Star Trek – the American Dream Continued? What This Is All About, Read the Last Chapter a Conclusion First

Total Page:16

File Type:pdf, Size:1020Kb

Star Trek – the American Dream Continued? What This Is All About, Read the Last Chapter a Conclusion First If you're interested in a short summary of Star Trek – The American Dream Continued? what this is all about, read the last chapter A Conclusion first. UNIVERSITÄT OLDENBURG Magisterstudiengang Anglistik/Geschichte Navigation: MAGISTERARBEIT - Mit den Lesezeichen im Acrobat Reader. Oldenburg, im August 1994 - Please use Acrobat Reader’s bookmarks. Kleine Anmerkung zur Seitennumerierung Der besseren Lesbarkeit wegen ist das Do- kument als "Buchimitation" gelayoutet: Querformat mit 2 Seiten, wobei (mit einem kleinen Trick) jede "Buchseite" eine eigene The American Dream Continued? Seitenzahl hat. Die automatische Seitennummerierung des The Crisis of the American Dream in the 1960s Acrobat Reader kommt mit solchen Tricks and its Reflection in a Contemporary TV Series nicht klar und zählt jeweils 2 "Buchseiten" als eine Dokumentseite. Statt über 300 hat das Dokument für den Reader daher nur © 2003 --- Peter Müller 164 Seiten. Mail: [email protected] (Stand 04/2003) Acknowledgments 2 Acknowledgments On the academic side I would first of all like to thank Eric Sakurai of "Spock's Adventure" in Cincinnati, Klaus Köhring, who encouraged me when I told him that Ohio; I wanted to explore "the final frontier" with American David Thorlton for countless anecdotes and invalu- Cultural Studies as point of departure. Also I have to able information about America's popular culture of thank Robert McLaughlin and Paul Cornelius, who long the 1960s; ago initiated an interest in the academic study of popu- Peter Bruells for updating me on my CIC video col- lar culture that persisted until today. lection; Werner Koch for the Mandella; Renate Koch In the real world, I would like to thank: for reading an early version of part one; Toni and Jim Hewitt for the click in Rushden some Peter Neumann for nagging about the series; Klaus four years ago; Pannenborg for reading an early version of part all participants of the German TrekNet, especially two; Martin Noth from the "Vulcan Academy" in Braun- all those friends not mentioned by name, without schweig and Angela "Guinan" Klugius of "Data's whose tolerance this thesis would not have been Home" in Bremen; possible since I spent four months trekkin' across all participants of the international TREK echo on the universe; Andrea for occasionally calling me FIDOnet, especially Michael Marek and Vince back to Earth. Maiocco; And of course Karin, best of all friends and my wife. © 2003 – Peter Müller – [email protected] Table of Content Table of content Introduction 2 AN INTRODUCTION TO STAR TREK 1 THE AMERICAN DREAM 2.1 Reflections on Methodology 2.1.1 The Formula 1.1 Mythical Aspects: The Vision of "America" 2.1.2 Artist, Artifact and Audience 1.2 Religious Aspects: "A Citty Upon A Hill" 2.2 The Making of Star Trek 1.2.1 The Role of Puritanism 2.2.1 The Producer 1.2.2 The Reformation 2.2.2 The Format 1.2.3 Puritanism in England 2.2.3 Television Production Conditions 1.2.4 Puritanism in America 2.2.4 The Pilots 1.3 Political Aspects: "A Democratic Utopia" 2.3 The Series 1.3.1 Democracy and Melting Pot 2.3.1 The Crew 1.3.2 Manifest Destiny and Frontier 2.3.2 The Ship 1.4 The Main Elements of the American Dream 2.3.3 The Aliens 1.5 American Dreams, American Nightmares 2.4 The Audience 1.5.1 The Quest for National Purpose 2.4.1 Audience Ratings 1.5.2 The Crisis of the American Dream 2.4.2 Syndication 1.5.3 The Nature of the Crisis 2.4.3 Revival © 2003 – Peter Müller – [email protected] Table of Content 2.4.4 The Fans 3.4.1 Women's Liberation 2.4.5 A Cultural Artifact 3.4.2 Social Equality 3.4.3 Racial Equality 3 THE AMERICAN DREAM IN STAR TREK 3.5 Manifest Destiny 3.1 Science Fiction or American Myth? 3.5.1 The Prime Directive 3.1.1 "A Quintessential American Romance …" 3.5.2 The Pueblo Incident 3.1.2 "… in the Garb of Science Fiction" 3.5.3 Vietnam 3.1.3 "The Omega Glory" 3.1.4 Reflections of the Sixties 4 A CONCLUSION 3.2 A New Frontier 5 APPENDIX 3.2.1 "Tomorrow Is Yesterday" 3.2.2 "Assignment: Earth" 5.1 Bibliography 5.1.1 Monographs 3.3 Progress 5.1.2 Essays, Dissertations etc. 3.3.1 Paradise 3.3.2 Technological Progress 5.2 The Original Series: Episode List 3.4 Liberty, Equality and the Melting Pot 5.3 Acronyms © 2003 – Peter Müller – [email protected] 5 The American Dream Mythical Aspects: The Vision of "America" 6 Introduction During the 1960s, the American Studies movement, like society as a whole, lost its consensus. The pursuit of This thesis is written in the field of American Cultural happiness had turned into "The Pursuit of Loneliness"2 Studies. Academic research of the American experience and the American Studies movement had no valid expla- was sparked off in 1927 with Vernon L. Parrington's nation. book about Main Currents in American Thought, which initiated a whole series of investigations resulting in the The movement's claim to explain America was lost and American Studies movement. at least partly transferred to journalists, non academic culture critics and - television. Within and without the In the beginning this movement had "a substantive con- movement consensus was replaced by conflict and diver- sensus on the nature of American experience, and a sity: methodological consensus on ways to study that experi- "We are less inclined now to take readings ence". Its basic aim was "to probe for the fundamental from a single vantage point on The American meaning of America".1 Experience; instead we look upon America The "intellectual history synthesis", as Wise called this from a variety of different, often competing, 3 approach, dominated Americanist scholarship from its perspectives …" beginnings up to the middle of the 1960s. Scholars of that school certainly were critical of American institu- tions, but not of the American experience itself. 1 cf. Wise, Gene, "'Paradigm Dramas' in American Studies: A Cultural and Institutional History of the Movement", in: American Quarterly, 31 (Bibliography 1979), 306 and 307 2 Slater, Philip, The Pursuit of Loneliness: American Culture at the Breaking Point (Boston: Beacon Press, 1970) 3 Wise, Paradigm Dramas, 319 © 2003 – Peter Müller – [email protected] 7 The American Dream Mythical Aspects: The Vision of "America" 8 One of these new perspectives was that of popular cul- This thesis tries to heed the above considerations. Its ture. According to M. Thomas Inge "Popular culture is aim is to analyze how the crisis of the American Dream what we do by choice to engage our minds and our bod- in the Sixties is reflected in contemporary popular cul- ies when we are not working or sleeping" and its func- ture, with the original Star Trek series serving as a case tion is to "validate the common experience of the larger study. 4 part of the population". Part one begins with an examination of the American The American Dream, in essence, is an expression of Dream's historical roots. "The American Dream" is more this "common experience of a larger part of the popula- than just the immigrant's dream of success: it denotes a tion". unique set of specifically American social and moral ide- als. Therefore I believe it to be a rewarding enterprise in American Studies to examine samples of American popu- These values were extremely powerful and persuasive lar culture and see how elements of the American Dream for centuries. It was only in the maelstrom of the Sixties are reflected in them: the very nature of popular culture that for the first time they were fundamentally ques- implies that it epitomizes the value system of the society tioned by a significant part of the American population. producing it; on the other hand popular culture also Part two begins with a short discussion of methodology shapes society and thus possible changes in societal ide- and continues with "An Introduction to Star Trek" based als may well be foreshadowed in it. on that discussion. It examines the making of the show, its basic format, television production conditions, princi- pal characters, setting, and its impact on the audience 4 Inge, M. Thomas, Handbook of American Popular Culture (Westport, Ct.:Greenwood Press , 21988), xxvi and xxviii and vice versa. © 2003 – Peter Müller – [email protected] 9 The American Dream Mythical Aspects: The Vision of "America" 10 Part three traces the main elements of "The American Dream in Star Trek". It is dedicated to an analysis of how the Dream and its crisis in the Sixties are reflected in the original Star Trek series. Summing up it can be said that this thesis examines the historical roots of the American Dream and its crisis in the Sixties, and investigates how this crisis is reflected in the origi- nal Star Trek television series. © 2003 – Peter Müller – [email protected] 11 The American Dream Mythical Aspects: The Vision of "America" 12 1 The American Dream be." Vague as it may be he nevertheless called it "one of the motivating forces of American civilization", and cer- The term "American Dream" was coined by historian tainly there is a set of values specifically and uniquely James Truslow Adams in 1931. At the height of the American. Great Depression he described "that American dream of These values define what is American and they are so a better, richer, and happier life for all our citizens of strongly felt and widely accepted that after World War II every rank which is the greatest contribution we have as a House Committee was able to identify un-American ac- yet made to the thought and welfare of the world" in the tivities without ever defining what un-American was.
Recommended publications
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan­ tastic future.
    [Show full text]
  • Gene Roddenberry and Art Wallace Copyright
    (Pilot Spin–Off) Teleplay by: Art Wallace Story by: Gene Roddenberry and Art Wallace Copyright © 1967 REVISED FIRST DRAFT December 20, 1967 Prod. No. 60355 Series Created by Gene Roddenberry Desilu Productions, Inc. 1. CAST LIST CAPTAIN JAMES KIRK MISTER SPOCK DOCTOR MCCOY ENGINEER SCOTT LT. CHEKOV LT. UHURA LT. SULU SECURITY CHIEF GARY SEVEN ROBERTA LONDON COLONEL NESVIG LAUNCH DIRECTOR CROMWELL SECURITY SERGEANT ENTERPRISE CREWMEN SECURITY GUARDS BLOCKHOUSE TECHNICIANS VARIOUS AIR FORCE PERSONNEL SET LIST INTERIORS: INT. BRIDGE INT. TRANSPORTER ROOM INT. BRIEFING ROOM INT. BRIG INT. SEVEN’S LIBRARY INT. SEVEN’S OFFICE INT. APARTMENT BUILDING HALLWAY INT. WHITE CAR INT. GANTRY ELEVATOR (PROCESS) INT. BLOCKHOUSE COMMAND SECTION (PROCESS OR MATTE) EXTERIORS: EXT. SEVEN’S APARTMENT BUILDING EXT. ROCKET BASE STREET (INCLUDING MATTE ANGLE) EXT. ROCKET BASE ROOFTOPS EXT. BASE OF GANTRY (INCLUDING MATTE ANGLE) EXT. SIDE OF ROCKET (AT REMOVAL HATCH) (ALSO MATTE) STOCK – VARIOUS Star Trek · Assignment: Earth · Revised First Draft 2. TEASER FADE IN: 1 EXT. SPACE ORBITING SHOT - ENTERPRISE 1 The Enterprise is in orbit around the Earth. KIRK’S VOICE Captain’s Log. Using the light speed squared factor, the Enterprise has moved back through time to the 20th Century. We are now… 2 EXT. SPACE CLOSER ANGLE ON EARTH - (NASA FILM) 2 The Earth as actually seen from orbit. KIRK’S VOICE (continuing) … in high orbit around Earth, using our ship’s deflector shields to remain unobserved. 3 INT. BRIDGE - ANGLES ON CREW 3 SULU, CHEKOV, UHURA, and n.d. bridge personnel watching the o.s. main viewing screen - deeply absorbed, intense interest on their faces as if, indeed, a major 20th Century enigma is being examined at this moment.
    [Show full text]
  • Oltre L'ultima Frontiera
    OLTRE L’ULTIMA FRONTIERA Guida non ufficiale a Star Trek Serie Classica Con Sezioni Extra sulla Serie Animata e la Phase II Giuseppe Turdo Renata Bertola in collaborazione con www.serietv.net TOPES EDIZIONI Anno di pubblicazione: 2018 Copyright © 2018 by Giuseppe Turdo e Renata Bertola I CONTENUTI DEL LIBRO POSSONO ESSERE LIBERAMENTE COPIATI DA CHIUNQUE A SCOPO DI CRITICA, CONFRONTO E RICERCA, CITANDO L’AUTORE E LA FONTE Tutti i diritti sono riservati. È vietata qualsiasi utilizzazione, totale o parziale, dei contenuti inseriti nel libro, ivi inclusa la memorizzazione, riproduzione, rielaborazione, diffusione o distribuzione dei contenuti stessi mediante qualunque piattaforma tecnologica, supporto o rete telematica, senza previa autorizzazione scritta di Giuseppe Turdo o Renata Bertola. Per eventuali rettifiche e per segnalazioni si prega di inviare una e-mail a: [email protected] Tutti i diritti riservati Prima edizione: Gennaio 2018 ISBN: 978-0-244-37374-0 Copertina: Claudio Secco. CONTENUTI RINGRAZIAMENTI ..................................................................... ix INTRODUZIONE .......................................................................... 1 INIZI DI UN MITO TELEVISIVO ............................................... 3 EPISODIO PILOTA FUORI SERIE – LO ZOO DI TALOS ..... 7 PRIMA STAGIONE - IL CAST COMPLETO........................... 17 EPISODIO 1 – OLTRE LA GALASSIA .................................... 20 EPISODIO 2 – L’ESPEDIENTE DELLA CARBONITE ......... 23 EPISODIO 3 – IL FILTRO DI VENERE .................................
    [Show full text]
  • December 31, 2017 - January 6, 2018
    DECEMBER 31, 2017 - JANUARY 6, 2018 staradvertiser.com WEEKEND WAGERS Humor fl ies high as the crew of Flight 1610 transports dreamers and gamblers alike on a weekly round-trip fl ight from the City of Angels to the City of Sin. Join Captain Dave (Dylan McDermott), head fl ight attendant Ronnie (Kim Matula) and fl ight attendant Bernard (Nathan Lee Graham) as they travel from L.A. to Vegas. Premiering Tuesday, Jan. 2, on Fox. Join host, Lyla Berg, as she sits down with guests Meet the NEW SHOW WEDNESDAY! who share their work on moving our community forward. people SPECIAL GUESTS INCLUDE: and places Mike Carr, President & CEO, USS Missouri Memorial Association that make Steve Levins, Executive Director, Office of Consumer Protection, DCCA 1st & 3rd Wednesday Dr. Lynn Babington, President, Chaminade University Hawai‘i olelo.org of the Month, 6:30pm Dr. Raymond Jardine, Chairman & CEO, Native Hawaiian Veterans Channel 53 special. Brandon Dela Cruz, President, Filipino Chamber of Commerce of Hawaii ON THE COVER | L.A. TO VEGAS High-flying hilarity Winners abound in confident, brash pilot with a soft spot for his (“Daddy’s Home,” 2015) and producer Adam passengers’ well-being. His co-pilot, Alan (Amir McKay (“Step Brothers,” 2008). The pair works ‘L.A. to Vegas’ Talai, “The Pursuit of Happyness,” 2006), does with the company’s head, the fictional Gary his best to appease Dave’s ego. Other no- Sanchez, a Paraguayan investor whose gifts By Kat Mulligan table crew members include flight attendant to the globe most notably include comedic TV Media Bernard (Nathan Lee Graham, “Zoolander,” video website “Funny or Die.” While this isn’t 2001) and head flight attendant Ronnie the first foray into television for the produc- hina’s Great Wall, Rome’s Coliseum, (Matula), both of whom juggle the needs and tion company, known also for “Drunk History” London’s Big Ben and India’s Taj Mahal demands of passengers all while trying to navi- and “Commander Chet,” the partnership with C— beautiful locations, but so far away, gate the destination of their own lives.
    [Show full text]
  • The Love That Refuses to Speak Its Name : Examining Queerbaiting and Fan-Producer Interactions in Fan Cultures
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2015 The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures. Cassandra M. Collier, University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Collier,, Cassandra M., "The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures." (2015). Electronic Theses and Dissertations. Paper 2204. https://doi.org/10.18297/etd/2204 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women’s and Gender Studies Department of Women’s and Gender Studies University of Louisville Louisville, Kentucky August 2015 THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Approved on May 27, 2015 by the following Thesis Committee: ____________________________________________________ Dr, Dawn Heinecken ____________________________________________________ Dr, Diane Pecknold ____________________________________________________ Dr.
    [Show full text]
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
    [Show full text]
  • Meeting Josh Groban (Again): Fan/Celebrity Contact As Ordinary Behavior
    Meeting Josh Groban (Again): Fan/Celebrity Contact as Ordinary Behavior Gayle Stever Empire State College, Rochester, NY [email protected] Abstract In a participant-observer ethnographic study, the researcher offers evidence from 10 years of observation of the Josh Groban fandom as an example of fans becoming friendly acquaintances of celebrities. Contrary to the way much of the psychological literature depicts fans, as celebrity worshippers or stalkers, the largest percentage of the fans observed in this study showed normal social engagement with others outside of their fan activity, and a friendly acquaintanceship with Groban that is similar to other kinds of relationships happening outside of the context of mediated relationships. Fans who pursued these relationships did so within a social context and network of other fans in most cases. Connection through music, relief from various kinds of life stressors, or the desire to participate in charity efforts are offered as some of the explanations for what motivates the fan to seek out this kind of relationship with an attractive media persona. KEYWORDS: fan, celebrity, parasocial, ethnography, audience Introduction Social relationships are defined within a culture in a myriad of ways. While more traditional relationships have been the focus of much social psychological research, little has been done to try to define the face-to-face social relationships that develop between a media celebrity and his or her fans. These relationships exist, they can be significant in the lives of both celebrities and fans, and they are a normal occurrence for a media-saturated society. IASPM@Journal vol.6 no.1 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i1.7en | www.iaspmjournal.net Meeting Josh Groban (Again) 105 This trend to overlook the ongoing relationships that fans have with celebrities is part of what has been referred to as the “marginalization of celebrity” (Duffett 2014: 163).
    [Show full text]
  • Translating Trek: Rewriting an American Icon in a Francophone Context Caroline-Isabelle Caron
    Translating Trek Caroline-Isabelle Caron 329 Translating Trek: Rewriting an American Icon in a Francophone Context Caroline-Isabelle Caron Italian translators use a now well-known stage direction of Michel Georges.1 The transla- cliche´: ‘‘Traduttore, traditore.’’ Translating is tion available to all French audiences is Patrouille betraying. It refers to the tension between the du Cosmos, though in France it was re-entitled necessity of rendering meaning (or interpretation) Star Trek: Classique.2 and that of rendering style, metaphors, and images Dubbers often translate for audiences that may within the original source text. This tension is a or may not be familiar with the universe of the profound one in literature. In translating televi- story being told (Dutter; Luyken 155). When sion dialogues and in dubbing episodes, many dealing with TOS, these difficulties are more than more exigencies come into play. Television obvious. Patrouille du Cosmos was one of the translators have to take into account questions very first television series ever dubbed in Que- of synchrony, linguistic limitations, the various bec.3 The Quebec dubbing tradition was still dubbing traditions of different countries, and being invented when this translation was pro- their own poetic license. The main challenge of duced. The dubbers had to adapt and interpret television translation is to find a balance between dialogues taking place on other planets, pro- being true to the source text and the sometimes nounced by aliens in silly make-up and starship necessary falsification of the original dialogue in officers wearing goofy clothes. Furthermore, order to accurately render the story being told.
    [Show full text]
  • October USF PADD
    1 From the Editor Greetings one and all! While we carry over some of the celebratory mood of last month's issue for Star Trek's 45th anniversary, this month's main focus is the man behind it all. Gene Roddenberry. In a more somber reflection, we pay tribute to his genius and imagination, for this month marks 20 years since his death. Would he have imagined his vision to continue on so strongly after he had reached his final frontier? We can't say for certain, but surely he had wished. So, aside from the second part of the Star Trek Culture article, we also have a nice little tribute to “the man”, and even some interesting and perhaps little known facts about him. And since I haven't been able to find anyone that attended the big 45th anniversary Vegas Convention and would be willing to share their experience and perhaps pictures, I decided to take us all back in time to the 30th anniversary with the help of a willing simmer. (But I'm still looking for the scoop on this year!) Plus, we have a few “firsts” in this issue. Namely: the first two official strips from the new comic “Prime Defective”, the first time Chief Squill is handing out his astute Ferengi advice, and the first issue of the Cookbook under a new culinary chef... or is she an alchemist? You could think so, considering what she “cooked” up for her debut. And now... I won't hold you up any more. Enjoy the read! Lori Wanted: Ads Consider advertising for your Sim in the USF PADD All USF hosts are warmly invited to submit GRAPHIC or TEXT ADS to be displayed in various sections of this magazine.
    [Show full text]
  • I'm Your Biggest Fan (Iâ•Žll Follow
    Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 "I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT Meghan R. Francis Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Francis, Meghan R., ""I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT" (2011). Digitized Theses. 3233. https://ir.lib.uwo.ca/digitizedtheses/3233 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. “I’M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)” SOCIAL NETWORKING SITES, FANS, AND AFFECT (Spine title: Social Networking Sites, Fans, and Affect) (Thesis Format: Monograph) by Meghan Francis Graduate Program in Popular Music and Culture 9 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Meghan Francis 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners Dr. Norma Coates Dr. Susan Knabe 1 Supervisory Committee Dr. Keir Keightley Dr. Susan Knabe Dr. Jonathan Burston The thesis by Meghan Ruth Francis entitled: “I'm Your Biggest Fan (I'll Follow You Until You Love Me)”: Social Networking Sites, Fans and Affect is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date _______________________ _____ ____________ ■ __________ Chair of the Thesis Examination Board 11 L Abstract: This thesis explores the way that music fandom has changed on sites like Twitter.
    [Show full text]
  • November 2000
    SHIP‘S SECTIONS Hailing Frequencies open 4 New Crewmembers 4 Neue Pen-Pal Adressen 5 Communication Center 5 Galactic Friendship Classics 8 News 11 Starfleet History Tapes: „The Gamesters of Triskelion“ 15 Luigis Vermischtes 24 Einladung zur Generalversammlung 32 Luigis Wissenschaft SPEZIAL 33 LAN-Party Rückblick 34 Humor 36 GF-Clubshop 39 Cyrano Jones‘ Warenlager 40 Neuerscheinungen 40 Termine 41 Vorstellung Andreas Mager 42 Impressum: Stardate ist die Clubzeitschrift des Vereins „Galactic Friendship“. Verlagsort: 1210 Wien, Kummergasse 7/5/1A Redaktion: Reinhard Ullmer, Karin Embacher, Günter Leitner, Manfred Stefanek,Peter Zinner, Maria Nausch. Editor: Reinhard Ullmer Front+Rückencover: Quelle: Internet; Bearbeitung: Reinhard Ullmer Innencover: ; Bearbeitung: Reinhard Ullmer Beiträge für den Newsletter (in PC-Formaten) als E-Mail an [email protected]; Auf Diskette oder Papier an 1180 Wien, Staudgasse 3/5. Für die Retournierung der Disketten legt bitte das Rückporto bei, bzw. wenn möglich werden wir sie bei Meetings etc. persönlich zurückgeben. Vorstandsangelegenheiten oder Fragen zum Clubshop an Karin Embacher, Tel 29 00 686 oder E-Mail: [email protected] Nachdruck, auch auszugsweise, nur mit Genehmigung der Redaktion. Anm d. Red: Die in „Stardate“ veröffentlichten Artikel geben nicht unbedingt die Meinung der Redaktion wieder. Ehrenmitglieder: Marc Alaimo, Richard Arnold, Robin Curtis, Lolita Fatjo, Max Grodenchik, Walter Koenig, Judy Lewitt, Barbara March, Chase Masterson, Leo Moser, Majel Barrett Roddenberry, George Takei, Gwynyth Walsh Offizielle Homepage: http://beam.to/galactic-friendship oder http://www.galactic-friendship.at Erweiterung der Homepage: http://beam.to/gf Jahresmitgliedsbeitrag: Inland öS 400,--; Ausland öS 450,--; Anschlußmitglied öS 120,-- Bankverbindung: Volksbank, BLZ 43090, Ktonr.:2018935 Star Trek ist eine eingetragenes Warenzeichen von Paramount Pictures Corporation Galactic Friendship Stardate September 2000 - Seite 3 sein...
    [Show full text]