MUSIC & SOUND STUDIES NEW BOOKS CATALOGUE 2017-18 Provides unrivalled scholarly coverage of modern popular music worldwide, from the mid-20th century to the present day. Explore the historical origins and cultural impact of popular music from almost every country in the world. Discover more about influential artists and albums, local music scenes, and subcultures. Learn about musical form, instruments, and the workings of the music industry and research the social, political, and economic context of different musical genres.
CONTENT HIGHLIGHTS FEATURES
• 14-volume Bloomsbury Encyclopedia of Popular Music of the World • Artist pages offer curated links to relevant content for leading artists • All current volumes of the 33 1/3 book series with annual updates, providing in-depth analysis of influential albums • The interactive world map enables users to navigate to books and articles covering a • Scholarly books from Bloomsbury’s Popular Music Studies list country or region
• The interactive timeline of popular music includes the dates of albums covered in the 33 1/3 series, plus an overview of contextual events in musical and political history, with links to relevant articles
• Related content links on every content page makes it easy to discover relevant material
• Personal account feature enables users to save books, chapters, or other items to view later, organize saved items into folders, e-mail and export citations, and save searches
To register your interest for a free institutional trial, or for further information email: Americas: [email protected] UK, Europe, Middle East, Africa, Asia: [email protected] Australia and New Zealand: [email protected]
www.bloomsburypopularmusic.com
PopularMusic_advert.indd 1 28/07/2017 15:30 Contents
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Music, Media & Technology...... 5
Sound Studies & Sound Art...... 6
Representatives, Agents & Distributors...... 9
Editorial Contacts...... 10
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www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 1 33 1/3 Series editors: Kevin J. H. Dettmar, Pomona College, USA, Björk's Homogenic Amanda Petrusich, New York University, USA, Gayle Wald, Emily Mackay, Independent Scholar, UK 33 1/3
Adapted by adaptor George Washington University, USA & Daphne Brooks, Princeton In recent years, Björk’s artistry has become University, USA ever more ambitious and ever more respected. “The series is probably the most remarkable regular event in rock The album that made all this possible, is 1997’s journalism today.” New York Times Homogenic, a turning point in Björk’s career and still among her finest musical achievements. 33 1/3 is a series of short books about popular music, focusing on Produced under great strain, it moves beyond the individual albums by a wide range of artists from Celine Dion to stylistic magpie rush of Debut and the urbanophile Neutral Milk Hotel. With over 100 volumes available, it has recently future-pop of Post, to something darker, stronger and braver, full expanded to cover music from soundtracks and video game scores. of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander
McQueen designed sleeve clearly asserted, a new Björk, one who Arcade Fire’s The Suburbs would never stop hunting.
Eric Eidelstein, Independent Scholar, USA UK October 2017 • US October 2017 • 160 pages
Adapted by adaptor PB 9781501322747 • £9.99 / $14.95 The Suburbs made a heavy impact on fans and – to Individual eBook 9781501322754 • £9.99 / $12.99 the surprise of many – won Album of the Year at Library eBook 9781501322730 the 2011 Grammy’s. Eric Eidelstein’s The Suburbs Series: 33 1/3 • Bloomsbury Academic explores the weird, utopic recollection of youth represented in the album by comparing it to suburban scenes in film and television, such as Blue Velvet, Mad Men, The Americans, and Scenes Camp Lo's Uptown Saturday Night from the Suburbs. Through the close examination of film depictions Patrick Rivers, University of New Haven, USA & of the suburbs Eidelstein delves into the societal factors and William Fulton, LaGuardia Community College, artistic depictions that make the suburbs such a fascinating cultural USA construct, and uncovers why the album creates such a universal sense Adapted by adaptor of reminiscence. As a tapestry of 1970s black popular culture, this volume details how the fantastic musical world UK September 2017 • US September 2017 • 152 pages of Uptown Saturday Night was borrowed from the PB 9781501336461 • £11.99 / $14.95 films of that era—particularly the Sidney Poitier Individual eBook 9781501336478 • £9.99 / $12.99 Library eBook 9781501336485 film from which the album’s name is derived—and Series: 33 1/3 • Bloomsbury Academic positions the album as an essential example of Mark Anthony Neal’s post-soul aesthetic. The book is informed by interviews of Camp Lo, album producer Ski, autobiographical accounts by A&R/co-author
Will Fulton, and musical and cultural analyses that details the Bob Mould's Workbook development of the album and how its contents instigated a “re- membering” of black culture. Walter Biggins, Independent Scholar, USA & Daniel Couch, Chemeketa Community College, UK September 2017 • US September 2017 • 160 pages USA PB 9781501322723 • £9.99 / $14.95 Adapted by adaptor Individual eBook 9781501322709 • £9.99 / $12.99 Workbook serves its title in two ways—as a map Library eBook 9781501322693 for musicians to follow into a new mode, and as Series: 33 1/3 • Bloomsbury Academic a journal of Mould’s struggle toward adulthood. It opens conversations about rock, identity,
spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, The Pharcyde's Bizarre Ride II two critics who grew up with Workbook, extend these conversations— through letters and emails to each other, and through correspondence the Pharcyde with Mould and Workbook’s musicians and producers. That crosstalk Andrew Barker, Independent Scholar, USA leads to, through this seminal album, a deeper understanding of Adapted by adaptor As much an inner city cipher as a suburban boys “alternative rock” at the moment of its inception, just before it took gang, the foursome that made up The Pharcyde over the radio. were the most relatable MCs to ever pass the mic. Bizarre Ride II the Pharcyde represents the sound of UK September 2017 • US September 2017 • 160 pages PB 9781501321351 • £9.99 / $14.95 four restless man-children fresh out of their teens, Individual eBook 9781501321375 • £9.99 / $12.99 finding a perfect outlet in a form of music that was just as young Library eBook 9781501321368 and fertile. A touchstone for Kanye West, Drake, Lil B and a whole Series: 33 1/3 • Bloomsbury Academic generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't.
UK May 2017 • US May 2017 • 152 pages PB 9781501321276 • £9.99 / $14.95 Individual eBook 9781501321290 • £9.99 / $12.99 Library eBook 9781501321283 Series: 33 1/3 • Bloomsbury Academic
2 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] 33 1/3 / POPULAR MUSIC
The Raincoats' The Raincoats Young Marble Giants' Colossal Jenn Pelly, Independent Scholar, USA Adapted by adaptor Youth "Rather than listening to them, I feel like I'm Michael Blair, Independent Scholar, USA & Joe listening in on them," Kurt Cobain once wrote of Bucciero, Independent Scholar, USA The Raincoats' beloved 1979 self-titled record, a Adapted by adaptor Welsh post-punk band Young Marble Giants released gem of classic post-punk that joyously embodied one LP and then, like their vanishing portraits on that era in sound and ideology. In this book, Jenn the album’s cover, disappeared. Yet their lasting Pelly explores the brilliantly anti-commercial appeal owes itself to the band’s singular approach nature and D.I.Y. aesthetic of The Raincoats’ The to punk rock. Instead of using overt political ideologies, abrasive Raincoats, and how the peculiar charms of this pioneering feminist sounds, and antiestablishment appearances to rebel, Young Marble punk band helped bolster the iconic Rough Trade label and ultimately Giants used restraint, ambiguity, and silence, redefining the genre’s create a timeless, almost spiritual music for Riot Grrrls, indie sense of rebellion. But where did these radical ideas come from? fanatics, and outsiders alike. By tracing Colossal Youth’s logistical, geographical, ideological, and 20th-century art historical origins, Colossal Youth is established as UK October 2017 • US October 2017 • 176 pages PB 9781501302404 • £9.99 / $14.95 a brilliant record, a cult favorite, and a continuing influence on Individual eBook 9781501302428 • £9.99 / $12.99 musicians today. Library eBook 9781501302411 Series: 33 1/3 • Bloomsbury Academic UK May 2017 • US May 2017 • 176 pages PB 9781501321146 • £9.99 / $14.95 Individual eBook 9781501321177 • £9.99 / $12.99 Library eBook 9781501321153 Series: 33 1/3 • Bloomsbury Academic
33 1/3 Japan Supercell's Supercell featuring Series editor: Noriko Manabe, Temple University, USA Part of the 33 1/3 Global series, the 33 1/3 Japan strand is devoted Hatsune Miku to in-depth examination of Japanese albums of the 20th and Keisuke Yamada, University of Pennsylvania, USA
Adapted by adaptor 21st centuries, spanning a range of genres including rock, J-pop, This book explores the circulatory culture of fan technopop and the music of classic anime series Cowboy Bebop. production and consumption, as embodied by Vocaloids (voice-synthesized virtual characters) and the DTM (desktop music) phenomena, through a close reading of Supercell (2009). This album
features Hatsune Miku, the Vocaloid character. She is a virtual pop Perfume's GAME superstar, “singing” in over 100,000 songs uploaded by fans. The book Patrick St. Michel, Independent Scholar, examines these issues through the lenses of media and fan studies. Japan Supercell provides readers with a sense of how interactive new Adapted by adaptor media and an empowered fan base combine to engage in the creation Released in 2008, J-pop trio Perfume’s processes and enhance the circulation of DTM works. GAME shot to the top of Japanese music charts and turned the
Hiroshima trio into a household name across the country. It was also UK August 2017 • US August 2017 • 128 pages • 1 bw illus a high point for techno-pop, the genre’s biggest album since the PB 9781501325977 • £18.00 / $22.95 • HB 9781501325984 • £64.00 / $80.00 heyday of Yellow Magic Orchestra. This collection of maximalist but Individual eBook 9781501325946 • £14.99 / $18.99 Library eBook 9781501325960 emotional electronic pop stands as one of the style’s finest moments, Series: 33 1/3 Japan • Bloomsbury Academic with its influence still echoing from artists both in Japan and from beyond. This book examines Perfume’s underdog story as a group long struggling for success, the making of GAME, and the history of techno-pop that shaped it. Yoko Kanno's Cowboy Bebop UK February 2018 • US February 2018 • 144 pages Soundtrack PB 9781501325908 • £18.00 / $22.95 • HB 9781501325892 • £64.00 / $80.00 Rose Bridges, University of Texas-Austin, USA
Individual eBook 9781501325922 • £14.99 / $18.99 Adapted by adaptor Library eBook 9781501325915 Series: 33 1/3 Japan • Bloomsbury Academic Cowboy Bebop is one of the most beloved anime series of all time, and if you ask its fans why, you can expect to hear about its music. Composer Yoko Kanno created an eclectic blend of jazz, rock, lullabies, folk and funk (to list just a few) for Cowboy Bebop's many moods and environments. This volume places the music in context of Kanno's larger body of work and analyzes how the music tells Spike, Faye, Jet and the rest of the crew's stories. Cowboy Bebop and its music are like nothing else, and they deserve a guide to match.
UK November 2017 • US November 2017 • 128 pages PB 9781501325854 • £18.00 / $22.95 • HB 9781501325847 • £64.00 / $80.00 Individual eBook 9781501325878 • £14.99 / $18.99 Library eBook 9781501325861 Series: 33 1/3 Japan • Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 3
Tim Maia's Tim Maia Racional Nothing Has Been Done Before Vols. 1 & 2 Seeking the New in 21st-Century Allen Thayer, Independent Scholar, USA American Popular Music
Adapted by adaptor At the height of Tim Maia’s soaring fame, he Robert Loss, Columbus College of Art and joined a radical, extraterrestrial-obsessed cult and Design, USA
Adapted by adaptor created two plus albums of some of Brazil’s—and Nothing Has Been Done Before instigates a the globe’s—best funk and soul music. Allen Thayer fresh debate about music released since turn explores this strange, brief, yet incredibly prolific of the millennium: an era of repurposing, POPULAR MUSIC POPULAR MUSIC period of Maia’s life wherein the reigning soul and funk artist of hyperconsumerism, and technology. The book follows a diverse Brazil produced two albums, an EP, and a recently unearthed tape cast of musicians as they seek the new, from the dusty roads of containing funky jams laced with spiritual content and scripture. Bob Dylan's Love and Theft to the glamorous pop spectacle of the This book will explore the career of the man often hailed as the American Wow; from Kanye West's gilded techno-futurism to a Guided James Brown or Barry White of Brazil, and the time of his radical By Voices tribute concert in a local dive bar. Nothing Has Been Done transformation. Before is a counter-orthodoxy to current music criticism and the perception of music as merely a product, arguing for a revitalized UK February 2018 • US February 2018 • 144 pages PB 9781501321535 • £18.00 / $22.95 • HB 9781501321528 • £64.00 / $80.00 understanding of popular music. Individual eBook 9781501321559 • £14.99 / $18.99 Library eBook 9781501321542 UK November 2017 • US November 2017 • 256 pages Series: 33 1/3 Brazil • Bloomsbury Academic PB 9781501322020 • £22.99 / $27.95 • HB 9781501322037 • £72.00 / $90.00 Individual eBook 9781501322044 • £19.99 / $24.99 Library eBook 9781501322013 Series: Alternate Takes: Critical Responses to Popular Music • Bloomsbury Academic
Beyond No Future
Cultures of German Punk The Late Voice Edited by Cyrus M. Shahan, Colby College, USA, Seth Howes, University of Missouri, USA & Mirko Time, Age and Experience in Popular M. Hall, Converse College, USA Music Adapted by adaptor "This book does a wonderful job of both Richard Elliott, Newcastle University, UK
Adapted by adaptor contextualizing punk’s place within German “Engagingly written, carefully thought through, history and showing how punk musicians and characterised by exemplary scholarship, worldwide have engaged with German history and politics." Richard Elliott’s book navigates with great Priscilla D. Layne, Assistant Professor of German, University of North elegance some complex theoretical waters. Carolina at Chapel Hill, USA Through a selection of rich case studies, Elliott offers a powerful Beyond No Future examines German punk’s representational contribution to a growing body of work on ageing, nostalgia, and strategies, anti-historical consciousness, and refusal of programmatic memory, particularly in relation to music.” - Freya Jarman, Senior intervention into contemporary political debates. Focusing on punk Lecturer, Department of Music, University of Liverpool, UK politics and aesthetics in order to ask questions about German The Late Voice seeks to connect age, experience and lateness nationhood(s) in a period of rapid transition, these essays offers a with particular performers and performance traditions via the unique view of the decade bookended by the “German Autumn” and identification and analysis of a late voice in singers and songwriters of German unification. mid-late 20th-century popular music.
UK March 2018 • US March 2018 • 224 pages • 10 bw illus UK May 2017 • US May 2017 • 296 pages PB 9781501314124 • £24.99 / $39.95 PB 9781501332142 • £24.99 / $39.95 Previously published in HB 9781501314087 Previously published in HB 9781628921182 Individual eBook 9781501314100 • £86.99 / $107.99 Individual eBook 9781628920642 • £27.99 / $34.99 Library eBook 9781501314117 Library eBook 9781628920833 Bloomsbury Academic Bloomsbury Academic
The Clash Takes on the World Dylan's Autobiography of a Transnational Perspectives on The Only Vocation Band that Matters A Reading of the Lyrics 1965-1967 Edited by Samuel Cohen, University of Missouri, Louis A. Renza, Dartmouth College, USA USA & James Peacock, Keele University, UK Adapted by adaptor Adapted by adaptor Many critics have interpreted Bob Dylan’s lyrics On their debut, The Clash famously claimed to in the context of American folk, blues, and rock be “bored with the USA,” but The Clash wasn’t a 'n’ roll, social, political and cultural relevance, parochial record. Mick Jones’ licks on songs such as or their status for discussion as “poems.” Dylan's “Hate and War” were heavily influenced by classic American rock and Autobiography of a Vocationinstead focuses on how Dylan’s songs roll, and the cover of Junior Murvin’s reggae hit “Police and Thieves” manifest traces of his ongoing, internal “autobiography” in which he showed that the band’s musical influences were already wide- continually declares and questions his relation to a self-determined ranging. The Clash Takes on the World explores the transnational existential summons. Louis Renza explores all of Bob Dylan’s lyrics aspects of The Clash’s music, lyrics and politics, and it does so from a composed during what many critics consider Dylan's most creative truly transnational perspective. period, between 1965 and 1969, and places them in the context of Dylan's own life. UK June 2017 • US June 2017 • 288 pages HB 9781501317330 • £96.00 / $120.00 Individual eBook 9781501317354 • £86.99 / $107.99 UK October 2017 • US October 2017 • 208 pages Library eBook 9781501317347 HB 9781501328527 • £96.00 / $120.00 Bloomsbury Academic Individual eBook 9781501328541 • £86.99 / $107.99 Bloomsbury Academic
4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] POPULAR MUSIC / MUSIC, MEDIA & TECHNOLOGY
Mad Dogs and Englishness Music and the Road Popular Music and English Identities Essays on the Interplay of Music and the Edited by Lee Brooks, Mark Donnelly & Richard Popular Culture of the American Road Mills, St Mary's University, Twickenham, UK Adapted by adaptor Gordon E. Slethaug, University of Waterloo, Mad Dogs and Englishness connects English popular Canada
Adapted by adaptor music with questions about English national In a collection of 13 essays, Music and the Road identities, featuring essays that range across folk explores the origins of road music in the blues, music, Bowie and Burial, to PJ Harvey, Bishi and country-western, and rock ’n’ roll; the themes of Tricky. This book’s expert contributors use trans-national and trans- adventure, freedom, mobility, camaraderie, and love, and much more disciplinary perspectives to provide historical and contemporary in this music; the mystique and reality of touring as an important part commentaries about pop’s complex relationships with Englishness. of getting away from home, creating community among performers, Each chapter is based on original research, and the essays comprise and building audiences across the country from the 1930s to the the best single volume available on pop and the English imaginary. present; and the contribution of music to popular road films such as Bonnie and Clyde, Easy Rider, Thelma and Louise, and On the Road. UK October 2017 • US October 2017 • 224 pages HB 9781501311253 • £96.00 / $120.00 Individual eBook 9781501311277 • £86.99 / $107.99 UK November 2017 • US November 2017 • 288 pages Library eBook 9781501311260 HB 9781501335266 • £96.00 / $120.00 Bloomsbury Academic Individual eBook 9781501335273 • £86.99 / $107.99 Library eBook 9781501335280 Bloomsbury Academic
Over and Over Music/Video Exploring Repetition in Popular Music Histories, Aesthetics, Media Edited by Olivier Julien, Universite Paris- Sorbonne, France & Christophe Levaux, Edited by Gina Arnold, Evergreen State College, Université de Liège, Belgium USA, Daniel Cookney, University of Salford, UK, Adapted by adaptor Kirsty Fairclough, University of Salford, UK & The first edited volume on repetition in 20th- and 21st-century popular music, Over and Over explores Michael N. Goddard, University of Westminster, UK the wide-ranging forms and use of repetition — Adapted by adaptor from large repetitive structures to micro repetitions, and even This collection presents a comprehensive account of to drones — in relation to both specific and large-scale issues and the music video from a contemporary 21st-century perspective. This contexts. After decades of riffs, loops, vamps, reiterated rhythmic entails revisiting key moments in the canonical history of the music patterns, pervasive harmonic formulae and recurring structural units video, exploring its articulations of sexuality and gender, examining in standardised song forms, Over and Over gives these notions the its functioning as a form of artistic expression between music, film recognition they deserve in the study of popular music. and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have UK March 2018 • US March 2018 • 192 pages come to re-invent the forms and functions of the music video, well HB 9781501324888 • £88.00 / $110.00 beyond the limits of “music television”. Individual eBook 9781501324901 • £79.99 / $98.99 Library eBook 9781501324895 Bloomsbury Academic UK August 2017 • US August 2017 • 328 pages • 22 bw illus PB 9781501313912 • £23.99 / $29.95 • HB 9781501313905 • £88.00 / $120.00 Individual eBook 9781501313936 • £20.99 / $25.99 Library eBook 9781501313929 Bloomsbury Academic
This is Not a Remix
Piracy, Authenticity and Popular Music Margie Borschke, Macquarie University, Australia Critical Approaches to the
Adapted by adaptor Widespread distribution of recorded music via Production of Music and Sound digital networks affects more than just business Samantha Bennett, The Australian National models and marketing strategies; it also alters University, Australia & Eliot Bates, University of the way we understand recordings, scenes and Birmingham, UK histories of popular music culture. This Is Not a Adapted by adaptor Remix uncovers the analog roots of digital practices and brings the Who produces sound and music? And in what long history of copies and piracy into contact with contemporary spaces, localities and contexts? As the production controversies about the reproduction, use and circulation of of sound and music in the 21st century converges recordings on the internet. with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical UK August 2017 • US August 2017 • 192 pages Approaches to the Production of Music and Sound features 16 brand PB 9781501318924 • £19.99 / $24.95 • HB 9781501318917 • £64.00 / $80.00 new articles by leading thinkers from the fields of music, audio Individual eBook 9781501318948 • £17.99 / $21.99 Library eBook 9781501318931 engineering, anthropology and media. Innovative and timely revisits Bloomsbury Academic established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.
UK December 2017 • US December 2017 • 256 pages • 10 bw illus HB 9781501332050 • £96.00 / $120.00 Individual eBook 9781501332067 • £86.99 / $107.99 Library eBook 9781501332081 Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 5 The Study of Sound Audio Culture, Revised Edition Series editor: Michael Bull, University of Sussex, UK Readings in Modern Music Each book in The Study of Sound series offers a concise look at a Edited by Christoph Cox, Hampshire College, single concept within the field of sound studies, with an emphasis on USA & Daniel Warner, Hampshire College, USA the interdisciplinary nature of the topics at hand.
Adapted by adaptor The groundbreaking Audio Culture: Readings in Modern Music maps the aural and discursive terrain of vanguard music today. Rather than offering Sirens a history of contemporary music, Audio Culture Michael Bull, University of Sussex, UK traces the genealogy of current musical practices and theoretical Adapted by adaptor concerns, drawing lines of connection between recent musical Ideologies of the sirens embody both the protective production and earlier moments of sonic experimentation. In this new and the dangerous elements of siren sounds—from and expanded edition, Audio Culture explores the interconnections the Cold War public training exercises in the US among such forms as minimalism, indeterminacy, musique concrète, to the seductive power of the sirens entrenched free improvisation, experimental music, avant-rock, dub reggae, in popular culture; from the music of Roxy Music ambient music, hip hop, and techno via writings by philosophers, to Tom O’Dell and in filmic representations of cultural theorists, and composers. the ‘femme-fatale’ in film noir and beyond. This first volume in The Study of Sound series argues that we should
UK September 2017 • US July 2017 • 664 pages understand ‘siren sounds’ both as myth and as materiality embodying PB 9781501318368 • £31.99 / $39.95 • HB 9781501318351 • £102.00 / $130.00 both danger and protectiveness. Sirens then poses the question as to Individual eBook 9781501318382 • £27.99 / $34.99 whether we can rely on the sirens in contemporary culture. Library eBook 9781501318375 SOUND STUDIES & SOUND ART SOUND STUDIES & Bloomsbury Academic UK July 2018 • US July 2018 • 176 pages PB 9781501304996 • £19.99 / $24.95 • HB 9781501305009 • £60.00 / $75.00 Individual eBook 9781501305023 • £17.99 / $21.99 Library eBook 9781501305016 Series: The Study of Sound • Bloomsbury Academic
The Sound of Nonsense Richard Elliott, Newcastle University, UK
Adapted by adaptor The Sound of Nonsense highlights the importance of sound in understanding the ‘nonsense’ of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasizing sonic factors, Richard Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.
UK December 2017 • US December 2017 • 160 pages PB 9781501324543 • £19.99 / $24.95 • HB 9781501324550 • £50.00 / $75.00 Individual eBook 9781501324567 • £17.99 / $21.99 Library eBook 9781501324574 Series: The Study of Sound • Bloomsbury Academic
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6 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] SOUND STUDIES & ART
Gallery Sound The Sonic Persona Caleb Kelly, University of New South Wales, An Anthropology of Sound Australia Adapted by adaptor Holger Schulze, Humbolt University, Germany Increasingly, sound is deliberately placed into art Adapted by adaptor The Sonic Persona undertakes a critical study exhibitions—from video art to floor talks, from of some of the most influential studies in sound performance to cash registers, sound fills the since the 19th century in the natural sciences, exhibition environment. Yet sound is a phenomenon engineering and architectural theory. From that inevitably confounds boundaries, forever this critique of recent sound theories and their bleeding through walls and encroaching into other anthropological concepts, Holger Schulze develops an alternate spaces. To date there has been minimal scholarship regarding sound and more plastic and visceral framework for research in the field within the bounds of the purportedly visual art gallery, and Gallery of a cultural anthropology of sounding and listening. With Schulze's Sound aims to address this gap in knowledge. This book will listen to anthropology of sound, the individual sonic persona is to be heard the deliberate inclusion of sound as well as the incidental sounds that in dynamic and generative tension between predetermined auditory have been mined for creative outputs in visual art. dispositives, miniaturized sound practices and its idiosyncratic sensory body: a critique of the senses. UK August 2017 • US August 2017 • 176 pages • 11 bw illus PB 9781501304361 • £22.99 / $27.95 • HB 9781501304378 • £72.00 / $90.00 Individual eBook 9781501304392 • £19.99 / $24.99 UK February 2018 • US February 2018 • 320 pages Library eBook 9781501304385 PB 9781501305450 • £27.99 / $34.95 • HB 9781501305467 • £96.00 / $120.00 Series: EX:CENTRICS • Bloomsbury Academic Library eBook 9781501305481 Bloomsbury Academic
The Process That Is the World Immanence and Immersion Cage/Deleuze/Events/Performances On the Acoustic Condition in Contemporary Art Joe Panzner, Ohio State University, USA Adapted by adaptor Will Schrimshaw, Edge Hill University, UK “This book is a dazzling achievement; Joe Adapted by adaptor Panzner shows how Cage’s ideas are in dialogue Immanence and Immersion takes a critical with continental philosophy and, in so doing, approach to the figures of immersion and interiority offers important new perspectives on his work, describing an acoustic condition in contemporary its performance, and its overall significance.” - art. The variously phenomenological, correlational Rob Haskins, Professor, University of New Hampshire, USA and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger The vision of John Cage that emerges in this study is not just of distinction between the often confused concepts of immersion and the maverick composer or “inventor of genius,” but of a thinker the immanence might serve as a means of breaking with the figure responding to important insights about the world-as-process as it of immersion and the circle of interiority towards attaining greater extends through the philosophical, artistic, and ethical registers: the conceptual potency and epistemological efficacy within the sonic world as potential for variance and permanent revolution. arts.
UK June 2017 • US June 2017 • 240 pages UK October 2017 • US October 2017 • 208 pages PB 9781501334283 • £28.99 / $39.95 HB 9781501315855 • £96.00 / $120.00 Previously published in HB 9781628925715 Individual eBook 9781501315879 • £86.99 / $107.99 Individual eBook 9781628925739 • £27.99 / $34.99 Library eBook 9781501315862 Library eBook 9781628925722 Bloomsbury Academic Bloomsbury Academic
Low End Theory Bass, Bodies and the Materiality of Sonic Experience Paul C. Jasen, Carleton University, Canada
Adapted by adaptor “We live in a world of vibrations. Sound envelops us, moves us, caresses or assaults us—especially in the lower frequencies that we cannot hear BLOOMSBURY COLLECTIONS directly. In Low End Theory, Paul Jasen provides us with an ontology of bass. He works through the many ways— natural, social, and technological—that subsonic frequencies haunt Get access to over 6,000 ebooks! us, affect us, and change us.” Steven Shaviro, DeRoy Professor of English, Wayne State University, USA Low End Theory asks what it is about bass that has always fascinated Look for this flash us. How does bass undulate and unsettle, incite, and draw bodily to discover more about available titles thought into new equations with itself and its surroundings?
UK August 2017 • US August 2017 • 296 pages PB 9781501335914 • £28.99 / $39.95 Previously published in HB 9781501309939 www.bloomsburycollections.com Individual eBook 9781501309953 • £86.99 / $107.99 Library eBook 9781501309946 Bloomsbury Academic
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