DOCSLIB.ORG

Homeland Season 9 Episode Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Homeland Season 9 Episode Guide Homeland season 9 episode guide Continue HomelandSeason 8Poster artStarring Claire Danes Maury Sterling Costa Ronin Nimrath Kaur Mandy Patinkin Numan Akar Linus Roach Country OriginS. episodes12Reoriginal networkShowtimeOriginal releaseFeural 9 (2020-02-09) - April 26, The 2020 (2020-04-26) Season chronology← PreviousSeason 7List Of Homeland episodes the eighth and final season of the American spy thriller series Homeland premiered on February 9, 2020, and ended on April 26, 2020, on Showtime, consisting of 12 episodes. Plot Saul Berenson, national security adviser to President Ralph Warner's recent inauguration, is tasked with negotiating peace with the Taliban in Afghanistan. Carrie Mathison is still trying to recover from the ill-treatment of a prisoner in Russia, but Saul wants to take her to Afghanistan, feeling that her knowledge and experience there are necessary. Starring and characters: Homeland Home's list of characters Claire Danes, Mandy Patinkin (left to right) starring Carrie Mathison and Sola Behrenson, respectively. Mori Sterling, Nimrat Kaur and Numan Akar (left to right) portray Max Piotrovsky, Tasnim Kureishi and Heissam Haqqani respectively. Claire Danes as Carrie Mathison, former CIA officer and station chief Maury Sterling as Max Piotrovsky, surveillance expert and trusted aide Carrie Costa Ronin as Evgeny Gromov, Russian GRU officer Nimrat Kaur as Tasnim Kureishi, head of Pakistan's top intelligence agency, and national security adviser Numan Akar as Heissa Haqqani , White House Chief of Staff, the recurring Mohammad Bakri as Abdul Kadir Gulom, vice president and then Afghan President Tim Gini as Scott Ryan, Chief of Special Operations at the CIA Andrea Deca, CIA field agent in Kabul Cliff Chamberlain as Mike Dunn, CIA station chief in Kabul Charles Bryce, as Staff Sgt. John Durkin, U.S. Army Soldier serving in Afghanistan Octavio Rodriguez as a specialist Arturo Gonzalez, a U.S. Army soldier serving in Afghanistan Victor Almanzar as Staff Sgt. Justin Wenzel, as a U.S. Army soldier, CIA field agent in Kabul Emilio Cuesta as a specialist Charlie Studt, A U.S. Army soldier serving in Afghanistan Art Malik as Bunran Latifah, retired Pakistani General and then the President of the United States, Elham Ehsas as Jalal Haqqani, the rebellious son of Heissam Ciar Kohi as Balah, the Taliban loyal to Heissamu Eugene Lee as General Mears Terry, U.S. Army General serving in Afghanistan Tracy as Janet Gaito, U.S. Ambassador to Afghanistan Mustafa Haidari, performed by Firoz Karen Pittman, performed by Vanessa Kroll, FBI agent Hugh Dancy as John zabel, United States President's Foreign Policy Adviser Mohammad Amiri as Armand, Carrie's friend in Kabul Kevork Malikyan as Aga Jan Anna Katherine Holbrook as Robin David Hunt as Jim Thurrow Jonjo O'Neal as Doug Anna Francolini as Dr. Foley Sitar Atai Warner , President of the United States Christopher Maleki as President Daoud, President of Afghanistan Michael Rabe as Chief Mechanic Worley Sharif Dorani as Barlas Austin Basis as Lonnie Keith Burton as Doris Warner, Wife of Ralph Warner, Sineb Tricke as Judge Hazik Kadir Adnar Jaffar as General Aziz Eli Baskin as The Ambassador to the United States , Pakistan's Ambassador to the United States Chris Bauer as Kevin Dance Ben Savage as the young Saul Berenson Robin McLeavey as Charlotte Benson Merab Ninidze as The Worlds Tatiana Fly, as Anna Pomerantseva as Julie Engelbrecht as young Anna Pomerantseva Robert Clothworthy as Judge Amy Hargreaves as Maggie Matheson, Sister Carrie Episodes InseasonTitleDirect byWritten byOriginal air dateProd.codeUS viewers (millions)851Beamedly Linya GlatterDebora Kahn and Alex HansFeural 9, 2020 (2020-02-09)8WAH010.607862Piek and releaseLesley Linga GlatterPatrick Harbinson and Chip Johannessen February 16, 2020 (2020-02-16)8WAH020.68 873Loy friendsKiet GordonAlex Hans and Howard GordonFeural 23, 2020 (2020-02-23)8WAH030.719Chalk One UpSeith MannPatrick Harbinson - Chip JohannessenMarch 1, 2020 (2020-03-01)8 WAH040.7310Chalk Two DownAlex GravesPatrick Harbinson , 2020 (2020-03-08)8WAH050.8211906Tucker GatesDebora Kanmarch 15 , 2020 (2020-03-15)8WAH060.71 12 917Fucker Shot MeЛесли Линга ГлаттерПатрик Харбинсон и Чип JohannessenMarch 22, 2020 (2020-03-22)8WAH071.09 2020 (2020-03-29)8WAH080.7514В полном полетеДэн АттиасАлекс Ганса и Говард ГордонАпрель 5, 2020 (2020-04-05)8WAH090.819410Назначенный водительМайкл ПредложениеПатрик Харбинсон , 2020 (2020-04-12)8WAH100.89 9511Учитель английского языкаМайкл КуэстаПатрик Харбинсон и Чип JohannessenApril 19, 2020 (2020-04-19)8WAH110.969612Prisoners of WarLesli Linka GlatterAlex Gansa - Говард Гордон26 апреля, 2020 (2020-04-26)8WAH121.26Производство Восьмой сезон был заказан спина к спине с сезоном 7 в августе 2016 года. In April Claire Danes has confirmed that Season 8 will be the last, and Showtime officially confirmed the final season in August. In April 2018, showrunner Alex Gansa announced his plans for the final season: Season 8 will be somewhere abroad. We get to play history with the big national stakes in season 7, and we'll get back to a lesser scouting-based season at 8. He also said: We're going to start over in Season 8 and probably make a pretty big time jump between 7 and 8 and put any parallels of Trump behind us and we'll tell a very contained story, hopefully in Israel. In January 2019, it was confirmed that the final season will be held in Afghanistan, shooting will begin in February in Morocco. The season was originally scheduled to debut in June 2019, but it was postponed until the end of 2019 due to the production requirements of our international locations, according to Showtime co-president Gary Levin. In August 2019, Showtime again postponed the premiere until February 2020; Levin said: Homeland is an ambitious series - especially in its latest season. I don't keep it. Alex (Hansa) wants to come out with pride and this is due to production in several countries at times and in places that have some problems. It just takes time. He added: There were no mistakes. It was a relatively smooth process. But it's a very ambitious production schedule, and it took longer than we expected. Receiving early reviews for the eighth season were generally positive. On Rotten Tomatoes, the season has an 85% approval rating based on 25 reviews, with an average rating of 7.27/10. Critical of the site's consensus, Homeland returns to form with a tautly thrilling final season that fittingly ends the work Carrie Mathison started all those years ago. At Metacritic, the season has a score of 71 out of 100 based on 10 critics, showing generally favorable reviews. Robert Roark of the New York Post wrote: The first three episodes are a bit awkward, with Carrie's familiar model alienated by almost everyone she meets, kicking again - and then comes Episode 4, and Homeland finds its groove. IndieWire's Ben Travers praised him for B and praised the performances of Claire Danes and Mandy Patinkin, as well as directed by Leslie Linda Glatter for for her beautifully staged and tensely abbreviated action sequences. Audience ratings and ratings for the episode Homeland No. Title Air Date Rating (18- 49) Viewers (millions) 1 Cheating indicated February 9, 2020 0.13 0.60 7 2 Catch and release February 16, 2020 0.10 0.68 8 3 False Friends February 23, 2020 0.13 0.71 9 4 Chalk One Up March 1, 2020 0.13 0.73 2020 0.13 0.82 10 6 Two Minutes March 15, 2020 0.11 0.71 10 7 Shot Me March 2, 2020 0.19 1.09 8 Threnody (s) March 29, 2020 0.11 0.75 Flight April 5, 2020 0.13 0.81 10 Appointed Driver April 12, 2020 0.12 0.89 11 English Teacher April 19, 2020 0.18 0.96 17 12 Prisoners of War April 26, 2020 0.24 1.26 18 Awards for the 72nd Primetime Emmy Awards, Leslie Linda Glatter received an outstanding director nomination for the drama series finale of Prisoners of War. Inquiries: Hibberd, James (August 6, 2018). Homeland will end with Season 8, Showtime confirms. Entertainment Weekly. Archive from the original on February 16, 2019. Received on January 19, 2019. b c d Showtime (R) announces the eighth and final season of Homeland for the premiere in June 2019 (press release). Showtime. August 6, 2018. Received January 19, 2019 - via Futon Critic. a b c d e f Ausiello, Michael (August 2, 2019). Homeland Final Season pushed until 2020 - First Plot Details revealed. TVLine. Archive from the original on August 2, 2019. Received on August 2, 2019. a b Petsky, Denise (March 26, 2019). 'Homeland': Hugh Dancy to return for season 8 of Showtime series. Hollywood deadline. Archive from the original on March 26, 2019. Received on March 26, 2019. and b Andreeva, Nelly (January 14, 2019). The Final Season of Homeland: Nimrat Kaur and Numan Akar Reprise Season 4 Roles. Hollywood deadline. Archive from the original on January 15, 2019. Received on January 19, 2019. a b O'Connell, Michael (March 8, 2019). The Real Blood boards the final season of homeland. The Hollywood Reporter. Archive from the original on March 9, 2019. Received on March 9, 2019. a b Metcalfe, Mitch (February 11, 2020). SHOWBU'DAILY'S Top 150 Sunday Cable Originals and Network Finale: 2.9.2020. Showbuzz Daily. Received on February 11, 2020. a b Metcalfe, Mitch (February 19, 2020). SHOWBU'DAILY'S Top 150 Sunday Cable Originals and Network Finale: 2.16.2020. Showbuzz Daily. Received on February 19, 2020. b Metcalfe, Mitch (February 25, 2020). Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals and Network Finale: 2.23.2020. Showbuzz Daily. Received on February 25, 2020. a b c d e Metcalf, Mitch (March 3, 2020). Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals and Network Finale: 3.1.2020.
Load more

Recommended publications
  • Event. Location
    12th Annual A remarkable CHAMBER EVENT. MUSIC FESTIVAL A remarkable of the LOCATION. BLUEGRASS 2018 Overview Festival Program Now in its 12th year, the FRIDAY, MAY 25, 2018 Chamber Music Festival of the Bluegrass is a premier The Meeting House Central Kentucky cultural destination. Join CMS Artistic Directors David Haydn Finckel and Wu Han for Trio in C major for Piano, Violin, and Cello, Hob. XV:27 (1797) special performances in the Allegro 1820 Meeting House and the Wu Han, Huang, Finckel Meadow View Barn. Chamber music enthusiasts will also Schumann enjoy two educational lectures, Quartet in E-flat major for Piano, Violin, Viola, and Cello, Op. 47 (1842) led by Patrick Castillo, Andante cantabile exploring the history of each Wu Han, Keefe, Lipman, Atapine featured piece of music. Waxman 2018 ARTISTS Carmen Fantasie for Viola and Piano (1947) Lipman, Pohjonen JUHO POHJONEN, Piano WU HAN, Piano Brahms Trio in E-flat major for Horn, Violin, and Piano, Op. 40 (1865) PAUL HUANG, Violin Finale: Allegro con brio ERIN KEEFE, Violin Vlatkovic, Pohjonen MATTHEW LIPMAN, Viola DMITRI ATAPINE, Cello DAVID FINCKEL, Cello RADOVAN VLATKOVIC´ , Horn Friday, May 25 at 6:30pm: Patrons’ Gala and Dinner 12th Annual CHAMBER MUSIC FESTIVAL of the BLUEGRASS SATURDAY, MAY 26, 2018 AT 11:00 AM Dvorák, 14’ SUNDAY, MAY 27, 2018 AT 5:00 PM THE MEETING HOUSE Drobnosti (Miniatures) for Two Violins and Viola, MEADOW VIEW BARN Op. 75a (1887) Haydn, 16’ Cavatina: Moderato Mozart, 26’ Trio in C major for Piano, Violin, and Cello, Capriccio: Poco allegro Quartet in G minor for Piano, Violin, Viola, and Hob.
    [Show full text]
  • Interliminal Tongues: Self-Translation in Contemporary Transatlantic
    INTERLIMINAL TONGUES: SELF-TRANSLATION IN CONTEMPORARY TRANSATLANTIC BILINGUAL POETRY by MICHAEL BRANDON RIGBY A DISSERTATION Presented to the Department of Romance Languages and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Michael Brandon Rigby Title: Interliminal Tongues: Self-translation in Contemporary Transatlantic Bilingual Poetry This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Romance Languages by: Cecilia Enjuto Rangel Chairperson Amalia Gladhart Core Member Pedro García-Caro Core Member Monique Balbuena Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Michael Brandon Rigby iii DISSERTATION ABSTRACT Michael Brandon Rigby Doctor of Philosophy Department of Romance Languages June 2017 Title: Interliminal Tongues: Self-translation in Contemporary Transatlantic Bilingual Poetry In this dissertation, I argue that self-translators embody a borderline sense of hybridity, both linguistically and culturally, and that the act of translation, along with its innate in-betweenness, is the context in which self-translators negotiate their fragmented identities and cultures. I use the poetry of Urayoán Noel, Juan Gelman, and Yolanda Castaño to demonstrate that they each uniquely use the process of self- translation, in conjunction with a bilingual presentation, to articulate their modern, hybrid identities. In addition, I argue that as a result, the act of self-translation establishes an interliminal space of enunciation that not only reflects an intercultural exchange consistent with hybridity, but fosters further cultural and linguistic interaction.
    [Show full text]
  • The Arctic Is... a Homeland Page 1 Cycles As They Follow the Animals with Which Their Lives Are Closely Involved
    A HOMELAND landscape and people It is late winter and the temperature is minus 40 degrees Celsius. The sea is frozen over for a mile from the shore. Far out on the ice a solitary hunter inches forwards towards a seal which has come up for air through a hole in the ice and is resting on the surface. In front of him he pushes a rifle hidden behind a white screen of canvas. There is no sign that there is anyone hidden behind the screen, except for a small cloud of condensation above him as he breathes. If he is skilful and lucky, the seal will not notice him until it is too late. Meanwhile, thousands of miles away inland, three reindeer herders wait on a windswept hilltop, scanning the surrounding mountains with binoculars. In the distance, they see two other herders riding reindeer and weaving their way through the thin larch trees which seem drawn with black ink against the snow on the ground. They have found part of the herd and are driving it toward the waiting men. At last, the sound of men whistling and deer grunting can be heard. The first reindeer filter through the Figure 1 Kyrnysh-Di forest island near surrounding trees, the camouflage of their fur blending closely with the Kolva-Vis river, Nenets Autonomous snow and the tress’ rough, grey-brown bark. Suddenly, the waiting men District.Photo taken by Joachim Otto Habeck, May 1999 burst into action with their lassos, separating some deer and bunching others in order to drive them off later to different pastures.
    [Show full text]
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • Defining Homeland Security: Analysis and Congressional Considerations
    Defining Homeland Security: Analysis and Congressional Considerations Updated January 8, 2013 Congressional Research Service https://crsreports.congress.gov R42462 Defining Homeland Security: Analysis and Congressional Considerations Summary Ten years after the September 11, 2001, terrorist attacks, the U.S. government does not have a single definition for “homeland security.” Currently, different strategic documents and mission statements offer varying missions that are derived from different homeland security definitions. Historically, the strategic documents framing national homeland security policy have included national strategies produced by the White House and documents developed by the Department of Homeland Security (DHS). Prior to the 2010 National Security Strategy, the 2002 and 2007 National Strategies for Homeland Security were the guiding documents produced by the White House. In 2011, the White House issued the National Strategy for Counterterrorism. In conjunction with these White House strategies, DHS has developed a series of evolving strategic documents that are based on the two national homeland security strategies and include the 2008 Strategic Plan—One Team, One Mission, Securing the Homeland; the 2010 Quadrennial Homeland Security Review and Bottom-Up Review; and the 2012 Department of Homeland Security Strategic Plan. The 2012 DHS strategic plan is the latest evolution in DHS’s process of defining its mission, goals, and responsibilities. This plan, however, only addresses the department’s homeland security purview and is not a document that addresses homeland security missions and responsibilities that are shared across the federal government. Currently, the Department of Homeland Security is developing the 2014 Quadrennial Homeland Security Review, which is due late 2013 or early 2014.
    [Show full text]
  • Threnody Amy Fitzgerald Macalester College, [email protected]
    Macalester College DigitalCommons@Macalester College English Honors Projects English Department 2012 Threnody Amy Fitzgerald Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/english_honors Part of the English Language and Literature Commons Recommended Citation Fitzgerald, Amy, "Threnody" (2012). English Honors Projects. Paper 21. http://digitalcommons.macalester.edu/english_honors/21 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Threnody By Amy Fitzgerald English Department Honors Project, May 2012 Advisor: Peter Bognanni 1 Glossary of Words, Terms, and Institutions Commissie voor Oorlogspleegkinderen : Commission for War Foster Children; formed after World War II to relocate war orphans in the Netherlands, most of whom were Jewish (Dutch) Crèche : nursery (French origin) Fraulein : Miss (German) Hervormde Kweekschool : Reformed (religion) teacher’s training college Hollandsche Shouwberg : Dutch Theater Huppah : Jewish wedding canopy Kaddish : multipurpose Jewish prayer with several versions, including the Mourners’ Kaddish KP (full name Knokploeg): Assault Group, a Dutch resistance organization LO (full name Landelijke Organasatie voor Hulp aan Onderduikers): National Organization
    [Show full text]
  • Aftermath : Seven Secrets of Wealth Preservation in the Coming Chaos / James Rickards
    ALSO BY JAMES RICKARDS Currency Wars The Death of Money The New Case for Gold The Road to Ruin Portfolio/Penguin An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2019 by James Rickards Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. Library of Congress Cataloging-in-Publication Data Names: Rickards, James, author. Title: Aftermath : seven secrets of wealth preservation in the coming chaos / James Rickards. Description: New York : Portfolio/Penguin, [2019] | Includes bibliographical references and index. Identifiers: LCCN 2019010409 (print) | LCCN 2019012464 (ebook) | ISBN 9780735216969 (ebook) | ISBN 9780735216952 (hardcover) Subjects: LCSH: Investments. | Financial crises. | Finance—Forecasting. | Economic forecasting. Classification: LCC HG4521 (ebook) | LCC HG4521 .R5154 2019 (print) | DDC 332.024—dc23 LC record available at https://lccn.loc.gov/2019010409 Penguin is committed to publishing works of quality and integrity. In that spirit, we are proud to offer this book to our readers; however, the story, the experiences, and the words are the author’s alone. While the author has made every effort to provide accurate telephone numbers, internet addresses, and other contact information at the time of publication, neither the publisher nor the author assumes any responsibility for errors or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
    [Show full text]
  • The Alt-Right on Campus: What Students Need to Know
    THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW About the Southern Poverty Law Center The Southern Poverty Law Center is dedicated to fighting hate and bigotry and to seeking justice for the most vulnerable members of our society. Using litigation, education, and other forms of advocacy, the SPLC works toward the day when the ideals of equal justice and equal oportunity will become a reality. • • • For more information about the southern poverty law center or to obtain additional copies of this guidebook, contact [email protected] or visit www.splconcampus.org @splcenter facebook/SPLCenter facebook/SPLConcampus © 2017 Southern Poverty Law Center THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW RICHARD SPENCER IS A LEADING ALT-RIGHT SPEAKER. The Alt-Right and Extremism on Campus ocratic ideals. They claim that “white identity” is under attack by multicultural forces using “politi- An old and familiar poison is being spread on col- cal correctness” and “social justice” to undermine lege campuses these days: the idea that America white people and “their” civilization. Character- should be a country for white people. ized by heavy use of social media and memes, they Under the banner of the Alternative Right – or eschew establishment conservatism and promote “alt-right” – extremist speakers are touring colleges the goal of a white ethnostate, or homeland. and universities across the country to recruit stu- As student activists, you can counter this movement. dents to their brand of bigotry, often igniting pro- In this brochure, the Southern Poverty Law Cen- tests and making national headlines. Their appear- ances have inspired a fierce debate over free speech ter examines the alt-right, profiles its key figures and the direction of the country.
    [Show full text]
  • Pdf (Accessed: 3 June, 2014) 17
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The Production and Reception of gender- based content in Pakistani Television Culture Munira Cheema DPhil Thesis University of Sussex (June 2015) 2 Statement I hereby declare that this thesis has not been submitted, either in the same or in a different form, to this or any other university for a degree. Signature:………………….. 3 Acknowledgements Special thanks to: My supervisors, Dr Kate Lacey and Dr Kate O’Riordan, for their infinite patience as they answered my endless queries in the course of this thesis. Their open-door policy and expert guidance ensured that I always stayed on track. This PhD was funded by the Arts and Humanities Research Council (AHRC), to whom I owe a debt of gratitude. My mother, for providing me with profound counselling, perpetual support and for tirelessly watching over my daughter as I scrambled to meet deadlines. This thesis could not have been completed without her. My husband Nauman, and daughter Zara, who learnt to stay out of the way during my ‘study time’.
    [Show full text]
  • The Informer: February 2015 (PDF)
    Department of Homeland Security Federal Law Enforcement Training Centers Office of Chief Counsel Legal Training Division February 2015 THE FEDERAL LAW ENFORCEMENT -INFORMER- A MONTHLY LEGAL RESOURCE AND COMMENTARY FOR LAW ENFORCEMENT OFFICERS AND AGENTS Welcome to this installment of The Federal Law Enforcement Informer (The Informer). The Legal Training Division of the Federal Law Enforcement Training Centers’ Office of Chief Counsel is dedicated to providing law enforcement officers with quality, useful and timely United States Supreme Court and federal Circuit Courts of Appeals reviews, interesting developments in the law, and legal articles written to clarify or highlight various issues. The views expressed in these articles are the opinions of the author and do not necessarily reflect the views of the Federal Law Enforcement Training Centers. The Informer is researched and written by members of the Legal Division. All comments, suggestions, or questions regarding The Informer can be directed to the Editor at (912) 267-3429 or [email protected] . You can join The Informer Mailing List, have The Informer delivered directly to you via e-mail, and view copies of the current and past editions and articles in The Quarterly Review and The Informer by visiting https://www.fletc.gov/legal-resources. This edition of The Informer may be cited as 2 INFORMER 15. Join THE INFORMER E-mail Subscription List It’s easy! Click HERE to subscribe, change your e-mail address, or unsubscribe. THIS IS A SECURE SERVICE. No one but the FLETC Legal Division will have access to your address, and you will receive mailings from no one except the FLETC Legal Division.
    [Show full text]
  • FEMA Developing and Maintaining Emergency Operations Plans
    Developing and Maintaining Emergency Operations Plans Comprehensive Preparedness Guide (CPG) 101 Version 2.0 November 2010 I am pleased to announce the release of Version 2.0 of Comprehensive Preparedness Guide 101: Developing and Maintaining Emergency Operations Plans. Comprehensive Preparedness Guide (CPG) 101 provides guidance for developing emergency operations plans. It promotes a common understanding of the fundamentals of risk-informed planning and decision making to help planners examine a hazard or threat and produce integrated, coordinated, and synchronized plans. The goal of CPG 101 is to assist in making the planning process routine across all phases of emergency management and for all homeland security mission areas. This Guide helps planners at all levels of government in their efforts to develop and maintain viable, all-hazards, all-threats emergency plans. Based on input from state, territorial, tribal, and local officials from across the United States, this update of CPG 101 expands on the fundamentals contained in the first version. With this edition, greater emphasis is placed on representing and engaging the whole community—to include those with access and functional needs, children, and those with household pets and service animals. Residents and all sectors of the community have a critical role and shared responsibility to take appropriate actions to protect themselves, their families and organizations, and their properties. Planning that engages and includes the whole community serves as the focal point for building a collaborative and resilient community. CPG 101 is the foundation for state, territorial, tribal, and local emergency planning in the United States. Planners in other disciplines, organizations, and the private sector, as well as other levels of government, may find this Guide useful in the development of their emergency operations plans.
    [Show full text]
  • Gaslightpdffinal.Pdf
    Credits. Book Layout and Design: Miah Jeffra Cover Artwork: Pseudodocumentation: Broken Glass by David DiMichele, Courtesy of Robert Koch Gallery, San Francisco ISBN: 978-0-692-33821-6 The Writers Retreat for Emerging LGBTQ Voices is made possible, in part, by a generous contribution by Amazon.com Gaslight Vol. 1 No. 1 2014 Gaslight is published once yearly in Los Angeles, California Gaslight is exclusively a publication of recipients of the Lambda Literary Foundation's Emerging Voices Fellowship. All correspondence may be addressed to 5482 Wilshire Boulevard #1595 Los Angeles, CA 90036 Details at www.lambdaliterary.org. Contents Director's Note . 9 Editor's Note . 11 Lisa Galloway / Epitaph ..................................13 / Hives ....................................16 Jane Blunschi / Snapdragon ................................18 Miah Jeffra / Coffee Spilled ................................31 Victor Vazquez / Keiki ....................................35 Christina Quintana / A Slip of Moon ........................36 Morgan M Page / Cruelty .................................51 Wayne Johns / Where Your Children Are ......................53 Wo Chan / Our Majesties at Michael's Craft Shop ..............66 / [and I, thirty thousand feet in the air, pop] ...........67 / Sonnet by Lamplight ............................68 Yana Calou / Mortars ....................................69 Hope Thompson/ Sharp in the Dark .........................74 Yuska Lutfi Tuanakotta / Mother and Son Go Shopping ..........82 Megan McHugh / I Don't Need to Talk
    [Show full text]