The Ithacan, 1979-02-22
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Rick Roberts Discography Solo Albums Compilations As a Member
Rick Roberts Discography Solo albums • 1972: Windmills (A&M) • 1973: She Is a Song (A&M) Compilations • 1979: The Best of Rick Roberts (A&M) • 2009: Windmills / She Is A Song (BGO) - UK release As a member of The Flying Burrito Brothers • 1971: The Flying Burrito Bros (A&M) • 1971: Devils in Disguise: 1971 Live Radio Broadcast (Smokin' / Let Them Eat Vinyl) - released in 2012 • 1972: Last of the Red Hot Burritos (A&M) • 1973: Live In Amsterdam (Ariola) As a member of Firefall • 1976: Firefall (Atlantic) • 1977: Luna Sea (Atlantic) • 1978: Élan (Atlantic) • 1978: Undertow (Atlantic) • 1980: Clouds Across the Sun (Atlantic) As composer • 1976: Linda Ronstadt - Don't Cry Now (Asylum) - track 7, "Colorado" • 1977, Chris Hillman - Clear Sailin' (Asylum) - track 10, "Clear Sailin'" (co-written with Chris Hillman and Richard Marx) • 1977: New Grass Revival - When the Storm Is Over (Flying Fish) - track 1, "Four Days Of Rain" • 1978: The Dirt Band – The Dirt Band (United Artists) - track 4, "Lights" • 1979: The Dirt Band - An American Dream (United Artists) - track 2, "In Her Eyes" • 1979: McGuinn, Clark & Hillman - McGuinn, Clark & Hillman (Capitol) - track 1, "Long Long Time" (co-written with Chris Hillman) • 1996: Barry Manilow - Summer of '78 (Arista) - track 12, "Just Remember I Love You" • 2000: Jill Jack - Watch Over Me (Drum Dancer)- track 10, "Colorado" • 2002: Beki Hemingway - Words for Loss for Words (Salt Lady) - track 8, "Just Remember I Love You" • 2004: Curtis Burch - Burchland (Bowling Green Chamber) - track 5, "Four Days of Rain" -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Charismatic Movement by James Itomnes Personally Confronted
the concorcfian concordia college moorhead, minnesota 5656Q VOLUME 70, NUMBER 2 SEPTEMBER 16, 1977 Open forum to discuss parking congestion An open forum on off-campus sentatives from both college parking will be held at 7 p.m. in campuses. Campus Security the Centrum next Thursday, Director Ron Taggart, Resident- September 22. ial Life Director Jim Meier and a Chaired by Moorhead Plan- student represent Concordia. ning Director Dick Reis, the A survey is also being con- forum will concern parking con- ducted on the-campuses this gestion in residential areas sur- week, in an attempt to deter- rounding the Concordia College mine why students are parking and .Moorhead Sate University in residential areas.. campuses. Complaints and re- According to Reis, the forum commendations will be encour- parking space has been a pro- aged,, including those concern- blem in tnis area ever since the ing on-campus parking. two colleges were formed. Con- The open forum is a result of a cordia has partially alleviated request made by area citizens the problem with parking facil- eignt months ago. The city has ities and the vehicle restriction set up a parking committee of on s6me students receiving city representatives and repre- financial aid. Freshmen senate Cobber yearbooks elections coming up by Diane Minor were requested to file petitions delayed a while longer with the elections commissioner Freshmen and transfer mem- by Wed., Sept. 14. They had to bers of the Student Senate will Concordia students will re- not yet been received by the was quickly returned for print- obtain 50 signatures from their company on August 20, Cobber be selected between 10 a.m. -
Calhoun Prank Backfires Univm^Itv • Philmwphia
VOLUME LH. NUMBER 26 DREXEL UNIVERSITY, PHILADELPHIA, PA. FRIDAY, APRIL 30,1976 Student Injured May 10th Party Calhoun Prank Backfires Univm^itv • PhilMWphia. (Vnm vtv*nii^9K« To Be For Ail by Karl Schaeffer - - Maybe A harmless student prank resulted in serious injury for a Drexel student April M, 1976 by Karl Schaeffer last Friday. Mike Foust, a Pre-Junior Electrical Engineer fell from the OHice of fourth floor of Calhoun Hall while trying to reach the ground from his dorm the Oan of Students There’s a very good possibility window. The incident occured at 4:00 AM April 23. that the 10th of May Party will be Foust’s injury occured in an attempt to reach the ground by means other open to the general student than using the stairs or elevators of Calhoun. Foust, his roommate, and two An (»en Letter to the Drexel Student Body populace, after all. In an article friends wanted to see how fast someone could reach the ground if they were published in the April 23 issue of the locked into their room. Some reports say they were “pennied in.” The two The Ihiverslty has in recent weeks witnessed a series of student Triangle it se em ^ that the social pranks which have resulted in extensive Jange to both Ihivcrslty and proceeded to escape using bedsheets tied together. The roommate reached student owned pn^rty. More uihappily, these pranks have in sew event of the spring quarter faced the ground safely but Foust slipped in his attempt. instances resulted in the infliction of serious physical harm to stiklents and the disruption of their acadeinic programs. -
Televisions Marquee Moon Free
FREE TELEVISIONS MARQUEE MOON PDF Bryan Waterman | 144 pages | 27 Jul 2011 | Continuum Publishing Corporation | 9781441186058 | English | New York, United States Marquee Moon - Television | Songs, Reviews, Credits | AllMusic Television, St. Marks Place, New York City, The goal was to create something simpler, more caustic, the very antithesis of anything beyond three chords and the truth. Otherwise, the record fits in equally well with the Soho free-jazz loft scene as it does with the gyrating punk of CBGB. When I teach students, I teach them to play more like themselves. Both of them are gone, and all I have is the memories. But Television were not Televisions Marquee Moon that. We were punctual. And Televisions Marquee Moon. What kind of trip is this? Tom Verlaine. So Andy came up with Televisions Marquee Moon idea. He nearly took my fucking nose off. I was backing up while I was playing. The risks Johns and Televisions Marquee Moon band took in the studio paid off. We get it: you like to have control of your own internet experience. But advertising revenue helps support our journalism. To read our full stories, please turn off your ad blocker. We'd really appreciate it. Click the AdBlock button on your browser and select Don't run on pages on this domain. How Do I Whitelist Observer? Below are steps you can take in order to whitelist Observer. Then Reload the Page. Letra de la canción Marquee Moon - Television More Images. Please enable Javascript to take full advantage of our site features. Edit Master Release. New WavePunk. -
To Lasker's Philosophy
cash box,- news Breaking Nickey Barclay Key To Lasker's Philosophy by David Budge LOS ANGELES - Jay Lasker, president That 20% is in direct personnel costs, of Ariola America Records more than not in advertising and other promotional agreeing with last week's Cash Box expenses. We've weighted the company editorial (Breaking New Acts - Key to to having an 80% promotion expense by The Future); is doing something about it. design. The record business is not a Lasker and his partner, Howard Stark sales or merchandising business. It's a founded Ariola on the premise that they promotion business." would succeed primarily on building the Whether established or just starting careers of new artists rather than spend- out, an artist cannot make it without ing their money on 'established' acts. heavy promotion. Obviously, in the case Lasker told Cash Box, "I'd never buy of new talent, the more promotion the an artist for Ariola. The philosophy in better. Said Lasker, "All the in-store dis- establishing this company has been to plays in the world don't mean a thing un- SHEER GOLD ATTACK - While in Boston to kick off Queen's 1976 world tour, develop new artists. You can't make any less a person has heard a record on the Elektra/Asylum chairman Joe Smith presented Queen with a gold record for money buying up artists." In pursuit of radio. The breaking of new artists is their third Elektra album, "Sheer Heart Attack." Pictured above are to r.): bassist his goal, Lasker has already achieved absolutely critical. -
A Geezer Remembers South by Southwest
• personals • promotions • best of austin • find a paper keyword HOME NEWS ARTS BOOKS FOOD SCREENS MUSIC CALENDAR CITY GUIDE CLASSIF A Geezer Remembers South by Southwest By noon Thursday, the gray skies were gone, and the click to enlarge air carried a hint of spring. In the parking lot next to Trophy’s, there was a rudimentary stage and sound system, and it seemed like 1940 all of a sudden. The Get Up Johns had driven from St. Paul, Minn.; this was their only gig of the weekend, and they were making the most of their 30 minutes. With an acoustic guitar, mandolin, fiddle, and brotherly harmonies, Josh Wenck and Jake Hyer recalled the Louvins, Stanleys, and Delmores with a youthful skill that exuded reverence. They supposedly garnered an opening slot on an upcoming Carrie Rodriguez tour from this appearance, so maybe the long haul down I- 35 was worth it. Stopping by the Twangfest party at Jovita’s early Gary Lucas Saturday afternoon, I was expecting an acoustic set from Columbus, Ohio’s Two Cow Garage, but the quintet was in full blare mode. It all came into focus when they asked for requests. Someone blurted out “Stranglehold,” and off they went into a guitar ramble that would have made the Nuge proud. While everyone else was enjoying the Stooges late Saturday night, I decided to go to church. The Central Presbyterian Church on Eighth Street was an official venue, but I don’t think it had been totally prepared for Gary Lucas. First, the New York City guitarist provided a stunning solo live soundtrack to the 1920 silent film Der Golem, a German horror classic. -
Vol. 22, No. 30
Vol. 22, No. 30 \ Page 2 April 19, 1979 t~~ROl~f~~. ;l T ! "\. I Sam Leader and Horner Pl•:,lng to an Jack addressed audiences enthualastlc packed as part of -the Symposium house, Flrefall bit on Survival 11. Susie Stevena Point and took Jacobson and Kurt Busch the campus by stonn. describe the sessions on Fred Brennan reviews the page 5. concert OD page 'ZI . On the co\'.er Undercover By Leo Alfredo Pieri UIEWPOIDT Sports Edi tor On evening up Athletics spending --i: POINTER PEOPLE Many UWSP students who participate in ~!any clubs have been voicing Managing Ed itor: 1, club-oriented athletics are finding the going discontentment that they do not receive fair Kurt Busch tough. due lo several underlying problems treatment. Weightlifting treasurer Ra lph Associate Editors: I: concerning athletic facilities available and Lynch ha noted lhe escalaling problem. Susie Jacobson-News athletic funding to be had. "Our club is seriously going down hill. We Bob Ham-Features I Mike Schwalbe-Environment Many of the clubs are frustrated and set have no money. the weight room is Leo Pieri-Sports back due to denied opportunities to expand overcrowded. we can·t get set hours. so our Jim Eagon-Student Lile club interests because of a shortage of membership is going down fast. .. Karl Garson-Poetry I facilities and money. Funding shortages have been a nother Julie Dau]-{;raphics major problem for athletics besides the Mark McQueen-Photography According to Dr. Donald Hoff, Assistant faci lity needs. Most hard hit by the low Annie Glinski-Copy Dean of HPERA <Health, Physical budgets are the "U'' clubs. -
Atom and His Package Possibly the Smallest Band on the List, Atom & His
Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-19-1979 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1979). The George-Anne. 877. https://digitalcommons.georgiasouthern.edu/george-anne/877 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. GEORGE-ANNE Volume 59, No. 15 Statesboro, Georgia 30458 February 19, 1979 Outside funds 'unlikely'for Foy By KEN BUCHANAN president of the college, the major renovation funds should be made and what GSC is unlikely to receive vice president, the physical priorities list. According to repairs can wait. "Schools funds from the Board of plant director, and others to Cook, Foy problems have simply send their priority Regents to pay for construc- decide upon a list of priorities been included in this list. lists to us and we decide tion work on the improved which is sent to the board, "As I recall," Cook said, "Foy where the money goes. The ventilation system for the usually in April. is pretty high on our list of schools are not required to Foy building, William Cook, He said that there are priorities." spend the money they receive director of fiscal affairs, said actually three priority lists. -
WAXED OOP (Cuneiform Rune 277)
Bio information: FAST ‘N’ BULBOUS Title: WAXED OOP (Cuneiform Rune 277) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ROCK / JAZZ / BLUES-ROCK / “THERE AIN’T NO LABEL FOR THIS BOTTLE” – Don Van Vliet "Remarkably, these instrumentals hold onto Beefheart's obsessive strangeness, which is really the best tribute that Lucas, Johnston and the rest of the Fast 'n' Bulbous crew could have given him. This CD is ragged but right, all the way. 4/5 stars" – All Music Guide "[They] recast Captain Beefheart's tunes and make the case for him as a composer the equal of Thelonious Monk." – Nashville Scene "..Fast ‘N’ Bulbous are no next best thing: They are the big brass band [Captain Beefheart] never had. With bellowing horns arranged by saxophonist Phillip Johnston and pinpoint swordplay by ex-Magic Band guitarist Gary Lucas, Fast’N’Bulbous ignite the R&B gunpowder inside the tangled surrealism… The group attacks Van Vliet's songs with the same idiosyncratic precision that he drilled into his own musicians." – Rolling Stone Captain Beefheart's music is the quintessential 'outsider art music' of the second half of the 20th century. The blues-drenched Picasso of rock music, Captain Beefheart (Don Van Vliet) created a series of recordings from the 1960s to early 1980s that shattered assumptions regarding how modern American popular music could, or even should, be composed and interpreted. Before leaving music to pursue a life- long interest in painting, he created 10 albums of astonishingly creative music that shattered conventions in popular music as profoundly as cubism had impacted modern painting a half century before. -
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