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Chance and Control: Art in the Age of Computers Celebrating 50 years and more of computer-generated art V&A Museum, London Andy Lomas Exhibition Display ran from 7 July 2018 to 18 November 2018 Since the 1960s, artists and programmers have used computers to create prints, drawings, paintings, photographs and digital artworks. This display celebrated 50 years and more of computer-generated art, exploring aspects of chance and control. Link: https://www.vam.ac.uk/exhibitions/chance-and-control-art-in-the-age-of-computers Display Highlights Quadrate Werden Rot, Frieder Nake, 1966, Germany. Museum no. E.262-2014. © Victoria and Albert Museum London/Frieder Nake. Purchased with Art Fund support Untitled, Desmond Paul Henry, 1964, UK. Museum no. E.378-2009. © Victoria and Albert Museum, London. Given by Elaine O’Hanrahan Computer Composition with Lines, A. Michael Noll, 1964, US. Museum no. E.35-2011. © Victoria and Albert Museum, London/A. Michael Noll. Given by the artist (Des) Ordres, Vera Molnar, 1974, Paris, France. Museum no. E.271-2011. © Victoria and Albert Museum, London/Vera Molnar P-122, from the portfolio ‘Scratch Code: 1970–1975’, Manfred Mohr, published by Éditions Média, made 1972, printed 1976, Paris, France. Museum no. E.977:3-2008. © Victoria and Albert Museum, London. Given by the American Friends of the V&A through the generosity of Patric Prince Untitled, Harold Cohen, 1974, US. Museum no. E.326-2009. © Victoria and Albert Museum, London/Harold Cohen. Given by the artist CYBERFLOWER, Sunshine Version I, Roman Verostko, 2008, US. Museum no. E.945- 2008. © Victoria and Albert Museum, London. Given anonymously. Courtesy of the artist e4708 (detail), Mark Wilson, 2008, US. Museum no. E.535-2008. © Victoria and Albert Museum, London/Mark Wilson. Given by the artist Untitled, Georg Nees, 1970, Germany. Museum no. E.2776-2016. © Victoria and Albert Museum, London/Georg Nees .

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On Hybrid Creativity
arts Article On Hybrid Creativity Andy Lomas ID Department of Computing, Goldsmiths College, University of London, London SE14 6NW, UK; [email protected] Received: 2 May 2018; Accepted: 5 July 2018; Published: 9 July 2018 Abstract: This article reviews the development of the author’s computational art practice, where the computer is used both as a device that provides the medium for generation of art (‘computer as art’) as well as acting actively as an assistant in the process of creating art (‘computer as artist’s assistant’), helping explore the space of possibilities afforded by generative systems. Drawing analogies with Kasparov’s Advanced Chess and the deliberate development of unstable aircraft using ﬂy-by-wire technology, the article argues for a collaborative relationship with the computer that can free the artist to more fearlessly engage with the challenges of working with emergent systems that exhibit complex unpredictable behavior. The article also describes ‘Species Explorer’, the system the author has created in response to these challenges to assist exploration of the possibilities afforded by parametrically driven generative systems. This system provides a framework to allow the user to use a number of different techniques to explore new parameter combinations, including genetic algorithms, and machine learning methods. As the system learns the artist’s preferences the relationship with the computer can be considered to change from one of assistance to collaboration. Keywords: art; computer; evolutionary design; machine learning; computationally assisted design 1. Introduction How are we to work creatively with generative systems that computationally create results? In particular, how should we work with systems deliberately designed to encourage emergence: complex systems where results are intrinsically difﬁcult to predict? There is a strong analogy with plant breeding, where we are working with a medium that is naturally rich.
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