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Ascent03opt.Pdf
1.1.. :1... l...\0..!ll1¢. TJJILI. VOL 1 NO 3 THE CAXTON PRESS APRIL 1909 ONE DOLLAR FIFTY CENTS Ascent A JOURNAL OF THE ARTS IN NEW ZEALAND The Caxton Press CHRISTCHURCH NEW ZEALAND EDITED BY LEO BENSEM.AN.N AND BARBARA BROOKE 3 w-r‘ 1 Published and printed by the Caxton Press 113 Victoria Street Christchurch New Zealand : April 1969 Ascent. G O N T E N TS PAUL BEADLE: SCULPTOR Gil Docking LOVE PLUS ZEROINO LIMIT Mark Young 15 AFTER THE GALLERY Mark Young 21- THE GROUP SHOW, 1968 THE PERFORMING ARTS IN NEW ZEALAND: AN EXPLOSIVE KIND OF FASHION Mervyn Cull GOVERNMENT AND THE ARTS: THE NEXT TEN YEARS AND BEYOND Fred Turnovsky 34 MUSIC AND THE FUTURE P. Plat: 42 OLIVIA SPENCER BOWER 47 JOHN PANTING 56 MULTIPLE PRINTS RITA ANGUS 61 REVIEWS THE AUCKLAND SCENE Gordon H. Brown THE WELLINGTON SCENE Robyn Ormerod THE CHRISTCHURCH SCENE Peter Young G. T. Mofi'itt THE DUNEDIN SCENE M. G. Hire-hinge NEW ZEALAND ART Charles Breech AUGUSTUS EARLE IN NEW ZEALAND Don and Judith Binney REESE-“£32 REPRODUCTIONS Paul Beadle, 5-14: Ralph Hotere, 15-21: Ian Hutson, 22, 29: W. A. Sutton, 23: G. T. Mofiifi. 23, 29: John Coley, 24: Patrick Hanly, 25, 60: R. Gopas, 26: Richard Killeen, 26: Tom Taylor, 27: Ria Bancroft, 27: Quentin MacFarlane, 28: Olivia Spencer Bower, 29, 46-55: John Panting, 56: Robert Ellis, 57: Don Binney, 58: Gordon Walters, 59: Rita Angus, 61-63: Leo Narby, 65: Graham Brett, 66: John Ritchie, 68: David Armitage. 69: Michael Smither, 70: Robert Ellis, 71: Colin MoCahon, 72: Bronwyn Taylor, 77.: Derek Mitchell, 78: Rodney Newton-Broad, ‘78: Colin Loose, ‘79: Juliet Peter, 81: Ann Verdoourt, 81: James Greig, 82: Martin Beck, 82. -
Vladamir Cacala and the Gelb House (1955) G. Elliot Reid
Vladamir Cacala and the Gelb House (1955) G. Elliot Reid Eisenman writes of a "modernism of alienation"1 which arises in the anxiety of dislocation, an architecture of "an alienated culture with no roots." "Architecture has repressed the individual consciousness in the physical envi ronment that is supposed to be the happy home. I think it is exactly in the home where the unhomely is, where the terror is alive-in the repression of the unconscious. What I am trying to suggest is that the alienated house makes us realise that we cannot only be conscious of the physical world, but rather also of our own consciousness. "2 I feel that a rootless alienated repression can be a central fact of life in New Zealand, par ticularly for the exiled immigrant, to which architecture on the whole usually chooses to 'turn a blind eye,' that architecture refuses to engage with a social disintegration and a repression, preferring instead to fragment itself, submerge itself uncritically into its own condition. 75 The Gelb House I refer to a work by such an exile, Vladimir Cacala, the Gelb House, Mount Albert (1955). Cacala's work on the whole remained committed to a small circle of influences, choosing to explore a reduced vocabulary of architectural forms. (This alien ground holds no memory, no associative value for Cacala.) The typical Cacala house comprises two enveloping walls with large expanses of glass to the north; planes pushed forward at floor and roof level in the manner of Richard Neutra (for example the Kun house, 1936, or the Davis house, 1937). -
My Place in Art Teaching Kit
My Place in Art Teaching Kit Summer in Nelson, 1960 Irvine Major, Oil on Canvas Unit Developed and Compiled by Esther McNaughton, Suter Educator Education services and programmes at The Suter are supported by the Ministry of Education under the Learning Experiences Outside of the Classroom (LEOTC) funding. 1 Introduction: My Place in Art In this lesson students will explore landscape art which shows our region. They will think about their associations with local places before looking at why and how artists show landscapes in art. The students will develop an artwork showing themselves in a landscape of their choice using techniques observed in the artworks on show. Relevant Curriculum Areas: Visual Arts, Social Studies, English. Duration: 75- 90 minutes depending on level. Levels: Adaptable for Years 1-10 Associated Suter Exhibition: Milk and Honey The rhetoric used to describe Aotearoa/New Zealand from a colonial perspective has always been laced with Biblical references. This is God’s own country: a South Pacific Eden full of hope, bounty and peace. This exhibition examines mythmaking involved in forging the history and vision of our country and Nelson as a region. Tracing the aesthetic influence of the top of the South Island, Milk and Honey displays the historical impact the region has had as a subject for art. From John Bevan Ford’s adaptation of one of the first European images of Maori and Aotearoa in Golden Bay and Tall Men on Hill Tops to Joe Sheehan’s contemporary approach to traditional Māori pakohe (argillite), this region has been stimulating artists for centuries. -
Cimf20201520program20lr.Pdf
CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival. -
Summer on Ice Students Go to Polar Extremes Back to the Future New Chancellor Comes Full Circle Ruapehu Rocks Measuring the Puls
MAGAZINE FOR FRIENDS AND ALUMNI OF VICTORIA UNIVERSITY OF WELLINGTON Summer 2002 Summer on ice Students go to polar extremes Back to the future New Chancellor comes full circle Ruapehu rocks Measuring the pulse of the mountain E-text centre Victoria establishes electronic archive Classic pieces An exquisite second century AD golden former member of staff Denise Kalfas, whose earring which once adorned the lobe of a family were world-wide collectors of Greek and wealthy Roman noblewoman is the most Roman artefacts. Under the careful stewardship recent donation to the Classics Museum. The of a succession of Classics staff, most recently earring was donated to the Museum by Ilse Dr Judy Deuling, the collection has been Jacoby, daughter-in-law of renowned German selectively developed to become one of the classicist Felix Jacoby. Ilse and her husband most complete teaching collections held by a Peter emigrated from Germany to New New Zealand university. Zealand in 1938, and over the years formed a It is not just Classics students who benefit strong relationship with the University. from the excellent resource. Drama, Art History, Another recent addition to the collection has Religion and English students also make use of been the purchase of a rare and striking sixth the Museum to gain an insight into particular century BC Kalpis—a Greek vase for pouring aspects of their subjects. “There is much to learn water and wine. By fortune and good timing the from these physical objects to bring alive the vase was acquired from a London dealer and is ancient world, its history, art, literature decorated with a dramatically stylised Octopus. -
Cannes Booklet
“I will take The Ring,” he said, “though i do not know the way.” --J.R.R. Tolkien,THE LORD OF THE RINGS INTRODUCTION TO THE LORD OF THE RINGS ማ4 ሞ TAKING ON TOLKIEN:PETER JACKSON BRINGS THE FANTASY TO LIFE ማ6 ሞ MANY CULTURES OF THE RING:THE CAST AND CHARACTERS ማ9 ሞ IMAGINING MIDDLE–EARTH:THE DESIGN ማ14 ሞ WETA GETS TO WORK ማ17 ሞ MIDDLE–EARTH DOWN UNDER:NEW ZEALAND ማ19 ሞ FROM HOBBITS TO ELVES:THE COSTUMES AND MAKE-UP ማ21 ሞ BREAKING DIGITAL GROUND:SPECIAL EFFECTS ማ23 ሞ INTO THE RING’S EVIL:STUNTS AND ACTION ማ24 ሞ THE CAST OF CHARACTERS ማ25 ሞ THE FILMMAKERS ማ29 ሞ One ring to rule them all. One ring to find them. One ring to bring them all And in the darkness bind them. For decades, four decades the words above have for cinema technology to I NTRODUCTION ignited imaginations and shaped reach the necessary level of the dreams of more then 100 million sophistication to bring them to life. readers around the globe. They were Such a vast project would require no first read in 1954, when J.R.R. Tolkien’s less than a visionary to mastermind it. The Fellowship of the Ring, the first volume in That visionary is Peter Jackson, who has his towering three-part epic, The Lord of the embarked upon an unprecedented feat to make Rings, was published. ¶ Tolkien’s work was to have three motion pictures simultaneously in order to a profound effect on generations of readers, defining capture Tolkien’s soaring epic in its entirety. -
DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art. -
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Important Paintings and Contemporary Art : 26 November 2013 IMPORTANT PAINTINGS AND CONTEMPORARY ART 26 NOVEMBER 2013 art+object Catalogue 72 Gil Hanly Becalmed off Rangitoto: Pat & friends paddle home (early 80s) AO668FA2 Cat 72 cover.indd 1 6/11/13 10:24 AM Important Paintings and Contemporary Art Tuesday 26 November at 6.30pm Richard Killeen Pea Beau acrylic on canvas signed and dated 5 – ’76 1525 x 1020mm 1 AO668FA Cat 72 text.indd 1 11/11/13 9:45 PM Welcome to A+O’s final major art catalogue of Edward Bullmore’s London years traversed the 2013. It is a rare occasion in an auction context to period 1960 to 69 and the exhibition history and be able to present a comprehensive selection of an context of his work in this period is detailed in an artist’s work which encompasses key chronological insightful essay by Penelope Jackson. Bullmore’s periods and stylistic developments. In this current voyage from pure easel painting to surrealist catalogue we are pleased to present body’s of works constructions is one of the most intriguing in by two artists for whom a period of residence in all New Zealand art history. The works in this London during the 1950s and 60s proved decisive catalogue (lots 11 to 14) date from Bullmore’s not only to their practice but also in terms of the Florence and London years and his subsequent international ideas they imbibed and contributed to. return to New Zealand. They reveal his journey Before WWII earlier generations of New Zealand from and to New Zealand as both highly individual artists such as Frances Hodgkins, Rhona Haszard and inspiring. -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
Desenho E Cinema
Faculdade de Belas Artes da Universidade do Porto Mestrado em Desenho e Técnicas de Impressão Dissertação de: Elisa Almeida Trindade Orientado por: Doutora Cristina Mateus 2013 Desenho e Cinema Agradecimentos: À minha orientadora Doutora Cristina Mateus, à minha família, aos meus amigos e a todos que tornaram possível este trabalho. Índice Resumo/Abstract 9 3.1. Storyboards 93 Introdução: Breve enquadramento histórico. 3.2. Cenários 99 Projeto e método 11 O gabinete do Dr. Caligari 103 Capítulo 1 Metropolis 104 Realizadores desenhadores 17 A Casa Encantada 106 George Méliès 19 Ken Adam 107 Alfred Hitchcock 21 Fritz Lang 25 3.2.1. Desenhos técnicos e Sergei Eisenstein 28 desenhos concetuais 109 Akira Kurosawa 31 Orson Welles 36 3.2.2. Desenhos de Artefactos 115 Saul Bass 37 Federico Fellini 41 3.3. Desenho de Guarda-roupa 119 Satyajit Ray 45 Collen Atwood 122 Roman Polanski 47 Ngila Dickson 124 Ridley Scott 49 Sandy Powell 125 Martin Scorsese 52 Jacqueline Durran 127 Peter Greenaway 55 Eiko Ishiola 128 Tim Burton 56 3.3.1. Outros Figurinos 129 1.1. Storyboards e outros realizadores 59 F.W. Murnau 61 Jonh Huston 62 3.3.2. Desenhos de outros personagens 133 Terry Gillian 63 Jane Campion 65 Capítulo 4 Told Haynes 66 Outros processos 137 Capítulo 2 Carlos Saura 139 O desenho como parte integrante do filme 67 Pedro Costa 141 Voyage dans la Lune 69 Peter Greenaway 142 A invenção de Hugo 70 Sang d’un poète 71 Capítulo 5 O contrato do desenhador 72 Do Cinema ao Desenho 143 A walk through H 72 Gustav Deutsch 145 O sol do marmeleiro 74 William Kentridge 147 American Splendor 74 Quentin Tarantino 148 Quem tramou Roger Rabbit? 75 Kill Bill 75 Harry Potter e os Talismãs da Morte 76 Detachment 76 Reflexões finais 149 Tabu 77 Argo 78 Bibliografia 153 Culpados por suspeita 80 Capítulo 3 Índice de imagens 158 Função do desenhador de produção e do diretor artístico 81 Henry Bumstead 85 Dante Ferretti 87 Stuart Craig 90 7 8 Resumo: Esta dissertação dá uma pequena contribuição para a análise da utilidade do desenho na arte do cinema, em algumas das suas vertentes. -
2016 Annual Report
ANNUAL REPORT 2016 INTRODUCTION Andre Brönnimann with two of the subjects of his winning portrait - Ria Wihapi Waikerepuru and Te Rawanake Robinson-Coles at the opening of the Adam Portraiture Award 2016. Treasurers, first John Sladden and then Richard 2016 was a year of Tuckey, to improve the quality of our budgets and endeavour, rewarded financial control. We are all very grateful for the commitment, the good humour and fellowship that over almost all of the full David brought to our affairs. Our fellow Trustee, Mike Curtis – a Partner with Deloitte – continued as range of our activities. It Chairman of the Finance and Planning Committee. presented us with a number In December we were pleased to be able to elect two new Trustees. Dr. David Galler, a well-known of challenges, ones of intensive care specialist in Auckland, and the personnel; of gallery space; author of a recent bestselling book about his life and work, Things That Matter. David brings his of governance; and, as wide knowledge of Auckland to our deliberations, along with a strong management background and always, of funding. a life-long interest in art. Helen Kedgley, who was Director of the Pātaka Art and Museum in Porirua But I would like to start by stating my own personal pleasure and satisfaction at the excellence of last year’s exhibition programme, a view that is shared, I know, by many of you. Quite apart from their intrinsic interest, and the pleasure as well as insight that they bring, these presentations are enhancing our reputation nationally and leading to increased cooperation with galleries and collectors both in this country and overseas. -
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ART + OBJECT 2017 has undoubtedly been a dynamic year at Art+Object, as well as for the wider New Zealand art world. We are fortunate to be part of a healthy, thriving arts community that really does offer something for everyone, across a variety of art forms. This year, along with our usual catalogues of Important Paintings and Contemporary Art, New Collectors, Decorative Arts and Rare Books, we have been favoured with the sale of some fabulous private collections. Visionary collectors like Anne Coney and Glenn Schaeffer, in taking the brave decision to sell their collections at auction, provide viewers with a wonderful opportunity to admire and acquire. Thank you to everyone who has taken part in our auction program this year, we put real effort into making our auction videos, organising talks and events and we love it when you watch on-line, or come along to viewings and auctions. Our talk with collector Glenn Schaeffer in October was given to a packed house, with a large number of interested collectors attending to hear from Mr Schaeffer, a significant international art collector. The year cannot pass without making mention of the wonderful success of the Estate of Michael Illingworth auction. The enthusiasm shown by the market for work by this legendary artist was unprecedented, resulting in one of the most successful auctions in our ten year history. We have enjoyed working with a number of brand partners this year. We’ve been serving freshly brewed Allpress coffee at our weekend viewings, which was particularly well-received on cold wintry viewing days, and it certainly feels like we’ve had plenty of those this year.