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Summer Ball 2007
End of Year Issue 2007 SUMMER���������������������������������������������������� BALL 2007 ��������������� In This Issue... The Bludgeoner News ����������������������������������������������������� Tales From The Queer Side ������������������������������������������ ��������������� ����������������������������������� Sport �������������������� ����������������������������������������� From Bangor To ��������������� ������������������� Bangor The BIG Interview ������������� with the Vice ������������ Chancellor ������������������������������������� �������������������� ������������������������������������ The Great Orme ������������������������ ����������������� �������������������������������� Travel ������������������������������������������� ����������������� The Adventures of ��������������������������������������������������������� Stuart Dent Music ��������������������������������������� ����������������������������� ���������������������������������� ������������������������� One Minute Welsh ������������������������������� � �������������������� Film ����������������������������������������� angor certainly loves its celebrities, Java Restaurant. On top of this there will be the night. Headlining this year, are the Male Voice Choir and Bangor University Adventures From especially if they have appeared in casino tables, circus entertainers and most Ordinary Boys. Trademarked by hits such as Jazz Orchestra. In the marquee, sax and Across The Pond BBig Brother. Over the past year we impressively of all, fun fair rides. -
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Donna Summer, Giorgio Moroder, and “I Feel Love”
Thamyris/Intersecting No. 26 (2013) 43–54 Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love” Tilman Baumgärtel The track “I Feel Love” by Donna Summer still seems to come out of another world. Even though the song was produced three decades ago, it still sounds alien and futurist. And the world, out of which “I Feel Love” came, has been built out of loops, nothing but loops. The song rattles on and on like a machine gun. The loops appear deceptively simple at first. “I Feel Love” is based on the electronic throb of a pattern out of a few synthesizer notes the sequencer repeats over and over and occasionally transposes. But in the framework of these minimalist preconditions the track develops a field of rhythmic differences, deviations, and shifts. The blunt, mechanical thumping of a machine turns into complex polyrhythms, strict rule turns into confusing diversity, and eventually becomes an organism out of repetitions. Even Donna Summer herself eventually got lost in the confusing labyrinth of rhythms in “I Feel Love.” In this essay I want to show how producer Giorgio Moroder succeeded in trans- forming the clatter of the synthesizer loops of “I Feel Love” into an organic pulse with the help of a relatively simple production trick. Then, I want to discuss how “I Feel Love” systematically dissolves and collapses antithetical oppositions. This pro- duction trick not only lends an organic quality to the mechanical loops, but, in the process, amalgamates nature and technology on a musical level. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Milli Vanilli Girl You Know It's True Mp3, Flac, Wma
Milli Vanilli Girl You Know It's True mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Girl You Know It's True Country: UK Released: 1988 Style: Euro House, Synth-pop MP3 version RAR size: 1716 mb FLAC version RAR size: 1440 mb WMA version RAR size: 1399 mb Rating: 4.2 Votes: 701 Other Formats: FLAC MP1 MP4 DXD MPC RA AA Tracklist A1 Girl You Know It's True A2 Baby Don't Forget My Number A3 More Than You'll Ever Know A4 Blame It On The Rain A5 Take It As It Comes B1 It's Your Thing B2 Dreams To Remember B3 All Or Nothing B4 I'm Gonna Miss You B5 Girl You Know It's True (N.Y. Subway Extended Mix) Companies, etc. Record Company – Bertelsmann Music Group Record Company – MCA Music Inc. Phonographic Copyright (p) – Hansa Musik Produktion GmbH Copyright (c) – Hansa Musik Produktion GmbH Marketed By – Arista Records, Inc. Distributed By – Arista Records, Inc. Produced For – Far Music Production Recorded At – Far Studios Mixed At – Far Studios Published By – MCA Music Publishing Published By – Adekayode Music Published By – FMP Songs Published By – Edition Intro Published By – Warner-Tamerlane Publishing Corp. Published By – Eleksylum Music Inc. Published By – Philesto Music Co. Published By – Realsongs Published By – Rare Blue Music, Inc. Published By – Almo Music Corp. Published By – Little Shop Of Morgan Songs Published By – SBK Blackwood Music Inc. Published By – Triple Three Music Credits Arranged By, Horns – Dino Solera Arranged By, Keyboards – P.G. Wylder, Pit Loew* Backing Vocals – Bimey Oberreit, Charles Shaw, Felicia Taylor, Herbert Gebhard*, Joan Faulkner, Jodie Rocco, John Davis, Linda Rocco, Peter Rishavy, The Jackson Singers Coordinator [Production] – Ingrid Segieth Design – Marlene Cohen Drums – Curt Cress Engineer – Bernd Berwanger, Jens Seekamp, Norbert Janicke*, Tobias Freund Guitar – Bruce Ingram, Jens Gad, Peter Weihe Horns – D. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Retrospective Analysis of Plagiaristic Practices Within a Cinematic Industry in India – a Tip in the Ocean of Icebergs
Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs Item Type Article Authors Sivasubramaniam, Shiva D; Paneerselvam, Umamaheswaran; Ramachandran, Sharavan Citation Umamaheswaran, P., Ramachandran, S. and Sivasubramaniam, S.D., (2020). 'Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India–a Tip in the Ocean of Icebergs'. Journal of Academic Ethics, pp.1-11. DOI: 10.1007/ s10805-020-09360-7 DOI 10.1007/s10805-020-09360-7 Publisher Springer Journal Journal of Academic Ethics Download date 27/09/2021 02:43:07 Link to Item http://hdl.handle.net/10545/624527 Journal of Academic Ethics https://doi.org/10.1007/s10805-020-09360-7 Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India – aTip in the Ocean of Icebergs Paneerselvam Umamaheswaran1 & Sharavan Ramachandran2 & Shivadas D. Sivasubramaniam3 # The Author(s) 2020 Abstract Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is extremely popular amongst the public. Since the expectations of the public for songs that are enjoyable are high, many music directors are seeking elsewhere to “borrow” tunes. Whilst a vast majority of Indian cinemagoers may not have noticed these plagiarised tunes, some journalists and vigilant music lovers have noticed these activities. This study has taken the initiative to investigate the extent of plagiaristic activities within one Indian cinematic music industry. -
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Business Its Legal, Ethical, and Global Environment 10Th Edition
BUSINESS ITS LEGAL, ETHICAL, AND GLOBAL ENVIRONMENT 10TH EDITION Author: Jennings Number of Pages: --- Published Date: --- Publisher: --- Publication Country: --- Language: --- ISBN: 9781285428260 DOWNLOAD: BUSINESS ITS LEGAL, ETHICAL, AND GLOBAL ENVIRONMENT 10TH EDITION Toward a holistical perception of the content of business ethics. Highly Influenced. View 13 excerpts, cites background. The unfashionable Drucker: ethical and quality chic. Legal and Ethical Implications of Website Accessibility. The ethical breaches were: divulging information, violating rules and condoning unethical actions. There is no definitive answer as yet. We only know that the National Marine Band did not play during her performance, that a tape was played, and that those in charge of the event felt a live performance was too risky because the singer had not had the opportunity to rehearse with the band prior to her performance. So, why so much concern about lip-syncing? The law can provide us with the answer. A live performance carries the implied promise of actual singing. When Britney Spears, who is well known for lip-syncing during live performances, performed in Australia, the lip-syncing was so obvious that fans walked out and demanded refunds. The promoter complied and issued refunds. If a singer has released CDs or songs for sales that represent that the voice is his or her own, and the voice is not that of the singer, then the same misrepresentation issues and damages apply. The lip-sync debacle that resulted in the most extensive litigation came upon the discovery that the GrammyAward-winning duo, Milli Vanilli Rob Pilatus and Fab Morvan , had never performed any of their songs. -
Staying in Focus Focus Advanced Toastmasters
SSttaayyiinngg iinn FFooccuuss Focus Advanced Toastmasters Club 2173599, Area 34, District 70 Club News and Events – January 2013 Volume 2, Issue 1 Contents President’s New Year Message H ave you ever made a New Year’s resolution and not Page H kept it? Most of us, I’ll wager, have started a New Year at some President’s Message for 2013 1 time or other with the best intention of changing a habit for the better, only to look back some months later and wonder what happened to the Editor’s New Year Eloquence 2 promise we made to ourselves. Why haven’t I lost weight? How come my credit card still looks like a party balloon? Why am I not spending more The ‘Four by Three’ Formula 3 time with loved ones? You know how it is. Perhaps we have even tried the professional approach - SMART goals, for instance. Remember our Planner and Future Events 4 management training – goals must be Specific; Measurable; Attainable; Relevant, and Time specific. Yet, as each year passes we find ourselves Biggest Speaking Mistakes 4 making the same resolutions. So what’s the problem, doc? Basically, Club Member Profiles 5 change does not happen on the surface - whims do, and whims are notoriously fickle. Change happens in the psyche, where the brain’s wiring ‘Focus Advanced’ Defined 6 has been laid down to create routine in our lives, routine that saves us from having to think every little thing through time and time again - but Mondegreens and Eggcorns 7 which also produces the ties that bind us – habits.