces An exquisite second century AD golden former member of staff Denise Kalfas, whose earring which once adorned the lobe of a family were world-wide collectors of Greek and wealthy Roman noblewoman is the most Roman artefacts. Under the careful stewardship recent donation to the Classics Museum. The of a succession of Classics staff, most recently earring was donated to the Museum by Ilse Dr Judy Deuling, the collection has been Jacoby, daughter-in-law of renowned German selectively developed to become one of the classicist Felix Jacoby. Ilse and her husband most complete teaching collections held by a Peter emigrated from Germany to New New Zealand university. Zealand in 1938, and over the years formed a It is not just Classics students who benefit strong relationship with the University. from the excellent resource. Drama, Art History, Another recent addition to the collection has Religion and English students also make use of been the purchase of a rare and striking sixth the Museum to gain an insight into particular century BC Kalpis—a Greek vase for pouring aspects of their subjects. “There is much to learn water and wine. By fortune and good timing the from these physical objects to bring alive the vase was acquired from a London dealer and is ancient world, its history, art, literature decorated with a dramatically stylised Octopus. -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
Fulbright New Zealand Quarterly, November 2009
Fulbright New Zealand uuarterlyarterly ISSN 1177-0376 (print) Volume 15, NumberQ 4 November 2009 ISSN 1177-7885 (online) Inside Page 2: Editorial; Axford News: Axford Fellows report their research fi ndings Page 3: Fulbright News: Sir Kenneth Keith heads alumni law panel; Inaugural recipient of new art award; NZ Ambassador hosts Fulbright FSB board Page 4: Alumni Association: Alumni Association calls for members; Grantee and Alumni News; In Memoriam Fulbright-Hays Seminar Abroad tour leader George Dibley from Odyssey Travel shows visiting American elementary school Page 5: Alumni Voice: teachers around the Auckland War Memorial Museum For us and our children Elementary school teachers tour New Zealand after us Page 6: Grantee Voice: Fulbright New Zealand hosted a study group of 15 facility in Nelson, went whale watching at Kaikoura Down to business at American elementary school teachers in July, on a and visited the International Antarctic Centre in Berkeley two week study tour of New Zealand as part of the US Christchurch before departing for Mongolia. Department of Education’s Fulbright-Hays Seminars Page 7: Awarded; In addition to the many sightseeing and cultural visits, Abroad programme. The teachers visited fi rst New Arrivals and Departures the teachers made individual school visits in Rotorua, Zealand and then Mongolia on a six week, two Wellington and Christchurch, to schools with particular Page 8: Awards country comparative seminar on the theme of ‘A Day points of interest including language immersion, special in the Life of - Exploring the Origins of Communities’. needs and environmental programmes. The New Zealand leg of their tour was organised by Vicki O’Neal, a 2nd Grade Teacher at Lincoln Fulbright New Zealand in conjunction with Odyssey Elementary School in Baxter Springs, Kansas, summed Travel, a not-for-profi t company specialising in up her unique experience as “an opportunity not just educational travel. -
The Quest for the Long White Whale: Nature Imagery in New Zealand Classical Music
THE QUEST FOR THE LONG WHITE WHALE: NATURE IMAGERY IN NEW ZEALAND CLASSICAL MUSIC Peter Beatson [An earlier version of this article appeared in Sites 22:34-53, 1991, and was reprinted with illustrations the following year in Canzona.] INTRODUCTION This article weaves together three intertwining threads. Firstly and most importantly, it is intended as a modest contribution to the academic study of New Zealand classical music. For a very small country, we have an impressive line-up of composers, of whom 105 are listed in John Mansfield Thomson's 1990 Biographical Dictionary of New Zealand Composers, yet the discursive content of their work receives far less analytical attention in sites of intellectual discourse than their literary colleagues. The present article is not intended as anything like a total survey, but I have attempted in its course to introduce the names of a significant number of composers and their works to indicate in purely quantitative terms the size of this rather under-valued component of our national culture. Here, then, is the first thread: putting it simply, I just wanted to write something about New Zealand classical music! However, that initial impulse was a little too vague, inchoate and open-ended. To limit the field, and to give the discussion manageable structure and direction, I made the strategic decision to focus on just one theme, namely the ways in which the natural world is represented in our national music. I will therefore not be discussing self-referential, abstract music with no aspirations to be anything other than a sonata, quartet, symphony or whatever, nor programmatic works (such as operas and songs) with subjects other than nature. -
Fulbright New Zealand 60Th Anniversary, 1948-2008
Fulbright New Zealand 60th Anniversary, 1948-2008 LEFT: 2007 Fulbright US Graduate Student Shaw Gargis encounters a giant kiwi at Wellington Zoo; CENTRE: 2007 American Fulbright grantees and their families at Waiwhetu Marae in Lower Hutt during their orientation programme; RIGHT: 2007 Fulbright New Zealand Graduate Student Sarah Hill on Capitol Hill in Washington, DC Fulbright New Zealand The Fulbright Programme was an initiative of US Senator J. William Fulbright to promote international understanding through educational and cultural exchanges between the US and other countries. He believed the programme could play an important role in building a lasting world peace in the aftermath of World War II. The New Zealand-United States Educational Foundation (now trading as Fulbright New Zealand) was established in 1948 through a bi-national treaty between the governments of the US and New Zealand. Fulbright New Zealand celebrated its 60th Anniversary in 2008 with a series of events in New Zealand and the US. www.fulbright.org.nz © Fulbright New Zealand 2009 ISBN 978-1-877502-06-4 (print) ISBN 978-1-877502-07-1 (PDF) Chairperson’s Welcome Kia ora and welcome to this special publication celebrating 60 years of the Fulbright educational exchange programme in New Zealand. We take this opportunity to refl ect on the success and achievements of six decades of educational and cultural exchange between Fulbright graduate students, research scholars, teachers, artists and professionals from New Zealand and the United States of America. In marking this occasion we must fi rst pay tribute to the extraordinary country while abroad on Fulbright exchanges, and everyone they share vision of one man – the Fulbright Programme’s founder Senator J. -
JACK BODY Poems of Love and War
JACK BODY Poems of Love and War David Greco, Baritone & Counter-tenor Budi Surasa Putra, Javanese Vocalist Martin Riseley, Violin Robert Easting, Narrator New Zealand Symphony Orchestra Kenneth Young Jack Body (b. 1944) the texts and melodies, and to Yono Soekarno for the 5. Sonnet XXVII Three Arias from ʻAlleyʼ • My Name is Mok Bhon • Palaran: Poems Of Love And War translations. The poetry is rich in allusion and word-play, its Non posso altra figura immaginarmi … true meaning often resistant to translation. Gripped by passion, the poet sees no escape. ʻBy trying to Meditations On Michelangelo • Poems Of Solitary Delight Palaran was commissioned in 2004 by the Amsterdam diminish grief, I but double it.ʼ Atlas Ensemble, a chamber ensemble comprising Western, Three Arias from ʻAlleyʼ came to represent the many. His face haunted me, his eyes Middle Eastern and Chinese instruments. This orchestration 6. Sonnet XXVI During my first visit to China, in 1985, I began to consider the burned into me. At the beginning and end of my work a for Western orchestra was made in 2009. Se daʼ primʼ anni aperto un lento e poco … extraordinary life of Rewi Alley, a New Zealander who lived recorded voice is heard, speaking in Khmer: Even the heart of an old man falls victim to passion. ʻA small sixty years in China, arriving in Shanghai in 1927. I worked ʻMy name is Mok Bhon … Please remember me … Meditations On Michelangelo, for solo violin and strings flame consumed and fed on me in my green youth: now the with Alleyʼs biographer Geoff Chapple to assemble a libretto Remember all of us …ʼ Considered alongside Michelangeloʼs masterpieces of wood is dry, what hope have I against this fire more fierce?ʼ for an opera. -
15-28 October Hbaf.Co.Nz
15-2815-28 October 2018 hbaf.co.nzOctober hbaf.co.nz Welcome to the 4th annual Harcourts Hawke’s Arts Inc. Heretaunga is proud to present the We are incredibly excited the Harcourts Bay Arts Festival. 2018 Harcourts Hawke’s Bay Arts Festival. Hawke’s Bay Arts Festival 2018 is Our fabulous festival team has been almost here, with another outstanding I trust that this year’s festival, with its stories told beautifully and sincerely by working harder than ever to present a programme. It is one of the highlights in eclectic array of world-class acts, will dancers, actors, artists and musicians. festival for you to connect with, enjoy and our district’s event calendar. thoroughly entertain you and leave you Poets and writers to craft new stories and love. The programme on offer is the best Hastings District Council is hugely with a sense of pride in what we can comedians telling satirical tales to make local, national and international offering committed to supporting the Festival. It’s achieve together, when we support the you laugh and maybe even forget… yet. From artists at the height of their a wonderful way to bring people together arts in beautiful Hawke’s Bay. And then there are stories of hopes and careers, who have spent years learning to share their stories and to be excited, I am delighted with the stories that will dreams told by our young ones for the very and honing their craft, to individuals who inspired, challenged, and even provoked. unfold in front of your very eyes over the first time, stories of the future, our future. -
60TIFF-CATALOGUE.Pdf
EΠΙΣΗΜΟΣ ΚΑΤΑΛΟΓΟΣ ΟFFICIAL CATALOG 60ό Διεθνές Φεστιβάλ Κινηματογράφου Θεσσαλονίκης 60th Thessaloniki International Film Festival ΥΠΟΣΤΗΡΙΚΤEΣ ΠΡΟΓΡΑΜΜΑΤΟΣ | FESTIVAL PROGRAM SUPPORTERS ΥΠΟΣΤΗΡΙΚΤEΣ ΠΡΟΓΡΑΜΜΑΤΟΣ | FESTIVAL PROGRAM SUPPORTERS Διοικητικό Συμβούλιο Board of Directors Πρόεδρος President Γιώργος Αρβανίτης Yorgos Arvanitis Αντιπρόεδρος Vice President Αχιλλέας Κυριακίδης Achilleas Kyriakidis Μέλη Members Γιώργος Τούλας Yorgos Christianakis Γιώργος Τσεμπερόπουλος Yorgos Toulas Γιώργος Χριστιανάκης Yorgos Tsemperopoulos Νομικός Σύμβουλος Legal Advisor Μαριάννα Παπαδοπούλου Marianna Papadopoulou Γραμματέας Secretary Μαρία Τζιώλα Maria Tziola Το Φεστιβάλ Κινηματογράφου Θεσσαλονίκης εποπτεύεται από το Υπουργείο Πολιτισμού και Αθλητισμού. The Thessaloniki International Film Festival is supervised by the Hellenic Ministry of Culture and Sports. Περιεχόμενα Contents Επιτροπές & Φεστιβάλ Juries & Awards 13 Διεθνές Διαγωνιστικό International Competition 24 Διαγωνιστικό “Meet the Neighbors” «Γνωρίστε τους γείτονες» Competition 33 Εκτός συναγωνισμού Out of Competition 39 VR VR 43 Ανοιχτοί Ορίζοντες Open Horizons 47 Ειδικές Προβολές Special Screenings 80 >> Film Forward >> Film Forward 92 Round Midnight Round Midnigh 100 Φεστιβάλ Ελληνικού Κινηματογράφου Greek Film Festival 104 Ματιές στα Βαλκάνια Balkan Survey 133 Αφιερώματα Tributes 149 Carte Blanche στον John Waters Carte Blanche to John Waters 166 Μεγαλώνοντας στα 80s The Boy 80s 173 Βραβείο LUX LUX Prize 179 Νεανική Οθόνη Youth Screen 182 Αγορά Agora 187 Παράλληλες Εκδηλώσεις Sidebar -
Contemporary New Zealand Piano Music
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 Contemporary New Zealand Piano Music: Four Selected Works from Twelve Landscape Preludes: Landscape Prelude, the Street Where I Live, Sleeper and the Horizon from Owhiro Bay Joohae Kim Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC CONTEMPORARY NEW ZEALAND PIANO MUSIC: FOUR SELECTED WORKS FROM TWELVE LANDSCAPE PRELUDES: LANDSCAPE PRELUDE, THE STREET WHERE I LIVE, SLEEPER AND THE HORIZON FROM OWHIRO BAY By JOOHAE KIM A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2012 ! ! ! ! Joohae Kim defended this treatise on April 26, 2012. The members of the supervisory committee were: Read Gainsford Professor Directing Treatise Evan Jones University Representative Joel Hastings Committee Member Heidi Louise Williams Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ! ""! ! ! Dedicated to my mother, Sunghae Cho (!"#) and my father, Keehyouk Kim ($%&) ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! """! ACKNOWLEDGMENTS I would like to express my sincere appreciation to four New Zealand composers, Mr. Jack Body, Mr. John Psathas, Mr. Gareth Farr and Ms. Jenny McLeod. I would not even be able to have begun this research without their support. I enjoyed so much working with them; they were true inspirations for my research. My greatest thanks goes to my major professor, Dr. Read Gainsford, for his endless support and musical suggestions. -
Music Research Seminar Series
Music Research Seminar Series The University of Waikato Music Programme presents the 2013 Music Research Seminar Series. This year’s speakers are a mix of performers, composers and historians, and will talk about a range of subjects, including traditional Maori music, amateur New Zealand pianists, and multimedia composition. Seminars are held fortnightly through B Semester in the Gallagher Academy of Performing Arts and other university locations. Thursday 25 July 12-1pm Tito Pūoro: extending the Kīngitanga music tradition Speaker: Te Mana Rollo A presentation of research integrating waiata, taonga pūro and electroacoustic music into a hybrid musical work. Te Whare Tapere Iti, Gallagher Academy of Performing Arts, Free entry Thursday 8 August 12-1pm Concerts and socials for the promotion of good fellowship: Amateur New Zealand Pianists Perform Speaker: Kirstine Moffat The words ‘piano performance’ typically conjure up the image of a famed virtuoso playing to a packed concert hall and receiving tumultuous applause. In colonial New Zealand there was certainly an association between piano professional and instrument, with performers such as Mrs John Bell, Miss Redmayne, and Ralph Hood enchanting audiences in Auckland, Dunedin and Wellington respectively. However, for most colonial New Zealanders opportunities to hear such performers were rare. The piano performers who entertained audiences were more usually amateur pianists whose defining characteristics were versatility and adaptability. They performed solo works, accompanied singers, violinists and flautists, tapped out the rhythms for dances, sat at keyboards in parlours, halls, wool sheds and pubs, and alternated between the compositions of classical greats such as Mozart and Beethoven, popular favourites by Balfe and Gilbert and Sullivan, and nostalgic songs such as ‘Killarney’ and ‘My Love is But a Lassie’. -
Threads and Emerging Patterns: Some Recent Developments in New Zealand Music
THREADS AND EMERGING PATTERNS: SOME RECENT DEVELOPMENTS IN NEW ZEALAND MUSIC Martin Lodge Senior Lecturer and Chair of the Music Department, Universityof Waikato, Hamilton. Since 1984 there has been a deliberate and rapid internationalisation of New Zealand's business and financial position. This change in political attitude has also wrought major social and cultural changes. In music, the divergent philosophical pulls of ideas such as internationalism, post colonialism, postmodernism, commercialisation and 'world music' have generated a changed atmosphere for composers, performers and audiences. The demise of the musical avant-garde has allowed a successful renegotiation of communication between professional musicians and listeners. Contradictions abound in the current scene, with less state funding than ever being available for promoting music, yet also a clear increase of public interest in new music at the same time. It is no coincidence that the rise of private sponsorship in music, especially Classical Western music in New Zealand, has occurred as composers begin to write for audiences again, rather than purely for self-fulfillment or experimentation. A key question now is whether the integrity of new music has been subverted by commerce and the need to engage with audiences. Indeed, what should new music aim to do in the first place today? For composers, such re-thinking has provided a liberating removal of stylistic prescription but also the withdrawal of any common aesthetic and philosophical purpose. In popular music, the Americanisation of ethnic traditionscontinues. In all fields of music, the steamrolling effect of mass media globalisation has produced a backlash resulting in 'new tribal' groupings, as the major ethnic groups in contemporary multicultural New Zealand work to establish up to date and recognisable stylistic musical identities for themselves.