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Music Quiz Questions
Music Quiz Questions Check the box for all answers or click on each question for its answer. New! is an addition in the last month. 157. Though denied by its author as the source of his inspiration, what musical work has strong resemblance to the story of a mythical village called Germelshausen that fell under a curse and appears for only one day every century? Brigadoon by Alan Jay Lerner and music by Frederick Loewe The story involves two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every hundred years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. Lerner, however, denied that he had based the book on an older story and stated that he didn't learn of the existence of the Germelshausen story until after he had completed the first draft of Brigadoon. 156. In December 1971, Frank Zappa and The Mothers of Invention were playing in a concert when the casino venue they were in caught fire due to an over-zealous member of the audience firing a a flare gun into the rattan covered ceiling. This is the true origin story of what rock classic? "Smoke on the Water" by Deep Purple The resulting fire destroyed the entire casino complex, along with all the Mothers' equipment. The "smoke on the water" that became the title of the song (credited to bass guitarist Roger Glover, who related how the title occurred to him when he suddenly woke from a dream a few days later) referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Only Ones Free Encyclopedia
FREE THE ONLY ONES PDF Carola Dibbell | 344 pages | 10 Mar 2015 | Two Dollar Radio | 9781937512279 | English | Canada The Only Ones - Wikipedia More Images. Please enable Javascript to take full advantage of our site features. Edit Artist. The Only Ones were an influential British rock and roll band in The Only Ones late s who were associated with punk rock, yet straddled the musical territory in between punk, power pop and hard rock, with noticeable influences from psychedelia. They are best known for the song " Another Girl, Another Planet ". Viewing All The Only Ones. Data Quality Correct. Show 25 50 Refresh. Reviews Add Review. Artists I The Only Ones seen live by lancashirearab. Artists in My LP Collection by sillypenta. Master Release - [Help] Release Notes: optional. Submission Notes: optional. Save Cancel. Contained Releases:. The Only Ones Album 20 versions. Sell This Version. Even Serpents Shine Album 15 versions. Baby's Got A Gun Album 24 versions. Remains Comp, EP 6 versions. Closer Records. Live Album 8 versions. Mau Mau Records. The Peel Sessions Album Album 8 versions. Strange Fruit. The Big Sleep Album 5 versions. Jungle Records. Windsong International. Live In Chicago Album 2 versions. Alona's Dream RecordsRegressive Films. Lovers Of Today 2 versions. Vengeance Records 2. Another Girl, Another Planet Single 5 versions. You've Got To Pay Single 3 versions. Fools Single 5 versions. Trouble In The World The Only Ones 8 versions. Special View Comp, Album 11 versions. Alone In The Night Comp 2 versions. The The Only Ones Story Comp 5 versions. ColumbiaColumbia. Hux Records. -
Aesthetics, Taste, and the Mind-Body Problem in American Independent Comics
PAPER TOWER: AESTHETICS, TASTE, AND THE MIND-BODY PROBLEM IN AMERICAN INDEPENDENT COMICS William Timothy Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Jeremy Wallach, Advisor Esther Clinton © 2014 William Timothy Jones All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Comics studies, as a relatively new field, is still building a canon. However, its criteria for canon-building has been modeled largely after modernist ideas about formal complexity and criteria for disinterested, detached, “objective” aesthetic judgment derived from one of the major philosophical debates in Western thought: the mind-body problem. This thesis analyzes two American independent comics in order to dissect the aspects of a comic work that allow it to be categorized as “art” in the canonical sense. Chris Ware’s Building Stories is a sprawling, Byzantine comic that exhibits characteristically modernist ideas about the subordination of the body to the mind and art’s relationship to mass culture. Rob Schrab’s Scud: The Disposable Assassin provides a counterpoint to Building Stories in its action-heavy stylistic approach, developing ideas about the merging of the mind and the body and the artistic and the commercial. Ultimately, this thesis advocates for a re -evaluation of comics criticism that values the subjective, emotional, and the popular as much as the “objective” areas of formal complexity and logic. iv ACKNOWLEDGMENTS To Anna O’Brien, for the original germ of this idea and hours of enlightening conversation and companionship. To Jeremy Wallach and Esther Clinton, whose emphatic response to the paper that eventually became this thesis was instrumental to my belief in the quality of my work. -
Talking Book Topics July-August 2015
Talking Book Topics July–August 2015 Volume 81, Number 4 About Talking Book Topics Talking Book Topics is published bimonthly in audio, large-print, and online formats and distributed at no cost to individuals who are blind or have a physical disability and participate in the Library of Congress reading program. It lists digital audiobooks and magazines available through a network of cooperating libraries and covers news of developments and activities in network library services. The annotated list in this issue is limited to titles recently added to the national collection, which contains thousands of fiction and nonfiction titles, including bestsellers, classics, biographies, romance novels, mysteries, and how-to guides. Some books in Spanish are also available. To explore the wide range of books in the national collection, access the NLS International Union Catalog online at loc.gov/nls or contact your local cooperating library. Talking Book Topics is available online in HTML at www.loc.gov/nls/tbt and in downloadable audio files on the NLS Braille and Audio Reading Download (BARD) service at http://nlsbard.loc.gov/. Library of Congress, Washington 2015 Catalog Card Number 60-46157 ISSN 0039-9183 Where to write Order talking books through your local cooperating library. If you wish to make changes in your current subscription, please also contact your local cooperating library. Patrons who are American citizens living abroad may request delivery to foreign addresses by contacting the overseas librarian by phone at (202) 707-5100 or e-mail at [email protected]. Only send correspondence about editorial matters to: Publications and Media Page 1 of 146 Section, National Library Service for the Blind and Physically Handicapped, Library of Congress, Washington DC, 20542-0002. -
Subculture Magazine - Alternative Music and Culture Magazine
Subculture Magazine - alternative music and culture magazine. The ultimate ...c, darkwave, synthpop, alternative and post punk music. always on the edge. User Password Sign Up | Forgot Password Thursday, Dec 08 , 2005 Devo - Live 1980 (DVD) Posted :Thu, Dec 8th, 2005 00:20:24 Devo Devo - Live 1980 (DVD) Target Video Review By : Vivien Weimar With 80s nostalgia being de rigueur these days, the time is ripe for a DEVO reunion. The reclusive new wave band usually doesn't tour much as original founder Mark Mothersbaugh has since moved on to creating commercials and soundtracks at his Los Angeles production company Mutato Muzika (that fantastically weird space-ship-looking building on Sunset Boulevard) along with the other Devo members save Jerry Casale who has been directing videos for such bands as the Foo Fighters and Soundgarden. However, this summer Devo got together and played limited dates all across the country--and this fall they released Live 1980, a full-length concert video shot at the Phoenix Theatre in Petaluma, CA on August 17, 1980. Complete with white uniforms, blue background screen and "energy domes" (don't you dare call them flower-pot hats), Devo play the hits off of their albums, Q: Are We Not Men? A: We are Devo!, Duty Now For the Future and Freedom of Choice. Twenty-one songs are featured in this 75-minute disc including the classic MTV staple "Whip It", the oft-covered "Girl U Want", and their own covers of Johnny River's classic "Secret Agent Man" and the Rolling Stones "(I Can't Get No) Satisfaction". -
Andrew W.K. Talks New DVD, LP, and Talks, and Talks
Andrew W.K. Talks New DVD, LP, and Talks, and Talks Amy Phillips reports: What does Andrew W.K. enjoy more than partying hard? TALKING HARD. When Pitchfork got the jolly headbanger on the phone recently, all I intended to discuss was his new DVD, Who Knows?: Live in Concert 2000-2004, due in stores today, February 7, and the state of his upcoming album. But Andrew had a lot more on his mind. It started with a few simple questions about his forthcoming third LP. "We'll have it complete by the end of March, and we're going to release the album first in Japan, and the rest of the world after that," W.K. said. "I'm taking about 20 songs in, and we'll see what comes out. I would hope that all 20 songs are going to be heard at some point or another." Right now, two of those 20 songs, "Kicks and Bricks" and "You Will Remember Tonight", can be heard on the Andrew W.K. website. The former cut sounds a bit hip- hop-influenced to me, so I asked Andrew about it. "I think that it depends on what kind of context you approach certain types of rhythms with in mind," he said. "I was really looking to syncopate more with that song and allow the beat to have more holes in it. In rap, in funk, in soul, the performers and the songwriters will leave room for movement, and I was trying to leave more room in that song to move around to the beat." OK, fair enough. -
Andrew W.K. Announces Special 10Th Anniversary Edition Reissue of I Get Wet for August 2012 Release
Menu Andrew W.K. Announces Special 10th Anniversary Edition Reissue of I Get Wet For August 2012 Release MOSES SUMNEY (HTTPS://MUSIC.MXDWN.COM/AUTHOR/MOSES-SUMNEY/) AUGUST 2ND, 2012 - 5:12 PM The packaging for Andew W.K.’s upcoming I Get Wet deluxe edition has been revealed. I Get Wet was debuted at #1 on the Billboard Top Heatseekers Chart. The album instantly became noticeable for its cover – a photo of Andrew W.K. with blood running down from his nose onto his neck. Now, a little over 10 years later, the album is to be re-released in a special 10th anniversary deluxe edition. The original bloody-nose cover art has been updated to a photo-realistic oil painting by artist Gonzalo Garcia. Earlier this year, Andrew W.K. commemorated the album pre-release with an “I Get Wet – Ten Year Anniversary Tour,” playing the album in its entirety to international audiences. Peep the track listing below. I GET WET DELUXE RE-ISSUE EDITION TRACK LISTING: DISC 1 (“I Get Wet” – The Original Album): 1. It’s Time To Party 2. Party Hard 3. Girls Own Love 4. Ready To Die 5. Take It Off 6. I Love NYC 7. She Is Beautiful 8. Party Til You Puke 9. Fun Night 10. Got To Do It 11. I Get Wet 12. Don’t Stop Living In The Red DISC 2 (The Bonus Tracks): 1. It’s Time To Party (Live) 2. It’s Time To Party (1999 Version) 3. Party Hard (Live) 4. Party Hard (1999 Version) 5. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Reusdigital.Cat Us Porta Cultura
Cap de Setmana | Reusdigital.cat | Actualitzat el 20/08/2021 a les 08:00 Reusdigital.cat us porta cultura Kalifat és la recomanació d'Adrià de las Heras per al cap de setmana | Netflix Com cada cap de setmana, els periodistes de Reusdigital.cat hem seleccionat per a tots vosaltres, amics i lectors, un tast de la cultura que aquests dies ens fa gaudir a redacció. Parlem, com és habitual, de llibres, de discos i de pel·lícules. Esperem que siguin del vostre gust i que, si us complauen, les feu córrer. Alba Cartanyà recomana "El secret del meu turbant" Davant la greu situació que està vivint l'Afganistan amb el retorn dels talibans, m'ha vingut al cap un llibre que vaig llegir ja fa un temps. Es tracta d'El secret del meu turbant, de l'escriptora Nadia Ghulam (Kabul, 1985), que explica la història real (i dura) de l'autora. Amb tan sols vuit anys, va quedar malferida per l'impacte d'una bomba i en sortir de l'hospital, dos anys més tard, el règim talibà s'havia instaurat al seu país. Per fer front a totes les prohibicions a què estava subjecta pel fet de ser dona, Ghulam es va fer passar per un noi durant deu anys per poder portar un sou a casa. El podeu adquirir aquí (https://www.grup62.cat/llibre-el-secret-del-meu-turbant/96140) . https://www.reusdigital.cat/noticia/86789/reusdigital-us-porta-cultura Pagina 1 de 4 Marc Busquets recomana la sèrie "Homecoming" Un cop l'espectador descobreix que rere Homecoming hi ha els responsables de l'estimulant Mr. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime.