DOCSLIB.ORG

Auckland Art Gallery Toi O Tāmaki Exhibition History

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Auckland Art Gallery Toi O Tāmaki Exhibition History Auckland Art Gallery Toi o Tāmaki Exhibition History To search Press Ctrl F to do a keyword search Index Browse by clicking on a year (click on top to return here) 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 1927 top 23 Jun 27 – 16 Jul 27 A Collection of Old and Modern Etchings on Loan from Auckland Collectors Catalogue 25 Oct 27 – 30 Nov 27 Loan Collection of Japanese Colour Prints from Mr H.S. Dadley and Capt. G. Humphreys-Davies Catalogue 1928 top Australian Etchings 1929 top 1 Aug 29 – 24 Aug 29 Loan Collection of Prints Illustrating the Graphic Arts Catalogue 1930 top 7 Apr 30 – 26 Apr 30 Loan Collection of Bookplates Catalogue 6 Aug 30 – 30 Aug 30 Loan Collection of Prints: Representative of Graphic Art in New Zealand Catalogue 23 Sep 30 – 14 Oct 30 Loan Collection of Photographs by Members of the Camera Club of New York and Dr Emil Mayer Catalogue 22 Oct 30 – 12 Nov 30 Medici Prints: Dutch, Flemish and German 17 Nov 30 – 2 Dec 30 Medici Prints: English 5 Dec 30 – Dec 30 Medici Prints: Italian and French 1931 top 24 Nov 31 – Jan 32 Prints from the Collection Illustrating Various Methods 1932 top 28 Jan 32 – 1 Jun 32 Medici Prints: Dutch, Flemish, French and German 3 Mar 32 – 30 Mar 32 Loan collection of New Zealand Pictorial Photography Catalogue 6 Jun 32 – 19 Sep 32 Prints from the Collection 8 Jun 32 – 19 Sep 32 Medici Prints: English 20 Sep 32 – 27 Oct 32 Medici Prints: Italian 20 Sep 32 – 30 Nov 32 Prints from the Collection illustrating a lecture on Appreciation of Prints 28 Oct 32 – 22 Mar 33 Medici Prints: Dutch and Flemish 1 Dec 32 – Sep 33 Prints from the Collection 1933 top 23 Mar 33 – 9 Aug 33 Medici Prints: English Jun 1933 70 Years of British Art 1862 – 1932 10 Aug 33 – 2 Nov 33 Medici Prints: Italian 17 Sep 33 – 15 Dec 33 Medici and Arundel A.S.A Prints illustrating a lecture by Dr Wallace 3 Nov 33 – Dec 33 Medici Prints and Mezzotints: Portraits 15 Dec 33 – 23 Mar 34 Colour Prints from the Print Collection 1934 top 23 Mar 34 – 13 Apr 34 Loan collection of Elam School of Art work Catalogue 16 Apr 34 – 20 Sep 34 Medici Prints: Dutch, Flemish and French 30 Jul 34 – 26 Aug 34 Loan Collection of Contemporary British Art Catalogue 20 Sep 34 – 2 May 35 Loan Collection of Japanese Colour Prints from Capt. G. Humphreys-Davies Catalogue 1935 top 23 May 35 – 12 Jun 35 Loan collection of Elam School of Art work 26 Jul 35 – Medici Prints and Mezzotints 30 Aug 35 – 26 Sep 35 Collection of Lithographs from the Senefelder Club, London Catalogue 10 Oct 35 – 28 Oct 35 Loan Exhibition of Book Plates 31 Oct 35 – 17 Nov 35 Annual Interclub Show of Dominion Camera Clubs Catalogue 26 Nov 35 – 12 Dec 35 Loan Collection of Water-colour Paintings by the late Miss M.O. Stoddart Catalogue 24 Dec 35 – 14 Mar 36 Medici Prints 1936 top 18 Mar 36 – 14 Apr 36 Dorothy K. Richmond Memorial Exhibition on Loan from H. H. Tombs Catalogue 12 May 36 – 6 Jul 36 Medici Prints – the Italian School 7 Jul 36 – 13 Jul 36 New Zealand Library Association Poster Competition 16 Jul 36 – 27 Jul 36 Medici Prints 29 Jul 36 – 8 Oct 36 Prints from the Collection 10 Oct 36 – 15 Oct 36 Auckland in the Early Days (Old Colonists Museum Collection) 22 Oct 36 – 18 Nov 36 New Zealand Architectural Designs from the National Art Gallery, Wellington 10 Dec 36 – 30 Dec 36 International Exhibition of Pictorial Photography from the Western International Photographic Salon Dec 36 – Mar 37 Loan Exhibition of Modern Prints and Drawings from the Contemporary Art Society, London Catalogue 1937 top 15 Feb 37 – 14 Mar 37 Loan Collection of Pictures from the National Gallery of New South Wales, Sydney Catalogue 20 Mar 37 – 4 Apr 37 Annual Interclub Show of Dominion Camera Clubs (1936 exhibition) 15 Apr 37 – 12 May 37 Loan Collection of Prints from the Twenty One Gallery, London Catalogue 20 May 37 – 9 Jun 37 Loan Exhibition of Original Drawings by Keene, Leech, Dr Maurier and Tenniell from Punch magazine Catalogue 15 Jun 37 – 26 Jul 37 Prints and Drawings from the Contemporary Art Society, London Catalogue 10 Jul 37 – 15 Jul 37 Child Art Exhibition Aug 37 – 6 Sep 37 The Harvey Loan Collection of Dutch and Flemish Masters 23 Sep 37 – 20 Oct 37 Loan collection of British Masters from the National and Tate Galleries, London Catalogue 3 Nov 37 – 21 Nov 37 Annual Interclub Show of Dominion Camera Clubs 1938 top 22 Jan 38 – 13 Feb 38 Exhibition of British Printing of Today from the National Gallery of Art, Wellington 23 Jun 38 – 23 Jul 38 Exhibition of Contemporary Canadian Painting Catalogue 26 Jul 38 – 7 Aug 38 Annual Interclub Show of Dominion Camera Clubs 10 Aug 38 – 4 Sep 38 International Exhibition of Children’s Art 5 Oct 38 – 21 Oct 38 Australian and New Zealand Book Plates 27 Oct 38 – 16 Nov 38 Exhibition of Pictorial Photography Lent by the Royal Photographic Society 23 Nov 38 – 13 Dec 38 Paintings by Old and Modern Masters Colour reproductions presented to the National Art Gallery by the Carnegie Corporation, New York 1939 top Mar 1939 Exhibition of 35 Prints of Modern Paintings May – Jun 1939 Auckland Society of Arts Exhibition 58th Annual Exhibition held at the Art Gallery for the first time Catalogue Jun 1939 Medici Prints of Old Master Painters 28 Sep 39 – 29 Oct 39 Exhibition of Miniature Paintings from the Royal Society of Miniature Painters, London 6 Nov 39 – 17 Nov 39 Rutland Group Annual Exhibition 29 Nov 39 – 18 Dec 39 Annual Show of Dominion Camera Clubs 1940 top 29 Feb 40 – 28 Mar 40 20th Century British Art Catalogue 4 Apr 40 – 12 May 40 Lithographs of James Boswell 15 May 40 – 26 May 40Auckland Society of Arts 59th Annual Exhibition Catalogue 12 Jun 40 – 7 Jul 40 National Centennial Exhibition of New Zealand Art and Coronation of King George VI painting by Frank O. Salisbury, Royal Academy Catalogue 12 Aug 40 – 13 Sep 40 Auckland Camera Club 23 Sep 40 – 5 Oct 40 Rutland Group Annual Exhibition 27 Sep 40 – 24 Oct 40 Early Printing by Rev. William Colenso at Paihia Mission Station 11 Oct 40 – 8 Nov 40 Elam School of Art Centennial Exhibition 15 Nov 40 – 1 Dec 40 Auckland Society of Arts Summer Exhibition Catalogue 6 Dec 40 – 19 Jan 41 Photographs of Paintings and Drawings by British War Artists 1941 top 21 Jan 41 – 16 Mar 41 Dominion Camera Club Annual Exhibition (1940 exhibition) Apr 1941 Modern Paintings and Rare and Valuable Books and Manuscripts 15 May 41 – 2 Jun 41 Auckland Society of Arts Annual Exhibition Catalogue 2 Aug 41 – 31 Aug 41 Exhibition of War Posters 12 Aug 41 – 28 Aug 41 Exhibition of Gift Pictures by New Zealand Artists to the National Patriotic Fund 17 Sep 41 – 31 Oct 41 Exhibition of British War Posters Donated by the British High Commission 20 Oct 41 – 1 Nov 41 Rutland Group Annual Exhibition 7 Nov 41 – 23 Nov 41 London’s Ordeal: By Bomb and Fire Press Club Photographs 25 Nov 41 -16 Dec 41 New Zealand Photography: Annual Exhibition of Dominion Camera Clubs 23 Dec 41 – 19 Mar 42 Exhibition of Old and Modern Master Paintings (in Reproduction) 1942 top 23 Mar 42 – 26 Apr 42 Annual Exhibition of Auckland Camera Club and This is New Zealand from various camera clubs 7 May 42 – 24 May 42 British and New Zealand War Pictures Catalogue 4 Jun 42 – 24 Jun 42 Auckland Society of Arts Exhibition Catalogue 1 Jul 42 – 2 Aug 42 War Posters Exhibition Aug 1942 Original Paintings Illustrating Brer Rabbit by Harry Rountree 17 Oct 42 – 28 Oct 43 The Churchill Auctions in aid of the 1942 Patriotic Appeal Catalogue 1 Nov 42 – 15 Nov 42 Rutland Group Annual Exhibition 30 Nov 42 – 13 Dec 42 Dominion Camera Clubs Annual Exhibition 1943 top 9 Apr 43 – 9 May 43 Masterpieces of British Painting 11 May 43 – 7 Jun 43 Auckland Society of Arts Annual Exhibition Catalogue 13 Jun 43 – 11 Jul 43 Auckland Camera Club Exhibition 9 Jul 43 – 11 Sep 43 Colour Reproductions of Modern Masterpieces of Painting from the Gallery’s Collection 24 Sep 43 – 31 Oct 43 War Posters 16 Oct 43 – 29 Oct 43 Dominion Camera Clubs Annual Exhibition 31 Oct 43 – 14 Nov 43 Rutland Group Annual Exhibition 9 Nov 43 – 3 Dec 43 War Posters 30 Nov 43 – 3 Jan 44 Official War Paintings: El Alamein to Tunis by Capt. Peter McIntyre Catalogue 11 Dec 43 – 11 Jan 44 Seventy life-size photographs of the London Blitz 1944 top 7 May 44 – 26 May 44 Canadian Art-colour Reproductions 7 Jun 44 – 2 Jul 44 Auckland Society of Arts Annual Exhibition Catalogue 5 Jul 44 – 7 Aug 44 War in the Pacific: Paintings by Lt.
Load more

Recommended publications
  • Feminist Periodicals
    The Un vers ty of W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 26, Number 4, Winter 2007 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing of contents Volume 26, Number 4 (Winter 2007) Periodical literature is the cutting edge ofwomen's scholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues ofmajorfeministjournalsare reproduced in each issue ofFeminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the follOWing information on each journal: 1. Year of first publication. 2. Frequency of pUblication. 3. Subscription prices (print only; for online prices, consult publisher). 4. Subscription address.
    [Show full text]
  • Download PDF Catalogue
    THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012.
    [Show full text]
  • British Art Studies July 2016 British Sculpture Abroad, 1945 – 2000
    British Art Studies July 2016 British Sculpture Abroad, 1945 – 2000 Edited by Penelope Curtis and Martina Droth British Art Studies Issue 3, published 4 July 2016 British Sculpture Abroad, 1945 – 2000 Edited by Penelope Curtis and Martina Droth Cover image: Installation View, Simon Starling, Project for a Masquerade (Hiroshima), 2010–11, 16 mm film transferred to digital (25 minutes, 45 seconds), wooden masks, cast bronze masks, bowler hat, metals stands, suspended mirror, suspended screen, HD projector, media player, and speakers. Dimensions variable. Digital image courtesy of the artist PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents 1970s: Out of Sculpture, Elena Crippa 1970s: Out of Sculpture Elena Crippa Abstract In the 1970s, the mobility of ideas, artists, and their work intensified.
    [Show full text]
  • 02 Whole.Pdf
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Inherited Body A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Creative Writing at Massey University, Manawatū, New Zealand. Rebecca Joy Styles 2017 Abstract Narrative ethics is a useful tool for approaching New Zealand historical fiction about family history because it looks to the risks and losses of appropriating family for the author, their subjects, and readers. In the following critical analysis I discuss three recent New Zealand novels based on family historical narratives, each of which depict characters attempting to write their own stories within power structures that threaten to silence them: Alison Wong’s As The Earth Turns Silver (2009), Paula Morris’s Rangatira (2011), and Kelly Ana Morey’s Bloom (2003). For a writer a narrative ethics analysis ensures they acknowledge the ethical implications of their work, not just for their own family, but for collective understanding. My novel Inherited Body fictionalises an incident from my family’s history about mental health and sits alongside a contemporary narrative that seeks to understand the possible causes of a psychotic break. A narrative ethics analysis has highlighted my dual role as reader/critic and writer. Wayne C. Booth’s discussion of narrative ethics emphasises the connection between writer, character and their readers. Adam Zachary Newton expands on this transactive connection and shows the ethical consequences of narrating story and fictionalising people, and the reciprocal claims connecting teller, listener, witness and reader in that process.
    [Show full text]
  • Staff Publications List
    Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp.
    [Show full text]
  • Mihi Whakatau and Welcome
    Mihi Whakatau and Welcome Tāmaki herenga waka Tāmaki whai rawa Tāmaki pai Tāmaki Makaurau Ko ngā kurī purepure o Tāmaki e kore e ngaro i te pō On behalf of the Aotearoa New Zealand Association of Art Educators (ANZAAE) 2014 conference steering committee, it is my privilege to extend a warm welcome to you all. We are excited to be offering Te Aho I Muri Nei – Supporting Innovation as a forum in which we can all share ideas, perspectives and experiences and engage in constructive dialogue to expand our thinking and weave links that connect us to people, knowledge, theory and practice in the Arts. It gives me great pleasure to welcome so many distinguished guests and participants who have come from near and far to take part in our proceedings over the next three days. As a local, I welcome you to our city and hope you all have an opportunity to enjoy some of what Auckland has to offer. I would also like to take this opportunity to acknowledge and thank our host and major sponsor AUT, and in particular, the Art and Design School for partnering this conference. Your support has been a tremendous help in the shaping and success of Te Aho I Muri Nei – Supporting Innovation. We are privileged to share in your state of the art facilities and welcoming generosity. I hope that these next three days not only provides an opportunity to communicate, but also to collaborate - through interesting and fruitful discussions and conversations, fresh ideas and a new impetus for our work.
    [Show full text]
  • Whale Rider: the Re-Enactment of Myth and the Empowerment of Women Kevin V
    Journal of Religion & Film Volume 16 Article 9 Issue 2 October 2012 10-1-2012 Whale Rider: The Re-enactment of Myth and the Empowerment of Women Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Recommended Citation Dodd, Kevin V. (2012) "Whale Rider: The Re-enactment of Myth and the Empowerment of Women," Journal of Religion & Film: Vol. 16 : Iss. 2 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss2/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Whale Rider: The Re-enactment of Myth and the Empowerment of Women Abstract Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions taken by critics, it then analyses the traditional myth as well as how the book first worked with it. The onclusionc is, in distinction to the book, that the film drives a wedge between the myth’s original sacred function to provide meaning in the world for the Maori people and its extended intention to empower women, favoring the latter at the former’s expense.
    [Show full text]
  • A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War M
    Bold Impressions: A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War Memorial Alexandra Fae Walton A thesis submitted for the degree of Doctor of Philosophy of the Australian National University, June 2017. © Copyright by Alexandra Fae Walton, 2017 DECLARATION PAGE I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Acknowledgements I was inspired to write about the two print collections while working in the Art Section at the Australian War Memorial. The many striking and varied prints in that collection made me wonder about their place in that museum – it being such a special yet conservative institution in the minds of many Australians. The prints themselves always sustained my interest in the topic, but I was also fortunate to have guidance and assistance from a number of people during my research, and to make new friends. Firstly, I would like to say thank you to my supervisors: Dr Peter Londey who gave such helpful advice on all my chapters, and who saw me through the final year of the PhD; Dr Kylie Message who guided and supported me for the bulk of the project; Dr Caroline Turner who gave excellent feedback on chapters and my final oral presentation; and also Dr Sarah Scott and Roger Butler who gave good advice from a prints perspective. Thank you to Professor Joan Beaumont, Professor Helen Ennis and Professor Diane Davis from the Australian National University (ANU) for making the time to discuss my thesis with me, and for their advice.
    [Show full text]
  • 13 1 a R T + O B Je C T 20 18
    NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley.
    [Show full text]
  • Exhibtion History 1999 – 2009
    EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 ­ 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers ­ curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters Mary­Louise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February ­ 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March ­ 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan.
    [Show full text]
  • Download PDF Catalogue
    ART+ OBJECT New Collectors Art Tuesday 1 September at 6.30pm Decorative Arts Wednesday 2 September at 6.30pm New Collectors Art lots 1 to 302 pages 8 to 61 Decorative Arts lots 310 to 1169 pages 62 to 101 Welcome to A+O’s catalogue 97 – a wonderful mix of art and collectables. This catalogue takes its cue from the glorious eye-popping imagery of Op Art pioneer Victor Vasarely (1906–1997) whose suite of works in the New Collectors art catalogue represents the diversity of practice on the following pages. In this catalogue we are presented with a rare opportunity to acquire works on paper from some of the 20th century titans of European modernism such as Fernand Leger, Barbara Hepworth, Henry Moore, Joan Miro, Georges Braque, Karel Appel and Howard Hodgkin to name some of the artists whose work is rarely spotted in New Zealand. Cover: Lot 101, Victor Vasarely, from the suite Réponses à Vasarely, Studio In addition to the works that make up such a varied New Collectors Art Bruckmann, Munich, Éditions Lahumiere, Paris, 1974 catalogue A+O presents rare New Zealand Taonga, well provenanced Modern Design furniture, New Zealand studio ceramics, decorative Inside front cover and page 1: arts, taxidermy, vintage radios and Asian Art. Lots 674 and 675, Tom Greene Brutalist chandelier and ceiling lamps. Of particular interest are works from the travelling exhibition The Transmogrifier Machine by furniture designer Katy Wallace. These This page: Lot 713, Edgar Mansfield, bronze figure of Christ. constructions (lots 808 to 824) are remarkable transformations of found furniture and design into new items of sculpture – a collaboration Inside back cover: Lot 169, Layla between the past and the present day.
    [Show full text]
  • The Frances Hodgkins Fellowship 2021
    THE FRANCES HODGKINS FELLOWSHIP 2021 The Fellowship was established by the University Council in 1962 and was initiated by the generous interest of anonymous friends of the University. The general purpose of the Frances Hodgkins Fellowship Fund is to aid and encourage painters and sculptors in the practice of their art, to associate them with the life of the University, and at the same time to foster an interest in the Arts within the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to any man or woman normally resident in New Zealand who in the opinion of the Selection Committee: (a) has executed sufficient work as a painter or sculptor to show that they are possessed of some talent as such, and (b) is a serious artist who will be diligent in their endeavours to practice, improve and develop such talent, and (c) will benefit from holding of the Fellowship. 2. Applicants for the Fellowship need not possess a degree or diploma or have attained any particular educational standard or be a member of any art society or group of artists or of any other body. 3. Other qualifications and considerations between applicants for the award of the Fellowship being more or less equal, preference may be given to an applicant under the age of forty years. 4. Full time teachers of art shall not be eligible to apply for the Fellowship except in special circumstances of which the Selection Committee shall be the sole judge. 5. The Fellowship shall normally be awarded for a term of one year, but may be awarded for a shorter period.
    [Show full text]