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Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
Backgrounder.Pdf
Backgrounder March 31, 2016 Universal Music Canada donates archive of music label EMI Music Canada to University of Calgary Partnership with National Music Centre offers public access for education and celebration of music On March 31, 2016, the University of Calgary announced a gift from Universal Music Canada of the complete archive of EMI Music Canada. Universal Music Canada acquired the archive when Universal Music Group purchased EMI Music in 2012. The University of Calgary has partnered with the National Music Centre (NMC) to collaborate on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive at NMC’s new facility, Studio Bell. This partnership began with NMC’s critical role in connecting the university with Universal Music Canada. The EMI Music Canada Archive will be accessible to students, researchers and music fans in Calgary and around the world. The University of Calgary has also partnered with the National Music Centre to collaborate on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive. About the EMI Music Canada Archive The EMI Music Canada Archive documents 63 years of the music industry in Canada, from 1949 to 2012. The collection consists of 5,500 boxes containing more than 18,000 video recordings, 21,000 audio recordings and more than two million documents and photographs. More than 40 different recording formats are represented: quarter‐inch, half‐inch, one‐inch and two‐inch reel‐to‐reel tapes, U‐matic tapes, film, DATs, vinyl, Betacam, VHS, cassette tapes, compact discs and DVDs. -
Catalogo-2015-Digital.Pdf
132 SND SONIDERO 134 20 000 Days on Earth | 20 000 días en la Tierra 136 Björk: Biophilia Live | Björk: Biophilia en vivo CONTENIDO | CONTENTS 138 The Devil and Daniel Johnston | El diablo y Daniel Johnston 140 A Hard Day’s Night 142 Pulp: A Film About Life, Death and Supermarkets | Pulp: una película sobre la vida, la muerte y los supermercados 144 Serrat y Sabina: el símbolo y el cuate | Serrat & Sabina: Two for the Road 4 PRESENTACIÓN | FOREWORD AMB 146 AMBULANTITOBULANTITO 148 Programa 1: El cielo y otros mundos | The Sky and Other Worlds 20 NOTAS DE PROGRAMACIÓN | PROGRAMMING NOTES 148 Programa 2: Aprender del mundo | Learning From the World 22 ASOMBRO | WONDER Colaboración con Editorial Sexto Piso 148 Programa 3: Anina 56 RF REFLECTOR 150 ENF ENFOQUE 58 Is the Man Who Is Tall Happy?: An Animated Conversation with Noam Chomsky 154 Programa 1: Ritual y cine-trance | Ritual and Cine-trance ¿Es feliz el hombre que es alto?: una conversación animada con Noam Chomsky 156 Programa 2: Mirar lo invisible | Seeing the Invisible 60 Jodorowsky’s Dune | Dunas de Jodorowsky 158 Programa 3: Autoetnografías | Self-ethnographies 62 The Look of Silence | La mirada del silencio 160 Programa 4: El sexto sentido | The Sixth Sense 64 Merchants of Doubt | Mercaderes de la duda 162 Programa 5: Umbrales sensoriales | Sensory Thresholds 66 Point and Shoot | Apunte y dispare 164 Programa 6: El tren de las experiencias | The Train of Experiences 68 The Salt of the Earth | La sal de la tierra 70 Supermensch: The Legend of Shep Gordon | Supermensch: la leyenda de Shep Gordon 166 RTR RETROSPECTIVA 72 The Visit | La visita 170 Programa 1: Nouvelle vague | Nueva ola | New Wave 74 PUL PULSOS 171 Programa 2: Podría ser cualquier lugar, pero es París | It Could Be Anyplace, But It’s Paris 172 Programa 3: Fijar una imagen. -
Easily Read, Easily Forgotten
Easily Read, Easily Forgotten: Reassessing the Effects of Visual Difficulties and Multi-Modality in Educational Text Design Rebekah Cochell Masters of Fine Arts Thesis Liberty University School of Visual & Performing Arts Department of Studio & Digital Arts Final Signatures Easily Read, Easily Forgotten: Re-Assessing the Effects of Visual Difficulties and Multi-Modality in Educational Text Design, a Thesis submitted to Liberty University for Masters of Fine Arts, Department of Studio and Digital Arts: Graphic Design. ___________________________________ Rachel Dugan, Chair ___________________________________ Nicole Irons, First Reader ___________________________________ Jennifer Pride, Second Reader ___________________________________ Todd Smith, Department Chair Dedication This thesis is dedicated to my mother, Betty, whose legal name is quite regal....Augusta Elizabeth Choflet Mercaldo. Humbly, she would call herself a homemaker, which is an understatement for her creative work; providing a culturally rich home environment. Instinctively, she understood the power of multi-modality before it was even a term. A woman of deep faith, she exemplified a vibrant love of God and the Bible. Hers was not a religion of legalism, but of freedom. As a result, the atmosphere she created encouraged creativity; rich with music, art and literature. Early on, she introduced us to children’s literature, as she read aloud Winnie the Pooh, Peter Rabbit and many other illustrated classics. Her deep love of illustrated children’s books was infectious. Later, she continued to encourage a love of literature with an ever growing library that included The Secret Garden, Anne of Green Gables, The Chronicles of Narnia, Lord of the Rings, The Princess and the Goblin and The Little House series. -
Review : Danielle French Presents Miss Scarlett and the Madmenан
1 More Next Blog» [email protected] Dashboard Sign Out Reviews,news and more in the world of rock by Kaj Roth and Philippe Valleix. Palace of Rock the blog that loves new artists and salute the old stars. Number of reviews : 6499. More than 5 million views 20092016. Palais du rock паласе оф rock 岩石宮殿 palacio del rock THE MUSIC BLOG THAT NEVER SLEEPS! Home Upcoming Releases R.I.P Toplists Interviews R & R Heroes More reviews Artist of the month SATURDAY, JUNE 25, 2016 BLOG ARCHIVE ▼ 2016 (769) Review : Danielle French presents Miss Scarlett and The Madmen ▼ June (47) Dark love songs Review : Danielle French presents Miss Scarlett an... Review : Sawtooth Brothers One more flight Review : Acolyte Shades of black Review : We Are Scientists Helter Seltzer Review : Sweet Strung Up Expanded edition Review : Chris Murphy Red mountain blues Review : Manwomanchild Awkward island Review : Whitford St.Holmes Reunion Danielle French presents Miss Scarlett and The Madmen Dark love songs (2016) Review : Josh Flagg Tracing shapes Independent Blue Cow Kent releases new single on Produced by Danielle French / Tim Gordon Spotify ALTERNATIVE FOLK ROCK Muse Live at the Globe Arena, Tracks : 1.Last goodbye 2.Take my love 3.Did you want me 4.It must be roses 5.Black Stockholm sunday 6.Splinters 7.My shadow and me 8.This is why we drink 9.Last goodbye Review : Anna Rose Strays in the cut (instrumental) Review : Noise Echoes www.daniellefrench.com 3 out of 5 Review : Sonic Boom Six The F Bomb Calgary, Canada based singer / songwriter Danielle French debuted with "Me, myself Review : Withem The unforgiving and I" in 1995 and 2 decades later she releases the 5th album "Dark love songs" road together with the musical collective Miss Scarlett and The Madmen. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Styx Live at the Red Robinson Show Theatre
FOR IMMEDIATE RELEASE OCTOBER 18, 2011 BOULEVARD CASINO PRESENTS STYX LIVE AT THE RED ROBINSON SHOW THEATRE SATURDAY, FEBRUARY 4 Coquitlam, BC – Spawned from a suburban Chicago basement in the early 70’s, Styx would eventually transform into the virtual arena rock prototype by the late 70’s and into the 80’s due to a fondness for big rockers and soaring power ballads. Their self-titled debut album was released in 1972 followed by Styx II, The Serpent Is Rising and Man of Miracles. And while the albums helped them to build a substantial following locally, Styx failed to break through to the mainstream until a track from their second album, "Lady" started to get substantial airplay in 1974. After the song was issued as a single nationwide, it quickly shot to #6 on the singles chart as Styx II was certified gold. Guitarist Tommy Shaw then joined in 1975 and proved to be the missing piece of the puzzle for the band as most of their subsequent releases throughout the late 70’s earned at least platinum certification and produced such hit singles as "Come Sail Away", "Renegade", "Blue Collar Man" and "Fooling Yourself”. Styx then became one of North America’s top rock acts due to such big hit singles as "Too Much Time on My Hands". It also marked the first time in history that a band released four consecutive triple-platinum albums. A career-encompassing live album, Caught in the Act was issued in 1984 before Styx went on hiatus with the majority of its members pursuing solo projects throughout the remainder of the decade. -
Music for a New Day Artist Bio
Music for a New Day Artist bio Fariba Davody: Fariba Davody is a musician, vocalist, and teacher who first captured public eye performing classical Persian songs in Iran, and donating her proceeds from her show. She performed a lot of concerts and festivals such as the concert in Agha khan museum in 2016 in Toronto , concerts with Kiya Tabassian in Halifax and Montreal, and Tirgan festival in 2017, 2018, 2019, and 2021 in Toronto. Fariba opened a Canadian branch of Avaye Mehr music and art school where she continues to teach. Raphael Weinroth-Browne: Canadian cellist and composer Raphael Weinroth- Browne has forged a uniQue career and international reputation as a result of his musical creativity and versatility. Not confined to a single genre or project, his musical activities encompass a multitude of styles and combine influences from contemporary classical, Middle Eastern, and progressive metal music. His groundbreaking duo, The Visit, has played major festivals such as Wave Gotik Treffen (Germany), 21C (Canada), and the Cello Biennale Amsterdam (Netherlands). As one half of East-meets-West ensemble Kamancello, he composed “Convergence Suite,” a double concerto which the duo performed with the Windsor Symphony Orchestra to a sold out audience. Raphael's cello is featured prominently on the latest two albums from Norwegian progressive metal band Leprous; he has played over 150 shows with them in Europe, North America, and the Middle East. Raphael has played on over 100 studio albums including the Juno Award-winning Woods 5: Grey Skies & Electric Light (Woods of Ypres) and Juno-nominated UpfRONt (Ron Davis’ SymphRONica) - both of which feature his own compositions/arrangements - as well as the Juno-nominated Ayre Live (Miriam Khalil & Against The Grain Ensemble). -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
“Boogie Wonderland” WITH
“Boogie Wonderland” WITH SOHEILA SOKHANVARI PRIVATE VIEW 15th of October 2015 6:30 - 9:00PM 16th of October – 14th of November 2015 Occasionally, there are those strange moments in history during which what we see and what we hear are out of synch. Events unfold before our eyes and yet what we know to be true and what is being written in the history books are two different narratives, as opposite as night and day. This experience can create a strange sense of altered reality, a feeling that our senses are out of synch, a weird un-syncopated rhythm that causes us to re-examine historical events over and over, long after their initial catalysts have died down. Such is the case of Iranian-born artist Soheila Sokhanvari’s oeuvre, showcased through new works in the solo show Boogie Wonderland (16 October – 14 November 2015) at Kristin Hjellegjerde. With a joyful colour palette reminiscent of Frida Kahlo or Gauguin, Sokhanvari subscribes to the school of magical realism that enhanced reality in which the banal and everyday take on new life and meaning by being imbued with an elevated focus. It also belies the complex political undertones of her work, allowing her to take a step back and examine events from her native country through the lens of distance and time. She investigates the concept of collective trauma as an experience that can be told through the narratives of individuals, using mainly family photographs as her source material, alongside found imagery from pop culture and news recordings. Her work is also recognizable for its obsessive use of patterning and decoration, inspired by the idea of ‘anaesthetised aesthetics’, an expression used by philosopher Susan Buck- Morss to capture the way in which control over aesthetics can be used to control society. -
September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
“September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience. -
Glass Tiger Hometown Boys Still Rockin’ It 30 Years Later
December 2014, Vol. 16, No. 10 East Gwillimbury welcomes the jolly old elf at its annual Santa Claus Parade! Glass Tiger Hometown Boys Still Rockin’ It 30 Years Later The Driver Training Course that Helps Parents Sleep Nights... ® Next Course starts Monday, Dec. 29th at the MAVA Business (905) 895-8244 Centre at 72 Main St. GIFT CERTIFICATES AND [email protected] PAYMENT PLANS AVAILABLE www.yd.com MTO Approved BDE Course Provider Santa Claus Parade Saturday, December 6, 2014 at 11 am SHARP Canadian Music Icons got their start right here in EG I was 13-years-old the year that Glass Tiger hit it big on the Canadian music scene. Our local radio station was playing Don’t Forget Me (When I’m Gone) in heavy rotation and my sister went to see them in concert at the Galt Arena Gardens in Cambridge. It wasn’t until their second album that I www.TheBulletinMagazine.com really discovered their music when Diamond Sun came out. I bought most Editor: of their singles on vinyl 45s, and I had a variety of Glass Tiger cassettes and Blair Matthews CDs over the years as the technology changed. Contributors: Their music, it seemed, never went out of style. As they matured, so too Susan Crema-Martin Michayla Fraser did their music. Vicki Pinkerton Anne Hill A year ago I was flipping through old newspapers at the library doing Raymond Mark Alexandria Lipani research for a Bulletin article when I came across a clipping from the Cathy Morton Sue Sadzak 1980s. It talked about Glass Tiger doing a local concert in conjunction with Published 10 times per year by: Joe Persechini’s Persechini Run/Walkathon for Easter Seals.