A Psychobiography

Total Page:16

File Type:pdf, Size:1020Kb

A Psychobiography John Lennon: A Psychobiography Dayana Osorio Submitted in fulfillment of the requirements for the degree MAGISTER ARTIUM IN PSYCHOLOGY In the Department of Psychology at the Faculty of the Humanities University of the Free State Bloemfontein 2016 Supervisor: Prof. J. P. Fouché Photograph of John Lennon Photograph retrieved from https://www.pinterest.com/melissa4071gmai/the-greatest- band-everthe-beatles/ i Acknowledgements This research is the result of the continued support from influential people, I wish to express my gratitude and thankfulness to: Professor Paul Fouché, for initiating my interest in the field of psychobiography as well as for his encouragement, guidance and patience throughout this study. Dr Pravani Naidoo, for her assistance and contribution in the proposal for this study. Ms Jenny Lake, for the editing of this dissertation. My parents, Juan and Yolayda as well as sisters, Grettel and Julia for their continuous support and encouragement. Wiets Botes for igniting my interest in the music and culture of the Beatles. ii Declaration by Language Editor I hereby declare that I language edited a Master’s dissertation authored by Ms Dayana Osorio with the title: “John Lennon – A psychobiography”. Jennifer Lake Accredited Professional Text Editor, SATI (APEd) Membership no: 1002099 iii Student Declaration I declare that the dissertation hereby submitted by me for the degree Magister Artium in Psychology at the University of the Free State is my own independent work and has not been previously submitted by me at another university or faculty. I also concede copyright of the dissertation in favour of the University of the Free State. 03 March 2016 ________________________ ___________________ Signature of student Date (D. Osorio) This work has been evaluated for originality through the turnitin service (Submission ID: 638522961) iv Table of Contents Photograph of John Lennon ......................................................................................... i Acknowledgements ........................................................................................................ii Declaration by Language Editor .................................................................................. iii Student Declaration ......................................................................................................iv Table of Contents .......................................................................................................... v List of Tables ................................................................................................................. x Abstract ..........................................................................................................................xi Chapter 1 ........................................................................................................................ 1 Introduction and Problem Statement .......................................................................... 1 1.1 Chapter Preview ................................................................................................. 1 1.2 General Orientation of the Study ........................................................................ 1 1.3 Problem Statement and Rationale ..................................................................... 2 1.4 Research Aim ..................................................................................................... 4 1.5 Theoretical Orientation ....................................................................................... 4 1.6 Overview of the Study ........................................................................................ 5 1.7 Chapter Summary .............................................................................................. 5 Chapter 2 ........................................................................................................................ 6 The Psychosocial Developmental Theory of Erikson ................................................ 6 2.1 Chapter Overview .................................................................................................. 6 2.2 Erik Erikson ............................................................................................................ 6 2.3 Erikson’s Psychoanalytic Beginnings ..................................................................... 7 2.4 Erikson and Personality Development ................................................................... 9 2.5 Psychosocial Theory ............................................................................................ 10 2.6 Eight stages of Psychosocial Development Theory ............................................. 10 2.6.1 Stage one: Basic trust versus mistrust (0–1 year) ......................................... 12 2.6.2 Stage two: Autonomy versus shame and doubt (1–3 years).......................... 14 2.6.3 Stage three: Initiative versus guilt (3–6 years) ............................................... 15 2.6.4 Stage four: Industry versus inferiority (6–12 years) ....................................... 17 v 2.6.5 Stage five: Identity versus role confusion (12–20 years) ............................... 18 2.6.6 Stage six: Intimacy versus isolation (20 - 30 years) ....................................... 20 2.6.7 Stage seven: Generativity versus stagnation (50 - 60 years)......................... 21 2.6.8 Stage eight: Integrity versus despair (65 years and onwards roughly) .......... 22 2.7 Erikson’s Ninth Stage ........................................................................................... 24 2.8 Unsuccessful resolution of Erikson’s stages ........................................................ 24 2.8.1 Basic mistrust ................................................................................................ 25 2.8.2 Shame and doubt .......................................................................................... 25 2.8.3 Guilt ............................................................................................................... 26 2.8.4 Inferiority ........................................................................................................ 26 2.8.5 Role confusion ............................................................................................... 26 2.8.6 Isolation ......................................................................................................... 27 2.8.7 Stagnation ...................................................................................................... 27 2.8.8 Despair .......................................................................................................... 27 2.9 Erikson and Psychobiography .............................................................................. 28 2.10 Critique of Erikson’s Theory ............................................................................... 28 2.11 Conclusion ......................................................................................................... 29 Chapter 3 ...................................................................................................................... 30 Theoretical Overview of Psychobiographical Studies ............................................. 30 3.1 Chapter Overview ................................................................................................ 30 3.2 Psychology and Biography ................................................................................... 30 3.3 Psychobiographical Definitions and Descriptions ................................................. 32 3.4 Psychobiography and Related Concepts ............................................................. 34 3.4.1 Autobiography and biography ........................................................................ 34 3.4.2 Life histories and life stories ........................................................................... 34 3.4.3 Psychohistory, historical psychology and historiography ............................... 35 3.4.4 Personality assessment ................................................................................. 35 3.5 Psychobiography as Case Study Research ......................................................... 36 3.5.1 Case study epistemology ............................................................................... 36 3.5.2 Case research objective ................................................................................ 37 3.5.3 Case research design .................................................................................... 38 vi 3.5.4 Case research method .................................................................................. 39 3.6 History and Trends in Psychobiography .............................................................. 40 3.7 Value of Psychobiographical Research ............................................................... 43 3.7.1 Individual case within the whole ..................................................................... 43 3.7.2 Subjective reality ............................................................................................ 43 3.7.3 Socio-historical context .................................................................................. 43 3.7.4 Process and pattern over time ....................................................................... 44 3.7.5 Theory testing and development .................................................................... 44 3.8 Chapter Summary ...............................................................................................
Recommended publications
  • Catalogo-2015-Digital.Pdf
    132 SND SONIDERO 134 20 000 Days on Earth | 20 000 días en la Tierra 136 Björk: Biophilia Live | Björk: Biophilia en vivo CONTENIDO | CONTENTS 138 The Devil and Daniel Johnston | El diablo y Daniel Johnston 140 A Hard Day’s Night 142 Pulp: A Film About Life, Death and Supermarkets | Pulp: una película sobre la vida, la muerte y los supermercados 144 Serrat y Sabina: el símbolo y el cuate | Serrat & Sabina: Two for the Road 4 PRESENTACIÓN | FOREWORD AMB 146 AMBULANTITOBULANTITO 148 Programa 1: El cielo y otros mundos | The Sky and Other Worlds 20 NOTAS DE PROGRAMACIÓN | PROGRAMMING NOTES 148 Programa 2: Aprender del mundo | Learning From the World 22 ASOMBRO | WONDER Colaboración con Editorial Sexto Piso 148 Programa 3: Anina 56 RF REFLECTOR 150 ENF ENFOQUE 58 Is the Man Who Is Tall Happy?: An Animated Conversation with Noam Chomsky 154 Programa 1: Ritual y cine-trance | Ritual and Cine-trance ¿Es feliz el hombre que es alto?: una conversación animada con Noam Chomsky 156 Programa 2: Mirar lo invisible | Seeing the Invisible 60 Jodorowsky’s Dune | Dunas de Jodorowsky 158 Programa 3: Autoetnografías | Self-ethnographies 62 The Look of Silence | La mirada del silencio 160 Programa 4: El sexto sentido | The Sixth Sense 64 Merchants of Doubt | Mercaderes de la duda 162 Programa 5: Umbrales sensoriales | Sensory Thresholds 66 Point and Shoot | Apunte y dispare 164 Programa 6: El tren de las experiencias | The Train of Experiences 68 The Salt of the Earth | La sal de la tierra 70 Supermensch: The Legend of Shep Gordon | Supermensch: la leyenda de Shep Gordon 166 RTR RETROSPECTIVA 72 The Visit | La visita 170 Programa 1: Nouvelle vague | Nueva ola | New Wave 74 PUL PULSOS 171 Programa 2: Podría ser cualquier lugar, pero es París | It Could Be Anyplace, But It’s Paris 172 Programa 3: Fijar una imagen.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • BRITISH BEATLES FAN CLUB MAGAZINES - Jetzt Auch in Deutschland Erhältlich, Natürlich Im Beatles Museum … Einzelheft: 4,50 Euro Inkl
    InfoMail 18.07.15: Die BRITISH BEATLES FANCLUB-Magazine /// MANY YEARS AGO InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken. Hallo M.B.M.! Hallo BEATLES-Fan! BRITISH BEATLES FAN CLUB MAGAZINES - jetzt auch in Deutschland erhältlich, natürlich im Beatles Museum … Einzelheft: 4,50 Euro inkl. Versand 10er Abo: 40,00 Euro inkl. Versand für aktuelles Heft und die nächsten neun. Weitere Info und/oder bestellen: Einfach Abbildung anklicken Auch Abbildungen in pdf-Datei anklickbar. Ausgaben 55 bis 53 - Jedes Heft 4,50 Euro inkl. Versand Juni 2015: BEATLES-Fanmagazin BRITISH BEATLES FAN CLUB MAGAZINE - ISSUE 55. Heft; Hochformat: A5; 40 Seiten; viele Farb- und Schwarzweiß-Fotos; englischsprachig. Inhalt: cover photo: 1970 - JOHN LENNON. / Editorial. / THE BEATLES - A Day in the Life. / Media Watch. / Coming Up - Forthcoming Events incl. PAUL McCARTNEY's OUT THERE! 2015 USA & EUROPE and RINGO STARR & HIS ALL-STARR BAND TOUR 2015. / CYNTHIA LENNON 1939 - 2015 - "Just smile and love but don't cry". / RINGO STARR & HIS ALL-STARR BAND TOUR 2015: 1st March 2015 - Planetario Galileo Galilei, Buenos Aires, Argentina. / PAUL McCARTNEY's OUT THERE!: 28th April 2015 - Nihon Budokan Hall, Tokyo, Japan; 23rd May 2015 - O2 Arena, London, UK; 24th May 2015 - O2 Arena, London, UK. / Paperback Writers: BEST OF THE BEATLES - THE SACKING OF PETE BEST: THE BEATLES THROUGH HEADPHONES; JOHN LENNON - THE COLLECTED ARTWORK; CONFESSIONS OF BEATLEMANIAC; WINGS OVER NEW ORLEANS; MY KID BROTHER'S BAND A.K.A. THE BEATLES; THE BEATLES - THE HOUSE THAT JACK BUILT; SOME FUN TONIGHT!; PAUL McCARTNEY - RECORDING SESSIONS 1969 - 2013. / FAB FOUR On DVD: A MUSICARES TRIBUTE TO PAUL McCARTNEY.
    [Show full text]
  • Celebrating the Bold Spirit of Independent Film
    february 12-15 2009 Boulder International Film Festival celebrating the bold spirit of independent film 1 | BOULDER INTERNATIONAL FILM FESTIVAL 09 WWW.BIFF1.COM ORDER BIFF TICKETS AT 303.786.7030 OR WWW.BOULDERTHEATER.COM WWW.BIFF1.COM | 1 9:17 a.m. Breakfast at Jill’s. t 1:30 p.m. Spaaaaaah… 10:49 p.m. Tripped the light…and it was fantastic. TIME WELL Spent. .OAGENDA.OITINERARY *USTSPUROFTHEMOMENT JUSTTHEWAYYOULIKEIT3T*ULIEN )T`SWHATEVERYOUWANTITTOBE $/7.4/7."/5,$%2 v34*5,)%.#/- 2 | BOULDER INTERNATIONAL FILM FESTIVAL 09 WWW.BIFF1.COM To the legions of highly discerning individuals who actually read the welcome Robin Beeck, Executive Director letters in film festival programs, welcome! Boulder International Film Festival This year, the Boulder International Film Festival proudly presents a stellar program of films from the decade’s greatest filmmakers. We’ve gathered surprising, funny and courageous films that have been presented this year in some of the top film festivals in the world—Cannes, Berlin, Telluride, Toronto, Sundance and Human Rights Watch International, including seven films that are shortlisted for the 2009 Academy Awards. As always, we’ll also screen bold original works by new filmmakers that are just now bursting onto the horizon. Our international reach was greatly enhanced this year with our merger with the Boulder Asian Film Festival and access into the vast explosion of films from Asia. Recently, I read that the number one favorite activity of travelers is “people watching.” Thousands of people in Boulder have already discovered that the Boulder International Film Festival is the Photo by Mary Krafczyk-Johnston ultimate travel experience...a joyous feast of not only watching the exteriors of people from many countries and cultures, but also getting inside their heads, their hearts and their passions, and actually seeing the world through their eyes.
    [Show full text]
  • Bill Plympton One of the Top Independent Animators in the World, Plympton Has Won International Festival Awards and , I Multiple Oscar® Nominations for His Work
    , ( -~ -- ·-- =;0"::)' 1, ~,\\._ -___~";;. \ It' T- t W t h I ~~... :::::::;:.,y j /J ~~~J ) S Ime 0 a c ~, £~~? .,-' , ~.y.~~ i) 'j '-The longest-running showcase of independent, experimental, and artistically-inspired films in North America • CCS is a recognized leader in art + design education that prepares students to enter the new, global economy where creativity shapes better communities and societies. COLLEGE for Creative STUDIES Office of Admissions 201 E. Kirby Detroit, MI 48202 Tele: 313.664.7425 / 800.952.ARTS Email: [email protected] Web: www.collegeforcreativestudies.edu THE COLLEGE FOR CREATIVE STUDIES ADMITS STUDENTS OF ANY RACE, COLOR, AND NATIONAL OR ETHNIC ORIGIN. ANN ARBOR FILM fES!rIVAL Index Letters from Governor & Mayor . .. .. .. .. .. .. Page 2 Welcome from Executive Director .................. Page 3 .. Awards ....................... .. .. ......... Page 4 Award Donors ... .. ... .. .... .. .. .. .. .. .. Page 6 46th Award Jurors ............................... Page 7 Members & Donors ............................. Page 8 Festival Staff, Board & Volunteers ................. Page 9 Membership . ................................ Page 11 Sponsors .............. .... .. ............ ... Page 12 Festival Knowledge & Venues Map .. .. .. .. ... Page 13 Op,ening Night Gala Reception & Screening ........ Page 14 Festival Programs .. .... ...... .. ..... .... Page 16 Calendar Overview . Page 36 Print Sources ................ .. .. .. ....... Page 54 _ ~' I . It's Time to Watch (~ft:: , ~~.~~ til '-- Please help us reduce waste and hold onto your program guide throughout the festival. TEk FROM THE GOVERNOR my privilege to welcome you to the 46th Ann Arbor Film Festival. As one of the longest­ running showcases in the world, this Festival highlights the most independent, avant-garde, and artistically-inspired films. By bringing these quality films to Ann Arbor, the Festival helps us enrich our lives by sharing new ideas and highlighting the diversity of cultures through the art of storytelling.
    [Show full text]
  • Tokyo! an Omnibus Triptych Examining the Modern Urban Life of This Unforgettable City
    PROGRAM SCHEDULE JULY • AUGUST 2009 Infoline: 925-3457 100 Arthur St. IN THE EXCHANGE www.winnipegcinematheque.com TULPAN (see page 2 for details) NONSENSE! NONSENSE? FEATURING A POST SCREENING ACTING UP A STORM: ARTIST TALK BY DEIRDRE LOGUE AND SHAWNA DEMPSEY Fringe Actors Film Festival The Winnipeg Film Group is thrilled to welcome Toronto artist Deirdre Logue for an exclusive screening of her early work, paired with the work of prolific local artists Shawna Dempsey and July 24 – 29 • See page 3 for details Lorri Millan, followed by a post screening artist talk. Nonsense! Nonsense? has been curated for the Winnipeg Film Group by Jenny Bisch. Admission is free and all are welcome. See page 3 for details. TOKYO! An omnibus triptych examining the modern urban life of this www.winnipegcinematheque.com unforgettable city. July 10 – 16 • See page 2 for details Summer Nights LatvianAugust 19 – 20 • See page 4 for details The Cinematheque is proud to be in partnership with UMFM Campus Radio...and is a sponsor of Winnipeg’s only film talk radio show Ultrasonic Film. Tune to 101.5 on the FM dial every Thursday evening Phantom of the Opera • Page 2 TOKYO! • Page 2 from 10 PM to 11 PM for the best in film reviews and discussion with hosts James and Lindsay. The Winnipeg Film Group’s Cinematheque gratefully acknowledges the on-going support of the Canada Council For The Arts, the Manitoba Arts Council, and the City of Winnipeg through the Winnipeg Arts Council. We also acknowledge the media sponsorship of CKUW 95.9 and UMFM 101.5 FM.
    [Show full text]
  • Hallo M.B.M., Hallo BEATLES-Fan, Ein Neues LENNON-Buch & DVD Mit Unbekannten Fotos, Filmsequenzen …
    InfoMail Nr. 1083: neues LENNON-Buch I MET THE WALRUS Hallo M.B.M., hallo BEATLES-Fan, ein neues LENNON-Buch & DVD mit unbekannten Fotos, Filmsequenzen … Außerdem bei uns noch erhältlich: Buch THE BEATLES FILM & TV CHRONICLE Buch THE BEATLES IN BELGIUM ! Samstag, 1. Mai 2009: BUCH & DVD I MET THE WALRUS. 26,50 Euro Autor; Jerry Levitan. Verlag: Collins Design, Großbritannien. Gebundene Ausgabe; Hochformat cm 21 cm x 16,4 cm; 168 Seiten; 21 Farb, 10 Schwarzweiß-Fotos und 27 Schwarzweiß-Zeischnungen; englischsprachig. Buch-Inhalt: Meet The Beatles; I Met The Walrus; In My Life; Epilogue. DVD-Inhalt: The Film (3:17); The Audio (incl. Couse Peace; Judge Us On Our Music; Profound Whateever; Doing On Our Gig; Maximum Exposure); The Words; The Photos; The Drawings. Pressetext (Übersetzung): Im Jahr 1969 schlich sich der entschlossener 14-jähriger BEATLES-Fan Jerry Levitan mit einem Tonbandgerät in JOHN LENNONs Hotelzimmer in Toronto. Dort veranstaltete JOHN LENNON zu jener Zeit mit YOKO ONO ein BED-IN als Protest gegen den Vietnamkrieg. Levitan überzeugte LENNON davon, sich auf ein Interview zum Thema Frieden einzulassen. Vier Minuten dieses exklusiven, 40-minütigen Interviews, in dem JOHN offen über den Krieg, Politik, sein Dasein als Peacenik, das skandalöse TWO VIRGINS-Album und die angeblichen subliminalen Botschaften in seiner Musik redet, sind die Grundlage für den 2008 für den Academy Award nominierten Kurzfilm I MET THE WALRUS. Hier ist zum ersten Mal Jerrys kontextualisierte und illustrierte Darstellung seiner Erfahrung mit JOHN mit völlig neuen Illustrationen von James Braithwaite, dem bejubelten Illustrator des Films, bisher unbekannten Fotografien von JOHN und YOKO und einem DVD-Andenken mit exklusivem Videomaterial und dem kompletten 40-minütigen Interview mit JOHN.
    [Show full text]
  • Für Sonntag, 21
    Tägliche BeatlesInfoMail 17.07.20: Deutsches BEATLES-Buch I SAW A FILM TODAY, OH BOY! /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: Gutes Buch (auf Deutsch) über die BEATLES-Filme Versenden wir gut verpackt als Brief (mit Deutscher Post). Dienstag, 1. März 2016: Deutsches BEATLES-Buch I SAW A FILM TODAY, OH BOY! - ENZYCLOPEDIE DER BEATLESFILME. 24,90 Euro Autor: Prof. Dr. Jörg Helbig. Verlag: Schüren Verlag GmbH, Münster, Deutschland. Paperback; Format 21,0 cm x 13,0 cm; 320 Seiten; deutschsprachig. Inhalt: Einleitung: DIE FILME: 1: Across The Universe; 2: Alice in Wonderland; 3: Alison Steadman's Little Cracker; 4: All This and World War II; 5: All Together Now; 6: All You Need Is Klaus; 7: All You Need Is Narf; 8: Apotheosis; 9: Anthology; 10: Apple Films; 11: Around The Beatles; 12: The Assassination of John Lennon - New York 1980; 13: Backbeat; 14: La Balada de Ringo Starr; 15: Beatlemania; 16: Beatles; 17: Beatles; : A Long And Winding Road; 18: Beatles; : A Magical History Tour; 19: The Beatles Archival Treasures; 20: The Beatles at Shea Stadium; 21: The Beatles (Cartoon Series); 22: Beatles Diary; 23: Beatles Dokumentationen; 24: Beatles Electroniques; 25: The Beatles Explosion; 26: The Beatles: Love Me Do; 27: The Beatles on Record; 28: The Beatles on The Road; 29: The Beatles Phenomenon; 30: The Beatles: Rare and Unseen; 31: The Beatles Revolution; 32: The Beatles Stories; 33: The Beatles: Up-Close and Personal; 34: The Beatles Yellow
    [Show full text]
  • Farouk Jiwa Turns Rural Africans Into Honey-Making Entrepreneurs
    summer 20 0 8 SWEET Farouk Jiwa turns rural Africans into honey-making DEAL entrepreneurs PLUS New Chancellor Roy McMurtry Bilingualism and the Brain The Oscars, John Lennon and ‘Sir Jerry’ cover photography: the magazine of york university georgina goodwin 4 Editor@YorkU A valuable kiss. by berton woodward 7 Leading Edge It has been a rewarding first year. by mamdouh shoukri 8 Universe Baroque is Back…What They’re Reading…The Limits of Charisma…Let’s Talk About Sex…The New Literacy…Bloggin’ Mamas…Do No Evil C OVER 14 Sweet Deal How Farouk Jiwa helps African subsistence farmers improve their lives. by michael todd E VENTS 17 Speed Mentoring Members of York’s new “50 to the Power of 50” group of prominent alumni offer quick – very quick – life lessons to students. by david fuller Guiding Lights: Remembering those who made a difference. by michael todd L EADERSHIP 24 Roy McMurtry: A Life of Justice York’s distinguished new chancellor is keen to help students. by martha tancock R ESEARCH 26 Nimble Minds Psychologist Ellen Bialystok finds bilingualism can put off Alzheimer’s. by martha tancock Drive Talkin’: Are bilinguals better at using cell phones while driving? by michael todd H ISTORY 30 The Darkest Time York and the Azrieli Foundation team up to publish Holocaust memoirs. by martha tancock S CIENCE 32 Nano Mechanic Biochemist Gerald Audette is at the cutting edge of work with cellular proteins. by david fuller F ILM 34 The Oscars, John Lennon – and ‘Sir Jerry’ How lawyer Jerry Levitan turned his Beatle experience at 14 into an Oscar-nominated short – and heady times in Hollywood.
    [Show full text]
  • Animation Show of Shows Program PDF Flyer
    Independent / Studio Films THE 9TH ANNUAL John and Karen ANIMATION SHOW OF SHOWS Matthew Walker “A PROGRAM OF THE BEST IN NEW ANIMATION” curated and presented by Ron Diamond John the polar bear visits his penguin girlfriend Karen to apologize for the previous night’s behavior. 3 minutes 30 seconds 2007 Arthur Cox Ltd., UK Forgetfulness Julian Grey Former poet laureate for the United States, Billy Collins, narrates an animated video of his poem Forgetfulness. 1 minute, 51 seconds 2006 JWTwo Entertainment, Sundance Channel, Student Films Head Gear Animation, Canada En Tus Brazos Madame Tutli-Putli FX Goby, Edouard Jouret, Matthieu Landour Chris Lavis and Maciek Szczerbowksi Confined to a wheelchair after an accident, the greatest tango dancer recovers the use of his Madame Tutli-Putli boards a night train legs just long enough for one imaginary dance. weighted down with all her earthly possessions and ghosts from the past. 5 minutes, 15 seconds 17 minutes 2006 Supinfocom Valenciennes, France 2007 National Film Board of Canada, Canada The Irresistible Smile I Met the Walrus Ami Lindhom Josh Raskin An air hostess tries to keep smiling and solving the In 1969, a fourteen-year old Beatle fanatic snuck problems of an airplane full of nasty passengers. into John Lennon’s hotel room and convinced him to do an interview about peace. 7 minutes 5 minutes, 10 seconds 2007 Turku Arts Academy, Finland 2007 Jerry Levitan, Canada Some Friends He Made: Beton Molotov Meets the Hobo King Ariel Belinco, Michael Faust Douglas Gayeton The day-to-day life of a military world is disturbed Molotov Alva disappears from his Californian by the appearance of a black kite behind its high home only to appear within a popular online walls.
    [Show full text]
  • Coke-Free Campus? Pillow Fight a Feathery Affair
    1KI t.DOM & 1 AIRNhSS VOL. 104 ISSUE 16 FOGHORN.USFCA.EDU Wyclef Jean Performance Shakes the Foundation of War Memorial Gym LAUREN O'BRIEN StaffWriter • ip-hop artist Wyclef Jean took over the school last Friday shoot­ Hing his music video and giving USF students a concert to talk about for days. The bass was booming, the people looked fresh and the staff was ready as students crowded around War Memorial Gym Friday for the concert of the year. As the DJ spun the hottest tracks, people filed in to the gym with excitement, anticipat­ ing Jean's arrival. As soon as Jean hit the stage, the crowd went wUd. He began the concert with his remixed song "President," for which the music video was being shot, over the loud cheers of fans. He performed it three times, provoking the crowd to "get loud," and also informing them that it was being filmed for his music video. "When you teU peo­ latsuya Kawauchi/foghorn ple you're filming them it becomes a whole Connecting with his fans, Wyclef Jean entered the crowd toward the end of his performance. different thing," said Jean. People were CAB sold more than 2200 tickets to the concert which was part of Homecoming weekend. sitting on each others shoulders, fans were migrant, like "Welcome to the East," and said, "I grew up in the Church, so I listen cheering, and the vibe was live the second "Sweetest Girl." He even performed two to a lot of gospel. But I also love reggae and third times around.
    [Show full text]
  • Ds-Media Kit July 2019
    a FIFTH TOWN FILMS PRODUCTION in association with THE CANADA COUNCIL FOR THE ARTS + UNCLE & ANTE micro funder Featuring SONJA SMITS JONAS BONNETTA with COLIN MOCHRIE JESS SALGUEIRO RACHEL BONNETTA LINDA GORANSON CHRIS LOCKE PATRICIA PHILLIPS AMISH PATEL PRODUCED by RYAN NOTH + CHRISTINA CARVALHO + TESS GIRARD + REBECCA HUNT DIRECTOR OF PHOTOGRAPHY TESS GIRARD EDITING ANDRES LANDAU + RYAN NOTH MUSIC by JONAS BONNETTA WRITTEN + DIRECTED by RYAN NOTH SYNOPSIS A car accident in the cold winter night leads two strangers, Joanne (Sonja Smits) and Chris (Jonas Bonnetta), to share a road trip the next day. As a snow storm rolls across their route, memories of the past year float through their minds. Processing the loss of his mother, Chris also faces failing eyesight that could jeopardize his career as a filmmaker. And after losing her husband John (Colin Mochrie) near their cabin, Joanne must come to terms with the rituals of remote rural life without him. As their journey together unfolds, their drifting memories reveal parallel experiences, helping each of them shift the focus of their destination. DIRECTOR’S NOTES: ARTISTIC INSPIRATION Drifting Snow was inspired by my retreat to a more rural lifestyle, when, after a decade living in Toronto, I moved to a small old farmhouse in Prince Edward County, Ontario. At the time I thought I was just escaping the hustle of the city for more nature and cheaper rent, but after growing up in flat south-western Ontario, this new hilly limestone space became a constant curiosity. I soon found a real home in this place, through a random community of artists, eccentrics, and farmers.
    [Show full text]