Smash Hits Volume 41
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Men's Soccer Ousts Boston U, 2-0 See Back Page the Daily Campus Serving the Storrs Community Since 1896
Men's soccer ousts Boston U, 2-0 See back page The Daily Campus Serving the Storrs Community Since 1896 VoL LXXXIXNo.10 The University of Connecticut Thursday, Sept 19, 1985 Speedier toll removal urged HERTFORD. (AP)—Spurred by two accidents in We've had eight deaths there in the last two three days at the Connecticut Turnpike toll in years." he said Stratford Gov. William A. O'Neill plans to ask "The statistics relative to accidents and death Transportation Commissioner J. William Burns and injury at the Stratford toll plaza really jump about speeding up the current toll-removal out at you"' schedule Seven people died in an accident at the plaza That toll and the seven others on the turnpike in 1983. A Massachusetts man was killed in an are to be removed by July 31, 1986. Toll collec- accident there on Saturday, and there were no tions, however, will cease on Dec. 25. injuries in a Stratford toll accident Tuesday. O'Neill called for the meeting with Burns after A law passed in 1983 requires the removal of getting a letter from state Sen Thomas Scott R- the turnpike tolls next year. Milford, who asked the governor to close the DeBear said O'Neill was concerned that the Stratford plaza immediately. removal of the toll booths be done in an Larry deBear. the governors news sec- orderly fashion retary, said the time ans place for the meeting "You could end up creating more problems between Burns and O'Neill had not been set than you're trying to remove." he quoted the Burns is on vacation until Monday. -
183 Anti-Valentine's Day Songs (2015)
183 Anti-Valentine's Day Songs (2015) 4:24 Time Artist Album Theme Knowing Me Knowing You 4:02 Abba Gold Break up Lay All Your Love On Me 5:00 Abba Gold cautionary tale S.O.S. 3:23 Abba Gold heartbreak Winner Takes it All 4:55 Abba Gold Break up Someone Like You 4:45 Adele 21 Lost Love Turning Tables 4:08 Adele 21 broken heart Rolling in the Deep 3:54 Adlele 21 broken heart All Out Of Love 4:01 Air Supply Ulitimate Air Supply Lonely You Oughta Know 4:09 Alanis Morissette Jagged Little Pill broken heart Another heart calls 4:07 All American Rejects When the World Comes Down jerk Fallin' Apart 3:26 All American Rejects When the World Comes Down broken heart Gives You Hell 3:33 All American Rejects When the World Comes Down moving on Toxic Valentine 2:52 All Time Low Jennifer's Body broken heart I'm Outta Love 4:02 Anastacia Single giving up Complicated 4:05 Avril Lavigne Let Go heartbreak Good Lovin' Gone Bad 3:36 Bad Company Straight Shooter cautionary tale Able to Love (Sfaction Mix) 3:27 Benny Benassi & The Biz No Matter What You Do / Able to Love moving on Single Ladies (Put a Ring On It) 3:13 Beyonce I Am Sasha Fierce empowered The Best Thing I Never Had 4:14 Beyonce 4 moving on Love Burns 2:25 Black Rebel Motorcycle Club B.R.M.C. cautionary tale I'm Sorry, Baby But You Can't Stand In My Light Anymore 3:11 Bob Mould Life & Times moving on I Don't Wish You Were Dead Anymore 2:45 Bowling for Soup Sorry for Partyin' broken heart Love Drunk 3:47 Boys Like Girls Love Drunk cautionary tale Stronger 3:24 Britney Spears Opps!.. -
Feargal Sharkey Speaker Profile
Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Various Top of the Pops - 819 Mp3, Flac, Wma
Various Top Of The Pops - 819 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Top Of The Pops - 819 Country: UK Released: 1980 Style: Pop Rock, Ska, Synth-pop MP3 version RAR size: 1194 mb FLAC version RAR size: 1202 mb WMA version RAR size: 1144 mb Rating: 4.8 Votes: 810 Other Formats: MIDI MP4 MOD TTA DXD ASF AC3 Tracklist A1 –Commodores Machine Gun 0:21 A2 –The Rolling Stones Dance 4:16 A3 –The Human League Dreams Of Leaving 3:41 A4 –Bad Manners Lip Up Fatty 2:46 A5 –Kate Bush Babooshka 3:25 A6 –Splodgenessabounds Simon Templar 2:33 A7 –The Human League Being Boiled 4:06 A8 –The Rolling Stones Emotional Rescue 5:15 A9 –Commodores Machine Gun 0:20 B1 –Kate Bush Babooshka 1:16 B2 –The Rolling Stones Dance 4:19 B3 –The Human League Dreams Of Leaving 3:52 B4 –Bad Manners Lip Up Fatty 2:45 B5 –Kate Bush Babooshka 3:27 B6 –The Human League Being Boiled 4:06 Companies, etc. Phonographic Copyright (p) – BBC Credits Hosted By – Brian Matthew Notes BBC transcription disc hosted by the British DJ Brian Matthew (born 17 September 1928) Track A1 and A9 are listed as Signature Tune - 'Machine Gun' on cue sheet with the host speaking over the music. Track B1 is listed as programme trailer for 'Top Of The Pops' - 819. The host speaks over the music. Track B1 is a closed groove meaning the stylus must be lifted onto the beginning of track B2 to play the remainder of side 2. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
Record-Business-1982
INSIDE Singles chart, 6-7; Album chart, 17; New Singles, 18; New Albums, 19; Airplay guide, 15-15; Quarterly Chart survey, 12; Independent Labels, 12/13. April 12, 1982VOLUME FIVE Number 3 65p Virgin tops RBTV promotions back singles & LPs 75% of CBS LP sales chart survey CBS, WITH the most active roster ofthe industry's national chart was gained, MOR artists, is increasingly resorting toalthough promotion on such an intense television promotion asa means ofscale was not underway anywhere else at for first time securing sufficient volume to ensurethe time. Since then the campaign has chart placings. It has been estimatedbeen efficiently rolled out to give the FOLLOWING A quarter during that about 75 percent of the company'ssinger her highest chart placing to date. which the Human League, Toni albumsalescurrentlyarecoming Television backing for the IglesiasTIGHTFIT, keepfitand Felicity Basil and Orchestral Manoeuvres through TV -boosted repertoire. album has given it a new lease of lifeKendall - the chart -topping group In The Dark were major best- after an earlier chart entry at the time offrom the Zomba stable present actress selling artists, Virgin has emerged Of the seven releases with which it is scoring in the RB Top 60, CBS has givenrelease last year. Felicity Kendall with a gold album for as the leading singles and albums "We are certainly getting volume, butsales of 200,000 -plus copies of her label for the first time in a Record significant smallscreen support to five of them, Love Songs by Barbra Streisand,it is a very expensive way of doing it andShape Up And Dance LP, sold on mail Business survey of chart and sales there is no guarantee that you willorderthroughLifestyleRecords, action during January -March. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Should Big Data Change the Modelling Paradigm in Official Statistics?
Statistical Journal of the IAOS 31 (2015) 193–202 193 DOI 10.3233/SJI-150892 IOS Press “Re-make/Re-model”: Should big data change the modelling paradigm in official statistics?1 Barteld Braaksmaa,∗ and Kees Zeelenbergb aInnovation Program, Statistics Netherlands, 2490 HA Den Haag, The Netherlands bMethods and Statistical Policies, Statistics Netherlands, 2490 HA Den Haag, The Netherlands Abstract. Big data offers many opportunities for official statistics: for example increased resolution, better timeliness, and new statistical outputs. But there are also many challenges: uncontrolled changes in sources that threaten continuity, lack of identifiers that impedes linking to population frames, and data that refers only indirectly to phenomena of statistical interest. We discuss two approaches to deal with these challenges and opportunities. First, we may accept big data for what they are: an imperfect, yet timely, indicator of phenomena in society. These data exist and that’s why they are interesting. Secondly, we may extend this approach by explicit modelling. New methods like machine-learning techniques can be considered alongside more traditional methods like Bayesian techniques. National statistical institutes have always been reluctant to use models, apart from specific cases like small-area estimates. Based on the experience at Statistics Netherlands we argue that NSIs should not be afraid to use models, provided that their use is documented and made transparent to users. Moreover, the primary purpose of an NSI is to describe society; we should refrain from making forecasts. The models used should therefore rely on actually observed data and they should be validated extensively. Keywords: Big data, model-based statistics 1.