Canadian Brass Christmas Time Is Here
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Disruptive Innovation in the Creative Industries: The adoption of the German horn in Britain 1935-75 Conference or Workshop Item How to cite: Smith, David and Blundel, Richard (2016). Disruptive Innovation in the Creative Industries: The adoption of the German horn in Britain 1935-75. In: Association of Business Historians (ABH) and Gesellschaft für Unternehmensgeschichte (GUG) Joint Conference, 27-29 May 2016, Humbolt University, Berlin. For guidance on citations see FAQs. c 2016 The Authors https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://ebha.org/public/C6:pdf Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Joint Conference Association of Business Historians (ABH) and Gesellschaft für Unternehmensgeschichte (GUG), 27-28 May 2016, Humboldt University Berlin, Germany Disruptive Innovation in the Creative Industries: The adoption of the German horn in Britain 1935-75 David Smith* and Richard Blundel** *Nottingham Trent University, UK and **The Open University, UK Abstract This paper examines the interplay between innovation and entrepreneurial processes amongst competing firms in the creative industries. It does so through a case study of the introduction and diffusion into Britain of a brass musical instrument, the wide bore German horn, over a period of some 40 years in the middle of the twentieth century. -
The Orchestra in History
Jeremy Montagu The Orchestra in History The Orchestra in History A Lecture Series given in the late 1980s Jeremy Montagu © Jeremy Montagu 2017 Contents 1 The beginnings 1 2 The High Baroque 17 3 The Brandenburg Concertos 35 4 The Great Change 49 5 The Classical Period — Mozart & Haydn 69 6 Beethoven and Schubert 87 7 Berlioz and Wagner 105 8 Modern Times — The Age Of The Dinosaurs 125 Bibliography 147 v 1 The beginnings It is difficult to say when the history of the orchestra begins, be- cause of the question: where does the orchestra start? And even, what is an orchestra? Does the Morley Consort Lessons count as an orchestra? What about Gabrieli with a couple of brass choirs, or even four brass choirs, belting it out at each other across the nave of San Marco? Or the vast resources of the Striggio etc Royal Wedding and the Florentine Intermedii, which seem to have included the original four and twenty blackbirds baked in a pie, or at least a group of musicians popping out of the pastry. I’m not sure that any of these count as orchestras. The Morley Consort Lessons are a chamber group playing at home; Gabrieli’s lot wasn’t really an orchestra; The Royal Wed- dings and so forth were a lot of small groups, of the usual renais- sance sorts, playing in turn. Where I am inclined to start is with the first major opera, Monteverdi’s L’Orfeo. Even that tends to be the usual renaissance groups taking turn about, but they are all there in a coherent dra- matic structure, and they certainly add up to an orchestra. -
Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
Unsung Sherman Brothers
Unsung Sherman Brothers y the late 1960s, the songwriting team THE 13 CLOCKS ■ ■ ■ ■ ■ imation process is, and they could not raise the known as the Sherman Brothers was al- money to continue. And so, the second project Bready legendary thanks to Mary Poppins, In 1950, the great cartoonist/humorist James was cancelled. The Jungle Book, and any number of other Dis- Thurber published his fantasy story, The 13 ney classics, not to mention their Disneyland an- Clocks, a tale about a prince who must perform Again, thankfully, a demo recording was made, them, “It’s a Small World.” And, of course, there a seemingly impossible task, to rescue a maiden with several of the voice actors singing their was Chitty, Chitty, Bang, Bang, with its fantastical from an evil duke. Thurber, who by then was songs, including Sammy Davis, Jr., Karl Malden, song score. So, it’s hard to imagine that in 1969 blind, could not do the drawings for the book, so and Jinny Tyler. And again, the brothers’ songs three exciting new Sherman Brothers projects he turned to a friend, Marc Simont. The book has are toe-tapping tuneful wonders – from the kicky were all cancelled, back to back, one after an- been in print ever since, and read by thousands “Sir Puss-in-Boots” to the great “Rhythm of the other. And these projects were heartbreakers for of happy readers all over the world. In 1968, Road” (we also include a more “Sammyized” ver- “the boys” (as Walt Disney called them), three Warner Bros. hired producer Mervyn LeRoy sion of that, which is simply supercalifragilisticex- that got away. -
Califcrnia Institute Of
FEBRUARY, 1959 50e CALIFCRNIA INSTITUTE OF F E tri 1 0 1959 TECHNO! OGY 1 ENGINFF-ntA,.. LIBRARY www.americanradiohistory.com basic contributions to our culture Invention of the screw propeller in 1836 by John Ericsson provided water transportation with a means for using steam power that was far superior to any method of propulsion previously devised. In our day radial refraction, brought to you by the laboratories of James B. Lansing Sound, Inc., provides the best-and perhaps the ultimate-method of reproducing two channel stereophonic music in your home. Radial refraction integrates two, balanced 1BL precision loudspeaker systems to eliminate the "hole in the middle," obviate "split" soloists, and to distribute the stereo effect over a wide area. The two, full -range, balanced speaker systems used reproduce all of the phenomena required for full stereo perception. Radial refraction was first used in the JBL Ranger -Paragon, a magnificent instrument that has found its way into the great homes of audio cognoscente throughout the world. Now a smaller unit, the JBL Ranger-Metregon, has been designed to bring radially refracted stereo to the usual -sized living room. No less than seven different JBL speaker systems may be used with the Metregon. You may wish to make use of JBL transducers you,now own for one channel, and install matching units in the other. You may progressively upgrade your Metregon system. Write for a complete description of the JBL Ranger-Metregon and the name and address of the Authorized JBL Signature Audio Specialist in your community. i!! JAMES B. LANSING SOUND, INC., 3249 Casitas Ave., Los Angeles 39, Calif. -
Fluent in French
Fluent in French A Band Director’s Guide to Understanding and Teaching the French Horn Practical Application Project #1 MUSI 6285 Jonathan Bletscher 2 Table of Contents Introduction 4 Part One: Understanding the Horn 5 Horn History 5 Rotary Valves and Anatomy of the Horn 8 - Common Rotary Valve Problems 12 - Disassembling and Reassembling a Rotary Valve 14 - Replacing Rotary Valve String 21 Horn in F and Horn in Bb: Transposing Instruments 26 The Seven Chromatic Brass Fingerings 28 The Overtone Series 30 7 Fingerings, 7 Fundamentals, and 7 Series: Filling in the Gaps 35 The Partial Grouping Method 37 Horn Fingering Tricks 41 Trouble Fitting In: Why Horns Aren’t Like Everyone Else (In the Brass Family) 45 Part Two: Teaching the Horn 47 Picking Your Horn Players 47 Equipping for Success 48 Posture and Holding the Horn 49 Making a Sound on the Horn 53 Common Problems with Horn Embouchure 56 Horn Fingerings 58 Instrument Maintenance 61 Developing as a Horn Player 63 Teaching Strategies 67 More to Learn 70 About the Author 71 Bibliography 72 3 Introduction Consider a student who is about to begin the very frst day of learning a foreign language. The student is pre- sented with very basic vocabulary, is led to dabble in speaking and writing, and very slowly begins absorbing the sound, feel, and structure of the language. This is not unlike the experience of a student learning his or her frst instrument. This slow and steady approach is designed to be the frst step in a years-long sequence of instruction and study for a student who is brand new to the subject. -
Solo List and Reccomended List for 02-03-04 Ver 3
Please read this before using this recommended guide! The following pages are being uploaded to the OSSAA webpage STRICTLY AS A GUIDE TO SOLO AND ENSEMBLE LITERATURE. In 1999 there was a desire to have a required list of solo and ensemble literature, similar to the PML that large groups are required to perform. Many hours were spent creating the following document to provide “graded lists” of literature for every instrument and voice part. The theory was a student who made a superior rating on a solo would be required to move up the list the next year, to a more challenging solo. After 2 years of debating the issue, the music advisory committee voted NOT to continue with the solo/ensemble required list because there was simply too much music written to confine a person to perform from such a limited list. In 2001 the music advisor committee voted NOT to proceed with the required list, but rather use it as “Recommended Literature” for each instrument or voice part. Any reference to “required lists” or “no exceptions” in this document need to be ignored, as it has not been updated since 2001. If you have any questions as to the rules and regulations governing solo and ensemble events, please refer back to the OSSAA Rules and Regulation Manual for the current year, or contact the music administrator at the OSSAA. 105 SOLO ENSEMBLE REGULATIONS 1. Pianos - It is recommended that you use digital pianos when accoustic pianos are not available or if it is most cost effective to use a digital piano. -
Repertoire List~
~Repertoire List~ Contact us for your desired selection! Title Composer Ensemble A Thousand Years C. Perri Quartet Across the Universe Beatles Quartet Agnus Dei/Holy Holy Holy Michael W. Smith Quartet Air Bach Quartet Air from Water Music Handel Solo, Duet, Trio, Quartet Air On G Bach Duet, Trio, Quartet All I Want is You U2 Quartet All of Me Holliday Trio, Quartet All of Me John Legend Quartet All You Need is Love The Beatles Quartet Alleluia Church Music Quartet (Piano Score) Allelujia from Exultate Jubilate Mozart Duet, Trio, Quartet Amazing Grace Traditional Solo, Duet, Trio, Quartet Amen Church Music Quartet (Piano Score) Andante from Piano Concert 21 Mozart Trio, Quartet Annie’s Song J. Denver Quartet Annie’s Theme Alan Silvestri Trio, Quartet Apollo 13 Horner Quartet Appalachia Waltz O’Connor Trio, Quartet Arioso Bach Solo, Duet, Trio, Quartet Arrival of the Queen of Sheba Handel Trio, Quartet Ashokan Farewell Jay Ungar Quartet (Piano Score) At Last Harry Warren Quartet Ave Maria Bach-Gounod Solo, Duet, Trio, Quartet Ave Maria (A flat) Schubert Quartet (Piano Score) Ave Maria (B flat) Schubert Quartet Ave Verum Corpus Mozart Solo, Duet, Trio, Quartet (plus Piano Score) Barcarolle from Tales of Hoffman Offenbach Quartet Be Thou My Vision Traditional Duet, Trio, Quartet Beauty and the Beast Ashman Quartet Bei Mennern from The Magic Flute Mozart Quartet Best Day of My life American Authors Quartet Bist du bei mer Bach Trio, Quartet Bittersweet Symphony M. Jagger Quartet Blessed are They Church Music Quartet Blessed are Those Who Love You Haugen Quartet (Piano Score) Blue Moon Rodgers Quartet Born Free Barry Quartet Bourree Bach Solo, Duet, Trio, Quartet Bourree Handel Solo, Duet, Trio, Quartet Brandenburg Concerto No. -
ROBERT B. SHERMAN OBITUARY 12/19/1925 - 3/5/2012 | Visit Guest Book LONDON (AP) - Robert B
8/4/2020 Robert Sherman Obituary | Robert Sherman Funeral | Legacy.com OBITUARIES | FUNERAL HOMES | NEWSPAPERS | SEND FLOWERS Search - ADVERTISEMENT - Legacy Home Memorial Sites 2012 Broadway Robert Sherman Featured Memorial | Robert Sherman ROBERT B. SHERMAN OBITUARY 12/19/1925 - 3/5/2012 | Visit Guest Book LONDON (AP) - Robert B. Sherman, one half of the prolific, award-winning pair of brothers who penned instantly memorable songs for "Mary Poppins," ''The Jungle Book" and "Chitty Chitty Bang Bang" - as well as the most-played tune on Earth, "It's a Small World (After All)" - has died. He was 86. Sherman's agent, Stella Richards, said Tuesday that Sherman died peacefully in London on Monday. Robert B. Sherman (AP Sherman, together with his brother Richard, won two Academy Photo,File) Awards for Walt Disney's 1964 smash "Mary Poppins" - best score and best song, "Chim Chim Cher-ee." They also picked up a Grammy for best movie or TV score. Their hundreds of credits as joint lyricist and composer also include the films "Winnie the Pooh," ''The Slipper and the Rose," ''Snoopy Come Home," ''Charlotte's Web" and "The Magic of Lassie." Their Broadway musicals included 1974's "Over Here!" and stagings of "Mary Poppins" and "Chitty Chitty Bang Bang" in the mid-2000s. Son Jeffrey Sherman wrote on Facebook that his father "wanted to bring happiness to the world and, unquestionably, he succeeded." "His love and his prayers, his philosophy and his poetry will live on forever," his son wrote. "Forever his songs and his genius will bring hope, joy and love to this small, small world. -
Hilbert Circle Theatre
HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR La La Land: In Concert The Golden Age of Broadway: Rodgers & Hammerstein Gershwin & Tchaikovsky Joshua Bell American Masters: Bernstein & Copland Frankie Moreno: Under the Inuence Augustin Hadelich Returns SEPTEMBER & OCTOBER | VOLUME 1 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip prot ownership, a local board of directors, and CCAC accreditation, proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marquee truly is the place to be. protto taking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. prot ownership, a local boardand Marqueeof directors, trulyand CCAC is the accreditation,place to be. To learn more, call, visit our websiteand Marquee or stop truly by isour the community. place to be. To learn more, call, visit our website or stop by our community. To learn more, call, visit our website or stop by our community. 8140 Township Line Rd. | Indianapolis, IN 46260 To learn more, 8140call, Township visit our Line website Rd. | Indianapolis, or stop IN by 46260 our community. -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
ANYTHING GOES -Sutton Foster and Joel Grey Star As Reno Sweeney and Moonface Martin in Cole Porter's Musical Cruise Across the Atlantic Ocean
ANYTHING GOES -Sutton Foster and Joel Grey star as Reno Sweeney and Moonface Martin in Cole Porter's musical cruise across the Atlantic Ocean. BOOK OF MORMON, THE -Have they written it on golden plates? Only the creators (South Park + Avenue Q) know for sure. CHICAGO – There’s never been a better time to experience Broadway’s razzle-dazzle smash. A sensational tale of sin, corruption and all that jazz, it has everything you could want in a musical: knockout dancing, an edge-of-your-seat story, and one showstopper after another. CHINGISH - Playwright David Henry Hwang (M. Butterfly) explores the cultural barriers between America and China - especially linguistic ones - in this timely new comedy. COLUMNIST, THE - David Auburn's (Proof) latest drama portrays the dilemma faced by powerful Washington columnist Joseph Alsop, who publicly hosts the Kennedy Camelot circle while keeping hidden deep parts of himself. Starring John Lithgow. DEATH OF A SALESMAN - One man and his family are caught up in the pressures and delusions of living the American Dream. Miller's play is the story of a traveling salesman whose illusions of picture-perfect business and family life cave in on him. Philip Seymour Hoffman stars as the distressed salesman Willy Loman in Arthur Miller's masterpiece. Also starring Andrew Garfield and Linda Emond. END OF THE RAINBOW - It's December 1968 and Judy Garland is about to make her comeback…again. In a London hotel room with her young new fiancé at her side, Garland battles with a tornado of drugs and alcohol as she undertakes an exhausting series of concerts at the Talk of the Town to try and reclaim her crown as the greatest talent of her generation.