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Pernille Fischer Christensen
A FAMILY EEN FILM VAN Pernille Fischer Christensen WILD BUNCH HAARLEMMERDIJK 159 - 1013 KH – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx A FAMILY – Pernille Fischer Christensen PROJECT SUMMARY Een productie van ZENTROPA Taal DEENS Originele titel EN FAMILIE Lengte 99 MINUTEN Genre DRAMA Land van herkomst DENEMARKEN Filmmaker PERNILLE FISCHER CHRISTENSEN Hoofdrollen LENE MARIA CHRISTENSEN (Brothers, Terribly Happy) JESPER CHRISTENSEN (Melancholia, The Young Victoria, The Interpreter) PILOU AESBAK (Worlds Apart) ANNE LOUISE HASSING Release datum 4 AUGUSTUS 2011 DVD Release 5 JANUARI 2012 Awards/nominaties FILM FESTIVAL BERLIJN 2010 NOMINATIE GOUDEN BEER WINNAAR FIPRESCI PRIJS Kijkwijzer SYNOPSIS Ditte Rheinwald vertegenwoordigt de jongste generatie van de beroemde Deense bakkersfamilie. Haar eigen dromen en ambities zijn echter anders dan die van haar familie. Als ze een droombaan bij een galerie in New York krijgt aangeboden, besluit ze samen met haar vriend Peter de kans aan te grijpen. De toekomst lijkt stralend, het leven vrolijk en simpel. Maar dan wordt Ditte’s charismatische vader Rikard, meesterbakker en hofleverancier, ernstig ziek. Als Rikard eist dat zij de leiding overneemt van het familiebedrijf, raakt haar hele leven uit balans. Plotseling is het leven niet meer zo simpel. CAST Ditte Lene Maria Christensen Far Jesper Christensen Peter Pilou Asbæk Sanne Anne Louise Hassing Chrisser Line Kruse Line Coco Hjardemaal Vimmer Gustav Fischer Kjærulff CREW DIRECTOR Pernille Fischer Christensen SCREENWRITERS Kim Fupz -
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
A FILM by NICOLAS MAURY CG CINÉMA Presents
A FILM BY NICOLAS MAURY CG CINÉMA presents NICOLAS MAURY NATHALIE BAYE PRESS RENDEZ-VOUS VIVIANA ANDRIANI / AURÉLIE DARD [email protected] / [email protected] Tel.: +33 1 42 66 36 35 A FILM BY NICOLAS MAURY Mob : +33 6 80 16 81 39 INTERNATIONAL SALES LES FILMS DU LOSANGE 22 Avenue Pierre 1er de Serbie - 75116 Paris Tél.: +33 1 44 43 87 24 www.filmsdulosange.com FRANCE • 2020 • 1H50 • IMAGE 2,35 • SOUND 5.1 Photos and press pack can be downloaded at https://filmsdulosange.com/en/film/my-best-part/ 4 5 pcoming actor Jérémie is going through an existential crisis. Pathologically jealous and plagued by romantic, professional and familial misadventures, he flees Paris to reset in the country with his mother – who turns out to be more than a little invasive… 6 7 The main theme of My Best Part is jealousy. passionate characters. I think that jealousy is a Jérémie, the lead character says that it burns powerful decipherer of the world, in the sense his blood. Did you do research? that it encourages the urge to overcome what The most basic item of research was my you imagine. The tragedy, if I can call it that, is own life. When I arrived in Paris as a teenager that the jealous person is not always wrong. raised in the country, in the Limousin region, They picture things in their mind, and crazily almost immediately I fell head over heels in enough it turns out the picture is often right. love and, like all devouring passions, it involved Jealousy is like tinnitus, background noise only overpowering jealousy. -
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed. -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Vivre Sa Vie Nathaniel Dorsky Kinorama Antichrist O Plano Frontal
TODA A POESIA QUE VINICIUS VIU NO CINEMA, POR CARLOS A. CALIL O BOLETIM DO ANO 35 N162 CINE CLUBE DE VISEU JUNHO 2019 2 EUROS QUADRIMESTRAL O INCONTORNÁVEL GODARD NA RETINA DE Vivre sa vie MARIA JOÃO MADEIRA ANA BARROSO NOS PASSOS DO CINEMA LUMINOSO DE Nathaniel Dorsky O NOVO PROJECTO DE EDGAR PÊRA É O MOTE PARA Kinorama UMA CONVERSA COM EDUARDO EGO DE LARS VON TRIER COMEMORA UMA DÉCADA E FILIPE VARELA Antichrist ESCREVE-NOS SOBRE ELE EM ‘NÓS POR CÁ’, FAUSTO CRUCHINHO REFLECTE SOBRE O plano frontal DISCURSO VISUAL E DISTORÇÃO DA REALIDADE em televisão POR MANUEL PEREIRA A retórica do poder JARMUSCH INSPIRA ANDRÉ RUIVO NO Dead Man SEU ‘OBSERVATÓRIO’ 162 VIVRE SA VIE NA RETINA DE MARIA JOÃO MADEIRA GRIFFITH DIZIA QUE ERA TUDO O QUE ERA PRECISO, GODARD CITA-O POR ESCRITO: A FILM IS A GIRL AND A GUN. Na capa, Charlotte Gainsbourg, num fotograma de Antichrist (Lars von Trier, 2009). Por causa de uma crónica, uma ilustração, um ensaio, mais cedo ou mais tarde o Argumento vai fazer falta. Assinaturas €10 5 EDIÇÕES HTTP://WWW.CINECLUBEVISEU.PT/ARGUMENTO-ASSINATURAS Colaboram neste número: MARIA JOÃO EDGAR ANA FILIPE FAUSTO MANUEL ANDRÉ MADEIRA PÊRA BARROSO VA R E L A CRUCHINHO PEREIRA RUIVO PROGRAMADORA DE ESTÁ A TERMINAR ANA BARROSO É ESTUDOU CINEMA, PROFESSOR AUXILIAR FORMADO EM ESTUDOS LICENCIADO EM DESIGN CINEMA, SOBRETUDO. KINORAMA — CINE- INVESTIGADORA NO FILOSOFIA E MATEMÁ- DA FACULDADE DE ARTÍSTICOS NA VA- DE COMUNICAÇÃO PELA MA FORA DE ÓRBI- CENTRO DE ESTUDOS TICA. REALIZOU DUAS LETRAS DA UNIVER- RIANTE DE ESTUDOS FBAUL E MESTRE EM TA, A SEQUELA DO ANGLÍSTICOS DA U.L. -
BROTHERHOOD [Broderskab]
Presents A FILM BY NICOLO DONATO BROTHERHOOD [Broderskab] STARRING THURE LINDHARDT DAVID DENCIK NICOLAS BRO MORTEN HOLST Country of Origin: Denmark / In Danish with English Subtitles Running time: 90 minutes Shot On: RED1 Sound: Dolby SR Digital Screen Ratio: 1:2:35 Rating: Not Rated PRESS CONTACT SASHA BERMAN SHOTWELL MEDIA TEL: 310.450.5571 [email protected] Please download photos from our website: www.olivefilms.com New York Premiere August 6, 2010 SYNOPSIS When Lars (Thure Lindhardt) is cheated out of promotion to sergeant following rumors about his unbecoming behavior towards some of his men, he decides to leave the army. Back home, his overly proper suburban parents succeed in driving him nuts in record time, as they do everything in their power to sweep the embarrassing incident under the carpet. By chance, Lars runs into a small radical group of neo-Nazis led by the charismatic Michael ‘Fatso’ (Nicolas Bro). Initially, Lars distances himself from their ideology and methods, but fuelled by defiance against the system in general – and his parents in particular – Lars decides to join the group. Fatso immediately spots the potential in the intelligent eloquent Lars, even though his right-hand man, Jimmy (David Dencik), does not agree. Lars rapidly advances through the ranks and is nominated as an A member, despite the fact that this promotion should really have gone to Jimmy’s younger brother, Patrick (Morten Holst). Lars moves out of his parents’ house and into board chairman Ebbe’s remotely situated summer cottage, which Jimmy is in the process of renovating. Despite their initial dislike of each other, the attraction between the two men soon becomes too strong to ignore, and even though they feel torn between ideology and emotions, they begin a secret relationship. -
GUIDELINES for WRITING SOAP NOTES and HISTORY and PHYSICALS
GUIDELINES FOR WRITING SOAP NOTES and HISTORY AND PHYSICALS by Lois E. Brenneman, M.S.N, C.S., A.N.P, F.N.P. © 2001 NPCEU Inc. all rights reserved NPCEU INC. PO Box 246 Glen Gardner, NJ 08826 908-537-9767 - FAX 908-537-6409 www.npceu.com Copyright © 2001 NPCEU Inc. All rights reserved No part of this book may be reproduced in any manner whatever, including information storage, or retrieval, in whole or in part (except for brief quotations in critical articles or reviews), without written permission of the publisher: NPCEU, Inc. PO Box 246, Glen Gardner, NJ 08826 908-527-9767, Fax 908-527-6409. Bulk Purchase Discounts. For discounts on orders of 20 copies or more, please fax the number above or write the address above. Please state if you are a non-profit organization and the number of copies you are interested in purchasing. 2 GUIDELINES FOR WRITING SOAP NOTES and HISTORY AND PHYSICALS Lois E. Brenneman, M.S.N., C.S., A.N.P., F.N.P. Written documentation for clinical management of patients within health care settings usually include one or more of the following components. - Problem Statement (Chief Complaint) - Subjective (History) - Objective (Physical Exam/Diagnostics) - Assessment (Diagnoses) - Plan (Orders) - Rationale (Clinical Decision Making) Expertise and quality in clinical write-ups is somewhat of an art-form which develops over time as the student/practitioner gains practice and professional experience. In general, students are encouraged to review patient charts, reading as many H/Ps, progress notes and consult reports, as possible. In so doing, one gains insight into a variety of writing styles and methods of conveying clinical information. -
MEDEA in OVID's METAMORPHOSES and the OVIDE MORALISE: TRANSLATION AS TRANSMISSION Joel N
MEDEA IN OVID'S METAMORPHOSES AND THE OVIDE MORALISE: TRANSLATION AS TRANSMISSION Joel N. Feimer Ovide Moralist of the early fourteenth century is much more than a translation into Old French of the first-century Latin Metamorphoses of Ovid. It has long been observed that mediaeval translators were not driven by a passion for "accuracy," or torn by a sense of the futility of their task as their modern counterparts have been. As a comparison of the two texts clearly shows, the mediaeval poet augmented Ovid's work where he found it lacking, displaying an encyclopaedic erudition in the process. The author ,1 2 of Ovide Moralise also adapted the pagan content of Ovid's Metamorphoses to convey Christian dogma to his audience. Every narrative element, every character, and every symbol is employed to represent a Christian signifi• cance by means of allegorical exegeses which are as long as or longer than the passages they explicate. An excellent example of the mediaeval poet's use of his translation of Ovid's text to transmit his orthodox mediaeval vision to his audience may be found in his treatment of the story and character of Medea from Book VII of The Metamorphoses. Ovide Moralise contains the most complete portrait of Medea among the mediaeval narrations of her story.3 It traces the tale from Jason's acceptance of the quest to obtain the Golden Fleece to Medea's attempt to poison Theseus and her subsequent escape. To be sure, there are a number of works in both vernacular and Latin to which the title, Ovide Moralise, has been ascribed. -
Submarino / Berlinale Competition a Family/ Berlinale Competition Super
vINTErBErG rETUrNS To rEALISM family entanglements ADMIratioN For THE oUTSIDEr The director of Festen/The Celebration, Thomas Berlin winner for A Soap, Pernille Fischer Christensen This tagline could well describe the spirit of the stories Vinterberg brings his latest filmSubmarino to the is back competing at the Berlinale with A Family. At the in the five films chosen by Berlinale’s Generation: Birger Berlinale Competition. A story about two estranged heart of the story about family ties is the relationship Larsen’s Super Brother and four short films,Megaheavy, brothers marked by an early tragedy. between a father and his daughter. Out of Love, Sun Shine and Whistleless. PAGE 3 PAGE 6 PAGE 9 & 15-20 FILM IS PUBLISHED BY #THE DANISH FILM68 INSTITUTE / febuarY 2010 submarino / Berlinale competition a family / Berlinale competition super brother / Berlinale Generation megaheavy / out of love / sun shine / whistleless / Generation short films PAGE 2 / FILM#68 / BERLIN ISSUE FILM#68/ BERLIN issue insiDe vINTErBErG rETUrNS To rEALISM FAMILY ENTANGLEMENTS ADMIrATIoN For THE oUTSIDEr ESSENTIAL BoNDS / BErLINALE CoMPETITIoN The director of Festen/The Celebration, Thomas Berlin winner for A Soap, Pernille Fischer Christensen This tagline could well describe the spirit of the stories Vinterberg brings his latest filmSubmarino to the is back competing at the Berlinale with A Family. At the in the five films chosen by Berlinale’s Generation: Birger Berlinale Competition. A story about two estranged heart of the story about family ties is the relationship Larsen’s Super Brother and four short films,Megaheavy, brothers marked by an early tragedy. between a father and his daughter. -
Magic and the Roman Emperors
1 MAGIC AND THE ROMAN EMPERORS (1 Volume) Submitted by Georgios Andrikopoulos, to the University of Exeter as a thesis/dissertation for the degree of Doctor of Philosophy in Classics, July 2009. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ..................................... (signature) 2 Abstract Roman emperors, the details of their lives and reigns, their triumphs and failures and their representation in our sources are all subjects which have never failed to attract scholarly attention. Therefore, in view of the resurgence of scholarly interest in ancient magic in the last few decades, it is curious that there is to date no comprehensive treatment of the subject of the frequent connection of many Roman emperors with magicians and magical practices in ancient literature. The aim of the present study is to explore the association of Roman emperors with magic and magicians, as presented in our sources. This study explores the twofold nature of this association, namely whether certain emperors are represented as magicians themselves and employers of magicians or whether they are represented as victims and persecutors of magic; furthermore, it attempts to explore the implications of such associations in respect of the nature and the motivations of our sources. The case studies of emperors are limited to the period from the establishment of the Principate up to the end of the Severan dynasty, culminating in the short reign of Elagabalus. -
Film. It's What Jews Do Best. Aprll 11-21 2013 21ST
21ST TORONTO JEWISH FILM FESTIVAL APRIL 11-21 2013 WWW.TJFF.COM FILM. It’S WHAT JEWS DO BEST. DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT Proudly adding a little spark to the Toronto Jewish Film Festival since 2001. overdrivedesign.com 2 Hillel Spotlight on Israeli Films Spotlight on Africa Israel @ 65 Free Ticketed Programmes CONTENTS DRAMAS 19 COMEDIES 25 DOCUMENTARIES 28 BIOGRAPHIES 34 ARCHIVAL FILMS 37 SHORT FILMS 38 4 Schedule 15 Funny Jews: 7 Comedy Shorts 42 Patron Circle 6 Tickets 15 REEL Ashkenaz @ TJFF 43 Friends and Fans 7 Artistic Director’s Welcome 16 Talks 44 Special Thanks 8 Co-Chairs’ Message 17 Free Family Screenings 44 Nosh Donors 9 Programme Manager’s Note 18 Opening / Closing Night Films 44 Volunteers 10 Programmers’ Notes 19 Dramas 46 Sponsors 12 David A. Stein Memorial Award 25 Comedies 49 Advertisers 13 FilmMatters 28 Documentaries 67 TJFF Board Members and Staff 13 Hillel Spotlight on Israeli Film 34 Biographies 68 Films By Language 14 Spotlight on Africa 37 Archival Films 70 Films By Theme / Topic 14 Israel @ 65 38 Short Films 72 Film Index APRIL 11–21 2013 TJFF.COM 21ST ANNUAL TORONTO JEWISH FILM FESTIVAL 3 SCHEDULE • Indicates film has additional screening(s).Please Note: Running times do not include guest speakers where applicable. Thursday April 11 Monday April 15 8:30 PM BC 92 MIN CowJews and Indians: How Hitler 1:00 PM ROM 100 MIN • Honorable Ambassador w/ Delicious Scared My Relatives and I Woke up Peace Grows in a Ugandan in an Iroquois Longhouse —Owing