DOCSLIB.ORG

Televisions Marquee Moon Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Televisions Marquee Moon Free FREE TELEVISIONS MARQUEE MOON PDF Bryan Waterman | 144 pages | 27 Jul 2011 | Continuum Publishing Corporation | 9781441186058 | English | New York, United States Marquee Moon - Television | Songs, Reviews, Credits | AllMusic Television, St. Marks Place, New York City, The goal was to create something simpler, more caustic, the very antithesis of anything beyond three chords and the truth. Otherwise, the record fits in equally well with the Soho free-jazz loft scene as it does with the gyrating punk of CBGB. When I teach students, I teach them to play more like themselves. Both of them are gone, and all I have is the memories. But Television were not Televisions Marquee Moon that. We were punctual. And Televisions Marquee Moon. What kind of trip is this? Tom Verlaine. So Andy came up with Televisions Marquee Moon idea. He nearly took my fucking nose off. I was backing up while I was playing. The risks Johns and Televisions Marquee Moon band took in the studio paid off. We get it: you like to have control of your own internet experience. But advertising revenue helps support our journalism. To read our full stories, please turn off your ad blocker. We'd really appreciate it. Click the AdBlock button on your browser and select Don't run on pages on this domain. How Do I Whitelist Observer? Below are steps you can take in order to whitelist Observer. Then Reload the Page. Letra de la canción Marquee Moon - Television More Images. Please enable Javascript to take full advantage of our site features. Edit Master Release. New WavePunk. Released on February 8, The cover photo was taken by Robert Mapplethorpe. Some early copies omit the 'for Maverick Televisions Marquee Moon Ltd. Tony Lane 2 Art Direction. Billy Lobo Artwork. Fred Smith 7 Bass, Vocals. Billy Ficca Drums. Jim Boyer Engineer. Wartoke Concern, Inc. Greg Calbi Mastered By. Lee Hulko Mastered By. Jimmy Douglass Mixed By. Randy Mason Mixed By. Robert Mapplethorpe Photography By. Add Review sergi September 13, Report. Why Televisions Marquee Moon it blocked? I don't understand. Reply Notify me Helpful. No surface noise, pops or clicks. Highly recommendable! DjNotNot September 2, Report. Prefer it to the newer CD remasters. Xikoftw September 1, Report. Pressing quality is top-notch and the blue wax is wonderful. Not plain but marbled blue. A no brainer for this price. Reply Notify me 1 Helpful. I have never heard an original first pressing but I cannot imagine it sounding better than this great Chris Bellman remaster? The pressing quality is just about as perfect as it gets too. My copy has zero noise whatsoever making this a thoroughly enjoyable listen and an essential purchase, even if you have an original. I agree with the other posts in saying that Rhino reissues can almost always be relied upon to deliver the goods! Highly recommended. Well done! Would you please clarify why this is considered "blocked from sale"? Add all to Wantlist Remove all from Wantlist. Have: Want: Avg Rating: 4. Listened by Televisions Marquee Moon. Absolutely Classic Albums by Joost Televisions Marquee Moon Guardian Best Albums Ever by sound. See No Evil. Marquee Moon. Guiding Light. Prove It. Torn Curtain. Sell This Version. ElektraElektra. ElektraHispavox. ElektraMusic Hall. ElektraEastWest Japan. ElektraRhino Records 2. Rhino Records 2Warner Strategic Marketing. Rhino Records 2Elektra. ElektraRhino Vinyl. ElektraElektra Televisions Marquee Moon, Elektra. Luna graban «Marquee Moon» de Television – Ruta 66 I remember How the darkness doubled I recall Lightning struck itself I was listening Listening to the rain I was hearing Hearing something else. Life in the hive puckered up my night The kiss of death, the embrace of life There i stand neath the marquee moon just waiting Hesitating I ain't waiting. I spoke to a man Down at the tracks I asked him How he don't go mad He said "look here junior, don't you be so happy And for heaven's sake, don't you be so sad". Well a cadillac It pulled out Televisions Marquee Moon the graveyard Pulled up to me All they said get in Then Televisions Marquee Moon cadillac It puttered back into the graveyard And me I got out again. Quiero recibir notificaciones de artistas destacados y noticias. Televisions Marquee Moon Moon Television. Compartir en Facebook Compartir en Twitter. I remember How the darkness doubled I recall Lightning struck itself I was listening Listening to the rain I was hearing Hearing something else Life in the hive puckered up my night The kiss of death, the embrace of life There i stand neath the marquee moon just waiting Hesitating I ain't waiting I spoke to a man Down at the tracks I asked him How he don't Televisions Marquee Moon mad He said "look here junior, don't you be so happy And for heaven's sake, don't you be so sad" Well a cadillac It pulled out of the graveyard Pulled up to me All they said get in Then the cadillac It puttered back into the graveyard And me I got out again. Compuesta por: Tom Verlaine. Enviada por Luisa. Recomendar Twitter. Playlists relacionadas. Aplicaciones y plugins. Desktop Google Chrome Windows Televisions Marquee Moon. Plugin W. Media Player Winamp. Editar playlist. Cancelar Borrar. Cancelar Salir sin guardar. Borrar playlist Cancelar Guardar. .
Load more

Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Ramones 2002.Pdf
    PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri­ fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re­ earth: The airwaves were ruled by crotchety old di­ corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con­ The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen­ Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world.
    [Show full text]
  • Patti DP.Indd
    patti smith dream of life a film by steven sebring THIRTEEN/WNET NEW YORK AND CLEAN SOCKS PRESENT PATTI SMITH AND THE BAND: LENNY KAYE OLIVER RAY TONY SHANAHAN JAY DEE DAUGHERTY AND JACKSON SMITH JESSE SMITH DIRECTORS OF TOM VERLAINE SAM SHEPARD PHILIP GLASS BENJAMIN SMOKE FLEA DIRECTOR STEVEN SEBRING PRODUCERS STEVEN SEBRING MARGARET SMILOW SCOTT VOGEL PHOTOGRAPHY PHILLIP HUNT EXECUTIVE CREATIVE STEVEN SEBRING EDITORS ANGELO CORRAO, A.C.E, LIN POLITO PRODUCERS STEVEN SEBRING MARGARET SMILOW CONSULTANT SHOSHANA SEBRING LINE PRODUCER SONOKO AOYAGI LEOPOLD SUPERVISING INTERNATIONAL PRODUCERS JUNKO TSUNASHIMA KRISTIN LOVEJOY DISTRIBUTION BY CELLULOID DREAMS Thirteen / WNET New York and Clean Socks present Independent Film Competition: Documentary patti smith dream of life a film by steven sebring USA - 2008 - Color/B&W - 109 min - 1:66 - Dolby SRD - English www.dreamoflifethemovie.com WORLD SALES INTERNATIONAL PRESS CELLULOID DREAMS INTERNATIONAL HOUSE OF PUBLICITY 2 rue Turgot Sundance office located at the Festival Headquarters 75009 Paris, France Marriott Sidewinder Dr. T : + 33 (0) 1 4970 0370 F : + 33 (0) 1 4970 0371 Jeff Hill – cell: 917-575-8808 [email protected] E: [email protected] www.celluloid-dreams.com Michelle Moretta – cell: 917-749-5578 E: [email protected] synopsis Dream of Life is a plunge into the philosophy and artistry of cult rocker Patti Smith. This portrait of the legendary singer, artist and poet explores themes of spirituality, history and self expression. Known as the godmother of punk, she emerged in the 1970’s, galvanizing the music scene with her unique style of poetic rage, music and trademark swagger.
    [Show full text]
  • Never Mind the Sex Pistols, Hereâ•Žs CBGB the Role of Locality and DIY
    Vassar College Digital Window @ Vassar Senior Capstone Projects 2020 Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene Ariana Bowe Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Bowe, Ariana, "Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene" (2020). Senior Capstone Projects. 1052. https://digitalwindow.vassar.edu/senior_capstone/1052 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Bowe 1 Vassar College Never Mind The Sex Pistols, Here’s CBGB The Role of Locality and DIY Media in Forming the New York Punk Scene A thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Media Studies. By Ariana Bowe Thesis Advisers: Professor Justin Patch May 2020 Bowe 2 Project Statement In my project, I will explore the New York City venue CBGB as one of the catalysts behind the rise of punk subculture in the 1970s. In a broader sense, I argue that punk is defined by a specific local space that facilitated a network of people (the subculture’s community), the concepts of DIY and bricolage, and zines. Within New York City, the locality of the punk subculture, ideas and materials were communicated via a DIY micro-medium called zines.
    [Show full text]
  • Advance Praise for Something to Believe In
    Advance praise for Something To Believe In ‘Andrew Stafford’sSomething To Believe In is quite an achievement. It’s all here: part tragicomic tale of a fanboy writer struggling to translate his primal affair with music into a “real” job; part exco- riating account of his ride from adolescence to adulthood and self-discovery; and part blossoming tale of love and forgiveness. Written with great humanity and girded by a soundtrack to die for – which he almost did on more than one occasion – this memoir is a punchy, unputdownable must-read.’ PETER GARRETT ‘A pulsing, rattling jukebox of a music memoir. Drop a coin, find your sound. Rock and punk and pop; the rock bottom and the very top. Love, family, sorrow, pain; the birds, the blues, the brain. A pull out your heart and feed it to anyone rock & roll sock to the core, Something To Believe In is a soaring, sweat-soaked tribute to life’s two great miracles: music and waking up each day to hear it.’ TRENT DALTON ‘Lyrical, wise and full of wonder. Andrew Stafford strips himself bare with courage, candour, and vulnerability.’ TRACEY SPICER ‘Andrew Stafford takes us on an exhilarating ride through his life as birdwatcher, cab driver, roadie, son, lover and writer. His astute and insightful observations on music and politics in Brisbane in particular from the late eighties provide a stunning backdrop to this personal expression of his life story.’ LINDY MORRISON ‘This beautifully written book reminded me of how much music helps us navigate through life, in all its complicated glory.’ MYF WARHURST Andrew Stafford is a freelance journalist and the author of Pig City: From The Saints To Savage Garden, a musical and political history of Brisbane first published in 2004.
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
    every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The New Wave (These are excerpts from my book "A History of Rock and Dance Music") New York's new Boheme TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. 1976 was a watershed year: the music industry was revitalized by the emergence of "independent" labels and the music scene was revitalized by the emergence of new genres. The two phenomena fed into each other and spiraled out of control. In a matter of months, a veritable revolution changed the way music was produced, played and heard. The old rock stars were forgotten and new rock stars began setting new trends. As far as white popular music goes, it was a sort of Renaissance after a few years of burgeoisie icons (think: Bowie), conservative sounds (country-rock, southern boogie) and exploitation of minorities (funk, reggae). During the 1970s alternative rock had survived in niches that were highly intellectual, namely German rock and progressive-rock (particularly the Canterbury school). They were all but invisible to the masses. 1976 was the year when most of those barriers (between "low" and "high" rock, between "intellectual" and "populist", between "conservative" and "progressive", between "star" and "anti-star") became not only obsolete but meaningless.
    [Show full text]
  • High Road Touring Roster
    A A.O. Gerber G Gambles Lydia Loveless S S.G. Goodman V Valley Queen Aaron Lee Tasjan Garcia Peoples Sam Amidon Vetiver Aimee Mann Gardens & Villa M Madeline Kenney Sam Burton Violent Femmes Alabama Shakes Gary Louris Marco Benevento Sam Evian Alexandra Stréliski GARZA Mary Gauthier Sampa The Great W Ween Alexis & the Samurai Gene Ween Matt Corby SASAMI White Lies All Them Witches George Winston Matthew E. White Saving Grace Why Bonnie Amanda Palmer Glenn Kotche Matthew Sweet Scary Pockets Wilco Amy Ray Glove Mattiel Sean Rowe William Tyler Andrew Belle Good Dog Nigel Max Gomez Semisonic Wyatt Waddell Andy Cabic Gordon Gano Mazzy Star Seratones Angélica Garcia Graham Nash McKinley Dixon Shawn Mullins Y Yak Art Brut Meat Puppets Shortly Yo La Tengo Aterciopelados H H.C. McEntire Michael Nau (Cotton Shovels & Rope HAELOS Jones) Skyway Man B Bahamas Hala Michael Penn Slow Dancer Bailen Hayes Carll Michaela Anne Slowdive Balmorhea Heartless Bastards Midlake Soccer Mommy Becca Mancari Hembree Mike Cooley Soft Glas Ben Watt Hope Sandoval Mike Doughty Son Volt Bermuda Triangle Houndmouth Milo Greene Songhoy Blues Beta Radio How Long Gone Mission Of Burma SONTALK Beth Orton Mitski Spector Black Francis I Ian Hunter Mott The Hoople 74 Squirrel Flower Bleached Indianola Muzz St. Paul & The Broken Blonde Redhead Indigo Girls My Bloody Valentine Bones BNQT Interpol Mystery Jets Sunflower Bean Bob Mould Israel Nash Suzanne Vega Bob Schneider N Nataly Dawn Sweeping Promises BOY J Jack Klatt Nathaniel Rateliff Sweet Crude Boy Bjorn Jackie Cohen Nathaniel
    [Show full text]
  • Read Book Television's Marquee Moon F2SDBLMLE84P
    DPQLMCD19WKC ~ Book # Television's Marquee Moon Television's Marquee Moon Filesize: 6.86 MB Reviews I actually started reading this publication. It is full of knowledge and wisdom You wont sense monotony at at any time of your respective time (that's what catalogs are for relating to should you check with me). (Vilma Bayer III) DISCLAIMER | DMCA KPCM4Y8CZAJM \\ eBook » Television's Marquee Moon TELEVISION'S MARQUEE MOON To save Television's Marquee Moon PDF, you should follow the link under and save the file or get access to additional information which are have conjunction with TELEVISION'S MARQUEE MOON ebook. Continuum Publishing Corporation. Paperback. Book Condition: new. BRAND NEW, Television's Marquee Moon, Bryan Waterman, This is a thoroughly researched study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record. Two kids in their early twenties walk down the Bowery on a spring aernoon, just as the proprietor of a club hangs a sign with the new name for his venue. The place will be called CBGB which, he tells them, stands for 'Country Bluegrass and Blues'. That's exactly the sort of stu they play, they lie, somehow managing to get a gig out of him. Aer the first show their band, Television, lands a regular string of Sundays. By the end of the summer a scene has developed that includes Tom Verlaine's new love interest, a poet-turned-rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of the origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village.
    [Show full text]
  • A Geezer Remembers South by Southwest
    • personals • promotions • best of austin • find a paper keyword HOME NEWS ARTS BOOKS FOOD SCREENS MUSIC CALENDAR CITY GUIDE CLASSIF A Geezer Remembers South by Southwest By noon Thursday, the gray skies were gone, and the click to enlarge air carried a hint of spring. In the parking lot next to Trophy’s, there was a rudimentary stage and sound system, and it seemed like 1940 all of a sudden. The Get Up Johns had driven from St. Paul, Minn.; this was their only gig of the weekend, and they were making the most of their 30 minutes. With an acoustic guitar, mandolin, fiddle, and brotherly harmonies, Josh Wenck and Jake Hyer recalled the Louvins, Stanleys, and Delmores with a youthful skill that exuded reverence. They supposedly garnered an opening slot on an upcoming Carrie Rodriguez tour from this appearance, so maybe the long haul down I- 35 was worth it. Stopping by the Twangfest party at Jovita’s early Gary Lucas Saturday afternoon, I was expecting an acoustic set from Columbus, Ohio’s Two Cow Garage, but the quintet was in full blare mode. It all came into focus when they asked for requests. Someone blurted out “Stranglehold,” and off they went into a guitar ramble that would have made the Nuge proud. While everyone else was enjoying the Stooges late Saturday night, I decided to go to church. The Central Presbyterian Church on Eighth Street was an official venue, but I don’t think it had been totally prepared for Gary Lucas. First, the New York City guitarist provided a stunning solo live soundtrack to the 1920 silent film Der Golem, a German horror classic.
    [Show full text]
  • Atom and His Package Possibly the Smallest Band on the List, Atom & His
    Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to.
    [Show full text]