MUSIC & SOUND STUDIES 2013-14 CELEBRATING 10 YEARS 33 1/3 is a series of short books about popular music, focusing on individual albums by a variety of artists. Launched in 2003, the series will publish its 100th book in 2014 and has been widely acclaimed and loved by fans, musicians and scholars alike.

LAUNCHING SPRING 2014

new in 2013 new in 2013 new in 2014

9781623562878 $14.95 | £8.99 9781623569150 $14.95 | £8.99 9781623567149 $14.95 | £8.99

new in 2014 new in 2014 new in 2014

Bloomsbury Collections delivers instant access to quality research and provides libraries with a exible way to build ebook collections. 9781623568900 $14.95 | £8.99 9781623560652 $14.95 | £8.99 9781623562588 $14.95 | £8.99 Including ,+ titles in  subject areas across the humanities and social sciences, the platform features content from Bloomsbury’s latest research publications as well as a + year legacy including Continuum, Berg, Bristol Classical Press, T&T Clark and The Arden Shakespeare.

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BC ad A5 (music).indd 1 08/10/2013 14:19 CONTENTS eBooks Contents eBook availability is indicated under each book entry: Individual eBook: available for your e-reader. Letter from the Editor 2 Library eBook: available for institution-wide access. See the website for details of vendors. Sound Studies 3 eBook prices listed in this catalogue relate to the RRP, General Music 6 including UK VAT on the sterling price. Prices vary Popular Music 9 according to local tax, and are subject to change by individual vendors beyond the publisher’s control. 33 1/3 15 Index 27 Review Copies For copies of books for review in journals, please email Representatives, Agents & Distributors 29 [email protected] in North and South America and [email protected] in the UK and rest of world. Bloomsbury Head O ces and Standing Orders Distributors Many of our series are available on a standing order basis. For further information contact our trade ordering departments (as listed above). UK, Europe and Rest of World Bloomsbury Publishing Translation Rights 50 Bedford Square, London, WC1B 3DP, UK Translation rights for all titles are available unless Tel: +44 (0)207 631 5600 otherwise indicated. Fax: +44 (0)207 631 5800 [email protected] Pricing and Availability Whilst we endeavour to ensure that prices, publication UK Trade Orders dates and other details in this catalogue are correct Macmillan Distribution (MDL) on going to press, they are subject to change without Brunel Road, Houndmills, Basingstoke, RG21 6XT further notice. Tel: +44 1256 302692 Fax: +44 1256 812521 | 812558 Proposals [email protected] If you have a book proposal, please contact one of the editors listed on page 2 or submit your proposal using US, Canada, Central and South America forms available at www.bloomsbury.com/academic/ forauthors/submit-a-book-proposal/ Bloomsbury Academic 1385 Broadway, 5th Floor Inspection | Exam Copies New York, NY 10018, USA Books with this symbol are available textbook Tel: +1 212-419-5358 on inspection/as exam copies and are [email protected] particularly suitable for course use. If you would like to request any other paperback books on inspection please US Trade Orders contact us at [email protected] (North Bloomsbury USA and South America) or inspectioncopies@bloomsbury. (UK and Rest of World). MPS/BUSA Orders com 16365 James Madison Highway www textbook In addition to the above, books with Gordonsville, VA 22942, USA this symbol also have a companion Tel: +1 888-330-8477 website or online resources. Fax: +1 800-672-2054 Please see the website for our full inspection/exam/ [email protected] desk copy policy. [email protected]

www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 1 Welcome to Bloomsbury Music & Sound Studies

Welcome to the new Music & Sound Studies catalogue. As you will have noticed, for the fi rst time this catalogue is coming out under the Bloomsbury name instead of the separate Continuum and Bloomsbury Academic imprints. We wanted to give you some background to this rebranding: in 2008, Bloomsbury decided to invest in building a new academic division. Growth since that decision was taken has been very rapid; we now publish around 1,100 titles each year, with a particularly big presence in the Humanities and Social Sciences, and our backlist comprises some 20,000 titles. The purchase of Continuum in 2011 was a key part of this growth.

We believe we are stronger as a group, which is why we have taken the strategic decision to adopt the Bloomsbury name for all academic titles that we publish. The values of Continuum, Berg and our other imprints, which you have appreciated over the years, are already integral to the larger entity that is

LETTER FROM THE EDITOR THE FROM LETTER Bloomsbury. Much has changed over the past 2 years, but we remain as committed to our authors and to publishing the same high quality textbooks, course books, and research.

In this catalogue, we are excited to announce some very important new titles. We’ve re-launched the 33 1/3 series under the Bloomsbury name and will be releasing 20 new volumes on new albums over the next two years. First up, in October 2013, is a brilliant book by Darran Anderson on Serge Gainsbourg’s Histoire de Melody Nelson shortly followed by Phillip Crandall’s diligently-researched take on Andrew W.K.’s cult classic, I Get Wet.

Finally, we are delighted to promote our global Bloomsbury website: www.bloomsbury.com. This site brings together everything under the Bloomsbury Group, including Continuum, Berg, Methuen Drama, Arden Shakespeare, T&T Clark, Bristol Classical Press, and A&C Black titles. The site features enhanced academic functionality such as online previews, digital inspection copies, textbook companion sites and online resources. Go to www.bloomsbury.com/academic for more information.

I hope you enjoy reading our latest catalogue.

Ally Jane Grossan Commissioning Editor, Popular Music & Sound Studies [email protected]

@333books

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2 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] SOUND STUDIES Boring Formless Nonsense Experimental Music and the Aesthetics of Failure eldritch Priest Reshaping debates on failure as an aesthetic category, Priest shows failure to be a highly dubious concept. The book frames recent experimental composition as a deviant kind of sound art whose a ective and formal elements refl ect on current issues in contemporary culture, and o ers analyses of musical works and performance practices that are rarely heard, let alone considered as signifi cant cultural phenomena - showing the role that obscurity and the esoteric have in articulating current cultural realities. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music. ELDRITCH PRIEST is a composer, writer and co-artistic director of the experimental music collective Neither/Nor. Priest’s essays on musical aesthetics and avant-garde poetics have appeared in various academic journals including Postmodern Culture, Radical Musicology and Mosaic.

UK March 2013 | US January 2013 PB 9781441122131 | £17.99 | $29.95 HB 9781441124753 | £55.00 | $100.00 Individual eBook 9781441146168 | £14.99 | $25.99 Library eBook 9781441124081 | £58.00 | $89.00

Lexicon of the Mouth Poetics and Politics of Voice and the Oral Imaginary Brandon LaBelle Expands understandings of voice and the poetics of gibberish showing how speech is fundamentally shaped by the complex dynamics of the mouth. While the eyes may lead to the soul, the mouth exposes the vitality of the body. Examining the movements of the mouth, or what LaBelle terms “micro-oralities,” this book considers the relation of voice and mouth, suggesting that the importance of voicing is inextricably bound to the exertions of the oral. BRANDON LABELLE is Professor at the National Academy of the Arts in Bergen, Norway. He is also the editor of Errant Bodies Press and organizer of the related Surface Tension project.

UK July 2014 | US June 2014 PB 9781623561888 | £19.99 | $29.95 HB 9781623560263 | £50.00 | $100.00 Individual eBook 9781623567736 | £14.99 | $25.99 Library eBook 9781623561628 | £58.00 | $89.00

A lso available: Acoustic Territories bestseller Background Noise bestseller Sound Culture and Perspectives on Sound Art Everyday Life Brandon LaBelle Brandon LaBelle Follows the development of sound Combining research on urbanism, as an artistic medium and illustrates popular culture and auditory issues, how it is used within composition, Acoustic Territories opens up multiple architectural theory, performance perspectives—it challenges debates studies, and media theory. surrounding noise pollution and Contributors include Vito Acconci, charts an “acoustic politics of space” Maryanne Amacher, Michael Asher, by unfolding auditory experience John Cage, Bill Fontana, Christof as located within larger cultural histories and related Migone, Max Neuhaus, Yasunao Tone, Achim Wollscheid, ideologies. and Iannis Xenakis.

UK June 2010 | US April 2010 UK June 2006 | US April 2006 PB 9781441161369 | £16.99 | $27.95 PB 9780826418456 | £19.99 | $32.95 HB 9781441157249 | £50.00 | $90.00 HB 9780826418449 | £70.00 | $90.00 Individual eBook 9781441156365 | £14.99 | $24.99 Library eBook 9781441177254 | £56.00 | $85.00 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 3 Sound, Music, A ect Theorizing Sonic Experience Edited by Marie Thompson and Ian Biddle “This collection of erudite, provocative essays is likely to become a classic.” —Suzanne G. Cusick, New York University, USA The fi rst section sets out key methodological and theoretical concerns, focussing on the relationships between a ective models and sound. The second section deals with particular musical case studies, exploring how reference to a ect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice

SOUND STUDIES of sonic disruption: from the notion of noise as ‘prophecy’, to the appropriation of ‘bad vibes’ for pleasurable aesthetic and a ective experiences. And the fi nal section engages with some of the ways in which a ect can help us understand the politics of chill, relaxation and intimacy as sonic encounters. The result is a rich and multifaceted consideration of sound, music and the a ective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology. MARIE THOMPSON is a PhD candidate at Newcastle University, UK. IAN BIDDLE is Senior Lecturer and Head of Postgraduate Studies in Music at Newcastle University, UK.

UK April 2013 | US February 2013 PB 9781441114679 | £17.99 | $29.95 HB 9781441126344 | £55.00 | $100.00 Individual eBook 9781441192400 | £14.99 | $25.99 Library eBook 9781441101761 | £58.00 | $89.00

Sonic Possible Worlds Hearing the Continuum of Sound Salomé Voegelin Inspired by its use in literary theory, fi lm criticism and the discourse of games design, Voegelin adapts and develops possible world theory in relation to sound. David Lewis’ Possible World philosophical concept is juxtaposed with Merleau-Ponty’s life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of this book is that at present traditional musical compositions and contemporary sonic output are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the fi eld - as exists in literary studies for example - is possible. Until now. SALOMÉ VOEGELIN is Senior Lecturer in Sound Arts and Design at the London College of Communication, UK.

UK August 2014 | US June 2014 PB 9781623565091 | £17.99 | $29.95 HB 9781623567040 | £55.00 | $100.00 Individual eBook 9781623568009 | £14.99 | $25.99 Library eBook 9781623566951 | £58.00 | $89.00

A lso available:

Listening to Noise bestseller Sonic Bodies and Silence Reggae Sound Systems, Performance Towards a Philosophy of Sound Art Techniques, and Ways of Knowing Salomé Voegelin Julian Henriques

UK May 2010 | US March 2010 UK November 2011 | US September 2011 PB 9781441162076 | £16.99 | $24.95 PB 9781441144294 | £17.99 | $29.95 HB 9781441126436 | £60.00 | $100.00 HB 9781441101518 | £50.00 | $90.00 Individual eBook 9781441143389 | £12.99 | $21.99 Individual eBook 9781441163462 | £14.99 | $25.99 Library eBook 9781441135322 | £75.00 | $58.00 Library eBook 9781441149343 | £58.00 | $89.00

4 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] SOUND STUDIES Noise Matters Towards an Ontology of Noise Greg Hainge Everyone knows what noise is. Or do they? Can we in fact say that one man’s noise is another teenager’s music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common defi nitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Hainge sets out to defi ne noise in this way, to fi nd within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre’s novel Nausea and David Lynch’s iconic fi lms Eraserhead and Inland Empire, Hainge investigates some of the 20th-century’s most infamous noisemongers to suggest that they’re not that noisy after all; and it fi nds true noise in some surprising places. GREG HAINGE is Reader in French and Head of the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

UK April 2013 | US February 2013 PB 9781441111487 | £17.99 | $29.95 HB 9781441160461 | £55.00 | $100.00 Individual eBook 9781441188670 | £14.99 | $25.99 Library eBook 9781441152862 | £58.00 | $89.00

Resonances Noise and Contemporary Music Edited by Michael Goddard, Benjamin Halligan and Nicola Spelman “A massive achievement…which succeeds as both music scholarship and cultural contextualization, particularly in relation to artists in other media (Ballard, Artaud) and key scholars (Attali, Adorno, Benjamin).” —Allan F Moore, Professor of Popular Music, University of Surrey, UK, author of Rock: the Primary Text and Song Means Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative: one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music. MICHAEL GODDARD is Lecturer in Media Studies at the University of Salford, UK. BEN HALLIGAN runs the Graduate Programme for the School of Media, Music and Performance at the University of Salford, UK. NICOLA SPELMAN is Senior Lecturer in Popular Music at the University of Salford, UK.

UK September 2013 | US July 2013 PB 9781441159373 | £17.99 | $29.95 HB 9781441110541 | £55.00 | $100.00 Individual eBook 9781441146137 | £14.99 | $25.99 Library eBook 9781441118370 | £58.00 | $89.00

A lso available: Reverberations Word Events The Philosophy, Aesthetics and Perspectives on Verbal Notation Politics of Noise John Lely and James Saunders Edited by Michael Goddard, UK July 2012 | US May 2012 Benjamin Halligan and Paul Hegarty PB 9781441173102 | £22.99 | $39.95

UK August 2012 | US May 2012 PB 9781441160652 | £16.99 | $27.95 HB 9781441196057 | £50.00 | $90.00 Individual eBook 9781441130174 | £14.99 | $24.99 Library eBook 9781441127662 | £58.00 | $85.00 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 5 The nine Encyclopedia of Popular Music of the World volumes contain entries on the genres of music that have been or currently are popular in countries and communities all over the world. Included are discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; infl uence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and infl uential performers; and relationships to other genres and sub-genres. GENERAL MUSIC GENERAL Bloomsbury Encyclopedia of Popular Music of the World, Volume 9 Genres: Caribbean and Latin America Edited by John Shepherd and David Horn This volume, on the music of the Caribbean and Latin America, features over 300 entries and in-depth essays on genres ranging from Afro-Cuban Jazz to Alcatraz, from Carnaval to Charanga, and from Dancehall to Dub. All entries conclude with a bibliography, discographical references and discography, with additional information on sheet music listings and visual recordings. Written and edited by a team of distinguished popular music scholars and professionals, this is an exceptional resource for anybody studying or researching the history and development of popular music. JOHN SHEPHERD is Chancellor’s Professor of music and sociology, and Dean, Faculty of Graduate Studies and Research at Carleton University, Canada. DAVID HORN was a founding editor of the journal Popular Music, and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool, UK from 1988 until his retirement in 2002.

UK January 2014 | US March 2014 HB 9781441141972 | £150.00 | $250.00 Library eBook 9781441132253 | £450.00 | $723.00

Forthcoming: Vol. 10. Africa & Middle East Vol. 12. International Edited by Heidi Feldman, Rich Jankowsky and John Shepherd Edited by David Horn and John Shepherd Vol. 11. Europe Vol. 13. Asia & General index Edited by Paolo Prato and David Horn Edited by Roy Shuker, John Shepherd and David Horn

The Power of Music new in PB Pioneering Discoveries in the New Science of Song Elena Mannes The award-winning creator of the acclaimed documentary The Music Instinct: Science & Song, explores the power of music and its connection to the body, the brain, and the world of nature. One remarkable recent study, analyzing the cries of newborns, shows that infants’ cries contain common musical intervals. Physics experiments show that sound waves can physically change the structure of a material; musician and world-famous conductor Daniel Barenboim believes musical sound vibrations physically penetrate our bodies, shifting molecules as they do. The Power of Music follows visionary researchers and accomplished musicians to the crossroads of science and culture, to discover: how much of our musicality is learned and how much is innate? Can examining the biological foundations of music help scientists unravel the intricate web of human cognition and brain function? Why is music virtually universal across cultures and time--does it provide some evolutionary advantage? Can music make people healthier? ELENA MANNES has won six Emmys and many other national awards for her documentaries. Her grandparents founded the Mannes College of Music in New York City; her great uncle, Walter Damrosch, conducted the Metropolitan Opera and was the instigator for the building of Carnegie Hall. She lives in New York City.

US February 2013 Trade PB 9780802778284 | $17.00 Individual eBook 9780802778291 | $11.99

6 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] GENERAL MUSIC The Death and Life of the Music Industry in the Digital Age Jim Rogers “A carefully documented analysis is a welcome relief from the ‘digital deliria’ often associated with discussions of the music industry. A welcome contribution to the growing literature on the political economy of the evolving media industries.” —Janet Wasko, Professor and Knight Chair for Communication Research, University of Oregon, USA This book challenges the conventional wisdom that the internet is ‘killing’ the music industry. While technological innovations (primarily in the form of peer-to-peer fi le-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful e ects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. JIM ROGERS is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University, Ireland.

UK July 2013 | US May 2013 PB 9781623560010 | £19.99 | $29.95 HB 9781780931609 | £60.00 | $90.00 Individual eBook 9781780931272 | £16.99 | $26.99 Library eBook 9781780931265 | £51.00 | $82.00

MasterClass in Music Education textbook Transforming Teaching and Learning Edited by John Finney and Felicity Laurence “A valuable resource for music education research projects….This is not a prescriptive ‘how to’ book but rather an insightful approach to methodological enquiry with a strong foundation constructed from the current literature.” —Betty Anne Younker, Dean and Professor of Music Education, Western University, Canada Students embarking upon research will gain a many-faceted understanding of the possibilities for Forthcoming: using action research and other research methods to explore the interesting and challenging issues confronting music education. At the same time, they will be able to develop an understanding of how Vol. 12. International to carry out research from the real life case study accounts written by their peers. Edited by David Horn and John Shepherd JOHN FINNEY is Senior Lecturer in Music Education at the Faculty of Education, University of Cambridge, UK. FELICITY LAURENCE is Lecturer in Music Education at Newcastle University, UK, where she is Director of the MA in Music and Vol. 13. Asia & General index Education. Edited by Roy Shuker, John Shepherd and David Horn UK January 2013 | US April 2013 PB 9781441130860 | £24.99 | $38.95 HB 9781441180377 | £75.00 | $115.00 Individual eBook 9781441176240 | £24.99 | $36.99 Library eBook 9781441188601 | £75.00 | $120.00 Series: MasterClass

Also available: Reverberations of Dissent Hitchcock’s Ear Identity and Expression in Music and the Director’s Art Iran’s Illegal Music Scene David Schroeder Bronwen Robertson UK May 2012 | US March 2012 PB 9781441182166 | £19.99 | $34.95 UK June 2012 | US April 2012 HB 9781441114587 | £65.00 | $120.00 PB 9781441123251 | £18.99 | $32.95 Individual eBook 9781441110701 | £17.99 | $30.99 HB 9781441146496 | £60.00 | $110.00 Library eBook 9781441108883 | £69.00 | $106.00

www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 7 John Cage and Buddhist Ecopoetics Peter Jaeger “A lo-fi commentary on how some tenets of Buddhist thought, especially as fi ltered through D. T. Suzuki and Alan Watts, were pragmatically adapted in radical mid-20th-centry North American poetry and art.” —Charles Bernstein, University of Pennsylvania, USA John Cage was among the fi rst wave of post-war American artists and intellectuals to be infl uenced by Zen Buddhism and it was an infl uence that led him to become engaged with our current ecological crisis. This book posits the question: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage’s own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and GENERAL MUSIC GENERAL writing, this book outlines a new critical language that reconfi gures writing and silence. PETER JAEGER is Reader in the Department of English and Creative Writing at Roehampton University, UK.

UK September 2013 | US November 2013 PB 9781441117526 | £17.99 | $29.95 HB 9781441104663 | £55.00 | $100.00 Individual eBook 9781623565435 | £17.99 | $27.99 Library eBook 9781623562342 | £54.00 | $87.00 Series: New Directions in Religion and Literature

Music After Deleuze Edward Campbell “Explains key Deleuzian concepts in clear, accessible language and uses them to think about music in fundamentally new ways.” —Björn Heile, Senior Lecturer in Music, University of Glasgow, UK Explores how Deleuzian concepts of di erence, identity and repetition o er novel approaches to Western art music from Beethoven to Boulez and Bernhard Lang as well as jazz improvisation, popular and sacred music. The concepts of the ‘rhizome’, the ‘assemblage’ and the ‘refrain’ enable us to think of the specifi city of musical works as the meeting of productive forces, for example in the contemporary opera of Dusapin and the experimental music theatre of Aperghis. The concepts of smooth and striated space form the starting point for musical and political refl ections on pitch in Western and Eastern music. Deleuze’s notion of time as multiple illumines the distinctive conceptions of musical time found in Debussy, Messiaen, Boulez, Carter and Grisey. Finally, the innovative semiotic theory forged in Deleuze-Guattarian philosophy o ers valuable insights for a semiotics capable of engaging with the innovative, molecular music of Lachenmann, Aperghis and Levinas. EDWARD CAMPBELL is Lecturer in Music at the University of Aberdeen, UK.

UK November 2013 | US January 2014 PB 9781441157027 | £17.99 | $29.95 HB 9781441101815 | £55.00 | $100.00 Individual eBook 9781441137593 | £17.99 | $27.99 Library eBook 9781441173485 | £54.00 | $87.00 Series: Deleuze Encounters

A lso available:

Sinister Resonance Senses of Vibration The Mediumship of the Listener A History of the Pleasure David Toop and Pain of Sound Shelley Trower UK December 2011 | US October 2011 PB 9781441155870 | £12.99 | $19.95 UK April 2012 | US February 2012 HB 9781441149725 | £17.99 | $27.95 PB 9781441148636 | £14.99 | $24.95 Individual eBook 9781441181084 | £9.99 | $16.99 HB 9781441161970 | £45.00 | $80.00 Library eBook 9781441194930 | £38.00 | $58.00 Individual eBook 9781441128041 | £12.99 | $21.99 Library eBook 9781441118905 | £49.00 | $75.00

8 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] POPULAR MUSIC Let’s Talk About Love Why Other People Have Such Bad Taste Carl Wilson For his 2007 critically acclaimed 33 1/3 series title, Let’s Talk About Love, Wilson went on a quest to fi nd his inner Céline Dion fan and explore how we defi ne ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Dion’s critics call her mawkish and overblown while millions of fans around the world adore her “huge pipes” and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, the author examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works (or doesn’t) in the 21st century. CARL WILSON is the music critic at Slate and also writes for The Globe and Mail, Hazlitt, The New York Times Magazine and many other online and print publications. He lives in Toronto, where he is the doorman at the Trampoline Hall Lecture Series.

UK May 2014 | US March 2014 PB 9781441166777 | £10.99 | $19.95 Individual eBook 9781441183569 | £9.99 | $16.99 Library eBook 9781623563288 | £38.00 | $58.00

Table of Contents A NOTE FROM THE PUBLISHER PART II PART I Essays: What We Talk About When We Talk About Love Let’s Talk About Love: A Journey to the End of Taste Carl Wilson, “Introduction” Carl Wilson Nick Hornby, “The Artists We Deserve” 1. Let’s Talk About Hate Krist Novoselic, “With the Lights On, It’s Less Useless” 2. Let’s Talk About Pop (and Its Critics) Ann Powers, “If the Girls Were All Transported” 3. Let’s Talk in French Mary Gaitskill, “The Most Obvious Thing” 4. Let’s Talk About World Conquest Jason King, “Compared to What?” 5. Let’s Talk About Schmaltz Daphne Brooks, “Let’s Talk About Diana Ross (In 6. Let’s Sing Really Loud Memory of Trayvon Martin)” 7. Let’s Talk About Taste Drew Daniel, “Deep in the Game” 8. Let’s Talk About Who’s Got Bad Taste Sukhdev Sandhu, “Children of the Corn” 9. Let’s Talk with Some Fans James Franco, “Acting In and Out of Context” 10. Let’s Do a Punk Version of “My Heart Will Go On” Marco Roth and the Editors of n+1, “Too Much (or, Let’s Talk About Our Feelings) Sociology” 11. Let’s Talk About Let’s Talk About Love Jonathan Sterne, “Giving Up on Giving Up on Good 12. Let’s Talk About Love Taste” Owen Pallett, “When I Come Home” Sheila Heti, “Playlist: Let’s Listen to Love”

PART III Afterword Carl Wilson, “Let’s Talk Later” ACKNOWLEDGEMENTS NOTES ON CONTRIBUTORS www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 9 DJ Culture in the Mix Power, Technology, and Social Change in Electronic Dance Music Edited by Bernardo Attias, Anna Gavanas and Hillegonda C. Rietveld “Fills a long overdue void in DJ and electronic dance music literature. Interdisciplinary in focus and approach, the essays within raise thoughtful questions and o er a range of critical insights into the complexities of DJ cultures and practices around the world.” —Rebekah Farrugia, Oakland University, USA POPULAR MUSIC The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection o ers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices. This is the fi rst scholarly collection uniquely dedicated to DJ practices in electronic dance music, surveying the DJ’s cultural role as both pioneer and gatekeeper. BERNARDO ALEXANDER ATTIAS is Professor and Chair of Communication Studies at California State University Northridge, USA. ANNA GAVANAS is Social Anthropologist and Docent at Remeso, Linköping University, Sweden. HILLEGONDA C. RIETVELD is Reader in Music and Sonic Culture at London South Bank University, UK.

UK December 2013 | US October 2013 PB 9781623560065 | £19.99 | $34.95 HB 9781623566906 | £65.00 | $120.00 Individual eBook 9781623569945 | £17.99 | $30.99 Library eBook 9781623564377 | £69.00 | $106.00

Audio Culture bestseller textbook Readings in Modern Music Edited by Christoph Cox and Daniel Warner Includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction, helping the reader to place the essay within musical, historical, and conceptual contexts. CHRISTOPH COX is Associate Professor of Philosophy at Hampshire College, USA. He writes regularly on contemporary art and music for Artforum, The Wire, Cabinet, and other magazines. DANIEL WARNER is a Professor of Music at Hampshire College, USA, where he teaches electronic and computer music.

UK October 2004 | US September 2004 PB 9780826416155 | £22.99 | $34.95 HB 9780826416148 | £60.00 | $120.00

10 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] POPULAR MUSIC Text and Drugs and Rock ‘n’ Roll new bestseller in PB The Beats and Rock Culture Simon Warner “An exhaustive and always illuminating account of the Beats’ profound and still-registering impact on radical pop from Dylan to hip hop.” —Barney Hoskyns, author of Lowside of the Road: A Life of Tom Waits This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat fi gures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the infl uence of drugs, the relevance of politics, the e ect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years. SIMON WARNER is Senior Teaching Fellow at the University of Leeds, UK.

UK July 2014 | US May 2014 UK May 2013 | US March 2013 PB 9781628926279 | $13.95 | $19.95 HB 9780826416643 | £19.99 | $34.95 Individual eBook 9781441171122 | £9.99 | $16.99 Library eBook 9781441143037 | £38.00 | $58.00

How the Beatles Rocked the Kremlin The Untold Story of a Noisy Revolution Leslie Woodhead Imagine a world where Beatlemania was against the law — recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies but the USSR, where a vast nation of music fans risked repression to hear the defi ning band of the British Invasion. The music of the Fab Four opened the eyes of an entire generation of Soviet youth to seventy years of authoritarianism and suppression of Western popular music. This book tells the improbable story of Russian kids who discovered the band — by stealth, by way of whispers, through the illicit late night broadcasts on Radio Luxembourg — and helped bring down the Soviet Union. LESLIE WOODHEAD, OBE is one of Britain’s most distinguished documentary fi lmmakers. His fi lms have won many international awards, including recognition by the Emmy and Peabodys in America, and by BAFTA, and the Royal Television Society in the UK. He is the author of two books, My Life as a Spy and A Box Full of Spirits. He lives in Cheshire, England.

UK April 2013 US April 2013 Trade PB 9781408840429 | £12.99 Trade HB 9781608196142 | $26.00 Individual eBook 9781408840436 | £10.99 Individual eBook 9781608196210 | $20.99

Also available: Beyond and Before bestseller A Cultural Dictionary of Punk Progressive Rock since the 1960s 1974-1982 Paul Hegarty Nicholas Rombes UK September 2009 | US July 2009 UK August 2011 | US June 2011 PB 9780826427793 | £17.99 | $29.95 PB 9780826423320 | £13.99 | $24.95 Individual eBook 9781441105059 | £14.99 | $25.99 HB 9780826440754 | £50.00 | $95.00 Individual eBook 9780826444837 | £12.99 | $21.99 Library eBook 9781441114808 | £49.00 | $75.00 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 11 The Sound of Tomorrow bestseller How Electronic Music Was Smuggled into the Mainstream Mark Brend “The story of how electronic music has infi ltrated the mainstream from the turn of the 20th Century…A touching epilogue reveals how many of these characters have passed on with little mainstream recognition, but Brend’s book ensures that their tales are told.” —Jason Draper, Record Collector A fascinating history of the inventors, producers and technicians behind the early televisual and cinematic breakthroughs of electronic music, packed with original research and interviews from pioneers such as Paul McCartney, Brian Jones, Alfred Hitchcock, John Cage, and Leon Theremin. POPULAR MUSIC MARK BREND is an author and musician who lives in Exeter, Devon, UK. His books include Strange Sounds and American Troubadours, and his journalism has appeared in Record Collector, Mojo, Art & Music and many other publications.

UK November 2012 | US September 2012 PB 9780826424525 | £12.99 | $19.95 Individual eBook 9781623565299 | £9.99 | $16.99 Library eBook 9781623561536 | £38.00 | $58.00

Talk About a Dream The Essential Interviews of Bruce Springsteen Edited by Christopher Phillips and Louis P. Masur “No artist has ever been as candid, informative, and entertaining as Bruce is in this wonderful book. As revealing as you could possibly hope. I highly recommend it.” —Nils Lofgren, E Street Band guitarist “A fascinating addition to the growing shelf of Springsteen studies.”— Kirkus Reviews Bruce Springsteen often prefers to let his music do the talking. His onstage stories and shaggy dog tales have long entertained his fans, but his songs and his guitar provide the most direct line to their hearts. Considering his prominence on the rock ‘n’ roll landscape, Springsteen has spent remarkably little of his 40-year recording career speaking to the press. But when he does decide to sit down and talk, the conversations tend to be momentous. Q&As with Bruce Springsteen reveal an artist with great insight and self- awareness, a student of music, an avid searcher, an astute observer of humanity from the boardwalk to America at large. Much has been written about the Boss, but few can be said to know the man as well as he knows himself, and the best of Springsteen’s own words are collected here. Gathering more than thirty di erent interviews spanning from 1973 to 2013, this volume captures his remarkable personality. CHRISTOPHER PHILLIPS is editor and publisher of Backstreets, the premier Springsteen magazine, as well as Backstreets.com, the primary web destination for Springsteen fans. He lives in Chapel Hill, North Carolina, USA. LOUIS P. MASUR is a professor of American Studies and History at Rutgers University, New Jersey, USA. He is the author of Runaway Dream: Born to Run and Bruce Springsteen’s American Vision.

UK October 2013 | US August 2013 Trade PB 9781620400722 | £14.99 | $20.00 Individual eBook 9781620400739 | £8.99 | $13.99

Also available: Song and Circumstance Runaway Dream The Work of David Byrne Born to Run and Bruce Springsteen’s from Talking Heads to the Present American Vision Sytze Steenstra Louis P. Masur

UK May 2010 | US March 2010 UK November 2013 | US September 2010 PB 9780826441683 £14.99 | $24.95 PB 9781608191017 | £12.99 | $15.00 HB 9780826445599 £50.00 | $80.00 HB 9781596916920 | £20.00 | $23.00 Individual eBook 9780826439772 | £8.99 | $15.99 Individual eBook 9780826439772 | £8.99 | $15.99 Library eBook 9781441111593 | £36.00 | $55.00 Library eBook 9781441111593 | £36.00 | $55.00

12 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] POPULAR MUSIC Torment Saint The Life of Elliott Smith William Todd Schultz Elliott Smith was one of the most gifted songwriters of the 90s, adored by fans for his subtly melancholic words and melodies. There was trauma from an early age, years of drug abuse and a chronic sense of disconnection that seemed almost self-engineered. Smith died violently in Los Angeles in 2003, under what some believe to be questionable circumstances, of a single fatal stab wound to the chest. By this time fame had found him, and fans felt he spoke directly to them: lonely, lovelorn, frustrated, fi ghting until he could fi ght no more. And yet, although his achingly intimate lyrics carried the weight of truth, Smith remained unknowable. The fi rst proper biography of the rock star, a decade after his death, this book draws on more than 150 hours of interviews with close friends, lovers, bandmates, peers, managers, label owners, and recording engineers and producers. WILLIAM TODD SCHULTZ is a professor of psychology at Pacifi c University in Oregon, USA. He edited and contributed to Handbook of Psychobiography and blogs for Psychology Today.

UK October 2013 US October 2013 Trade PB 9781408830475 | £14.99 Trade HB 9781608199730 | $27.00 Individual eBook 9781408840009 | £12.99 Individual eBook 9781620403785 | $18.99

Starting At Zero His Own Story Jimi Hendrix Edited by Alan Douglas and Peter Neal It took just four years in the spotlight for Jimi Hendrix to become an international cultural icon. The sheer impact and originality of his music and his mastery of the guitar placed him forever amongst musical giants. But what of the man behind the public image? Modest and intensely private by nature, Jimi was shrouded in intrigue from the moment he fi rst came into the public eye, and the mystery has only grown with time. Much has been written about him by experts, fans and critics, some of it true and some of it not. He did, however, leave his own account of himself locked away like a Chinese puzzle in his many interviews, lyrics, writings, poems, diaries and even stage raps. Starting At Zero brings all these elements together in narrative form. The result is an intimate, funny and poetic memoir – one that tells, for the fi rst time, Jimi’s own story as only he could tell it. ALAN DOUGLAS is a record producer who produced many of Hendrix’s posthumous releases. PETER NEAL is a documentary fi lm director, whose credits include the 1968 Hendrix short documentary Experience.

UK November 2013 US November 2013 Trade HB 9781408842140 | £18.99 Trade HB 9781620403310 | $26.00 Individual eBook 9781408842164 | £16.99 Individual eBook 9781620403334 | $18.99

www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 13 Respect Yourself Stax Records and the Soul Explosion Robert Gordon The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a monument to racial harmony in blighted south Memphis during the civil rights movement. Their success soon pits the siblings against each other, and the brother abandons his sister for a visionary African- American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, the heights they achieve result in their tragic demise. They fall, losing everything, and the sanctuary they created is torn to the ground. A generation later, Stax is rebuilt brick by brick and is once again transforming disenfranchised youth into stellar young musicians. POPULAR MUSIC Set in the world of 1960s and ‘70s soul music, Respect Yourself is a character-driven story of racial integration, and then of black power and economic independence. It’s about music and musicians—Isaac Hayes, Otis Redding, the Staple Singers, and Booker T. and the M.G.’s, Stax’s interracial house band. It’s about a small independent company’s struggle to survive in an increasingly conglomerate-oriented world. And always at the center of the story is Memphis, Tennessee, an explosive city struggling through volatile years. ROBERT GORDON is the author of It Came from Memphis, Can’t Be Satisfi ed, The King on the Road, and The Elvis Treasures. He won a Grammy in 2011 for his liner notes to the Big Star box set Keep an Eye on the Sky. His fi lm work includes producing and directing the documentary Respect Yourself: The Stax Records Story for PBS’s Great Performances. Gordon lives in Memphis, Tennessee, USA.

UK January 2014 | US November 2013 HB 9781596915770 | £22.95 | $30.00 Individual eBook 9781608194179 | £12.99 | $19.99

Also available:

Little Richard bestseller Jerry Lee Lewis The Birth of Rock ‘n’ Roll Lost and Found David Kirby Joe Bonomo

UK January 2012 | US November 2011 UK January 2012 | US November 2011 PB 9781441194060 | £9.99 | $14.95 PB 9781441118806 | £9.99 | $14.95 Individual eBook 9781441174369 | £8.99 | $15.99 Individual eBook 9781441125880 | £8.99 | $15.99 Library eBook 9781441111760 | £38.00 | $55.00 Library eBook 9781441128652 | £38.00 | $55.00

Morrissey Kraftwerk The Pageant of His Bleeding Heart Music Non-Stop Gavin Hopps Edited by Sean Albiez and David Pattie

UK May 2012 | US March 2012 UK January 2011 | US November 2011 PB 9781441124043 | £10.99 | $16.95 PB 9781441191366 | £17.99 | $29.95 Individual eBook 9781441171627 | £8.99 | $14.99 HB 9781441165077 | £50.00 | $95.00 Library eBook 9781441137050 | £30.00 | $65.00 Individual eBook 9781441187048 | £14.99 | $25.99 Library eBook 9781441189677 | £62.00 | $89.00

14 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] 33 1/3 33 1/3 is a series of short books about popular music, focusing on individual albums by a variety of artists from James Brown to the Beastie Boys and from Celine Dion to Neutral Milk Hotel. Launched in 2003, the series will publish its 100th book in 2014 and has been widely acclaimed and loved by fans, musicians and scholars alike. For more information about the series, visit our blog at www.333sound.com. “A growing Alexandria of rock criticism.” —Los Angeles Times “Ideal for the rock geek who thinks liner notes just aren’t enough.” —Rolling Stone “A brilliant series…each one a work of real love.” —NME

Serge Gainsbourg’s Histoire de Melody Nelson Darran Anderson Outside his native France, the view of Serge Gainsbourg was once of a one-hit wonder lothario. This has been slowly replaced by an awareness of how talented and innovative a songwriter he was. Gainsbourg was an eclectic, protean fi gure; a Dadaist, poète maudit, Pop-Artist, libertine and anti- hero. An icon and iconoclast. His masterpiece is arguably Histoire de Melody Nelson, an album suite combining many of his signature themes; sex, taboo, provocation, humour, exoticism and ultimately tragedy. Composed and arranged with the great Jean-Claude Vannier, its score of lush cinematic strings and proto-hip hop beats, combined with Serge’s spoken-word poetry, has become remarkably infl uential across a vast musical spectrum; inspiring soundtracks, indie groups and electronic artists. In recent years, the album’s reputation has grown from cult status to that of a modern classic with the likes of Beck, Portishead, Mike Patton, Air and Pulp paying tribute. How did the son of Jewish Russian immigrants, hounded during the Nazi Occupation, rise to such notoriety and acclaim, being celebrated by President François Mitterand as “our Baudelaire, our Apollinaire”? How did the early chanson singer evolve into a musical visionary incorporating samples, breakbeats and dub into his music, decades ahead of the curve? And what are the roots and legacy of a concept album about a Rolls Royce, a red-haired Lolita muse, otherworldly mansions, plane crashes and Cargo Cults? DARRAN ANDERSON is an Irish writer. He is a co-editor of 3:AM Magazine.

UK December 2013 | US October 2013 PB 9781623562878 | £8.99 | $14.95 Individual eBook 9781623562168 | £7.99 | $12.99 Library eBook 9781623565978 | £29.99 | $44.00

They Might Be Giants’ Flood S. Alexander Reed and Philip Sandifer For a few decades now, They Might Be Giants’ album Flood has been a beacon (or at least a nightlight) for people who might rather read than rock out, who care more about science fi ction than Slayer, who are more often called clever than cool. Neither the band’s hip origins in the Lower East Side scene nor Flood’s platinum certifi cation can cover up the record’s singular importance at the geek fringes of culture. Flood’s signifi cance to this audience helps us understand a certain way of being: it shows that geek identity doesn’t depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess—a fl ood of ideas. The album also clarifi es an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America’s advancing leftist social tides. Whether or not it was the band’s intention, Flood’s jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. S. ALEXANDER REED, PhD is a musician and professor, currently teaching at Ithaca College, USA. He is author of Assimilate: A Critical History of Industrial Music. PHILIP SANDIFER, PhD publishes and blogs about the psychic history of comics and science fi ction. He is author of TARDIS Eruditorum.

UK January 2014 | US November 2013 PB 9781623569150 | £8.99 | $14.95 Individual eBook 9781623568290 | £7.99 | $12.99 Library eBook 9781623569655 | £29.99 | $44.00 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 15 Andrew W.K.’s I Get Wet Phillip Crandall “It’s Time To Party,” the fi rst track o of I Get Wet, opens with a rapid-fi re guitar line — nothing fancy,

33 1/3 just a couple crunchy power chords to acclimate the ears — repeated twice before a booming bass drum joins in to provide a quarter-note countdown. A faint, swirling e ect intensifi es with each bass kick and, by the eighth one, the ears have prepped themselves for the metal mayhem they are about to receive. When it all drops, and the joyous onslaught of a hundred guitars is fi nally realized, you’ll have to forgive your ears for being duped into a false sense of security, because it’s that second intensifi ed drop a few seconds later — the one where yet more guitars manifest and Andrew W.K. slam-plants his vocal fl ag by screaming the song’s titular line — that really fl oods the brain with endorphins, serotonin, dopamine, and whatever else formulates invincibility. Polished to a bright overdubbed-to-oblivion sheen, the party-preaching I Get Wet didn’t capture the zeitgeist of rock at the turn of the century; it captured the timelessness of youth, as energized, awesome, and unapologetically stupid as ever. With insights from friends and unprecedented help from the mythological maniac himself — whose sermon and pop sensibilities continue to polarize — this book chronicles the sound’s evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.’s inviting, inclusive lyrics create the ultimate shared experience between artist and audience. PHILLIP CRANDALL lives in South Florida, USA, and is a former editor for FHM Magazine.

UK February 2014 | US January 2014 PB 9781623567149 | £8.99 | $14.95 Individual eBook 9781623567576 | £7.99 | $12.99 Library eBook 9781623565503 | £29.99 | $44.00

Aphex Twin’s Selected Ambient Works Volume II Marc Weidenbaum Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was his fi rst full length on Sire Records (home to Madonna and Depeche Mode), which helped usher in Richard D. James, for whom Aphex Twin is but one of numerous monikers, as a major force in music, electronic or otherwise. Faithful to Brian Eno’s defi nition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill rooms, the sanctuaries amid intense raves. Choreographers and fi lm directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse- engineer its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beat-less, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes. MARC WEIDENBAUM founded Disquiet.com, which is focused on the intersection of sound, art, and technology, in 1996. A former editor of Tower Records’ Pulse! magazine, he’s written for Nature, Boing Boing, and the website of The Atlantic. He lives in San Francisco, California, USA.

UK April 2014 | US February 2014 PB 9781623568900 | £8.99 | $14.95 Individual eBook 9781623563431 | £7.99 | $12.99 Library eBook 9781623567637 | £29.99 | $44.00

16 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] 33 1/3 Richard Hell and the Voidoids’ Blank Generation Pete Astor To wander the streets of a bankrupt, often lawless, New York City in the early 1970’s wearing a t-shirt with PLEASE KILL ME written on it was a subversive act, and one often recounted in the fi rst reports of Richard Hell fi ltering into pre-punk UK. Pete Astor, an archly nihilistic teenager himself at the time, was most impressed. The fact that it emerged that Hell himself had not worn the garment but had convinced junior band member Richard Lloyd to do so, actually fi tted very well with Astor’s older, wiser, and more knowing self. Here was an artist who could not only embody but also frame the punk urge; just what was needed to make one of the defi ning records of the era. Having seeded and developed the essential look and character of punk since his arrival in New York in the late 1960’s, Richard Hell and The Voidoids released Blank Generation in 1977. Astor’s portmanteau approach uses objective and subjective perspectives to articulate the meanings of the album, combining academic rigour with the reception-based subjectivities that are key to understanding our relationships to popular culture. PETE ASTOR is Senior Lecturer in Musicology at the University of Westminster, UK.

UK June 2014 | US April 2014 PB 9781623561222 | £8.99 | $14.95 Individual eBook 9781623565527 | £7.99 | $12.99 Library eBook 9781623568566 | £29.99 | $44.00

Gang of Four’s Entertainment! Kevin J.H. Dettmar Following hard on the explosion of British punk, in 1979 Gang of Four produced post-punk’s smartest record, Entertainment! For the fi rst time, a band wedded punk’s angry energy to funk’s propulsive beats—and used that music to put across lyrics that brought a heady mixture of Marxist theory and situationism to exposing the cultural politics of everyday life. But for an American college student from the suburbs, Jon King’s and Andy Gill’s mumbled lyrics were often all but unintelligible. Political rock ‘n’ roll is already an oxymoron: rock audiences by and large don’t tune in to be lectured to. But what can it mean that a band that made pop songs as political theory actively resisted making that theory legible? Coming to terms with the impact of Entertainment! requires us to take the mondegreen—the misunderstood lyric—seriously. The old joke has it that the title of R.E.M.’s debut album should have been not Murmur, but Mumble. This strategic inarticulateness, which creates such an important role for the listener, has an important politics. KEVIN J. H. DETTMAR is W. M. Keck Professor of English at Pomona College, California, USA.

UK May 2014 | US March 2014 PB 9781623560652 | £8.99 | $14.95 Individual eBook 9781623562861 | £7.99 | $12.99 Library eBook 9781623562854 | £29.99 | $44.00

The Beach Boys’ Smile Luis A. Sanchez In the early 1960s, The Beach Boys rose from the suburbs of Hawthorne, California and became emissaries of an American dream that fused middle-class aspiration and mobility with images of youth. Led by dream master Brian Wilson, their music gave voice to a Southern California mythos and compelled an audience across the nation and beyond to live out their own versions of the fantasy. By 1966, the encroaching counterculture added new dimensions of creative possibility so Wilson sought collaboration with a brilliant musician named Van Dyke Parks. Together they began work on Smile, an ambitious album of earnest, droll and complex music that refracted The Beach Boys’ naïveté into a visionary exploration of American consciousness. LUIS SANCHEZ grew up in West Texas, USA but earned his PhD in Musicology at the University of Edinburgh, Scotland.

UK July 2014 | US May 2014 PB 9781623562588 | £8.99 | $14.95 Individual eBook 9781623567996 | £7.99 | $12.99 Library eBook 9781623569563 | £29.99 | $44.00 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 17 J. Dilla’s Donuts Jordan Ferguson From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records,

33 1/3 James “J.Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defi ned; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a fi nal love letter to the family and friends he was leaving behind. As a prolifi c producer with a voracious appetite for the history and mechanics of the music he loved, J. Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much di erent, more accessible album. If the widely accepted view is that his fi nal work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries. JORDAN FERGUSON is a freelance culture writer based in Toronto, Canada. He can be found online at poetryforgravediggers.com.

UK June 2014 | US April 2014 PB 9781623561833 | £8.99 | $14.95 Individual eBook 9781623567194 | £7.99 | $12.99 Library eBook 9781623563608 | £29.99 | $44.00

Kanye West’s My Beautiful Dark Twisted Fantasy Kirk Walker Graves In the fi rst decade of the 21st century, Kanye West produced what is arguably the most compelling body of work made by a popular American musician during the period. Rising from obscurity as a precocious producer through the ranks of Jay-Z’s Roc-A-Fella records, by the time he released My Beautiful Dark Twisted Fantasy in late 2010, West had evolved into a master collagist, an alchemist capable of transfi guring semi-obscure soul samples and indelible beats into a brash and vulnerable art form. A long look at the arc of his career - from the early days as an apprentice producer gaining mastery of the sample, to his creation of MBDTF during a hypomanic self-imposed Hawaiian exile - tells us about the march of pop music into the twenty fi rst century and, by extension, the redrawn lines of American life. Weaving original soundscapes comprising old, familiar voices (Ray Charles, King Crimson, Otis Redding, and a host of others), no other artist has so deftly curated conversations between pop music’s past and future—very much a story of our culture’s narcissistic wish for unfettered digital ubiquity—and no album tells this story with more decadent artistry and surrealist gusto than My Beautiful Dark Twisted Fantasy. KIRK WALKER GRAVES is a writer from Tennessee, USA, at work on his fi rst novel.

UK July 2014 | US May 2014 PB 9781623565428 | £8.99 | $14.95 Individual eBook 9781623567705 | £7.99 | $12.99 Library eBook 9781623564582 | £29.99 | $44.00

18 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] 33 1/3 Michael Jackson’s Dangerous Susan Fast Dangerous can be viewed as Michael Jackson’s coming of age album – a grand claim to make given that many think his best work lay behind him by the time this record was made. It o ers Jackson on a threshold, fi nally inhabiting adulthood and doing so through an immersion in black music that would continue to deepen through the remainder of his career. On Dangerous, Jackson struggles with weighty stu —love and lust, politics, and race—in ways hitherto unseen; he gives us a darker, less childishly optimistic vision of the world, one based more in realism than his characteristic theatricality, one in which he is emotionally wrenched. This book o ers a critical reading, positing Dangerous as a concept album, one that o ers a compelling narrative arc of uncertainty, anger, and betrayal—spiritual, physical, emotional, and political—through fi ve broad themes: Jackson’s bleak vision of postmodernity; the heartbreak of intimate relationships; a utopian vision of peace and unity (delivered, in the end, through children’s voices, not his); what the writer Michael Eric Dyson terms Jackson’s “secular spirituality;” and fi nally through his engagement with the fi gure of the femme fatale, a favorite character to which Jackson returned often in his career. This analysis seeks to explore Jackson’s artistic/political vision on this album, one that, it could be argued, set the wheels of his spectacular fall from grace into motion. SUSAN FAST is Professor in the Department of English and Cultural Studies at McMaster University, Canada. She is the author of In the Houses of the Holy: Led Zeppelin and The Power of Rock Music.

UK November 2014 | US September 2014 PB 9781623566319 | £8.99 | $14.95 Individual eBook 9781623561567 | £7.99 | $12.99 Library eBook 9781623561024 | £29.99 | $44.00

Danger Mouse’s The Grey Album Charles Fairchild This book marks the 10th anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his ‘art project’ was an unexpected watershed in the turn-of-the- century brawls over digital creative practice. The album’s suppression inspired widespread digital civil disobedience and brought a series of contests and confl icts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defi ned all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn’t just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another. CHARLES FAIRCHILD is a Senior Lecturer in Popular Music at the University of Sydney, Australia. He is the author of Music, Radio and the Public Sphere and Pop Idols and Pirates.

UK November 2014 | US September 2014 PB 9781623566609 | £9.95 | $14.95 Individual eBook 9781623561598 | £7.99 | $12.99 Library eBook 9781623561239 | £29.99 | $44.00

www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 19 Sigur Rs’s ( ) Ethan Hayden Words like “inspiring,” “expansive,” and “moving” are regularly used to describe Sigur Rós’ ( ), and

33 1/3 yet the only words heard on the record itself are a handful of meaningless nonsense syllables. The album had no title - or rather its title was no title: just an empty pair of parentheses. The intent was that listeners would fi ll in the parentheses with their own title, their own interpretation of the sounds on the record. The CD sleeve consisted of twelve pages that were essentially blank, lacking song titles, liner notes or production credits. Instead, just semi-translucent frosted images of abstract natural scenes (tree branches, clouds, etc.), on which the listener is free to inscribe their own notes - or no notes at all. And then there were the lyrics, sung in a deliberately unintelligible tongue called “Hopelandic” which the band invited listeners to interpret freely. Hayden’s book doesn’t try to fi ll in the gaps between the album’s parentheses, but instead explores the ways in which listeners might attempt to do so. Examining the communicative powers of nonsensical language, the book asks whether music can bring sense to nonsense. What happens to the voice when it stops singing conventional language: does it simply become another musical instrument, or is it somehow more “human”? What role does space play on ( )? And how do we interpret music that we cannot possibly understand, but feel very deeply that we do? ETHAN HAYDEN is a composer and performer, currently pursuing a Ph.D. in music at the University at Bu alo, New York, USA.

UK October 2014 | US August 2014 PB 9781623568924 | £8.99 | $14.95 Individual eBook 9781623561680 | £7.99 | $12.99 Library eBook 9781623562939 | £29.99 | $44.00

Bjrk’s Biophilia Nicola Dibben On its release in 2011 Biophilia was acclaimed as the fi rst “app album” and the birth of a new music format. It was greeted as the way forward for musicians and developers, at a time when the traditional album format was under threat. Biophilia is an album for mobile digital devices, conceived and creatively directed by Björk, one the world’s most innovative musicians, and executed by a team including interactive artists, developers, and designers. Here, Dibben draws on her experience as a member of the creative team working on the app suite to provide an insider’s perspective on the creative process and product. The entire project’s conception and realisation are traced, drawing on dozens of original interviews and participant observation. Dibben explores questions including: the new potential for interactivity and multi-sensory experience of music; the implications of Biophilia’s visualisation of music for audio-visual aesthetics and music education; immersive versus ‘distributed’ modes of listening; and the creation of a curated artistic vision that counters the fragmentation and lack of multimedia experience associated with music consumption via MP3 download. The result is a brilliant exploration of a cutting-edge musical work and o ers a unique perspective on the creative processes and ambitions of one of pop music’s most compelling fi gures. NICOLA DIBBEN is Senior Lecturer in Music at the University of She eld, UK. She is co-editor of the journal Empirical Musicology Review, a former co-ordinating editor of Popular Music, author of Björk and co-author of Music and Mind in Everyday Life.

UK October 2014 | US August 2014 PB 9781623561741 | £8.99 | $14.95 Individual eBook 9781623568573 | £7.99 | $12.99 Library eBook 9781623562830 | £29.99 | $44.00

20 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] 33 1/3 Oasis’ Defi nitely Maybe Alex Niven Writing in Manchester in the years 1992-93, in a context in which the depression of social marginalisation was palliated by a culture of radical hedonism and belligerence, Noel Gallagher composed a series of songs that distilled the spirit of the age far better than the more usually celebrated Kurt Cobain. Gallagher’s lyrics on Defi nitely Maybe o ered a message of a rmation and hope that was couched in language of remarkable clarity and directness. In an era in which deconstructive cynicism was threatening the very existence of the counterculture and the mainstream Left, Oasis o ered a radical, anomalous vision of positivity. And the fact this was indisputably a working-class vision founded in solidarity and fraternity was incredibly important. To a post-Thatcherite Britain that had just undergone the most debilitating period of social upheaval in a century, Gallagher ventriloquised slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis “everymen”, Paul McGuigan, Paul Arthurs, and Tony McCarroll. Niven charts the astonishing rise of Oasis in 1993 and 1994 and celebrates the life-a rming, communal force of songs such as “Live Forever,” “Supersonic,” and “Cigarettes & Alcohol,” and in doing so, he seeks to reposition Oasis in relation to their Britpop peers. ALEX NIVEN was a founding member of the Mercury Prize-nominated band Everything Everything. He is currently working on his PhD at Oxford University, UK, and is the author of Folk Opposition.

UK July 2014 | US May 2014 PB 9781623564230 £8.99 | $14.95 Individual eBook 9781623566760 | £7.99 | $12.99 Library eBook 9781623568832 | £29.99 | $44.00

Dead Kennedys’ Fresh Fruit for Rotting Vegetables Michael Stewart Foley In 1978, San Francisco, a city that has seen more than its share of trauma, plunged from a summer of political tension into an autumn cascade of malevolence that so eluded human comprehension it seemed almost demonic. The battles over property taxes and a ballot initiative calling for a ban on homosexuals teaching in public schools gave way to the madness of the Jonestown massacre and the murders of Mayor George Moscone and city supervisor Harvey Milk. In the year that followed this season of insanity, it made sense that a band called Dead Kennedys played Mabuhay Gardens in North Beach, referring to Governor Jerry Brown as a “zen fascist,” calling for landlords to be lynched and yuppie gentrifi ers to be sent to Cambodia to work for “a bowl of rice a day,” critiquing government welfare and defense policies, and, at a time when each week seemed to bring news of a new serial killer or child abduction, commenting on dead and dying children. Most histories of the 1970s and 1980s ignore youth politics and subcultures. Drawing on Bay Area zines as well as new interviews with the band and fans, Michael S. Foley corrects that failing by treating Dead Kennedys’ fi rst record, Fresh Fruit for Rotting Vegetables, as a critical historical document, one that not only qualifi ed as political expression but, whether experienced on vinyl or from the stage of “the Mab,” stimulated emotions and ideals that were, if you can believe it, utopian. MICHAEL S. FOLEY teaches American history at the University of She eld in England. He is author of Life during Wartime: America in the 1970s and 1980s and Confronting the War Machine: Draft Resistance during the Vietnam War, and a founding editor of The Sixties: A Journal of History, Politics, and Culture.

UK March 2015 | US January 2015 PB 9781623567309 | £8.99 | $14.95 Individual eBook 9781623565008 | £7.99 | $12.99 Library eBook 9781623562441 | 29.99 | $44.00

www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 21 Hole’s Live Through This Anwyn Crawford Courtney Love has never been less than notorious. Her intelligence, ambition and appetite for

33 1/3 confrontation have made her a target in a music industry still dominated by men. As Kurt Cobain’s wife she was derided as an opportunistic groupie; as his widow she is pitied, and scorned, as the madwoman in rock’s attic. Yet Hole’s second album, Live Through This, awoke a feminist consciousness in a generation of teenage girls. Live Through This arrived in 1994, at a tumultuous point in the history of American music. Three years earlier, Nirvana’s Nevermind had broken open the punk underground, and the fi rst issue of a zine called Riot Grrrl had been published. Hole were of this context and yet outside of it: too famous for the strict punk ethics of riot-grrrl, too explicitly feminist to be the world’s biggest rock band. And then Kurt Cobain shot himself, four days before the album’s scheduled release. Live Through This is an album about girlhood and motherhood; desire and disgust; self-destruction and survival. There have been few rock albums before or since so intimately concerned with female experience. The album is a key document of third-wave feminism, but the conditions that produced its particular aesthetic have disappeared. So where did the energy of that feminism go? And why is Courtney Love’s achievement as a songwriter and musician still not taken seriously, nearly twenty years on? ANWYN CRAWFORD is a writer and visual artist. Her essays on music, fi lm and feminism have appeared in several publications, including Frieze, Loops: Writing Music, Sound On Film and Overland.

UK January 2015 | US December 2014 PB 9781623563776 | £8.99 | $14.95 Individual eBook 9781623565695 | £7.99 | $12.99 Library eBook 9781623567620 | £29.99 | $44.00

Liz Phair’s Exile in Guyville Gina Arnold Although Exile in Guyville was grudgingly celebrated as one of the year’s top records by Spin and the New York Times, it was also some people’s idea of an abomination: a mockery of the Rolling Stones’ most revered record and a rare glimpse into the psyche of a shrewd, independent, strong young woman. For these crimes, Phair was quite literally run out of her home town of Chicago, enduring a fl ame war by writers who accused her of being boring, inauthentic and a poor musician. With Exile in Guyville, Phair spoke for all the girls who loved indie rock but felt deeply unwelcome there. Like all great works of musical art, Exile was a harbinger of the shape of things to come: Phair may have undermined the male ago, but she also unleashed a new female one. For the sake of all the women artists who have benefi ted from her work - on behalf of Sleater Kinney, MIA and Miley Cyrus - it’s high time we go back to Guyville. GINA ARNOLD is the author of Route 666: On the Road to Nirvana and Kiss This: Punk in the Present Tense. She has written for Spin, Rolling Stone, and the Village Voice. Currently, she is fi nishing up her PhD at Stanford University, USA.

UK July 2014 | US May 2014 PB 9781441162571 £8.99 | $14.95 Individual eBook 9781623567231 | £7.99 | $12.99 Library eBook 9781623567323 | £29.99 | $44.00

22 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] 33 1/3 Devo’s Freedom of Choice Evie Nagy Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade’s high-tech, free-market, pre-AIDS promise, 1980’s Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his “alternate universe, hermetically sealed, alien band” both into the arms of the Earthlings and back to their home planet in one scenic trip. Before an artistic and commercial decline that resulted in a 20-year gap between Devo’s last two studio records, Freedom of Choice made them curious, insurgent superstars, vindicated but ultimately betrayed by the birth of MTV. Their only platinum album represented the best of their unreplicable code: dead-serious tricksters, embracing conformity in order to destroy it with bullet-proof pop sensibility. Through fi rst-hand accounts and musical analysis set against an examination of New Wave’s emergence, this book explores Devo’s peak of success, when the band’s hermetic seal cracked open to let in mainstream attention, lots of cocaine and the occasional violent Italian dwarf. EVIE NAGY is the Music Editor at Billboard Magazine, and has been an editor at Rolling Stone and Wolfgang’s Vault. She co-wrote the afterword to Out of the Vinyl Deeps, an anthology of rock writing by the late Ellen Willis, the New Yorker’s fi rst pop music critic.

UK July 2015 | US May 2015 PB 9781623563448 | £9.95 | $14.95 Individual eBook 9781623566517 | £7.99 | $12.99 Library eBook 9781623563172 | £29.99 | $44.00

Bobbie Gentry’s Ode to Billie Joe Tara Murtha In August 1967, “Ode to Billie Joe,” a B-side throwaway performed by a total unknown, knocked the Beatles’ “All You Need is Love” out of the Billboard chart’s top slot. Listeners obsessed over the mysteries ensnarled in the song’s haunting refrain: Billie Joe McAllister jumped o the Tallahatchie Bridge. Why did Billie Joe kill himself? Is he the narrator’s secret lover? Fans also wanted to know: Who is this glamorous young woman who could boil air with just a parlor guitar and voice low as the Mississippi moon? Less than 10 years after bursting onto the world’s stage with an album that scored an unprecedented trifecta on the Pop, Country and Black charts, the woman born Roberta Lee Streeter vanished from the spotlight. This much we know: Gentry was an artistic polymath and astute businesswoman. After “Ode”, she wrote more music, DJed a radio program, hosted a TV show and started her own publishing company. Disenchanted with the record business, she produced spectacular Las Vegas shows, writing the music, choreographing the routines and designing the costumes. But despite working herself to exhaustion, Gentry was unable to replicate the commercial sales of her debut, and she disappeared. Bobbie Gentry has not been seen in public for over 30 years. With unprecedented access to a treasure trove of Gentry’s memorabilia, Murtha excavates the mysteries of Ode to Billie Joe, in terms of both the record’s production and the e ect of its success on Gentry. With input from the artist’s collaborators and contemporaries, Murtha argues that though Gentry has every right to vanish, her role as a pioneering woman in the music industry should not. TARA MURTHA is a journalist based in Philadelphia, USA.

UK January 2015 | US December 2014 PB 9781623569648 | £8.99 | $14.95 Individual eBook 9781623562212 | £7.99 | $12.99 Library eBook 9781623563424 | £29.99 | $44.00

www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 23 33 1/3 Greatest Hits, Volume 1 Brian Eno’s Another Green World Flaming Lips’ Zaireeka Edited by David Barker Geeta Dayal Mark Richardson UK November 2006 | US September 2006 UK January 2010 | US November 2009 UK February 2010 | US December 2009 PB 9780826419033 £10.99 | $19.95 PB 9780826427861 £8.99 | $14.95 PB 9780826429018 £8.99 | $14.95 Individual eBook 9781441112347 £9.99 | $16.99 Individual eBook 9781441112736 £7.99 | $12.99 Individual eBook 9781441111838 £7.99 | $12.99 Library eBook 9781441101853 £38.00 | $58.00 Library eBook 9781441106414 £29.00 | $44.00 Library eBook 9781441138866 £29.00 | $44.00

33 1/3 Greatest Hits, Volume 2 Bruce Springsteen’s Born in the USA Fleetwood Mac’s Tusk Edited by David Barker Geo rey Himes Rob Trucks UK December 2007 | US October 2007 UK November 2005 | US August 2005 UK February 2011 | US December 2010 PB 9780826428769 £12.99 | $19.95 PB 9780826416612 £8.99 | $14.95 PB 9780826429025 £8.99 | $14.95 Individual eBook 9781441130037 £9.99 | $16.99 Individual eBook 9781441154590 £7.99 | $12.99 Individual eBook 9781441183637 £7.99 | $12.99 Library eBook 9781441142368 £38.00 | $58.00 Library eBook 9781441115157 £29.00 | $44.00 Library eBook 9781441121400 £29.00 | $44.00

A Tribe Called Quest’s People’s Captain Beefheart’s Trout Mask Flying Burrito Brothers’ The Gilded

33 1/3 BACKLIST Instinctive Travels and the Paths Replica Palace of Sin of Rhythm Kevin Courrier Bob Proehl Shawn Taylor UK June 2007 | US March 2007 UK February 2009 | US December 2008 UK June 2007 | US April 2007 PB 9780826427816 £8.99 | $14.95 PB 9780826429032 £8.99 | $14.95 PB 9780826419231 £8.99 | $14.95 Individual eBook 9781441192691 £7.99 | $12.99 Individual eBook 9781441143495 £7.99 | $12.99 Individual eBook 9781441118448 £7.99 | $12.99 Library eBook 9781441113771 £29.00 | $44.00 Library eBook 9781441109538 £29.00 | $44.00 Library eBook 9781441134349 £29.00 | $44.00 Celine Dion’s Let’s Talk About Love Guided By Voices’ Bee Thousand Abba’s Abba Gold A Journey to the End of Taste Marc Woodworth Elisabeth Vincentelli Carl Wilson UK November 2006 | US October 2006 UK May 2004 | US March 2004 UK January 2008 | US November 2007 PB 9780826417480 £8.99 | $14.95 PB 9780826415462 £8.99 | $14.95 PB 9780826427885 £8.99 | $14.95 Individual eBook 9781441148476 £7.99 | $12.99 Individual eBook 9781441182555 £7.99 | $12.99 Individual eBook 9781441193704 £7.99 | $12.99 Library eBook 9781441115270 £29.00 | $44.00 Library eBook 9781441167897 £29.00 | $44.00 Library eBook 9781441167217 £29.00 | $44.00 Guns N’ Roses’ Use Your Illusion AC DC’s Highway To Hell David Bowie’s Low I and II Joe Bonomo Hugo Wilcken Eric Weisbard UK July 2010 | US May 2010 UK November 2005 | US August 2005 UK February 2007 | US December 2006 PB 9781441190284 £8.99 | $14.95 PB 9780826416841 £8.99 | $14.95 PB 9780826419248 £8.99 | $14.95 Individual eBook 9781441141583 £7.99 | $12.99 Individual eBook 9781441131294 £7.99 | $12.99 Individual eBook 9781441124807 £7.99 | $12.99 Library eBook 9781441136121 £29.00 | $44.000 Library eBook 9781441199553 £29.00 | $44.00 Library eBook 9781441177223 £29.00 | $44.00

Aretha Franklin’s Amazing Grace Dinosaur Jr.’s You’re Living Israel Kamakawiwo’ole’s Aaron Cohen All Over Me Facing Future UK December 2011 | US October 2011 Nick Attfi eld Dan Kois PB 9781441148889 £8.99 | $14.95 UK August 2011 | US June 2011 UK February 2010 | US December 2009 Individual eBook 9781441103925 £7.99 | $12.99 PB 9781441187789 £8.99 | $14.95 PB 9780826429056 £8.99 | $14.95 Library eBook 9781441112088 £29.00 | $44.00 Individual eBook 9781441199799 £7.99 | $12.99 Individual eBook 9781441157362 £7.99 | $12.99 Library eBook 9781441118240 £29.00 | $44.00 Library eBook 9781441105752 £29.00 | $44.00 Belle & Sebastian’s If You’re Feeling Sinister DJ Shadow’s Endtroducing James Brown’s Live at the Apollo Scott Plagenhoef Eliot Wilder Douglas Wolk UK November 2007 | US September 2007 UK October 2005 | US August 2005 UK October 2004 | US August 2004 PB 9780826428189 £8.99 | $14.95 PB 9780826416827 £8.99 | $14.95 PB 9780826415721 £8.99 | $14.95 Individual eBook 9781441189882 £7.99 | $12.99 Individual eBook 9781441197443 £7.99 | $12.99 Individual eBook 9781441150905 £7.99 | $12.99 Library eBook 9781441194909 £29.00 | $44.00 Library eBook 9781441124326 £29.00 | $44.00 Library eBook 9781441153456 £29.00 | $44.00

Big Star’s Radio City Dusty Springfi eld’s Dusty in Memphis Je Buckley’s Grace Bruce Eaton Warren Zanes Daphne A. Brooks UK July 2009 | US May 2009 UK October 2003 | US September 2003 UK June 2005 | US April 2005 PB 9780826428981 £8.99 | $14.95 PB 9780826414922 £8.99 | $14.95 PB 9780826416353 £8.99 | $14.95 Individual eBook 9781441153944 £7.99 | $12.99 Individual eBook 9781441194206 £7.99 | $12.99 Individual eBook 9781441128584 £7.99 | $12.99 Library eBook 9781441183835 £29.00 | $44.00 Library eBook 9781441196378 £29.00 | $44.00 Library eBook 9781441174567 £29.00 | $44.00

Black Sabbath’s Master of Reality Elliott Smith’s XO Jethro Tull’s Aqualung John Darnielle Matthew LeMay Allan Moore UK June 2008 | US April 2008 UK June 2009 | US April 2009 UK October 2004 | US August 2004 PB 9780826428998 £8.99 | $14.95 PB 9780826429001 £8.99 | $14.95 PB 9780826416193 £8.99 | $14.95 Individual eBook 9781441104045 £7.99 | $12.99 Individual eBook 9781441160096 £7.99 | $12.99 Individual eBook 9781441174000 £7.99 | $12.99 Library eBook 9781441121943 £29.00 | $44.00 Library eBook 9781441147790 £29.00 | $44.00 Library eBook 9781441113153 £29.00 | $44.00

Bob Dylan’s Highway 61 Revisited Elvis Costello’s Armed Forces Jimi Hendrix’s Electric Ladyland Mark Polizzotti Franklin Bruno John Perry UK November 2006 | US September 2006 UK June 2005 | US April 2005 UK May 2004 | US March 2004 PB 9780826417756 £8.99 | $14.95 PB 9780826416742 £8.99 | $14.95 PB 9780826415714 £8.99 | $14.95 Individual eBook 9781441116765 £7.99 | $12.99 Individual eBook 9781441173355 £7.99 | $12.99 Individual eBook 9781441129598 £7.99 | $12.99 Library eBook 9781441103710 £29.00 | $44.00 Library eBook 9781441195821 £29.00 | $44.00 Library eBook 9781441176561 £29.00 | $44.00

24 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] 33 1/3 BACKLIST Johnny Cash’s American Recordings Nick Drake’s Pink Moon Radiohead’s Kid A Tony Tost Amanda Petrusich Marvin Lin UK June 2011 | US April 2011 UK December 2007 | US October 2007 UK January 2011 | US November 2010 PB 9781441174611 £8.99 | $14.95 PB 9780826427908 £8.99 | $14.95 PB 9780826423436 £8.99 | $14.95 Individual eBook 9781441172204 £7.99 | $12.99 Individual eBook 9781441190413 £7.99 | $12.99 Individual eBook 9781441144461 £7.99 | $12.99 Library eBook 9781441143372 £29.00 | $44.00 Library eBook 9781441196040 £29.00 | $44.00 Library eBook 9781441139382 £29.00 | $44.00

Joni Mitchell’s Court and Spark Nine Inch Nails’ Pretty Hate Machine Radiohead’s OK Computer Sean Nelson Daphne Carr Dai Gri ths UK February 2007 | US December 2006 UK May 2011 | US March 2011 UK October 2004 | US August 2004 PB 9780826417732 £8.99 | $14.95 PB 9780826427892 £8.99 | $14.95 PB 9780826416636 £8.99 | $14.95 Individual eBook 9781441129666 £7.99 | $12.99 Individual eBook 9781441181947 £7.99 | $12.99 Individual eBook 9781441145178 £7.99 | $12.99 Library eBook 9781441122001 £29.00 | $44.00 Library eBook 9781441186379 £29.00 | $44.00 Library eBook 9781441109163 £29.00 | $44.00

Joy Division’s Unknown Pleasures Nirvana’s In Utero Richard and Linda Thompson’s Chris Ott Gillian G. Gaar Shoot Out the Lights UK May 2004 | US March 2004 UK November 2006 | US September 2006 Hayden Childs PB 9780826415493 £8.99 | $14.95 PB 9780826417763 £8.99 | $14.95 UK August 2008 | US June 2008 Individual eBook 9781441135551 £7.99 | $12.99 Individual eBook 9781441193643 £7.99 | $12.99 PB 9780826427915 £8.99 | $14.95 Library eBook 9781441195517 £29.00 | $44.00 Library eBook 9781441186096 £29.00 | $44.00 Individual eBook 9781441142856 £7.99 | $12.99 Library eBook 9781441186997 £29.00 | $44.00 Led Zeppelin’s Led Zeppelin IV Patti Smith’s Horses Erik Davis Philip Shaw Slayer’s Reign in Blood UK June 2005 | US February 2005 UK October 2008 | US March 2008 D.X. Ferris PB 9780826416582 £8.99 | $14.95 PB 9780826427922 £8.99 | $14.95 UK August 2008 | US June 2008 Individual eBook 9781441114228 £7.99 | $12.99 Individual eBook 9781441161567 £7.99 | $12.99 PB 9780826429094 £8.99 | $14.95 Library eBook 9781441194305 £29.00 | $44.00 Library eBook 9781441129581 £29.00 | $44.00 Individual eBook 9781441183491 £7.99 | $12.99 Library eBook 9781441132413 £29.00 | $44.00 Love’s Forever Changes Pavement’s Wowee Zowee Andrew Hultkrans Bryan Charles Slint’s Spiderland UK October 2003 | US September 2003 UK July 2010 | US May 2010 Scott Tennent PB 9780826414939 £8.99 | $14.95 PB 9780826429575 £8.99 | $14.95 UK January 2011 | US November 2010 Individual eBook 9781441128706 £7.99 | $12.99 Individual eBook 9781441103772 £7.99 | $12.99 PB 9781441170262 £8.99 | $14.95 Library eBook 9781441170149 £29.00 | $44.00 Library eBook 9781441198754 £29.00 | $44.00 Individual eBook 9781441189417 £7.99 | $12.99 Library eBook 9781441190147 £29.00 | $44.00 Madness’ One Step Beyond... Pink Floyd’s The Piper at the Terry Edwards Gates of Dawn Sly and the Family Stone’s UK October 2009 | US August 2009 John Cavanagh There’s a Riot Goin’ On PB 9780826429063 £8.99 | $14.95 UK October 2003 | US September 2003 Miles Marshall Lewis Individual eBook 9781441110534 £7.99 | $12.99 PB 9780826414977 £8.99 | $14.95 UK May 2006 | US February 2006 Library eBook 9781441119377 £29.00 | $44.00 Individual eBook 9781441125682 £7.99 | $12.99 PB 9780826417442 £8.99 | $14.95 Library eBook 9781441185174 £29.00 | $44.00 Individual eBook 9781441151513 £7.99 | $12.99 MC5’s Kick Out the Jams Library eBook 9781441148551 £29.00 | $44.00 Don McLeese PJ Harvey’s Rid of Me: A Story UK November 2005 | US August 2005 Kate Schatz Sonic Youth’s Daydream Nation PB 9780826416605 £8.99 | $14.95 UK September 2007 | US July 2007 Matthew Stearns Individual eBook 9781441163349 £7.99 | $12.99 PB 9780826427786 £8.99 | $14.95 UK May 2007 | US March 2007 Library eBook 9781441145383 £29.00 | $44.00 Individual eBook 9781441142313 £7.99 | $12.99 PB 9780826417404 £8.99 | $14.95 Library eBook 9781441141026 £29.00 | $44.00 Individual eBook 9781441188717 £7.99 | $12.99 My Bloody Valentine’s Loveless Library eBook 9781441128867 £29.00 | $44.00 Mike McGonigal Portishead’s Dummy UK March 2007 | US January 2007 RJ Wheaton Steely Dan’s Aja PB 9780826415486 £8.99 | $14.95 UK December 2011 | US October 2011 Don Breithaupt Individual eBook 9781441150677 £7.99 | $12.99 PB 9781441194497 £8.99 | $14.95 UK July 2007 | US May 2007 Library eBook 9781441169594 £29.00 | $44.00 Individual eBook 9781441155825 £7.99 | $12.99 PB 9780826427830 £8.99 | $14.95 Library eBook 9781441185570 £29.00 | $44.00 Individual eBook 9781441181329 £7.99 | $12.99 Nas’s Illmatic Library eBook 9781441115188 £29.00 | $44.00 Matthew Gasteier Prince’s Sign O’ the Times UK June 2009 | US April 2009 Michaelangelo Matos Stevie Wonder’s Songs in the PB 9780826429070 £8.99 | $14.95 UK April 2004 | US March 2004 Key of Life Individual eBook 9781441163363 £7.99 | $12.99 PB 9780826415479 £8.99 | $14.95 Zeth Lundy Library eBook 9781441129833 £29.00 | $44.00 Individual eBook 9781441191274 £7.99 | $12.99 UK March 2007 | US January 2007 Library eBook 9781441141767 £29.00 | $44.00 Neil Young’s Harvest PB 9780826419262 £8.99 | $14.95 Sam Inglis Individual eBook 9781441170125 £7.99 | $12.99 Public Enemy’s It Takes a Nation Library eBook 9781441142078 £29.00 | $44.00 UK October 2003 | US September 2003 of Millions to Hold Us Back PB 9780826414953 £8.99 | $14.95 Christopher R. Weingarten Individual eBook 9781441188960 £7.99 | $12.99 Talking Heads’ Fear of Music UK June 2010 | US April 2010 Library eBook 9781441153678 £29.00 | $44.00 Jonathan Lethem PB 9780826429131 £8.99 | $14.95 UK June 2012 | US April 2012 Individual eBook 9781441142849 £7.99 | $12.99 Neutral Milk Hotel’s In the PB 9781441121004 £8.99 | $14.95 Library eBook 9781441151414 £29.00 | $44.00 Individual eBook 9781441132925 £7.99 | $12.99 Aeroplane Over the Sea Library eBook 9781441125910 £29.00 | $44.00 Kim Cooper R.E.M.’s Murmur UK November 2005 | US November 2005 J. Niimi PB 9780826416902 £8.99 | $14.95 UK June 2005 | US April 2005 Individual eBook 9781441124371 £7.99 | $12.99 PB 9780826416728 £8.99 | $14.95 Library eBook 9781441188755 £29.00 | $44.00 Individual eBook 9781441181527 £7.99 | $12.99 Library eBook 9781441152732 £29.00 | $44.00 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 25 Television’s Marquee Moon The Pixies’ Doolittle Throbbing Gristle’s Twenty Bryan Waterman Ben Sisario Jazz Funk Greats UK August 2011 | US June 2011 UK April 2006 | US March 2006 Drew Daniel PB 9781441186058 £8.99 | $14.95 PB 9780826417749 £8.99 | $14.95 UK March 2008 | US January 2008 Individual eBook 9781441127778 £7.99 | $12.99 Individual eBook 9781441145840 £7.99 | $12.99 PB 9780826427939 £8.99 | $14.95 Library eBook 9781441145291 £29.00 | $44.00 Library eBook 9781441121417 £29.00 | $44.00 Individual eBook 9781441113252 £7.99 | $12.99 Library eBook 9781441133472 £29.00 | $44.00 The Afghan Whigs’ Gentlemen The Pogues’ Rum, Bob Gendron Sodomy and the Lash Tom Waits’ Swordfi shtrombones UK October 2008 | US August 2008 Je rey T. Roesgen David Smay PB 9780826429100 £8.99 | $14.95 UK November 2008 | US September 2008 UK February 2008 | US December 2007 Individual eBook 9781441146250 £7.99 | $12.99 PB 9780826429162 £8.99 | $14.95 PB 9780826427823 £8.99 | $14.95 Library eBook 9781441186966 £29.00 | $44.00 Individual eBook 9781441105707 £7.99 | $12.99 Individual eBook 9781441116789 £7.99 | $12.99 Library eBook 9781441136435 £29.00 | $44.00 Library eBook 9781441174598 £29.00 | $44.00 The Band’s Music From Big Pink John Niven

33 1/3 BACKLIST The Ramones’ Ramones U2’s Achtung Baby UK January 2006 | US November 2005 Nicholas Rombes Meditations on Love in the PB 9780826417718 £8.99 | $14.95 UK June 2005 | US February 2005 Shadow of the Fall Individual eBook 9780826446688 £7.99 | $12.99 PB 9780826416711 £8.99 | $14.95 Stephen Catanzarite Library eBook 9781441145024 £29.00 | $44.00 Individual eBook 9781441183279 £7.99 | $12.99 UK November 2007 | US September 2007 Library eBook 9781441103703 £29.00 | $44.00 The Beach Boys’ Pet Sounds PB 9780826427847 £8.99 | $14.95 Jim Fusilli Individual eBook 9781441151452 £7.99 | $12.99 The Replacements’ Let It Be Library eBook 9781441114174 £29.00 | $44.00 UK June 2005 | US February 2005 Colin Meloy PB 9780826416704 £8.99 | $14.95 UK October 2004 | US August 2004 Van Dyke Parks’ Song Cycle Individual eBook 9781441112668 £7.99 | $12.99 PB 9780826416339 £8.99 | $14.95 Richard Henderson Library eBook 9781441140999 £29.00 | $44.00 Individual eBook 9781441194480 £7.99 | $12.99 UK August 2010 | US June 2010 Library eBook 9781441138255 £29.00 | $44.00 The Beastie Boys’ Paul’s Boutique PB 9780826429179 £8.99 | $14.95 Dan LeRoy Individual eBook 9781441143150 £7.99 | $12.99 The Rolling Stones’ Exile on Library eBook 9781441196194 £29.00 | $44.00 UK May 2006 | US March 2006 Main Street PB 9780826417411 £8.99 | $14.95 Bill Janovitz Individual eBook 9781441128195 £7.99 | $12.99 Ween’s Chocolate and Cheese UK May 2005 | US February 2005 Library eBook 9781441151728 £29.00 | $44.00 Hank Shteamer PB 9780826416735 £8.99 | $14.95 UK June 2011 | US March 2011 Individual eBook 9781441176509 £7.99 | $12.99 PB 9780826431172 £8.99 | $14.95 The Beatles’ Let It Be Library eBook 9781441115843 £29.00 | $44.00 Steve Matteo Individual eBook 9781441174192 £7.99 | $12.99 Library eBook 9781441184306 £29.00 | $44.00 UK October 2004 | US August 2004 The Rolling Stones’ Some Girls PB 9780826416346 £8.99 | $14.95 Cyrus R.K. Patell Individual eBook 9781441160935 £7.99 | $12.99 Wire’s Pink Flag UK August 2011 | US June 2011 Library eBook 9781441167149 £29.00 | $44.00 Wilson Neate PB 9781441192806 £8.99 | $14.95 UK April 2009 | US February 2009 Individual eBook 9781441102911 £7.99 | $12.99 The Byrds’ The Notorious PB 9780826429148 £8.99 | $14.95 Library eBook 9781441199133 £29.00 | $44.00 Individual eBook 9781441175731 £7.99 | $12.99 Byrd Brothers Library eBook 9781441110015 £29.00 | $44.00 Ric Menck The Smiths’ Meat is Murder UK March 2007 | US January 2007 Joe Pernice PB 9780826417176 £8.99 | $14.95 UK October 2003 | US September 2003 Individual eBook 9781441106759 £7.99 | $12.99 PB 9780826414946 £8.99 | $14.95 Library eBook 9781441168498 £29.00 | $44.00 Individual eBook 9781441114259 £7.99 | $12.99 Library eBook 9781441132444 £29.00 | $44.00 The Kinks’ The Kinks Are the Village Green Preservation Society The Stone Roses’ The Stone Roses Andy Miller Alex Green UK October 2003 | US September 2003 UK May 2006 | US February 2006 PB 9780826414984 £8.99 | $14.95 PB 9780826417428 £8.99 | $14.95 Individual eBook 9781441110688 £7.99 | $12.99 Individual eBook 9781441171290 £7.99 | $12.99 Library eBook 9781441163318 £29.00 | $44.00 Library eBook 9781441181879 £29.00 | $44.00

The Magnetic Fields’ 69 Love Songs The Velvet Underground’s The Velvet LD Beghtol Underground and Nico UK January 2007 | US November 2006 Joe Harvard PB 9780826419255 £8.99 | $14.95 UK May 2004 | US March 2004 Individual eBook 9781441130631 £7.99 | $12.99 PB 9780826415509 £8.99 | $14.95 Library eBook 9781441138309 £29.00 | $44.00 Individual eBook 9781441136152 £7.99 | $12.99 Library eBook 9781441197856 £29.00 | $44.00 The Minutemen’s Double Nickels on the Dime The Who’s The Who Sell Out Michael T. Fournier John Dougan UK June 2007 | US April 2007 UK November 2006 | US September 2006 PB 9780826427878 £8.99 | $14.95 PB 9780826417435 £8.99 | $14.95 Individual eBook 9781441122162 £7.99 | $12.99 Individual 9781441136725 £7.99 | 12.99 Library eBook 9781441161031 £29.00 | $44.00 Library eBook 9781441129314 £29.00 | $44.00

26 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] INDEX 33 1/3 Greatest Hits, Volume 1 ...... 24 Carr, Daphne...... 25 Green, Alex ...... 26 33 1/3 Greatest Hits, Volume 2 ...... 24 Catanzarite, Stephen ...... 26 Gri ths, Dai ...... 25 A Tribe Called Quest’s Cavanagh, John ...... 25 Guided By Voices’ Bee Thousand ...... 24 People’s Instinctive Travels Celine Dion’s Let’s Talk About Love ....24 Guns N’ Roses’ and the Paths of Rhythm ...... 24 Charles, Bryan ...... 25 Use Your Illusion I and II ...... 24 Abba’s Abba Gold ...... 24 Childs, Hayden ...... 25 Hainge, Greg ...... 5 AC DC’s Highway To Hell ...... 24 Cohen, Aaron ...... 24 Halligan, Benjamin ...... 5 Acoustic Territories ...... 3 Cooper, Kim ...... 25 Harvard, Joe ...... 26 Afghan Whigs’ Gentlemen, The ...... 26 Courrier, Kevin ...... 24 Hayden, Ethan ...... 20 Albiez, Sean ...... 14 Cox, Christoph ...... 10 Hegarty, Paul ...... 5, 11 Anderson, Darran ...... 15 Crandall, Phillip ...... 16 Henderson, Richard ...... 26 Andrew WK’s I Get Wet...... 16 Crawford, Anwyn ...... 22 Hendrix, Jimi ...... 13 Aphex Twin’s Cultural Dictionary of Punk, A ...... 11 Henriques, Julian ...... 4 Selected Ambient Works Danger Mouse’s The Grey Album ...... 19 Himes, Geo rey ...... 24 Volume II ...... 16 Daniel, Drew ...... 26 Hitchcock’s Ear...... 7 Aretha Franklin’s Amazing Grace ...... 24 Darnielle, John ...... 24 Hole’s Live Through This ...... 22 Arnold, Gina ...... 22 David Bowie’s Low ...... 24 Hopps, Gavin ...... 14 Astor, Pete ...... 17 Davis, Erik ...... 25 Horn, David ...... 6 Attfi eld, Nick ...... 24 Dayal, Geeta ...... 24 How the Beatles Attias, Bernardo ...... 10 Dead Kennedys’ Rocked the Kremlin ...... 11 Audio Culture ...... 10 Fresh Fruit for Rotting Vegetables ...21 Hultkrans, Andrew...... 25 Background Noise ...... 3 Death and Life of the Music Industry Inglis, Sam ...... 25 Band’s Music From Big Pink, The ...... 26 in the Digital Age, The ...... 7 Israel Kamakawiwo’ole’s Facing Barker, David ...... 24 Dettmar, Kevin J.H...... 17 Future ...... 24 Beach Boys’ Pet Sounds, The ...... 26 Devo’s Freedom of Choice ...... 23 J. Dilla’s Donuts...... 18 Beach Boys’ Smile, The...... 17 Dibben, Nicola ...... 20 Jaeger, Peter ...... 8 Beastie Boys’ Paul’s Boutique, The .....26 Dinosaur Jr.’s James Brown’s Live at the Apollo ...... 24 Beatles’ Let It Be, The ...... 26 You’re Living All Over Me ...... 24 Jankowsky, Rich ...... 6 Beghtol, L.D...... 26 DJ Culture in the Mix ...... 10 Janovitz, Bill ...... 26 Belle & Sebastian’s DJ Shadow’s Endtroducing ...... 24 Je Buckley’s Grace ...... 24 If You’re Feeling Sinister ...... 24 Dougan, John ...... 26 Jerry Lee Lewis ...... 14 Beyond and Before ...... 11 Douglas, Alan ...... 13 Jethro Tull’s Aqualung ...... 24 Biddle, Ian ...... 4 Dusty Springfi eld’s Dusty in Jimi Hendrix’s Electric Ladyland ...... 24 Big Star’s Radio City ...... 24 Memphis ...... 24 John Cage and Buddhist Ecopoetics .... 8 Björk’s Biophilia ...... 20 Eaton, Bruce ...... 24 Johnny Cash’s Black Sabbath’s Master of Reality ...... 24 Edwards, Terry ...... 25 American Recordings ...... 25 Bloomsbury Encyclopedia of Elliott Smith’s XO ...... 24 Joni Mitchell’s Court and Spark ...... 25 Popular Music of the World: Elvis Costello’s Armed Forces ...... 24 Joy Division’s Unknown Pleasures .....25 Volume 9 ...... 6 Fairchild, Charles ...... 19 Kanye West’s Volume 10 ...... 6 Fast, Susan ...... 19 My Beautiful Dark Volume 11 ...... 6 Feldman, Heidi ...... 6 Twisted Fantasy ...... 18 Volume 12 ...... 6 Ferguson, Jordan ...... 18 Kinks’ The Kinks Are the Village Volume 13 ...... 6 Ferris, D.X...... 25 Green Preservation Society, The ...... 26 Bob Dylan’s Highway 61 Revisited ...... 24 Finney, John ...... 7 Kirby, David ...... 14 Bobbie Gentry’s Ode to Billie Joe ...... 23 Flaming Lips’ Zaireeka ...... 24 Kois, Dan ...... 24 Bonomo, Joe ...... 14, 24 Fleetwood Mac’s Tusk ...... 24 Kraftwerk ...... 14 Boring Formless Nonsense ...... 3 Flying Burrito Brothers’ The Gilded LaBelle, Brandon ...... 3 Breithaupt, Don ...... 25 Palace of Sin ...... 24 Laurence, Felicity ...... 7 Brend, Mark ...... 12 Foley, Michael Stewart ...... 21 Led Zeppelin’s Led Zeppelin IV ...... 25 Brian Eno’s Another Green World ...... 24 Fournier, Michael T...... 26 Lely, John ...... 5 Brooks, Daphne A...... 24 Fusilli, Jim ...... 26 LeMay, Matthew ...... 24 Bruce Springsteen’s Gaar, Gillian G...... 25 LeRoy, Dan ...... 26 Born in the USA ...... 24 Gang of Four’s Entertainment! ...... 17 Lethem, Jonathan ...... 25 Bruno, Franklin ...... 24 Gasteier, Matthew ...... 25 Let’s Talk About Love...... 9 Byrds’ The Notorious Byrd Gavanas, Anna ...... 10 Lewis, Miles Marshall ...... 25 Brothers, The ...... 26 Gendron, Bob ...... 26 Lexicon of the Mouth ...... 3 Campbell, Edward ...... 8 Goddard, Michael ...... 5 Lin, Marvin ...... 25 Captain Beefheart’s Gordon, Robert ...... 14 Listening to Noise and Silence ...... 4 Trout Mask Replica ...... 24 Graves, Kirk Walker ...... 18 Little Richard...... 14 www.bloomsbury.com • US, Canada, Latin America • 888-330-8477 • [email protected] 27 Liz Phair’s Exile in Guyville ...... 22 Polizzotti, Mark ...... 24 Song and Circumstance ...... 12 Louis P. Masur ...... 12 Portishead’s Dummy ...... 25 Sonic Bodies...... 4 Love’s Forever Changes ...... 25 Power of Music, The ...... 6 Sonic Possible Worlds ...... 4 Lundy, Zeth ...... 25 Prato, Paolo ...... 6 Sonic Youth’s Daydream Nation ...... 25

INDEX Madness’ One Step Beyond...... 25 Priest, eldritch ...... 3 Sound of Tomorrow, The ...... 12 Magnetic Fields’, The Prince’s Sign O’ the Times ...... 25 Sound, Music, A ect ...... 4 69 Love Songs ...... 26 Proehl, Bob ...... 24 Spelman, Nicola ...... 5 Mannes, Elena...... 6 Public Enemy’s Starting At Zero ...... 13 MasterClass in Music Education ...... 7 It Takes a Nation of Millions Stearns, Matthew ...... 25 Matos, Michaelangelo ...... 25 to Hold Us Back ...... 25 Steely Dan’s Aja ...... 25 Matteo, Steve ...... 26 R.E.M.’s Murmur ...... 25 Steenstra, Sytze ...... 12 MC5’s Kick Out the Jams ...... 25 Radiohead’s Kid A...... 25 Stevie Wonder’s McGonigal, Mike ...... 25 Radiohead’s OK Computer ...... 25 Songs in the Key of Life ...... 25 McLeese, Don ...... 25 Ramones’ Ramones, The ...... 26 Stone Roses’ The Stone Roses, The ....26 Meloy, Colin ...... 26 Reed, S. Alexander ...... 15 Talk About a Dream: The Essential Menck, Ric ...... 26 Replacements’ Let It Be, The ...... 26 Interviews of Bruce Springsteen ...... 12 Michael Jackson’s Dangerous ...... 19 Resonances ...... 5 Talking Heads’ Fear of Music ...... 25 Miller, Andy ...... 26 Respect Yourself: Stax Records Taylor, Shawn ...... 24 Minutemen’s, The and the Soul Explosion ...... 14 Television’s Marquee Moon ...... 26 Double Nickels on the Dime ...... 26 Reverberations ...... 5 Tennent, Scott ...... 25 Moore, Allan...... 24 Reverberations of Dissent ...... 7 Text and Drugs and Rock ‘n’ Roll ...... 11 Morrissey ...... 14 Richard and Linda Thompson’s They Might Be Giants’ Flood ...... 15 Murtha, Tara ...... 23 Shoot Out the Lights ...... 25 Thompson, Marie ...... 4 Music After Deleuze ...... 8 Richard Hell and the Voidoids’ Throbbing Gristle’s My Bloody Valentine’s Loveless ...... 25 Blank Generation ...... 17 Twenty Jazz Funk Greats ...... 26 Nagy, Evie ...... 23 Richardson, Mark ...... 24 Tom Waits’ Swordfi shtrombones...... 26 Nas’s Illmatic ...... 25 Rietveid, Hillegonda C...... 10 Toop, David ...... 8 Neal, Peter ...... 13 Robertson, Bronwen ...... 7 Torment Saint ...... 13 Neate, Wilson ...... 26 Roesgen, Je rey T...... 26 Tost, Tony ...... 25 Neil Young’s Harvest...... 25 Rogers, Jim ...... 7 Trower, Shelley ...... 8 Nelson, Sean ...... 25 Rolling Stones’, The Trucks, Rob ...... 24 Neutral Milk Hotel’s Exile on Main Street ...... 26 U2’s Achtung Baby ...... 26 In the Aeroplane Over the Sea ...... 25 Rolling Stones’ , The Van Dyke Parks’ Song Cycle ...... 26 Nick Drake’s Pink Moon ...... 25 Some Girls ...... 26 Velvet Underground’s, The Niimi, J...... 25 Rombes, Nicholas ...... 11, 26 The Velvet Underground and Nico ...26 Nine Inch Nails’ Runaway Dream ...... 12 Vincentelli, Elisabeth ...... 24 Pretty Hate Machine ...... 25 Sanchez, Luis A...... 17 Voegelin, Salomè ...... 4 Nirvana’s In Utero ...... 25 Sandifer, Philip ...... 15 Warner, Daniel ...... 10 Niven, Alex ...... 21 Saunders, James ...... 5 Warner, Simon ...... 11 Niven, John ...... 26 Schatz, Kate...... 25 Waterman, Bryan ...... 26 Noise Matters ...... 5 Schroeder, David ...... 7 Ween’s Chocolate and Cheese ...... 26 Oasis’ Defi nitely Maybe ...... 21 Schultz, William Todd ...... 13 Weidenbaum, Marc ...... 16 Ott, Chris ...... 25 Senses of Vibration ...... 8 Weingarten, Christopher R...... 25 Patell, Cyrus R. K...... 26 Serge Gainsbourg’s Weisbard, Eric ...... 24 Patti Smith’s Horses ...... 25 Histoire de Melody Nelson ...... 15 Wheaton, RJ...... 25 Pattie, David ...... 14 Shaw, Philip ...... 25 Who’s The Who Sell Out, The ...... 26 Pavement’s Wowee Zowee ...... 25 Shepherd, John ...... 6 Wilcken, Hugo ...... 24 Pernice, Joe ...... 26 Shteamer, Hank ...... 26 Wilder, Eliot ...... 24 Perry, John ...... 24 Shuker, Roy ...... 6 Wilson, Carl ...... 9, 24 Petrusich, Amanda ...... 25 Sigur Rós’s ( )...... 20 Wire’s Pink Flag ...... 26 Phillips, Christopher ...... 12 Sinister Resonance ...... 8 Wolk, Douglas ...... 24 Pink Floyd’s Sisario, Ben...... 26 Woodhead, Leslie ...... 11 The Piper at the Gates of Dawn ...... 25 Slayer’s Reign in Blood ...... 25 Woodworth, Marc ...... 24 Pixies’ Doolittle, The ...... 26 Slint’s Spiderland ...... 25 Word Events ...... 5 PJ Harvey’s Rid of Me: A Story ...... 25 Sly and the Family Zanes, Warren ...... 24 Plagenhoef, Scott ...... 24 Stone’s There’s a Riot Goin’ On ...... 25 Pogues’ Rum, The Smay, David ...... 26 Sodomy and the Lash ...... 26 Smiths’ Meat is Murder, The ...... 26

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32 www.bloomsbury.com • UK, Europe, ROW • +44 (0) 1256 302692 • [email protected] CELEBRATING 10 YEARS 33 1/3 is a series of short books about popular music, focusing on individual albums by a variety of artists. Launched in 2003, the series will publish its 100th book in 2014 and has been widely acclaimed and loved by fans, musicians and scholars alike.

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