DOCSLIB.ORG

Baker Bay Bead Company Order Form 35655 Shoreview Drive Dorena, Oregon 97434 (541) 942-3941 Catalog #18 Fax (541) 942-8479

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Baker Bay Bead Company Order Form 35655 Shoreview Drive Dorena, Oregon 97434 (541) 942-3941 Catalog #18 Fax (541) 942-8479 BAKER BAY BEAD CO. WHOLESALE MAIL ORDER CATALOG $2.00 Phone: 541-942-3941 Fax: 541-942-8479 Email: [email protected] www.bakerbay.com 35655 Shoreview Drive w Dorena, Oregon 97434 http://facebook.com/BakerBayBeadCo http://twitter.com/BakerBayBeadCo WHOLESALE MAIL ORDER CATALOG #19 This is a Wholesale Catalog. When ordering through the mail, no minimum purchase is necessary. However, to receive wholesale prices at a show or in our store there will be a $100.00 minimum purchase required. For the best possible catalog service please remember the catalog department is open from 9:00 am to 5:00 pm. Monday through Friday, Pacific Time. Our fax is on 24 hours a day, seven days a week. We also have Email and a web site (www.bakerbay.com). A RAINBOW OF COLORS Now some notes about the catalog and colors. We try to keep the names of the colors simple and in a so-called system. Think rainbows. Most color numbers have a 3 digit number. The first digit or hundreds place is style of color (opaque, silverlined, iris, etc.) The middle number or tens place is the actual color (red, green, blue, etc.) And the last number, the ones place, is the shade of that color. Now this is where gazing at rainbows comes in handy, or experience with a color wheel. Red through yellow the lower numbers (1-3) are darker, 4-6 are medium, and 7-9 are lighter. After yellow (which means green - brown) the lower numbers (1-3) are lighter, 4-6 are still medium and 7-9 are darker. If all else fails maybe the color name will help. Hundreds Place Tens Place Ones Place 000 Opaque (solid, can’t see through 000 Black-White 001 Black, 003 Gray, 005 White 100 Transparent (can see light through) 200 Silverlined (transparent with silver lining) In the ones place Red through Yellow 300 Iris (looks like a drop of oil on water) 010 Red 001 is darker 400 Metallic (glass with metal coating) 020 Orange 009 is the lightest 500 Colorlined (color on inside) 030 Yellow 600 Luster (shiny in both opaque and transparent) Green through Brown 700 Satin or Opal (translucent look) 040 Green 800 Pearl (pearl like finish) 001 is lighter 900 Matte (dull, etched look) 050 Turquoise 009 is the darkest 060 Blue 070 Pink Also, hopefully, the name of the color 080 Purple will help 090 Brown A test: 005 = Opaque White, 605 = White Luster, 117 = Red Transparent, 217 = Silverlined Red (Sorry, now you are really confused, huh!) While we are on the subject of confusion, what’s a mm? (not the little candies that melt in your mouth not in your hands) Since most of the beads are made outside the United States the measurements are metric. A millimeter (mm) is the little bug legs on the metric side of the ruler. There are 25 mm per 1 inch which makes a 6mm bead about 1/4”. See the ruler which may not be exact because the printer can change it a little bit, but should help give you an idea of size. The sizes in seed beads are even worse. The larger the number the smaller the bead. It can be compared to the stitch gauge on a sewing machine. At 8 stitches per inch, each stitch is twice as long as the 16 stitches per inch. The 8/0 seed bead is larger than the 13/0. The smaller the seed bead the more detail you can get into small pieces. The most popular sizes are 11/0 and 10/0, with the Japanese 15/0 closing the gap for the very adventurous. Another size problem we have had is with Pony beads versus Crow beads. Since the plastic beads that are about 9mm are called by some companies pony beads some customers have been ordering pony and expecting to get crow size beads. Pony beads are large size seed beads, about 3 to 4mm, but are really 6/0 seed beads. Crow beads are bigger and used for chokers, breastplates, etc. Please check the size description of the beads you want to be sure they are right for your project. When ordering please list the NUMBER, COLOR AND DESCRIPTION of the beads you want. This will speed your order because it saves us the time for guess work. ii TABLE OF CONTENTS Bone and Horn . 1-3 Brass, Nickel and Metal. 4 Cones. 4-5 Clasps & Findings. 5-8 Bugles. 9-11 Cut Beads. 11-15 Delica Beads. 16-18 Seed Beads. 18-25 Pony and Tile Beads. 25-26 Crow Beads. .26-28 Round Beads. 29-30 Hot Dogs. 30 Hearts and Teardrops . 31-32 Faceted Beads. .32-34 Austrian Crystals (Swarovski) . 34 White Hearts. .20, 28, 35 Trade Bead Copies. 35 Trade Beads. 35 Needles, Thread, Sinew, Cord & Wire. 36-38 Tools and Beading Equipment. 39-41 Quills and Pine Nuts. .41 Kits. 41-42 Leather . 42 Books . 43-47 Silver and Gold. .48 Pewter Charms. 49-50 Shell . 51-52 Stone. 53-54 Ordering Information. 55 Order Blanks. .56 Map and Store Hours . Inside Back Cover iii BONE & HORN BONE HAIRPIPE BUFFALO HORN MINI SIZE The following bone hairpipes, are HAIRPIPE made in Hong Kong. The Hong HAIRPIPE Kong bone is very good quality, Imported from India even in size and shape but is All approximately 4mm thick sometimes hard to get. B32 1/2” BH 21 1/2" 50/$5.50 50/$8.00; 100/$15.00;1000/$80.00 B33 1” B21 1/2" BH 22 1" 50/$7.50 50/$8.00; 100/$15.00 50/$11.00;100/$21.00;1000/$100.00 B34 1 1/2” B22 1" BH 23 1 1/2" 50/$10.50 50/$11.00; 100/$20.00 50/$13.25;100/$25.50;1000/$160.00 DECORATOR BONE B23 1 1/2" BH 24 2" The following unique bone and 50/$14.00; 100/$26.00 50/$16.00;100/$31.00;1000/$180.00 horn items add a special effect to chokers and necklaces. They are BH 25 2 1/2” imported from India. 50/$18.00;100/$35.00;1000/$240.00 BH 26 3” 50/$21.00;100/$41.00;1000/$280.00 INDIA BH 27 3 1/2” Round Shaped Bone BONE HAIRPIPE 50/$23.50;100/$45.00;1000/$320.00 The following bone is made in India. It is of slightly lesser quality BH 28 4” than Hong Kong and has a small 50/$26.00;100/$50.00;1000/$360.00 variation in length but is also less expensive. 16” Strands AMBER HORN B39 4mm Round BI 21 1/2" HAIRPIPE $4.50 a strand (appox 150 beads) 50/$5.75;100/$10.50; 1000/$70.00 Just like the black horn hairpipe but B40 5mm Round BI 22 1" bleached out to a beautiful amber. $4.25 a strand (appox 80 beads) 50/$7.50; 100/$14.00; 1000/$90.00 BHA 21 1/2" Amber Horn B41 7mm Round 50/$8.00;100/$15.00;1000/$80.00 BI 23 1 1/2" $4.75 a strand (approx 80 beads) 50/$10.50; 100/$20.00; 1000/$150.00 BHA 22 1" Amber Horn B42 8mm Round 50/$11.00;100/$21.00;1000/$100.00 BI 24 2” $5.00 a strand (approx60 beads) 50/$14.00;100/$25.00;1000/$240.00 BHA 23 1 1/2" Amber Horn B43 10mm Round 50/$13.25;100/$25.50;1000/$160.00 $5.50 a strand (approx 40 beads) BI 25 2 1/2” 50/$17.50;100/$32.50;1000/$300.00 BHA 28 4" Amber Horn B44 6mm Round 50/$26.00;100/$50.00;1000/$360.00 $4.50 a strand (approx 80 beads) BI 26 3” 50/$20.00;100/$37.50;1000/$350.00 RED HORN HAIRPIPE Bone Discs BI 28 4" Stained a very nice dark red color. B47 10mm Disc 50/$30.00;100/$56.00;1000/$500.00 $7.00 a 16” strand BHR 21 1/2" Red Horn (approx 160 beads) 50/$8.00;100/$15.00;1000/$80.00 B48 BONE BICONE BHR 22 1" Red Horn 5x10mm stained spacer 50/$11.00;100/$21.00;1000/$100.00 100/$6.00; 1000/$50.00 BHR 23 1 1/2" Red Horn 50/$13.25;100/$25.50;1000/$160.00 BHR 28 4" Red Horn 50/$26.00;100/$50.00;1000/$360.00 1 see color pictures @ www.bakerbay.com DECORATOR BONE & FETISHES Bone Choker Spacers B50 1/2” Cactus Hairpipe 50/$11.00; 100/$20.00 B54 1 1/2" Hairpipe B113 Top Hole Design Antique with Circles 3 Hole Spacer 50/$15.00; 100/$28.00 50/$12.00; 100/$22.00 B211 COYOTE about 1 1/4”x 3 1/4” B114 Top Hole Design 1/$3.00; 10/$27.50 4 Hole Spacer 50/$14.00; 100/$26.00 B60 1/2” Spiral Cut 50/$11.00; 100/$20.00 Bone Choker Center B61 1” Spiral Cut Piece & Ends 50/$13.00; 100/$24.00 B62 1 1/2” Spiral Cut 50/$15.00; 100/$28.00 B213 BEAR B71 1 1/2" Black with about 1 1/4”x 3 1/4” White Ovals 1/$3.00; 10/$27.50 50/$15.00; 100/$28.00 $2.00 each 10 or more $1.25 each B120-1 Sun Center Piece w/ Ends 4 Hole Spacer Bone Feathers B80 1 1/2" Batik Hairpipe B120-2 Celtic Center Piece w/ Ends 50/$15.00; 100/$28.00 4 Hole Spacer B121-1 Sun Center Piece w/ Ends B220 Small Feather, White Stained 4 Hole Spacer 1/$1.25; 10/$10.00 B90 1 1/2” Yellow/Black Horn B121-2 Celtic Center Piece w/ Ends B221 Small Feather, Stained 50/$15.00; 100/$28.00 Stained 4 Hole Spacer 1/$1.25; 10/$10.00 Bone Spacers FETISHES B222 Large Feather, White B107 3 Hole Spacer All fetishes are hand carved from 1/$1.75; 10/$15.00 50/$8.00; 100/$15.00 white bone unless otherwise stated.
Load more

Recommended publications
  • Stitch a Patchwork of Color Using Only Seed Beads
    Fast & Fabulous Nature-Inspired Jewelry Designs p. 62 ® JUNE/JULY 2019 Weave a Colorful Bargello Cuff Style Create a Statement & Meet Artist Wendy Ellsworth Looming with Beads * 5 Things I wish I Knew Before p. 12 * Beach Blanket Bracelet p. 14 * Desert Sky Bracelet p. 18 * Garden Party Lariat p. 21 Desert Sky Bracelet by Lindsay Burke p.18 BARGello Bracelet by Michelle Gowland, p. 44 WWW.INTERWEAVE.COM Kantha & Rainbow Mountains (in progress) by Cheri Carlson FREE SHIPPING / FREE RETURNS / GREAT REWARDS join the fun at artbeads.com/rewards! SEE WHAT WE’RE SERVING New Czech Bead Recipes 24 Unique Recipes John Bead Corp. — Beads, Crystals & Components | www.johnbead.com Tel: (416)757-3287 | Toll Free: 1(888)755-9055 | E-mail: [email protected] contents JUNE/JULY 2019 VOLUME 22 NUMBER 4 Designer of the Year Projects 29 AGAVE CUFF Wendy Ellsworth This colorful cuff uses three-dimen- sional geometric beading techniques. 34 LOUKA BRACELET Vezsuzsi Stitch a patchwork of color using only seed beads. 38 BACK-TO-BACK SPIKES NECKLACE Susan Sassoon Use seed beads to create unusual 29 38 spiked components. Features 12 FIVE THINGS I WISH I KNEW WHEN I STARTED BEAD LOOMING 24 WENDY ELLSWORTH: CREATIVE, ARTISTIC, GENEROUS, SPIRITUAL Departments 4 Passing Through 6 Cool Stuff 85 Techniques 85 Stitch Index 34 14 88 Bead Buzz Advertising Section 11 WEAVE A JEWELED TAPESTRY: BEADING ON A LOOM Projects Katie Hacker 14 BEACH BLANKET BRACELET SPONSORED BY FIRE MOUNTAIN 48 STAR FLIGHT GEMINI PENDANT GEMS AND BEADS Susan Pelligra Kathy Simonds 18 DESERT SKY LOOMED BRACELET 52 DEWDROP EARRINGS Lindsay Burke Evelína Palmontová 21 GARDEN PARTY LOOMED LARIAT 55 MELON DELIGHT WRAP BRACELET Cindy Kinerson Amy Haftkowycz 44 BARGELLO BRACELET 58 MYSTICAL PORTAL PENDANT Michelle Gowland Marianna Zukowsky Dewdrop Earrings by Evelína Palmontová page 52 On the Cover BARGello Bracelet By Michelle Gowland Page 44 2 WWW.INTERWEAVE.COM 48 18 56 21 62 63 12 64 67 Project Rating Fast & Fabulous: Inspired by Nature Our three-level project rating system is found in the project instructions.
    [Show full text]
  • Seed Beads and Off-Loom Bead Weaving Stitches
    Seed Beads and Off-Loom Off-Loom Stitches Bead Weaving Stitches Off-loom weaving techniques have originated from around the world and have been passed down from ancient times and tribes. Here are some of the most commonly used stitches. SEED BEADS Brick This stitch is found in Native American traditions, Seed beads are small glass beads sized by number. The notably Comanche and Cheyenne, as well as African larger the number, the smaller the bead. The most Zulu tribes. It creates off-set rows with the beads commonly used seed bead sizes are 6/0, 8/0, 11/0 and 15/0, arranged in a brick-like pattern. It creates the same look with size 15/0 being the smallest. They come in other sizes as peyote, but is stitched very differently. 145 Harrison Street and shapes as well. Oak Park, Illinois Peyote Peyote stitch is found in Native American and West 708.848.1761 Seed beads on hanks (strands African beadwork. It is a very strong stitch that produces, www.beadinhand.com that are bundled together), are like brick stitch, off-set rows arranged like brick paving. It Mon, Tue, Thur, Fri: 10-6 generally made in the Czech ish can also be made in flat tubular, spiral or flat circular pieces. Wed: 1 -6 Republic. They tend to be Sat: 10-5 | Sun: 12-5 rounder, more donut shaped, with Right Angle Weave The origin in unknown for this beading smaller holes. technique but it is found in beaded pieces from Africa, Seed beads in tubes are generally made in Japan.
    [Show full text]
  • Glossary of Jewellery Making and Beading Terms
    Glossary of Jewellery Making and Beading Terms A jewellery glossary of beading terms and jewellery making terminology combining clear images with easy to understand dictionary like definitions. This bead glossary also provides links to more in depth content and bead resources. It can be used as a beading A to Z reference guide to dip into as needed, or as a beading and jewellery glossary for beginners to help broaden beading and jewellery making knowledge. It is particularly effective when used alongside our Beading Guides, Histories, Theories and Tutorials, or in conjunction with our Gemstones & Minerals Glossary and Venetian Glass Making Glossary. A ABALONE These edible sea creatures are members of a large class of molluscs that have one piece shells with an iridescent interior. These shells have a low and open spiral structure, and are characterized by several open respiratory pores in a row near the shell’s outer edge. The thick inner layer of the shell is composed of a dichroic substance called nacre or mother-of-pearl, which in many species is highly iridescent, giving rise to a range of strong and changeable colors, making it ideal for jewellery and other decorative objects. Iridescent nacre varies in colour from silvery white, to pink, red and green- red, through to deep blues, greens, and purples. Read more in our Gemstones & Minerals Glossary. Above are examples of Paua and Red Abalone. ACCENT BEAD Similar in purpose to a Focal Bead, this is a bead that forms the focus for a piece of jewellery, but on this occasion rather then through its size, it is usually through contrast.
    [Show full text]
  • How to Do Brick Stitch
    How To Make a Wrapped Loop on a Head Pin Here are some simple instructions on making a wrapped loop on a head pin. This technique can be handy for making basic earrings, adding drops from a necklace or bracelet, and many other cool beadwork applications. Difficulty: Easy Time Required: 20 minutes Here's How: 1. Place beads or other objects on the head pin, making sure they go all the way down the shaft, and that the head of the pin is flush with the bead. 2. Using a pair of chainnose pliers, bend the wire right next to the bead away from you at a right angle. 3. Grasp the bent wire with your round nose pliers just beyond the bend. Pull the end of the wire back around the tip of the pliers. Go all the way around and make a loop around the tip of the pliers, until the wire points in the other direction. 4. Now that you have the loop formed, you may slip the chain, ear wire or other finding into the loop, so that you will be closing the wrapped loop with the item attached. 5. Grasp the top of the loop with your round nose pliers to hold it steady while you use your chainnose pliers to grasp the remaining free wire and wrap it twice around the wire below the loop. 6. Cut the remaining wire flush with the work, and press it against the wire gently, using the tip of your chainnose pliers. 7. Use a small file to clean any rough edges from the cut.
    [Show full text]
  • Holidays| 6 Seed Bead Techniques
    Holidays | 6 Seed Bead Techniques Dustin Wedekind tablecontents Holidays | Dustin Wedekind Since August 2005, Dustin Wedekind, author of Getting Started with Seed Beads, has offered brief illustrated lessons Febr uary in seed beads in every issue of Beadwork. Dustin goes beyond basic beadweaving techniques, offering creative stitch varia- 3 Chains of Love tions and combinations that are guaranteed to build your seed Beadwork February/March 2008 bead confi dence. Most lessons focus squarely on technique rather than fi nished projects. Once you’ve mastered these lessons you’ll be more than ready to create your own original March seed bead wonders. 5 Shamrock Pin Beadwork February/March 2006 In “Holidays” we’ve collected 6 seasonal and holiday-themed techniques. From hearts formed by a right-angle weave varia- tion through double spiral stitch candy canes, these seed bead May techniques are sure to brighten your year. 8 Daisy Chain Beadwork August/September 2006 July 11 Spangled Stars and Stripes Beadwork June/July 2008 Decembe r 13 Fleur Russe Beadwork December 2006/January 2007 15 Double Mint Spiral Beadwork December 2007/January 2008 Chains of Love, page 3 Holidays originally published in Beadwork Online, 2008. ©Interweave Press, LLC Not to be reprinted. All rights reserved publishers of Beadwork magazine…join the online beading community at BeadingDaily.com Visit the Project Store at shop.interweave.com/beading for more great projects! page 2 RRRRRRRRRRRRRRRRRRRRRRRRRRR projectstore Chains of Love Dustin Wedekind Originally published in Beadwork February/March 2008 Samples shown in size 6° and 11° Japanese seed beads. Chains of Love originally published in Beadwork, February/March 2008.
    [Show full text]
  • View Resource Guide
    Bev Koski Katie Longboat Jean Marhsall Olivia Whetung Guest curated by Lisa Myers Resource Guide Textile Museum of Canada October 10, 2018-May 26, 2019 Beads, they’re sewn so tight, guest curated by Lisa Myers, is an exhibition of work by four contemporary artists who innovate in the field of beading and quillwork. In beadwork, threads create structure and hold beads together, creating a seemingly invisible scaffold. As metaphor and as material, they unite form, design and meaning. Beads, they’re sewn so tight takes up the depths of social and political relations embedded in the visual language of pattern and surface design including living traditions with an emphasis on family and community networks. Beads, they’re sewn so tight features over 40 beaded works by Bev Koski, Katie Longboat, Jean Marshall and Olivia Whetung, many of which are shown here for the first time. From weaving to loom-work and embroidery, their artwork threads together formal aspects of artmaking such as colour and composition with critical issues such as language retention, stereotypes, and social and environmental injustices for Indigenous people. "I see these artists as not merely using beadwork in their art practices but building on the technique and knowledge of beading and quillwork," said Myers. "They have each honed different beading techniques, working meticulously to convey meaning through work that’s conceptually driven." Bev Koski’s new beaded series consists of swatches of modernist abstract patterns found in day-to-day life, from product packaging to family photographs. Pattern is also a focus of Katie Longboat’s study of her Cree grandmother’s bead designs, which inform her experimentation with Cree floral design and Haudenosaunee raised beadwork.
    [Show full text]
  • Introduction
    Introduction ................................................................ 8 Tools & Materials ....................................................... 9 Basics ....................................................................... 13 SINGLE-STITCH PROJECTS .................................. 20 Fire flower ................................................................................. 22 Create a sparkling centerpiece with lively layers of delicate peyote petals 22 Bella’s pearls ............................................................................ 26 The Belle Époque of the late 19th century meets the 21st century in this contemporary take on a fashion standard Fashion at your fingertips ......................................................... 30 Create a chic ring with pearl and crystal accents Ride the wave ........................................................................... 33 Undulating waves of peyote stitch tumble ’round a sturdy core Zigzag scallops ........................................................................ 37 Freshwater pearls dangle from the points of this clever necklace Herringbone highway ............................................................... 40 Lanes of herringbone stitch pave the way for accents of pearls and fire-polished beads 33 Buttoned up style ..................................................................... 44 Highlight beautiful buttons in your beadwork Herringbone in a hurry .............................................................. 48 Work up a three-strand bracelet
    [Show full text]
  • Toward the Origins of Peyote Beadwork
    TOWARD THE ORIGINS OF PEYOTE BEADWORK A THESIS IN Art History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Gerald R. Hubbell B.Sc., California State University, Sacramento, 1979 Kansas City, Missouri 2018 ©2018 GERALD R. HUBBELL ALL RIGHTS RESERVED THE ORIGIN OF PEYOTE BEADWORK Gerald R. Hubbell, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2018 ABSTRACT Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “The Origin of Peyote Beadwork,” presented by Gerald Hubbell, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance. Supervisory Committee Maude Southwell Wahlman, Ph.D., Committee Chair Dorothy and Dale Thompson Endowed Professor of Global Arts, Professor of Art and Art History, Department of Art History, UMKC Robert Prue, Ph.D.
    [Show full text]
  • Dewdrop Beaded Bead. Beadwork: ON12, 24-26 Bead Four: Treasure Trove Beaded Bead
    Beadwork Index through April/May 2017 Issue abbreviations: D/J =December/January FM = February/March AM = April/May JJ = June/July AS=August/September ON=October/November This index covers Beadwork magazine, and special issues of Super Beadwork. To find an article, translate the issue/year/page abbreviations (for example, “Royal duchess cuff. D10/J11, 56-58” as Beadwork, December 2011/January 2012 issue, pages 56-58.) Website = www.interweave.com or beadingdaily.com Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections often appear in later issues of Beadwork magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 15th Anniversary Beaded Bead Contest Bead five: dewdrop beaded bead. Beadwork: ON12, 24-26 Bead four: treasure trove beaded bead. Beadwork: AS12, 22-24 Bead one: seeing stars. Beadwork: FM12, 18-19 Bead three: stargazer beaded bead. Beadwork: JJ12, 20-22 Bead two: cluster beaded bead. Beadwork: AM12, 20-23 Beaded bead contest winners. Beadwork: FM13, 23-25 1800s-era jewelry Georgian jewels necklace. Beadwork: D14/J15, 80-81 1900s-era jewelry Bramble necklace. Beadwork: AS13, 24-27 Royal duchess cuff. Beadwork: D10/J11, 56-58 1920s-era jewelry Art Deco bracelet. Beadwork: D13/J14, 34-37 Modern flapper necklace. Beadwork: AS16, 70-72 1950s-era jewelry Aurelia necklace. Beadwork: D10/J11, 44-47 2-hole beads. See two-hole beads 21st century designs 21st century jewelry: the best of the 500 series.
    [Show full text]
  • Including Exam Week
    NAS 224 Native American Beadwork Styles Winter 2016 NAS 224 - 4 credits Instructor: April E. Lindala 12 Monday meetings from 5 – 9:10 pm in Whitman 127 Office Hours: Appointments early are best. Center Native American Studies in 112 Whitman Hall CNAS Website: www.nmu.edu/nativeamericans Phone: 906-227-1397 EMAIL: [email protected] NOTE: Please put YOUR LAST NAME NAS 224 W16 in the subject line. Thank you. I will do my best to respond in a timely manner, but I will not guarantee an answer during evenings or weekends. Teaching Philosophy (Active Learning Credo) · What I hear, I forget · What I hear & see, I remember a little · What I hear, see & ask questions about or discuss with someone else, I begin to understand · What I hear, see, discuss, and do, I acquire knowledge · What I teach to another, I master Course Description: The purpose of this course is three-fold: first, study contemporary forms of cultural expression of Native bead artists; second, examine laws and cultural responsibilities associated with Native art, and third, produce a portfolio of original beadwork. Course Learning Outcomes: By the end of this course successful students will be able to… Create a portfolio of original beadwork that demonstrates mastery of multiple stitches, Reflect upon and give examples on how beadwork functions to share stories, values and ideas, Recognize federal laws in relation to Native American art and artifacts, Recognize the diversity of beadwork styles among differing Native nations, and Identify multiple Native bead artisans. Native American Studies here at NMU Mission Statement: The Center for Native American Studies offers a holistic curriculum rooted in Native American themes that .
    [Show full text]
  • Polyester Chains
    September/October 2008 Friction Cap Hanging Tubes Secure Hold • Crystal Clear • 5 Sizes Available! page 3 Sterling Silver & Base Metal Copper Color French Wire 5 colors to choose from! page 5 12 & 18 Gauge Aluminum Wire Add impact to you jewelry and wire wrapping designs! page 4-5 15/0 Delica Beads Sold in 50 gram bags page 22-23 Polyester Chains Add an extra touch of color and create a “chunky” Chain Maille & look WITHOUT the added weight of a metal chain! This polyester chain is wrapped with polyester thread, Woven Wire Kits so you can cut it with scissors instead of wire cutters. Make beautiful necklaces, bracelets & This is a great product for anyone who enjoys creating even earrings with these unique kits! mixed media designs! page 26 page 6 New Product Update September/October 2008 Ultra Suede Available by the sheet: measures 8.5 x 8.5" Ultra Suede is an extremely soft, yet durable material which can be used as a beading foundation for cabochon beading and bead applique. Available in 21 colors! White Silver Pearl Scoundrel Red Black Berry Admiral US001-R US068-R US1375-R US1420-R US2037-R Available in Jazz Blue Coffee Cream Camel Country Cream Aztec Leather 21 Colors! US2699-R US328-R US351-R US357-R US3636-R Chamois Fern Topiary Limeade Moccasin Dorado Black Onyx Splash Blue Orange Sherbet Burnt Orange Bright Violet US384-R US4528-R US4545-R US4596-R US5255-R US5301-R US5813-R US7386-R US8280-R US8289-R US9466-R Item # Description US + item # + R Ultra Suede Soft 8.5 x 8.5 inch Brass Bracelet Cuffs Cuffs can be embellished with our NEW Ultra Suede! Sample of finished Ultra Suede Cuffs can be used with the Ultra Suede Beaded Cuff Bracelet from (The Art of Bead Embroidery) #BK1608 to create embroidered Cuff Bracelets CUFF.75 CUFF.5 .75 inch .5 inch The Art of Bead Embroidery: Technique, Design, and Inspiration by Heidi Kummli and Sherry Serafini Renowned bead embroidery artists Heidi Kummli and Sherry Serafini share their CUFF1.5 secrets for creating beautiful 1.5 inch beadwork.
    [Show full text]
  • Beadandbuttonshow.Com Online Registration Begins January 9, 2018
    2018 CLASS CATALOG BeadandButtonShow.com Online Registration Begins January 9, 2018 June 3-10, 2018 Milwaukee, Wisconsin Shop the Bead&Jewelry Expo June 8-10, 2018 ECLECTICA BBSC • 12/01/2017 • 4C • 1 PG Specialty Nature’s Elements in Silver Stones www.eclecticabeads.com Booths 601,603,605,700,702,704 B180277 & B180284 Contempo Circles Pendant Butterfly Climbing Vines Wing Necklace Wrap B180289 Fabulous Stop by the Introduction to Kiosk at the Metal Clay Limited Riveted Edition Kits Earrings Hyatt, If you Set need tools for a class. B180263 & B180264 Metalworking PMC Products Tools & Tools Czech Beads PMC Classes by Irina 20 minutes away! Cabochons 6000 Sq Ft of Beading Bliss! 262-641-0910 SOFT FLEX COMPANY BBSC • 12/01/2017 • 4C • 1 PG Greetings The Bead&Button Show and magazine staff (clockwise from top left): Lori Schneider, Exhibitor Sales, Dawn Buss, Events Specialist; Sara Dumford, Director; Jane Bremmer, Events Specialist; Julia Gerlach, Editor; Kristin Jastroch, Events Specialist; Linda Kollatz, Events Specialist. Welcome to the 2018 Bead&Button Show! Inside these pages you’ll find everything you need to your instructors … and SHOP. Instructors will be selling know to plan your getaway to Milwaukee for the 2018 kits during the event so you can find unique materials, and Bead&Button Show. This week-long celebration of jewelry buy them directly from the artists! includes CLASSES that showcase beads, metal, and wire, Register Online Starting January 9, 2018 from talented instructors sharing their artistry in fun and Once you’ve decided on your classes, be sure to review unique ways, plus more SHOPPING than you could ever the Hotel and Travel Information on page 74 and the imagine.
    [Show full text]