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Father Trumps Fate in Supernatural Lugene Rosen Chapman University, [email protected]
Chapman University Chapman University Digital Commons Library Books and Book Chapters Leatherby Libraries 9-2014 Who's Your Daddy: Father Trumps Fate in Supernatural Lugene Rosen Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/librarian_books Part of the Family, Life Course, and Society Commons, Gender and Sexuality Commons, and the Television Commons Recommended Citation Rosen, L. (2014). Who's your daddy? Father trumps fate in Supernatural. In S.A. George & R.M. Hansen (Eds.), Supernatural, humanity, and the soul: On the highway to hell and back (pp. 183-196). New York, NY: Palgrave Macmillan. This Book is brought to you for free and open access by the Leatherby Libraries at Chapman University Digital Commons. It has been accepted for inclusion in Library Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Rosen1 Who's Your Daddy: Father Trumps Fate in Supernatural From the pilot episode, Supernatural has clearly been rooted in family, specifically in a male-only family. The brief glimpse viewers have of the Winchester household together is quickly replaced by a family ravaged by the death of a beloved mother and wife. Following Mary’s death, the family becomes less like kin and more like an elite fighting squad with John as the stern general. John’s shift from loving, nurturing father to disciplinarian will have far- reaching effects on Dean and Sam and the men that they will ultimately become, yet their experiences with John as father are vastly different. -
Flying the Line Flying the Line the First Half Century of the Air Line Pilots Association
Flying the Line Flying the Line The First Half Century of the Air Line Pilots Association By George E. Hopkins The Air Line Pilots Association Washington, DC International Standard Book Number: 0-9609708-1-9 Library of Congress Catalog Card Number: 82-073051 © 1982 by The Air Line Pilots Association, Int’l., Washington, DC 20036 All rights reserved Printed in the United States of America First Printing 1982 Second Printing 1986 Third Printing 1991 Fourth Printing 1996 Fifth Printing 2000 Sixth Printing 2007 Seventh Printing 2010 CONTENTS Chapter 1: What’s a Pilot Worth? ............................................................... 1 Chapter 2: Stepping on Toes ...................................................................... 9 Chapter 3: Pilot Pushing .......................................................................... 17 Chapter 4: The Airmail Pilots’ Strike of 1919 ........................................... 23 Chapter 5: The Livermore Affair .............................................................. 30 Chapter 6: The Trouble with E. L. Cord .................................................. 42 Chapter 7: The Perils of Washington ........................................................ 53 Chapter 8: Flying for a Rogue Airline ....................................................... 67 Chapter 9: The Rise and Fall of the TWA Pilots Association .................... 78 Chapter 10: Dave Behncke—An American Success Story ......................... 92 Chapter 11: Wartime............................................................................. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
Supernatural Free Download Supernatural Australia Before Being Aired
FREE SUPERNATURAL PDF Larissa Ione,Alexandra Ivy,Jacquelyn B. Frank,G. A. Aiken | 354 pages | 02 Sep 2011 | Kensington Publishing | 9781420109887 | English | New York, United States Supernatural (American TV series) - Wikipedia Alas, all good things must come to an end. Fortunately, a plan is in motion. Billie, the Supernatural incarnation of Death, is priming Lucifer's half- human son, Jack Kline, to defeat God, with Supernatural Winchesters by his side. How will God Supernatural defeated? Supernatural will happen Supernatural Sam and Dean? She literally has an entire book on the subject. All Death has revealed so far is that Jack, Sam and Dean will all play a vital role in saving the universe from God's wrathful, destructive whims. After all, he's the only character capable of going toe-to-toe with the creator Supernatural all things. This is Sam and Dean's story, so the Winchesters need to have a significant hand in the final battle, but they probably won't be Supernatural only Supernatural helping Jack save the day. Michael, in the body of Adam Milligan, has returned from The Cage, surely setting up a father-son Supernatural. Their likely strategy will be to carve out an opening for Jack to strike the finishing blow, bombarding Chuck with everything they have just so the nephilim can get Supernatural enough to his target. None of it will be enough to kill God, but it Supernatural make enough of a dent to Supernatural Jack's approach. Both Winchester brothers have acknowledged their hunter lifestyle can Supernatural end one way, and in Dean's own words, that's "Butch and Supernatural style, going down fighting. -
From Shadow Citizens to Teflon Stars
From shadow citizens to teflon stars cultural responses to the digital actor L i s a B o d e A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy September 2004 School of Theatre, Film and Dance University of New South Wales Abstract This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky’s reading of the cinematographic image in terms of “cursed grey shadows,” to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image’s unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framework where its perceived strangeness speaks allegorically of what it means to be human at that historical moment. In various ways Walter Benjamin, Anson Rabinbach and N. Katherine Hayles have claimed that the notion and the experience of “being human” is continuously transformed through processes related to different stages of modernity including rational thought, industrialisation, urbanisation, media and technology. In elaborating this argument, each of the four chapters is organized around the elucidation of a particular motif: “dummy,” “siren,” “doppelgänger” and “resurrection.” These motifs circulate through discourses on different categories of digital actor, from those conceived without physical referents to those that are created as digital likenesses of living or dead celebrities. These cultural responses suggest that even while writers on the digital actor are speculating about the future, they are engaging with ideas about life, death and identity that are very old and very ambivalent. -
Supernatural' Fandom As a Religion
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America. -
Wayward Sons: Modern Mythology in Supernatural
Siggard 1 Alison Siggard BYU English Symposium 20 March 2014 Wayward Sons: Modern Mythology in Supernatural “The core notion behind Supernatural was to make a series about urban legends. I think they’re this incredibly rich mythology about the United States,” show creator Eric Kripke said in an interview promoting the show’s two hundredth episode (“Supernatural” at 200”). Since 2005, the cult television show has grown to be something of an underground phenomenon, with legions of dedicated fans. The story of two brothers travelling the country in search of monsters, demons, and ghosts has taken viewers on a ten season long journey of emotional upheavals, social commentary, and dramatic storytelling. As explained by Kripke, the show is set in a world of mythology and urban legends. However, the use of and modification of these motifs leads to something different about Supernatural : it becomes a legend of its own, telling the tale of the Winchester brothers as heroes. Through its use of mythological and folkloric motifs and retellings, Supernatural creates its own mythology, reflecting old archetypes into an epic for a modern age. “Dad wants us to pick up where he left off”: Character Archetypes in Two Heroes’ Journeys Contrary to most heroic stories, the show focuses on two heroes, Sam and Dean Winchester. However, they are two very different types of heroes. Their stories start the same. Twenty-two years before the events of the show begin, the brothers’ mother, Mary, was killed in a mysterious fire in Sam’s nursery. Her death causes John Winchester, the boys’ father, to embark on a journey to discover what killed his wife and to get revenge. -
5G Could Hurt Hurricane Forecasts
FLORIDA DEATH PENALTY BACK IN COURT LOCAL | B1 PANAMA CITY LOCAL & STATE | B1 ST. ANDREWS GROCERY OUTLET DEMOLISHED Tuesday, May 21, 2019 www.newsherald.com @The_News_Herald facebook.com/panamacitynewsherald 75¢ 5G could hurt hurricane forecasts Experts from NOAA, force weather forecasting carriers. Carriers are looking Bay at 5G forefront NASA and FCC working back several decades, accord- to use that frequency to sup- on a solution ing to the National Oceanic port 5G, the latest innovation The United States is racing against China to build the fi rst and Atmospheric Adminis- in the wireless network. mass-market 5G network, which will increase speed and band- By Katie Landeck tration (NOAA). According to studies by width to the point that some telecom experts say it could spur @PCNHKatieL NOAA’s acting chief, Neil NASA and NOAA, the cur- the “fourth industrial revolution.” [email protected] Jacobs, testified at a con- rent plan would reduce data gressional hearing about the collected on “passive micro- Panama City is at the forefront of it, as Verizon has announced PANAMA CITY — While threat to weather forecasting waves” by 77% and “degrade it will be one of the fi rst fi ve cities to receive 5G coverage. 5G is being heralded as the posed as the FCC auctions the internet of the future, it could 24 GHz spectrum to wireless See 5g, A7 New Air Force secretary has Tyndall roots By Eryn Dion history [email protected] in the Air @pcnheryndion Force, and a consider- TYNDALL AIR FORCE able history BASE — At a time when at Tyndall. -
The Changing Fan/Producer Relationship in Television As Demonstrated by Supernatural
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 12-10-2013 12:00 AM We’re on This Road Together: The Changing Fan/Producer Relationship in Television as Demonstrated by Supernatural Lisa Macklem The University of Western Ontario Supervisor Carole Farber The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Lisa Macklem 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons, and the Television Commons Recommended Citation Macklem, Lisa, "We’re on This Road Together: The Changing Fan/Producer Relationship in Television as Demonstrated by Supernatural" (2013). Electronic Thesis and Dissertation Repository. 1748. https://ir.lib.uwo.ca/etd/1748 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WE’RE ON THIS ROAD TOGETHER: THE CHANGING FAN/PRODUCER RELATIONSHIP IN TELEVISION AS DEMONSTRATED BY SUPERNATURAL Monograph by Lisa Macklem Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Lisa Macklem 2013 Abstract This thesis explores the changing relationship between fans and producers of television. The traditional hegemonic relationship between these two groups has changed in the digital age giving fans more access to the production process than ever before. -
Metafictional Strategies in Supernatural Alberto N
Breaking the Mirror Metafictional Strategies in Supernatural Alberto N. Garcia Like those guys, from the book. What are they called? Uh . Supernatural! Two guys use fake IDs with rock aliases, hunt down ghosts, demons, and vampires. What are their names? Uh . “The Monster at the End of This Book” (4.18) When the seller of the “Golden Comic” bookshop describes the protagonists of the novels written by Carver Edlund, viewers share the surprise of Sam and Dean, the protagonists of Supernatural, the tv show. With the characters’ realization that their own lives are being reflected in the books, the illusionist mirror created by this fantasy series of horror and adventure is shattered. Illusionism, argues Robert Stam, “pretends to be something more than mere artistic production; it presents its characters as real people, its sequence of words or images as real time, and its representations as substantiated fact” (1). But what happens in the “The Monster at the End of This Book” is not an isolated occurrence. Because one of the 146 breaking the mirror most unique narrative strategies of Supernatural is the way it creates a break with the mirror that characterizes traditional fiction and turns it in upon itself, underscoring its own fictitiousness. This rupture occurs, in varying degrees, throughout the entire series and proves essential in the Winchesters’ battle against the army of darkness. Patricia Waugh defines metafiction as “a term given to fictional writing which self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relation- ship between fiction and reality” (2). -
Lost Series Format
·1"'" FORMAT CONTENTS Introduction I. A BriefQ & A ... 11.. The Characters . III. The Stories Epilogue: The Hard Sell INTRODUCTION· So ... · After four days of simulating a plane crash on a Los Angeles soundstage, five incredible weeks in Hawaii and a jam-packed week ofpost, we've actually completed an extremely rough version of · LOST. Before we go any further•.. Thank you. · Thank you for 1rusting us with this massive undertaking and for giving us the tools we needed to fully realize it The enthusiasm at the studio and network bas been nothing short of gargantuan and we could not be more appreciative of everything you have done to get us here. No matter what happens from this point on, for this once-in-a-lifetime opportunity, we express our heartfelt gratitude. Okay. So what does happen from this point on? WelcoJ!le to "The Format." We politely ask you to be aware that We're rookies with these "series overviews," so skating the thin ice between ambiguity and specificity is something we're doing purely on instinct. We shall do our best That being said, launching a series requires a great deal of trial and error. Much of the first season is committed to finding what works, what doesn't, and most importantly, what the show IS. The greatest architect in the· world can-draw up a-blueprint for a building, but construction is a whole new ball of wax. · So here's our best shot at a blueprint. This format is broken down into three sections: 1. A BRIEF Q &; A anticipating the most obvious questions one might be asking coming out of the pilot. -
Specters of Modernity: “Supernatural Japan” and the Cosmopolitan Gothic
Specters of Modernity: “Supernatural Japan” and the Cosmopolitan Gothic By Michael Joseph Blouin A DISSERTATION Submitted to Michigan State University as partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY American Studies 2012 ABSTRACT SPECTERS OF MODERNITY: “SUPERNATURAL JAPAN” AND THE COSMOPOLITAN GOTHIC By Michael Joseph Blouin Value of Research Specialization: From the mid-19th century until today, “Japan” has frequently been imagined in Western discourse as a supernatural entity; at the same time, Gothic tales from each nation have been exchanged, consumed, and adapted. By better understanding this phenomenon, in works ranging from the prose of Lafcadio Hearn and Winnifred Eaton to the films of Shimizu Takashi, one can better understand the cultural relationship between the two countries as well as the layers of complexity that accompany constructions of “foreignness.” Argument of Dissertation: Cosmopolitanism, following Kant, is often articulated through concepts of unity and rationality. I argue that the cultural exchange between the United States and Japan in the last century suggests a different kind of cosmopolitanism, one that instead uses Gothic tropes to interrogate the Self as it projects its own hidden “foreignness” onto distant lands. This argument builds upon theories of Julia Kristeva, Paul Ricouer, and Jean Baudrillard that argue for “radical alterity.” In the macabre and spectral visions of one another, the United States and Japan glimpse the excesses within their modernization. Contribution of Dissertation: My dissertation expands and changes out current understanding of the U.S.-Japan cultural relationship, specifically in literature and film. It attempts to challenge a dominant view that “Japan” has served solely as the Other in Western thought and rather establishes the manner in which authors and filmmakers have used this theme as an opportunity to subvert the status quo and interrogate modernity’s excess.