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Filmadrid Mostrará La Última Película De Godard En 3D

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Filmadrid Mostrará La Última Película De Godard En 3D Nota de prensa #filmadrid FILMADRID MOSTRARÁ LA ÚLTIMA PELÍCULA DE GODARD EN 3D ● Rodada con smartphones, cámaras Go-Pro y otros dispositivos cinematográficos, Adiós al lenguaje es una película que lleva al límite el discurso intelectual y plástico de Godard ● Se proyectará en el Cine Conde Duque Santa Engracia el lunes 8 de junio Madrid, 14 de mayo de 2015. - FILMADRID Festival Internacional de Cine, contará en su primera edición con una proyección de excepción: Adiós al lenguaje, el último trabajo de Jean-Luc Godard. Los madrileños tendrán la oportunidad de disfrutar por primera vez de esta película en su formato original 3D, y será gracias al apoyo de la Embajada de Suiza en España y a la colaboración de la distribuidora Vértigo Films. FILMADRID cumple así su intención de traer a la capital una muestra del mejor paisaje cinematográfico contemporáneo, películas de cineastas consagrados y autores por descubrir. La proyección especial de será el 8 de junio a las 20:15 horas en el Cine Conde Duque Santa Engracia. Sobre ‘Adiós al lenguaje’ de Jean-Luc Godard Godard ya trabajó con la imagen tridimensional en Les trois désastres en el compendio 3X3D (2013), un tríptico en 3D con cortometrajes de además de Godard, Peter Greenaway y Edgar Pêra; un proyecto vinculado a la celebración de los 2.000 años de historia de la ciudad portuguesa de Guimarães. Más información y entrevistas: [email protected] / 646518457 www.filmadrid.com / Facebook / Twitter / Hashtag: #filmadrid 1 Rodada en 3D con smartphones, cámaras Go-Pro y otros dispositivos cinematográficos, Adiós al lenguaje es una película que lleva al límite el discurso intelectual y plástico de Godard en su uso radical de la profundidad de campo y el 3D. Parece que la intención de Godard sea por una parte arrojar al espectador los objetos que se ven en pantalla, y por la otra, volver a pintar la imagen de manera detallada y cuidadosa con este nuevo instrumento tecnológico que proporciona texturas inusitadas. Hay un doble uso del 3D, por tanto: para denunciar lo ‘espectacular’ y como punto cero del nuevo paradigma de la imagen en el siglo XXI. Película experimental, ensayo audiovisual, collage sensorial, se trata de un trabajo de múltiples capas. Según Godard, Adiós al lenguaje es la historia de una mujer casada, un hombre soltero y un perro. Al nudo dramático mínimo, esencial, que es el enfrentamiento-confrontación-la relación entre el hombre y la mujer , probablemente el gran tema de Godard a lo largo de su trayectoria. - En su cine los cuerpos del hombre y la mujer se buscan pero no se encuentran- se le suma el elemento animal, un perro (en los créditos bajo el nombre de Roxy Miéville, se trata del propio perro de Godard y su compañera Anne Marie), un protagonista que, a diferencia de los humanos, no está contaminado ni por el lenguaje ni por el concepto de representación frente a la cámara y el cine. Como el grueso de sus películas, Adiós al lenguaje también es el reencuentro del espectador con el discurso de citas-conceptos yuxtapuestas propio del cineasta: textos, películas y música en la mayoría familiares, recurrentes, reelaboradas y recontextualizadas en este nuevo largometraje; en otras, nuevas citas que amplían el pensamiento del autor. Premio del Jurado del Festival de Cannes. Ficha técnica Escrita y dirigida por Jean-Luc Godard Productor ejecutivo Alain Sarde Producida por Brahim Chioua, Vincent Maraval y Alain Sarde Director de fotografía- Fabrice Aragno Montaje- Jean-Luc Godard Sonido- Jean-Luc Godard Ficha artística Héloise Godet Josette Kamel Abdeli Gédéon Richard Chevallier Marcus Zoé Bruneau Ivitch Christian Gregori Davidson Jessica Erickson Mary Shelley Miéville Roxy Sobre Jean-Luc Godard Nacido en París en 1930, Jean-Luc Godard asistió a la escuela en Suiza y más tarde estudió en la Universidad de París, aunque su juventud queda marcada por las proyecciones de la Cinémathèque Française a cargo de Henri Langlois. Allí entró en contacto con otros críticos como Francois Truffaut, Eric Rohmer o Claude Chabrol con los que coincidiría en las páginas de Cahiers du Cinéma, dirigida por André Bazin, y como compañeros de la Nouvelle Vague. Tras una serie de cortometrajes, Godard debutaría en el largo con la icónica Al final de la escapada (1960), con Jean-Paul Belmondo y Jean Seberg; a la que siguieron hitos de la Nouvelle Vague como Una mujer es una Más información y entrevistas: [email protected] / 646518457 www.filmadrid.com / Facebook / Twitter / Hashtag: #filmadrid 2 mujer (1961), Vivir su vida (1962), El soldadito (1963), Los carabineros (1963), El desprecio (1963), Banda aparte (1964), Una mujer casada (1964), Alphaville (1965), Pierrot, el loco (1965), Masculino, femenino (1966), además de Made in U.S.A. (1967), Dos o tres cosas que sé de ella (1967), La Chinoise (1967), Weekend (1967), el documental sobre los Rolling Stones Simpathy for the Devil (1968), Un film comme les autres (1968) y La gaya ciencia (1969) hasta que Godard se involucró por completo en el colectivo Dziga Vertov junto a Jean-Pierre Gorin. La década de los 70 también supondrán lo que los críticos han señalado como los años vídeo de Godard, en los que continuó experimentando esta vez a través de la imagen electrónica y que se materializaron en trabajos tan rupturistas como Número Deux’ (1975) o las series televisivas Six fois deux/Sur et sous la communication (1976) y France/tour/detour/deux/enfants (1977). Ya en la década de 1980, Godard regresó a cierta idea de cine narrativo con Salve quien pueda la vida (1980), la trilogía formada por Pasión (1982), Nombre: Carmen (1983) y Yo te saludo, María (1984), y Detective (1985). A partir de entonces Godard retomaría el formato de ensayo con El rey Lear (1987) o con el monumental proyecto de Histoire(s) du cinéma (1988). En el futuro, Godard ha continuado trabajando sus sempiternos temas como la deriva política de Europa, las relaciones sentimentales o el nuevo estatuto de la imagen digital con obras como Elogio del amor (2001), Notre Musique (2004), Film Socialisme (2010) o Adiós al lenguaje (2014), su primer largometraje en 3D, siempre a través de su estilo cinematográfico único, personal e irreductible. FILMADRID Festival Internacional de Cine Del 5 al 13 de junio MADRID www.filmadrid.com Facebook Twitter Hashtag: #filmadrid Sobre FILMADRID: FILMADRID, Festival Internacional de Cine impulsado por Pasajes de Cine, nace con el objetivo de convertir a Madrid en punto de referencia del cine independiente mundial. Se trata de un espacio para acercar la cultura cinematográfica al público de la capital, que servirá además para alimentar la cinefilia en la ciudad. Es un festival de vocación anual que se celebrará todos los años en la primera quincena de junio. Más información y entrevistas: [email protected] 646518457 Más información y entrevistas: [email protected] / 646518457 www.filmadrid.com / Facebook / Twitter / Hashtag: #filmadrid 3 .
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