REM Automatic for the People Mp3, Flac

Total Page:16

File Type:pdf, Size:1020Kb

REM Automatic for the People Mp3, Flac R.E.M. Automatic For The People mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Automatic For The People Country: Canada Released: 1992 Style: Soft Rock, Pop Rock MP3 version RAR size: 1652 mb FLAC version RAR size: 1859 mb WMA version RAR size: 1229 mb Rating: 4.2 Votes: 228 Other Formats: ASF MP1 MP2 WMA MP4 ADX AA Tracklist Hide Credits 1 Drive 4:31 2 Try Not To Breathe 3:50 3 The Sidewinder Sleeps Tonite 4:09 4 Everybody Hurts 5:20 5 New Orleans Instrumental No. 1 2:15 Sweetness Follows 6 4:21 Cello – Knox Chandler Monty Got A Raw Deal 7 3:17 Cello – Knox Chandler Ignoreland 8 4:27 Harmonica, Clavinet – Scott Litt 9 Star Me Kitten 3:16 10 Man On The Moon 5:14 11 Nightswimming 4:17 12 Find The River 3:50 Companies, etc. Record Company – Warner Bros. Records Inc. – WPCP-4970 Phonographic Copyright (p) – WEA International Inc. Phonographic Copyright (p) – R.E.M./Athens Ltd Copyright (c) – R.E.M./Athens Ltd Published By – Night Garden Music Recorded At – Bearsville Studios Recorded At – Criteria Recording Studios Recorded At – Kingsway Studios, New Orleans Recorded At – Bosstown Recording Studios Recorded At – John Keane Studios Mixed At – Bad Animals Mastered At – Precision Mastering Made By – Warner Music Japan Inc. Credits Arranged By [Orchestrations] – John Paul Jones (tracks: 1, 3, 4, 11) Art Direction, Design – Michael Stipe, Tom Recchion Cello – Daniel Laufer, Elizabeth Proctor Murphy, Kathleen Kee CGI Artist [Computer Imaging] – Cecil Juanarena Conductor – George Hanson Engineer – Clif Norrell Engineer [Additional Recording / 2nd Engineer @ Bosstown Recording Studios] – Ted Malia Engineer [Additional Recording / 2nd Engineer @ Kingsway Studio] – Mark Howard Engineer [Additional Recording @ John Keane Studio] – John Keane Engineer [Mixed / 2nd Engineer @ Bad Animals / Seattle] – Ed Brooks Engineer [Mixed / Assistant Engineer @ Bad Animals / Seattle] – Tod Lemkuhl Engineer [Recorded / 2nd Engineer @ Bearsville Studio] – George Cowan Engineer [Recorded / 2nd Engineer @ Criteria Recording Studios] – Andrew Roshberg Mastered By – Stephen Marcussen Mixed By – Clif Norrell, Scott Litt Oboe – Deborah Workman Performer – Bill Berry , Michael Stipe, Mike Mills, Peter Buck Performer [Including] – Bertis Downs*, Jefferson Holt Photography By – Anton Corbijn Photography By [Back Cover Photos] – Fredrik Nilsen Producer – R.E.M., Scott Litt Technician [Drum Technician] – Robert Hall Technician [Technical Assistance] – Microwave Viola – Heidi Nitchie, Paul Murphy , Reid Harris Violin – Denise Berginson-Smith, Jody Taylor , Lonnie Ottzen*, Patti Gouvas, Sandy Salzinger*, Sou-Chun Su Written-By – Berry*, Stipe*, Mills*, Buck* Notes Japanese edition with Japanese booklet and OBI-strip. White CD tray. © ℗ R.E.M./Athens, Ltd. ℗ WEA International Inc. (on CD) Made in Japan Barcode and Other Identifiers Barcode (Text): 4 988014 749701 Barcode (String): 4988014749701 Matrix / Runout: WPCR-4970 1 Matrix / Runout (Plastic hub): S M J Rights Society: JASRAC Other (Release Date Code): ★ [ 92•10•10(92•10) ] Other: ⓎⓍ Other (Price incl. local tax): 税込定価¥2,400 Other versions Category Artist Title (Format) Label Category Country Year Automatic For Warner 9 45055-2 R.E.M. The People (CD, Bros. 9 45055-2 US 1992 Album) Records Automatic For Warner CDW 45055 R.E.M. The People (CD, Bros. CDW 45055 Canada Unknown Album, RP) Records Automatic For Croatia LP-7-1 2039313 R.E.M. The People (LP, LP-7-1 2039313 Croatia 1992 Records Album) Automatic for the Warner 9362-45055-4 R.E.M. People (Cass, Music 9362-45055-4 Poland 1992 Album) Poland Popron, Automatic For 50 188-4, Warner 50 188-4, R.E.M. The People (Cass, Czechoslovakia 1992 9362-45055-4 Bros. 9362-45055-4 Album) Records Related Music albums to Automatic For The People by R.E.M. R.E.M. - How The West Was Won And Where It Got Us R.E.M. - Everybody Hurts R.E.M. - All The Way To Reno (You're Gonna Be A Star) R.E.M. - Man On The Moon R.E.M. - Three R.E.M. - Green R.E.M. - Around The Sun R.E.M. - Monster R.E.M. - The Sidewinder Sleeps Tonite R.E.M. - Out Of Time R.E.M. - What's The Frequency, Kenneth? R.E.M. - Part Lies Part Heart Part Truth Part Garbage 1982 - 2011.
Recommended publications
  • University News, November 14 Students of Boise State University
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 11-14-1988 University News, November 14 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Boise State University JEI..l:O Volume IX Issue 11 Jello Biafra to speak on November 14, 1988 censorship See pages 6 & 7 Shanties become favorite protest t_oolat campuses across U.S. (CPS)-The makeshift "shanty," "Symbols are always fluid," noted -until recently an icon of the campus Todd Gitlin, a University of Califor- anti-apartheid movement, seems to nia at Berkeley professor who have become everybody's favorite authored The Sixties: lears of Hope, symbol this school year. Days of Rage. Indiana University sports an anti- "People are always lldapting a rape shanty and briefly had a shan- symbol with one meaning and giving ty protesting IU's crackdown on stu- it another," Gitlin added. "Thllt's dent alcohol abuse. what happens with flags." In early October, volunteers at an Dr. Ohnuki Tierney of the Center off-campus soup kitchen built a for Advanced Studies in Behavioral shanty on the University of Penn- Sciences near Stanford said, "People sylvania campus because Penn has can read symbols upside down.
    [Show full text]
  • Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
    14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular
    [Show full text]
  • REM Part Lies Part Heart Part Truth Part Garbage 1982
    R.E.M. Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 Country: Europe Released: 2011 Style: Alternative Rock MP3 version RAR size: 1785 mb FLAC version RAR size: 1200 mb WMA version RAR size: 1748 mb Rating: 4.6 Votes: 209 Other Formats: DTS VQF WMA MIDI MMF XM TTA Tracklist Hide Credits Gardening At Night 1-1 3:30 Producer – Mitch Easter, R.E.M. Radio Free Europe 1-2 4:05 Producer – Don Dixon, Mitch Easter Talk About The Passion 1-3 3:24 Producer – Don Dixon, Mitch Easter Sitting Still 1-4 3:19 Producer – Don Dixon, Mitch Easter So. Central Rain 1-5 3:16 Producer – Don Dixon, Mitch Easter (Don't Go Back To) Rockville 1-6 4:33 Producer – Don Dixon, Mitch Easter Driver 8 1-7 3:24 Producer – Joe Boyd Life And How To Live It 1-8 4:08 Producer – Joe Boyd Begin The Begin 1-9 3:28 Producer – Don Gehman Fall On Me 1-10 2:51 Producer – Don Gehman Finest Worksong 1-11 3:50 Producer – R.E.M., Scott Litt It's The End Of The World As We Know It (And I Feel Fine) 1-12 4:07 Producer – R.E.M., Scott Litt The One I Love 1-13 3:17 Producer – R.E.M., Scott Litt Stand 1-14 3:13 Producer – R.E.M., Scott Litt Pop Song 89 1-15 3:05 Producer – R.E.M., Scott Litt Get Up 1-16 2:42 Producer – R.E.M., Scott Litt Orange Crush 1-17 3:52 Producer – R.E.M., Scott Litt Losing My Religion 1-18 4:29 Producer – R.E.M., Scott Litt Country Feedback 1-19 4:10 Producer – R.E.M., Scott Litt Shiny Happy People 1-20 3:46 Producer – R.E.M., Scott Litt The Sidewinder Sleeps Tonite 1-21 4:09 Producer – R.E.M., Scott Litt Everybody Hurts 2-1 5:20 Producer – R.E.M., Scott Litt Man On The Moon 2-2 5:14 Producer – R.E.M., Scott Litt Nightswimming 2-3 4:18 Producer – R.E.M., Scott Litt What's The Frequency, Kenneth? 2-4 4:00 Producer – R.E.M., Scott Litt New Test Leper 2-5 5:27 Producer – R.E.M., Scott Litt Electrolite 2-6 4:05 Producer – R.E.M., Scott Litt At My Most Beautiful 2-7 3:35 Producer – Pat McCarthy, R.E.M.
    [Show full text]
  • David Menconi
    David Menconi “But tonight, we’re experiencing something much more demented. Something much more American. And something much more crazy. I put it to you, Bob: Goddammit, what’s goin’ on?” —Dexter Romweber, “2 Headed Cow” (1986) (Or as William Carlos Williams put it 63 years earlier: “The Pure Products of America/Go crazy.”) To the larger world outside the Southeastern college towns of Chapel Hill and Athens, Flat Duo Jets’ biggest brush up against the mainstream came with the self-titled first album comprising the heart of this collection. That was 1990’s “Flat Duo Jets,” a gonzo blast of interstellar rockabilly firepower that turned Jack White, X’s Exene Cervenka and oth- er latterday American underground-rock stars into fans and acolytes. In its wake, the Jets toured America with The Cramps and played “Late Night with David Letterman,” astounding audiences with rock ’n’ roll as pure and uncut as anybody was making in the days B.N. (Before Nirvana). But that kind of passionate devotion was nothing new for the Jets. For years, they’d been turning heads and blowing minds in their Chapel Hill home- town as a veritable rite of passage for music-scene denizens of a certain age. Just about everyone in town from that era has a story about happening across the Jets in their mid-’80s salad days, often performing in some terri- bly unlikely place – record store, coffeeshop, hallway, even the middle of the street – channeling some far-off mojo that seemed to open portals to the past and future at the same time.
    [Show full text]
  • Elmira Skate Park Sees First Bit of Graffiti
    SWIMMING POOLS • PATIOS • DRIVEWAYS STAIRCASES • GARDENS • WATER FEATURES www.bcrecreational.ca TED: 519-505-0073 | [email protected] | BRANDON: 519-897-7707 | EMAIL: [email protected] 03 | 28 | 2015 VOLUME 20 | ISSUE 13 KINGS OFF TO A GOOD START VS. CULLITONS SPORTS PAGE 11 COMMENT PAGE 8 YET MORE REASONS TO CLOSELY MONITOR BUREAUCRATS www.OBSERVERXTRA.com Concerns about Glasgow Street bridge hinder efforts to remove unpopular left-turn median STEVE KANNON There’s no quick solution for a made-in-Woolwich problem at the intersection of Glasgow Street and Millennium Drive in Waterloo, say township officials. A median that prohibits left-hand turns onto Glasgow Street is incon- venient and a longstanding source of grievance for residents of Conestogo, Vandals took advantage of the milder temperatures this the township acknowledges. Reduc- month by spray painting graffiti on the Elmira Skate Park, ing traffic on the Glasgow Street forcing the township to bring in a cleanup crew. bridge, an old single-lane span that [WHITNEY NEILSON / THE OBSERVER] underwent rehabilitation in 2010, takes precedence, says director of engineering and planning Dan Ken- naley. WHITNEY NEILSON “It’s not a victimless He argues that a solution for the crime,” Nuys said. “Look at bridge, already subject to height and Elmira skate As the snow melts we the equipment, look at the weight restrictions, must be found be- find things we haven’t seen guys working. If you don’t fore the intersection at the other end in months, like flowers, stay on top of it then people of Glasgow Street can be addressed.
    [Show full text]
  • Krist Novoselic, Dave Grohl, and Kurt Cobain
    f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra­ pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne­ tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard.
    [Show full text]
  • Aquinas News Staff 'O(The .450Th.:·~V.Ersaiy ·Orthe,Folinding·.O,R The
    UNIV.ERSITY OF SCRANTON'S STUDENT NEWSPAPER April 18, 1991 · Volume. 63, Number 19 Stories on page 3 Feller arrested on theft charges All classifieds now due Sunday by 7 p.m. Page 2 April 18, 1991 CAMPUS PROFILE ,;~'JDJ!~~~i~,Ji Bo~ v!!!ows economics, finance ,~ ·.SCrimtOJ:l·:~aram:·'&.~cio4 :''will :join.- in. ~tjvof.ld~de ·celebia~Ori Aquinas News Staff 'o(the_.450th.:·~v.ersaiy ·orthe,folinding·.o,r the. $oci(#·:of.Je8us·:wiih a Iinirgy }it:.3:ji#L. on: S~cfuy~.~:.t\pliJ. 21:::at;·:~t·' Pete,;~s:·catl~<hit ·nne 'to Since he moved here from In­ .li:grl~oo:: s~ting;;. ihose,. iil.t~tc!4 .in. :aueriding ·thiS·::· eelebt'lnioit'· are --:fe~ dia in 1961, Mrigen Bose, profes­ . "iii~,·~·:ol>t3,l.n· tick~. ~gh:tli,e· Cain u:s·.-u-;..,;.;t....,_C,.ffi.Ce; FOrm~ sor of economics and f"mance, is q: . .. ... .. .· P.. ...~~·--~J . .info~Waticm;· pl~.~aU -94~':-7419~· ,.. :_· .. :-··· ..... · .· · ·· · · · · very happy with the life he has made for himself in the United .. · .· :..... ·.. ··._· ........__ ::_·_'··,_::: _.:. m~,-Urivi ::· :::· .. ·... · ·' States. His f"U'St teaching offer came . ; -1lie: Rect :~s will_oo spons_oritig ~:blOOd· @ye··ori:.Monday, ApPl from the University, and he has 22, in Eager(A:UditOiiuriL Come.. ·out and :rilake' a·· d6natim· You .inay been so impressed by the Jesuit save. someo_ne•s :life.. .. :.. ·. :-. style of education that he is still here 23 years later. : . Alpha: Mu,Gainnla · .: , "I really like the Jesuit educa­ .. ·.The:· Th~ta Iota Chapter-.' <)f.· t.he Foreign: ·Language .:National. Honor tional philosophy," he said.
    [Show full text]
  • Nirvana: the Complete Illustrated History Free
    FREE NIRVANA: THE COMPLETE ILLUSTRATED HISTORY PDF Charles Cross,Gillian G. Gaar,Bob Gendron,Mark Yarm,Todd Martens,Andrew Earles,Greg Kot,Jim DeRogatis,Alan di Perma | 192 pages | 15 Nov 2013 | Voyageur Press Inc | 9780760345214 | English | Stillwater, United States NIRVANA-THE COMPLETE ILLUSTRATED HISTORY BOOK EX | RELICS MUSIC Goodreads helps you keep track of Nirvana: The Complete Illustrated History you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Nirvana by Charles R. Cross. Gillian G. Gaar Goodreads Nirvana: The Complete Illustrated History. Bob Gendron. Todd Martens. Andrew Earles. Greg Kot. Jim DeRogatis. Alan di Perna Goodreads Author. Nirvana formed inreleased their first LP inand unintentionally tore the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to pu Nirvana formed inreleased their first LP inand unintentionally Nirvana: The Complete Illustrated History the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to punk-inspired rock and at the same time validated the indie rock scene that had failed to breach the mainstream in the previous decade. A meteoric rise followed, attended by all of the predictable professional and personal pitfalls. Two and half years after the release of "Teen Spirit," leader Kurt Cobain, age 27, killed himself and the Nirvana: The Complete Illustrated History was over.
    [Show full text]
  • Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
    ‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies.
    [Show full text]
  • Psaudio Copper
    Issue 76 JANUARY 14TH, 2019 Welcome to Copper #76! ---here we are, halfway through January already, and I guess I'll find out if January actually exists without the mania of CES. I've attended since 1989, I'm done. My favorite newsflash so far has been that an autonomous car ran over an autonomous robot.... But we're here, and blessedly flu-free...so: Larry Schenbeck continues his look at musical storytellers---vocal ones, this time; we're revisiting Dan Schwartz's piece on Steve Reich; Richard Murison tries his hand at haiku---and some ku are hai-er than others; Jay Jay French brings us the second of two stories about meeting John & Yoko; Roy Hall tells his uncommonly-touching story of citizenship; Anne E. Johnson does double duty, with a look at lesser-known cuts from Richie Havens, as well as a Something Old/Something New review of new recordings of not one but two composers named Praetorius; Christian James Hand deconstructs REM's "It's the End of the World..."; and I obsess yet again about CES, and continue with a look at the audio segment of the amazing business empire of Sherman Fairchild. Industry News continues the never-ending story of---well, guess who. No, it's a different guess who than last issue's guess who. Sheesh! Our friend Fred Schwartz wonders what we'd hear in a certain situation; and we're pleased to have the first contribution from Jeremy Kipnis, writing about his illustrious ancestor, operatic bass Alexander Kipnis. Copper #76 wraps up with a scratchy sound from Charles Rodrigues, and a Parting Shot all the way from Argentina.
    [Show full text]
  • It(Altrfkrack Clinic 1921-1999
    J0URNAL it(altrfKrack Clinic 1921-1999 n' 1ime& i , Tart 2 ../% 'Tw&k "Baptist on Vol. 26, 7Vh. 1, <ApriL 2002 EDITOR: Amelia Whitaker Martin ASSOCIATE EDITORS: Sarah Fitzjarrald McCullough Janice Bufford Eddleman J0URNAL CONSULTING EDITOR: Carolyn Pollan GUEST WRITERS: Josie Decker Julie Northrip Contents Emily Lovic INDEXING: VOL. 26, NO. 1 APRIL, 2002 Janice Bufford Eddleman PROOFREADERS: Contents Staff OFFICERS AND BOARD DIRECTORS: Letter from President 1 Charles "Chuck" Raney, President Jack Arnold, Vice President Holt-Krock Clinic 2 Joanne Swafford, Treasurer Janice Eddleman, Recording Secretary Biography of Dr. Holt 7 Becky Chancey, Corresponding Secretary Jo Tillery, Membership Secretary Biography of Dr. Krock 8 Jerry Akins First Baptist Church 10 Cynthia Bedell Martha Lou Barry Oak Cemetery 12 Wayne Bledsoe Ben Boulden Book Notes 13 J.P. Chancey Cathy Conley Hangin' in Fort Smith, Part II 14 Dorothy Doville Debris DeWitt News and Opportunities 21 Mary Lou Jacobsen Gene McVey Chronology 22 Bill Pitts Michael Richardson Genealogy 29 Clara Jane Rubarth Lewis Young Inquiries 30 Membership in the Fort Smith Historical Society includes subscription to The Journal In Loving Memory 31 of the Fort Smith Historical Society, which is published semi-annually. Year begins January 1901 Newspapers 33 1 and ends December 31. Index 41 For membership, send dues with your name and mailing address to: The Fort Smith Historical Society, Inc. P.O. Box 3676 Fort Smith, Arkansas 72913 COVER: Holt-Krock Clinic 1933 Types of memberships: Annual $ 25.00 © Copyright 2002 ISSN 0736 4261 Senior Citizens (55 or older) .... 15.00 by the Fort Smith Historical Society, Inc.
    [Show full text]
  • R.E.M. Eponymous Mp3, Flac, Wma
    R.E.M. Eponymous mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Eponymous Country: Europe Style: Alternative Rock MP3 version RAR size: 1547 mb FLAC version RAR size: 1640 mb WMA version RAR size: 1128 mb Rating: 4.6 Votes: 174 Other Formats: VOX WAV AC3 MP4 APE RA DXD Tracklist Hide Credits Radio Free Europe (Original Hib-Tone Single) A1 3:46 Producer – Mitch Easter, R.E.M. Gardening At Night (Different Vocal Mix) A2 3:31 Producer – Mitch Easter, R.E.M. Talk About The Passion A3 3:20 Producer – Don Dixon, Mitch Easter So. Central Rain A4 3:14 Producer – Don Dixon, Mitch Easter (Don't Go Back To) Rockville A5 4:31 Producer – Don Dixon, Mitch Easter Can't Get There From Here A6 3:37 Producer – Joe Boyd Driver 8 B1 3:23 Producer – Joe Boyd Romance B2 3:24 Producer – R.E.M., Scott Litt Fall On Me B3 2:51 Producer – Don Gehman The One I Love B4 3:16 Producer – R.E.M., Scott Litt Finest Worksong (Mutual Drum Horn Mix) B5 3:49 Producer – R.E.M., Scott Litt It's The End Of The World As We Know It (And I Feel Fine) B6 4:06 Producer – R.E.M., Scott Litt Companies, etc. Licensed To – MCA Records Ltd. Marketed By – MCA Records Ltd. Distributed By – MCA Records Ltd. Phonographic Copyright (p) – I.R.S. Records, Inc. Phonographic Copyright (p) – International Record Syndicate, Inc. Copyright (c) – International Record Syndicate, Inc. Copyright (c) – I.R.S. Records, Inc. Pressed By – EMI Records Published By – Chappell Music Ltd.
    [Show full text]