Alphabetical-Film-Index 2003-2018
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MAD Mag Winter 2004
GEORGIA GOVERNOR’S COUNCIL ON DEVELOPMENTAL DISABILITIES FALL 2007 www.gcdd.org Real Homes. Real Careers. Real Learning. Real Influence. Real Supports. TABLE OF CONTENTS pg.pg. 8 18 GCDD Honors Those Who Make a Difference Media, legislators and advocates across the state receive awards. While you can remove architectural barriers, you can’t legislate attitude. There is still a lot to be done to shift people’s thinking. - TAMEEKA HUNTER, GEORGIA INSTITUTE OF TECHNOLOGY Features “ 8 14 22 Hiring People Know About ”Searching for the with Disabilities Darius Goes West American Dream Employers share how workers The popular documentary film Asset development is the with disabilities positively on Darius Weems is the basis first step toward independence affect their bottom line. of a new school program. and inclusion. Departments In Each Issue 4 6 16 3 Letter from Governor Sonny Perdue GCDD Viewpoint News Perspectives Asset Alliance ties GCDD Hosts Diversity Build assets through Editorial Cartoon together Real Careers, Summit; Perdue tax credits, individual 29 Real Homes, Real Announces New Policy development accounts. Learning, Real Influence, Adviser; Accessible Taxis 29 Calendar and Real Support. Now in Atlanta; Disability Webzine Launched; ADAPT 28 Resources 30 Hosts Housing Forum in Mia’s Space 5 Chicago Mia is tested for Around GCDD sleep apnea. Dallas Joins Staff; New Advisory Council 13 Members Announced. Straight Talk Starting a business helped Anthony Fuller buy his own home. 2 Making a Difference • Fall 2007 FROM THE GOVERNOR Volume 8, Issue 3 Fall 2007 A quarterly magazine of the To Georgia’s Disability Community, Governor’s Council on Developmental Disabilities he shifting of seasons from summer to fall is a reminder that change is ever eminent. -
Patient and Parent Guidebook on Muscular Dystrophy
Patient and Parent Guidebook on Muscular Dystrophy Dr. Alok Sharma, M.S, M.Ch. Co-Authors: Dr. Nandini Gokulchandran, M.D. Dr. Khushboo Bhagwanani, B.P.Th. Dr. Myola D'sa, B.O.Th. NeuroGen Brain and Spine Institute StemCare Foundation Chembur, Mumbai. India www.stemcare.in www.neurogen.in – 1 – – 2 – Patient and Parent Guidebook on Muscular Dystrophy Dr. Alok Sharma, M.S., M.Ch. Professor of Neurosurgery & Head of Department, LTMG Hospital & LTM Medical College, Sion, Mumbai, India Director, NeuroGen Brain & Spine Institute, Chembur, Mumbai, India Consultant Neurosurgeon, Fortis Hospital, Mulund, Mumbai, India Co-Authors: Dr. Nandini Gokulchandran, MD Deputy Director and Head-Medical Services & Clinical Research, NeuroGen Brain & Spine Institute, Chembur, Mumbai, India Dr. Khushboo Bhagwanani B.P.Th., M.I.A.P., CBE (USA) Physiotherapist, NeuroGen Brain & Spine Institute, Chembur, Mumbai, India Dr. Myola D'sa B.O.Th. Occupational Therapist, NeuroGen Brain & Spine Institute, Chembur, Mumbai, India Scientific and Editorial Co-ordinators: Sonam Gupta, M.Sc. (Mgmt.), BE (Biotech) Manager-Business Development & Corporate Affairs Pooja Kulkarni, M.Sc. Biotechnology Scientific Research Associate – 3 – Patient and Parent Guidebook on Muscular Dystrophy © 2012 by NeuroGen Brain and Spine Institute ISBN: 81 86876-09-X All rights reserved. This book is protected by copyright. No part of this book may be reproduced in any form by any means, including photocopying, or utilized by any information storage and retrieval system without written permission from the copyright owner, except for the brief quotations embodied in critical articles and reviews. This book has been published in good faith that the material presented is original. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Paddy Breathnach the Irish Film Institute
AUGUST 2016 PADDY BREATHNACH THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s national cultural institution for film. EXHIBIT It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. LAST CHANCE Commune The FRENCH FILM CLUB Some new releases carrying over from our July programme This month’s French Film Club screening – where IFI and include: Author: The JT LeRoy Story, the astonishing Alliance Française members pay just €7 a ticket – on August unmasking of the real story behind novelist wunderkind 17th at 18.30, is Guillaume Nicloux’s Valley of Love starring JT LeRoy, whose tough prose about his sordid childhood Isabelle Huppert and Gérard Depardieu as a divorced couple captivated icons and luminaries internationally; and drawn together by their son’s suicide note instructing them The Commune, Thomas Vinterberg’s new feature about the to travel to Death Valley where he will briefly reappear to clash between personal desires and tolerance in a Danish them. See page 8 for film notes. Please visit www.ifi.ie commune in the 1970s. or ask at the IFI Box Office for further details. IFI CAFÉ BAR DEAL IFI PLAYER We have a sizzling new summer menu in the IFI Café Bar The IFI Player launches in late August, and will create and a very special deal for the month of August, where free online access to a range of collections that have you can have a main course and film ticket for only €18. -
The Chronicle Thursday
THE CHRONICLE THURSDAY. FEBRUARY 4, 1988 © DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 15,000 VOL. 83. NO. 93 Ticket Reagan to speak on campus Monday information By DAN BERGER all students who don't get tickets to the President Reagan will visit the Univer speech will come out to see the landing," Undergraduates: ASDU will distribute sity Monday to speak at a conference on he said. Several local high school bands 2,500 free tickets for President substance abuse, the White House an and community groups will also attend Reagan's speech to undergraduates nounced Wednesday. the ceremony at the landing site, Mizell presenting a student ID between 10 Reagan will address the conference said. He added that the men's basketball a.m. and 4 p.m. Thursday at the upper "Substance Abuse in the Workplace: team will likely participate in the fevet of the Bryan Center. Another dis Strategies for the 1990s," which is being program at the lacrosse field prior to the tribution table may be set up at the East sponsored by the University and the office president's landing and to a lesser extent Campus Union during the same hours, of North Carolina Gov. Jim Martin. The after he arrives. but a final decision will not be made un president's trip from Washington D.C. Before taking the dais, Reagan will hold til Thursday morning. Of the 2,500 tick will be made exclusively to attend the a closed meeting in Cameron with several ets, 750 will be allocated to East Cam event. community leaders affiliated with the pus. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Passion Project
Thursday, July 29, 2021 The Commercial Review Portland, Indiana 47371 www.thecr.com $1 FedEx attack was ‘suicidal murder’ Police say shootings were not racially motivated By CASEY SMITH Associated Press and Report for America INDIANAPOLIS — The former employee who shot and killed eight peo - ple at an Indianapolis FedEx warehouse in April acted alone and was not racially or ethnically motivated, authorities said Wednesday. Brandon Scott Hole, 19, used the April 15 attack as an act of “suicidal mur - der” and believed he would “demonstrate his masculinity and capabili - ty” while fulfilling a final The Commercial Review/Ray Cooney desire to experience killing people, Indianapo - lis police and federal Spider in action authorities said during a Teaching artist Allison Smiley helps 6-year-old Daxton Wellman of Portland bend wire to match his drawing of a spider news conference. during a “freestanding action figures” Arts in the Parks class this morning at Haynes Park in Portland. Smiley is a Ball State Eight employees, including four members University student studying drawing. Arts Place’s summer Arts in the Parks program will complete its 2021 session Friday. of the city’s Sikh commu - nity, were killed in the attack and five others were injured, police said. Police said Hole consid - ered other locations for Senate moving on infrastructure the shooting but chose the FedEx building because it By LISA MASCARO, part of Biden’s big infra - was familiar to him. He KEVIN FREKING structure agenda. Swelling also believed the site and ALAN FRAM to more than 700 pages, the would give him access to a Associated Press bill includes $550 billion in large number of vulnera - WASHINGTON — The Bipartisan group has agreed new spending for public ble victims. -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
Racing Extinction
Racing Extinction Directed by Academy Award® winner Louie Psihoyos And the team behind THE COVE RACING EXTINCTION will have a worldwide broadcast premiere on The Discovery Channel December 2nd. Publicity Materials Are Available at: www.racingextinction.com Running Time: 94 minutes Press Contacts: Discovery Channel: Sunshine Sachs Jackie Lamaj NY/LA/National Office: 212.548.5607 Office: 212.691.2800 Email: [email protected] Tiffany Malloy Email: [email protected] Jacque Seaman Vulcan Productions: Email: [email protected] Julia Pacetti Office: 718.399.0400 Email: [email protected] 1 RACING EXTINCTION Synopsis Short Synopsis Oscar®-winning director Louie Psihoyos (THE COVE) assembles a team of artists and activists on an undercover operation to expose the hidden world of endangered species and the race to protect them against mass extinction. Spanning the globe to infiltrate the world’s most dangerous black markets and using high tech tactics to document the link between carbon emissions and species extinction, RACING EXTINCTION reveals stunning, never-before seen images that truly change the way we see the world. Long Synopsis Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. They believe we have entered the sixth major extinction in Earth’s history, following the fifth great extinction which took out the dinosaurs. Our era is called the Anthropocene, or “Age of Man,” because evidence shows that humanity has sparked a cataclysmic change of the world’s natural environment and animal life. Yet, we are the only ones who can stop the change we have created. -
2018-2015 BC Master Production Agreement
2015-2018 BRITISH COLUMBIA PMRAODSUTCTEIOR N AGREEMENT 300 - 380 West 2nd Avenue Vancouver, BC V5Y 1C8 p 604.689.0727 f 604.689.1145 [email protected] www.ubcp.com TABLE OF CONTENTS Preamble ...................................................................................................................................... 1 SECTION A - GENERAL CLAUSES..................................................................................... 1 ARTICLE A1 - UNION RECOGNITION AND APPLICATION ........................................... 1 Union Recognition .......................................................................................................................................... 1 Scope of Agreement........................................................................................................................................ 1 Future Negotiations on Scope of Agreement ................................................................................................. 1 Minimum Terms ........................................................................................................................................... 1 Agreement in Whole ..................................................................................................................................... 2 Rights of Producer .......................................................................................................................................... 2 Laws of British Columbia Apply .................................................................................................................. -
Of Gold and Gravel: a Pictorial History of Mining Operations at Coal Creek
OF GOLD AND GRAVEL A Pictorial History of Mining Operations at Coal Creek and Woodchopper Creek, 1934–1938 Yukon-Charley Rivers National Preserve National Park Service Edited and Notes by Chris Allan OF GOLD AND GRAVEL A Pictorial History of Mining Operations at Coal Creek and Woodchopper Creek, 1934–1938 Yukon-Charley Rivers National Preserve Edited and Notes by Chris Allan 2021 Acknowledgments I would like to thank Lynn Johnson, the granddaughter of Walter Johnson who designed the Coal Creek and Woodchooper Creek dredges; Rachel Cohen of the Alaska and Polar Regions Collections & Archives; and Jeff Rasic, Adam Freeburg, Kris Fister, Brian Renninger, and Lynn Horvath who all helped with editing and photograph selection. For additional copies contact: Chris Allan National Park Service Fairbanks Administrative Center 4175 Geist Road Fairbanks, Alaska 99709 Printed in Fairbanks, Alaska Front Cover: View from the pilot house of the Coal Creek gold dredge showing the bucket line carrying gravel to be processed inside the machine. The bucket line could dig up to twenty-two feet below the surface. University of Alaska Fairbanks, Alaska & Polar Regions Collections and Archives, Stanton Patty Family Papers. Title Page Inset: A stock certificate for Gold Placers, Inc. signed by General Manager Ernest N. Patty, November 16, 1935. University of Alaska Fairbanks, Alaska & Polar Regions Collections and Archives, Stanton Patty Family Papers. Back Cover: Left to right: The mail carrier Adolph “Ed” Biederman, his son Charlie, daughter Doris, the trapper and miner George Beck, Ed’s son Horace, and Jack Welch, the proprietor of Woodchopper Roadhouse. The group is at Slaven’s Roadhouse on the banks of the Yukon River posing with a mammoth tusk recovered from a placer mining tunnel.