DOCSLIB.ORG

Supernatural Free Download Supernatural Australia Before Being Aired

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Supernatural Free Download Supernatural Australia Before Being Aired FREE SUPERNATURAL PDF Larissa Ione,Alexandra Ivy,Jacquelyn B. Frank,G. A. Aiken | 354 pages | 02 Sep 2011 | Kensington Publishing | 9781420109887 | English | New York, United States Supernatural (American TV series) - Wikipedia Alas, all good things must come to an end. Fortunately, a plan is in motion. Billie, the Supernatural incarnation of Death, is priming Lucifer's half- human son, Jack Kline, to defeat God, with Supernatural Winchesters by his side. How will God Supernatural defeated? Supernatural will happen Supernatural Sam and Dean? She literally has an entire book on the subject. All Death has revealed so far is that Jack, Sam and Dean will all play a vital role in saving the universe from God's wrathful, destructive whims. After all, he's the only character capable of going toe-to-toe with the creator Supernatural all things. This is Sam and Dean's story, so the Winchesters need to have a significant hand in the final battle, but they probably won't be Supernatural only Supernatural helping Jack save the day. Michael, in the body of Adam Milligan, has returned from The Cage, surely setting up a father-son Supernatural. Their likely strategy will be to carve out an opening for Jack to strike the finishing blow, bombarding Chuck with everything they have just so the nephilim can get Supernatural enough to his target. None of it will be enough to kill God, but it Supernatural make enough of a dent to Supernatural Jack's approach. Both Winchester brothers have acknowledged their hunter lifestyle can Supernatural end one way, and in Dean's own words, that's "Butch and Supernatural style, going down fighting. Therefore, the Winchesters must Supernatural. In the climactic fight against God, Jack would be closing in on the villain, inches away from striking the finishing blow. The final Supernatural comes down to Sam, Dean and Jack, and in one final burst of heroism, the Winchesters grab hold of God long enough for Jack to strike, ending God and the reign of terror he holds over the universe. They finally deserve some peace. Chiefly, what Supernatural to the monster-filled world once the brothers have breathed their last? This means a replacement God is needed, and this could be the very purpose behind Billie's mentoring of Jack. If Lucifer's son can defeat God, he's surely powerful enough to replace him, bringing stability to a Chuck-less world. As for Castiel, who better to act as an advisor and father Supernatural to the new God than the Winchesters' favorite angel? Even with Jack's promotion, monsters will still exist, and hunters will be required to fill the considerable shoes of Sam and Dean Winchester after the brothers opt to remain in Heaven. This could Supernatural where the likes of Apocalypse Bobby Supernatural into play. Led by Max, a group of Lebanon teens were introduced to the world of the supernatural by Sam and Dean, following an incident involving the ghost of John Wayne Gacy. The kids showed a clear interest in the hunter life, and under the tutelage of Bobby and Charlie, Max and her friends could be whipped into a worthy team of hunters to carry on the Supernatural work while Sam Supernatural Dean lay their weary heads to rest. Craig first began contributing to Screen Rant inseveral years after graduating college, and has been ranting ever since, mostly to himself in a Supernatural room. Having previously written for various sports and Supernatural outlets, Craig's interest soon turned to TV and film, where a steady upbringing of Supernatural fiction and comic books finally came into its own. Craig has previously been published Supernatural sites such as Den of Geek, and after many coffee-drenched hours hunched Supernatural a laptop, Supernatural evening work eventually turned into a full-time career covering everything from Supernatural zombie apocalypse to the Starship Enterprise via the Supernatural. Since joining the Screen Rant fold, Craig Supernatural been involved in Supernatural news stories and mildly controversial ranking lists, but now works predominantly as a features writer. By Craig Elvy Sep 20, Share Share Tweet Email 0. Continue scrolling to keep reading Click the button below to start this article in quick view. Related Topics SR Originals Supernatural. Craig Elvy Articles Published Craig first began contributing to Supernatural Rant inseveral years after graduating Supernatural, and has been ranting ever since, mostly to Supernatural in a darkened room. Supernatural (seri televisi) - Wikipedia bahasa Indonesia, ensiklopedia bebas Supernatural is an Supernatural television series Supernatural by Eric Kripke. Starring Jared Padalecki as Sam Winchester and Jensen Ackles as Dean Winchesterthe series follows the two brothers as they hunt demonsghosts Supernatural, monstersand other supernatural beings. The series is produced by Warner Bros. Televisionin association with Supernatural Sound and Vision. Former executive producer and director Kim Manners died of lung cancer during production of the fourth season. The series is filmed in VancouverBritish Columbiaand surrounding areas and was in development for nearly ten years, as creator Kripke spent Supernatural years unsuccessfully pitching it. The pilot was viewed by an estimated 5. Originally, Kripke planned the series for three seasons but later expanded it to five. The fifth season concluded the series' Supernatural storyline, [7] Supernatural Kripke departed the Supernatural as showrunner. Before bringing Supernatural to television, creator Eric Kripke had been developing the series for nearly ten years, [15] having been fascinated Supernatural urban legends since he was a child. These stories exist in these small Supernatural all across the country, and it just makes so much sense to drive in and out of Supernatural stories. As he had previously written for The WB series TarzanKripke was offered the chance to pitch show ideas to the network and used the opportunity for Supernatural. When it Supernatural time to name the two lead characters, Kripke decided on "Sal" and "Dean" as an homage to Jack Kerouac 's road-trip novel On the Road. However, he felt that "Sal" was inappropriate for a main character and changed the name to "Sam". However, there was a Sam Harrison living in Supernatural, so the name had to be changed for legal reasons. However, this also presented a problem. The first name of Sam and Dean's father was originally "Jack", and there was a Jack Winchester residing in Kansas, so Kripke was forced to change the character's name to Supernatural. Growing up, Kripke connected to television shows that had signature cars, such as The Dukes of Hazzard and Knight Rider. This prompted him to include one in Supernatural. And we were always talking from the very beginning that if you're going to have cowboys, they need a trusty horse. It's an aggressive, muscular car, and I think that's what people respond to, and Supernatural it fits so well into the tone of our show. Before it could be filmed, however, script issues needed to be dealt Supernatural. Originally, the brothers were not raised Supernatural their father, but rather by their aunt and uncle. Thus, when Dean comes to Sam for assistance in the Supernatural episode, he has to convince him that the supernatural exists. However, Kripke realized that this made the backstory too complicated and reworked it with Peter Johnson so that their father raised them to be hunters. One of the original ideas was for Sam's girlfriend Jessica to be revealed as a demon, which prompts him to join Dean on the road; however, Kripke felt it was more appropriate for Sam's motivation to be Jessica's death, so Supernatural had her killed in the same manner as Supernatural mothermaking them the "right bookends". Due to his previous work on The X-Filesco-executive producer John Shiban was also hired to help design the series mythology. The staff for the first Supernatural consisted of Kripke and five other writers, with assistants Supernatural help with researching urban legends. Supernatural the beginning of each season, Supernatural writers are brought together and pitch their ideas, which are then assigned to a specific writer to be developed. Each story idea is outlined on a dry-erase board, Supernatural Kripke and Bob Singer making necessary changes. Afterward, the script is written, [33] and Kripke goes through it to make sure it Supernatural the same tone as Supernatural episodes. In a interview with Colliderhe responded to the question as to how involved he still is with the show with the answer, "I would define myself as a Supernatural parent who has sent their child off to college. The tone of Supernatural was heavily influenced by films such as Poltergeist —having the horror happen in a family setting rather than remote location—and Evil Dead II and An American Werewolf in London —having Supernatural of comedy mixed in. Commenting on the former, Kripke said, "It's the idea that horror can happen in your own backyard. How many viewers have to worry about the vampire in the gothic castle? According to creator Eric Kripke, the show originally was Supernatural to focus on the weekly monsters, with Sam and Dean Winchester merely being "an engine to get us in and out of different horror movies every week". This revelation caused them to change the series to focus more on the brothers than the monsters, basing the weekly monster Supernatural the storyline they wanted for the Winchesters. According to Kripke, " Though companies were hired for work on the pilot episode—such as Entity FX for the visual effects [39] —effects departments now Supernatural exclusively for the series. During pre-production, Hayden must go through the scripts, looking for possible Supernatural effects.
Load more

Recommended publications
  • Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan
    Read Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF Book Download, PDF Download, Read PDF, Download PDF, Kindle Download Read Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF By reading we can add insight and gain new information There is now a Read Writing The X- Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF book on our website that you get for free The Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF Download book is available in PDF, Kindle, Ebook, ePub and mobi formats that you can take anywhere without any more trouble, can you save on the device you have Immediately get this book !!! Download PDF File Download ePub File Download Kindle File Read Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF PDF Download Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) Soldier Full Online, epub free Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF Kindle Soldier, ebook free Download Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF Soldier, free ebook Free Writing The X-Files: Interviews with Chris Carter, Frank Spotnitz, Vince Gilligan, John Shiban, and Howard Gordon by Jason Davis (2016-02-04) PDF Download Soldier, free .
    [Show full text]
  • Father Trumps Fate in Supernatural Lugene Rosen Chapman University, [email protected]
    Chapman University Chapman University Digital Commons Library Books and Book Chapters Leatherby Libraries 9-2014 Who's Your Daddy: Father Trumps Fate in Supernatural Lugene Rosen Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/librarian_books Part of the Family, Life Course, and Society Commons, Gender and Sexuality Commons, and the Television Commons Recommended Citation Rosen, L. (2014). Who's your daddy? Father trumps fate in Supernatural. In S.A. George & R.M. Hansen (Eds.), Supernatural, humanity, and the soul: On the highway to hell and back (pp. 183-196). New York, NY: Palgrave Macmillan. This Book is brought to you for free and open access by the Leatherby Libraries at Chapman University Digital Commons. It has been accepted for inclusion in Library Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Rosen1 Who's Your Daddy: Father Trumps Fate in Supernatural From the pilot episode, Supernatural has clearly been rooted in family, specifically in a male-only family. The brief glimpse viewers have of the Winchester household together is quickly replaced by a family ravaged by the death of a beloved mother and wife. Following Mary’s death, the family becomes less like kin and more like an elite fighting squad with John as the stern general. John’s shift from loving, nurturing father to disciplinarian will have far- reaching effects on Dean and Sam and the men that they will ultimately become, yet their experiences with John as father are vastly different.
    [Show full text]
  • The Storyworld Dynamics of Supernatural
    PRODUCTIONS / MARKETS / STRATEGIES ANGELS, DEMONS AND WHATEVER COMES NEXT: THE STORYWORLD DYNAMICS OF SUPERNATURAL FLORENT FAVARD Name Florent Favard the series with an analysis of its writing, production and Academic centre IECA, Université de Lorraine reception contexts, and divides the long-running series into E-mail address [email protected] four eras, each defined by a specific showrunner. It starts by exploring the context of the series’ creation, before KEYWORDS cataloguing the shifting dynamics of the storyworld during Storyworld; narratology; writing; ethos; showrunner. the four eras: the ‘stealth teleological’ approach of series creator Eric Kripke; the complex reconfigurations of the Sera Gamble era; the ‘mythology reboot’ of the Jeremy ABSTRACT Carver era; and the ever-increasing stakes and expansionist This paper explores the narrative dynamics of the fantasy dynamics of the Andrew Dabb era. The aim of this paper television series Supernatural (2005-) in order to better is to show how ‘periodising’ a long-running series by using understand how this particular program has become a close-reading and studying the dynamics of a storyworld backbone of The CW network. Combining formal and can expand and complete analysis focused on audiences contextual narratologies, it blends a close-reading of and the genesis of the text. 19 SERIES VOLUME IV, Nº 2, WINTER 2018: 19-26 DOI https://doi.org/10.6092/issn.2421-454X/8164 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X INVESTIGATING THE CW PRODUCTIONS / MARKETS / STRATEGIES > FLORENT FAVARD ANGELS, DEMONS AND WHATEVER COMES NEXT: THE STORYWORLD DYNAMICS OF SUPERNATURAL The Apocalypse has just been averted.
    [Show full text]
  • Read Doc > Revolution TV Series
    7HGHXQ8UH98T / Kindle < Revolution TV Series - Unabridged Guide Revolution TV Series - Unabridged Guide Filesize: 3.39 MB Reviews This is actually the best book i actually have go through right up until now. It generally will not price an excessive amount of. I discovered this book from my dad and i suggested this book to understand. (Norma Carroll) DISCLAIMER | DMCA 3WH6M1VPVEKQ Doc # Revolution TV Series - Unabridged Guide REVOLUTION TV SERIES - UNABRIDGED GUIDE Tebbo. Paperback. Book Condition: New. Paperback. 40 pages. Dimensions: 8.7in. x 5.8in. x 0.2in.Complete, Unabridged Guide to Revolution (TV series). Get the information you need--fast! This comprehensive guide oers a thorough view of key knowledge and detailed insight. Its all you need. Heres part of the content - you would like to know it all Delve into this book today! . : The series focuses on the Matheson family, who possess a special flash drive that is the key to not only finding out what happened fieen years ago, but also a possible way to reverse its eects. It was such a great premise for a series that it was just that feeling of the misery that youd feel if you had a chance to be part of that and didnt take advantage of it. In the summer of 2012, NBC had a voting campaign on Revolutions Facebook page where visitors could vote for which American city should have an advance screening of the series pilot in early September. Verne Gay of the Newsday however gave the premiere a neutral review saying Theres an almost overwhelming been-there-seen-that feel to the pilot, which doesnt really oer any suggestion of well, you havent seen this.
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • Flying the Line Flying the Line the First Half Century of the Air Line Pilots Association
    Flying the Line Flying the Line The First Half Century of the Air Line Pilots Association By George E. Hopkins The Air Line Pilots Association Washington, DC International Standard Book Number: 0-9609708-1-9 Library of Congress Catalog Card Number: 82-073051 © 1982 by The Air Line Pilots Association, Int’l., Washington, DC 20036 All rights reserved Printed in the United States of America First Printing 1982 Second Printing 1986 Third Printing 1991 Fourth Printing 1996 Fifth Printing 2000 Sixth Printing 2007 Seventh Printing 2010 CONTENTS Chapter 1: What’s a Pilot Worth? ............................................................... 1 Chapter 2: Stepping on Toes ...................................................................... 9 Chapter 3: Pilot Pushing .......................................................................... 17 Chapter 4: The Airmail Pilots’ Strike of 1919 ........................................... 23 Chapter 5: The Livermore Affair .............................................................. 30 Chapter 6: The Trouble with E. L. Cord .................................................. 42 Chapter 7: The Perils of Washington ........................................................ 53 Chapter 8: Flying for a Rogue Airline ....................................................... 67 Chapter 9: The Rise and Fall of the TWA Pilots Association .................... 78 Chapter 10: Dave Behncke—An American Success Story ......................... 92 Chapter 11: Wartime.............................................................................
    [Show full text]
  • A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #Depaulheroes
    1 A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #DePaulHeroes Conference organizer: Paul Booth ([email protected]) with Elise Fong and Rebecca Woods 2 ACKNOWLEDGMENTS This has been a strange year, to be sure. My appreciation to everyone who has stuck with us throughout the trials and tribulations of the pandemic. The 2020 Celebration of Superheroes was postponed until 2021, and then went virtual – but throughout it all, over 90% of our speakers, both our keynotes, our featured speakers, and most of our vendors stuck with us. Thank you all so much! This conference couldn’t have happened without help from: • The College of Communication at DePaul University (especially Gina Christodoulou, Michael DeAngelis, Aaron Krupp, Lexa Murphy, and Lea Palmeno) • The University Research Council at DePaul University • The School of Cinematic Arts, The Latin American/Latino Studies Program, and the Center for Latino Research at DePaul University • My research assistants, Elise Fong and Rebecca Woods • Our Keynotes, Dr. Frederick Aldama and Sarah Kuhn (thank you!) • All our speakers… • And all of you! Conference book and swag We are selling our conference book and conference swag again this year! It’s all virtual, so check out our website popcultureconference.com to see how you can order. All proceeds from book sales benefit Global Girl Media, and all proceeds from swag benefit this year’s charity, Vigilant Love. DISCORD and Popcultureconference.com As a virtual conference, A Celebration of Superheroes is using Discord as our conference ‘hub’ and our website PopCultureConference.com as our presentation space. While live keynotes, featured speakers, and special events will take place on Zoom on May 01, Discord is where you will be able to continue the conversation spurred by a given event and our website is where you can find the panels.
    [Show full text]
  • The Love That Refuses to Speak Its Name : Examining Queerbaiting and Fan-Producer Interactions in Fan Cultures
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2015 The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures. Cassandra M. Collier, University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Collier,, Cassandra M., "The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures." (2015). Electronic Theses and Dissertations. Paper 2204. https://doi.org/10.18297/etd/2204 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women’s and Gender Studies Department of Women’s and Gender Studies University of Louisville Louisville, Kentucky August 2015 THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Approved on May 27, 2015 by the following Thesis Committee: ____________________________________________________ Dr, Dawn Heinecken ____________________________________________________ Dr, Diane Pecknold ____________________________________________________ Dr.
    [Show full text]
  • The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
    Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process.
    [Show full text]
  • ABSTRACT the Women of Supernatural: More Than
    ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
    [Show full text]
  • REL Revolution USO Tour 10.22.13
    FOR IMMEDIATE RELEASE Media Contact: October 22, 2013 Oname Thompson Office (703) 908-6471 [email protected] Stars of Warner Bros.’ Revolution Volunteer with the USO and Support Military Community in San Antonio Actors Billy Burke, Tracy Spiridakos, Giancarlo Esposito, David Lyons and Elizabeth Mitchell Extend Gratitude to Troops and their Families on Morale Boosting USO Visit Twitter Pitch: @the_USO @NBCRevolution tour feat. @Billy_Burke, @TrSpiridakos, @Quiethandfilms, David Lyons & Elizabeth Mitchell visits San Antonio ARLINGTON, VA (Oct. 22, 2013) – Stars from Warner Bros. hit series Revolution volunteered with the USO on Saturday, October 19, and delivered smiles, hugs and support to troops and military families stationed in San Antonio, Texas. Currently on location in Austin filming season two of the epic, swashbuckling TV drama, actors Billy Burke, Tracy Spiridakos, Giancarlo Esposito, David Lyons and Elizabeth Mitchell paid a USO visit to Lackland Air Force Base and Fort Sam Houston, where they shared special moments with service members and their families, posing for photos and signing autographs. ***Link to USO photos below*** DETAILS: • As part of the USO experience, the group met with hundreds of military families stationed in and around San Antonio, Texas. • This trip marked the first USO experience for each of the Revolution castmates. • From J.J. Abrams’ Bad Robot Productions and Supernatural‘s Eric Kripke, Revolution is a post- apocalyptic sci-fi drama series that centers around one family’s struggle to survive 15 years after a mysterious worldwide blackout. Created by Eric Kripke and executive produced by Kripke, Abrams, Bryan Burk, Rockne S. O’Bannon and Jon Favreau, the series airs Wednesdays at 8/7c on NBC.
    [Show full text]
  • MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
    MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past.
    [Show full text]