American Square Dance Vol. 40, No. 8
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List of Animated Films and Matched Comparisons [Posted As Supplied by Author]
Appendix : List of animated films and matched comparisons [posted as supplied by author] Animated Film Rating Release Match 1 Rating Match 2 Rating Date Snow White and the G 1937 Saratoga ‘Passed’ Stella Dallas G Seven Dwarfs Pinocchio G 1940 The Great Dictator G The Grapes of Wrath unrated Bambi G 1942 Mrs. Miniver G Yankee Doodle Dandy G Cinderella G 1950 Sunset Blvd. unrated All About Eve PG Peter Pan G 1953 The Robe unrated From Here to Eternity PG Lady and the Tramp G 1955 Mister Roberts unrated Rebel Without a Cause PG-13 Sleeping Beauty G 1959 Imitation of Life unrated Suddenly Last Summer unrated 101 Dalmatians G 1961 West Side Story unrated King of Kings PG-13 The Jungle Book G 1967 The Graduate G Guess Who’s Coming to Dinner unrated The Little Mermaid G 1989 Driving Miss Daisy PG Parenthood PG-13 Beauty and the Beast G 1991 Fried Green Tomatoes PG-13 Sleeping with the Enemy R Aladdin G 1992 The Bodyguard R A Few Good Men R The Lion King G 1994 Forrest Gump PG-13 Pulp Fiction R Pocahontas G 1995 While You Were PG Bridges of Madison County PG-13 Sleeping The Hunchback of Notre G 1996 Jerry Maguire R A Time to Kill R Dame Hercules G 1997 Titanic PG-13 As Good as it Gets PG-13 Animated Film Rating Release Match 1 Rating Match 2 Rating Date A Bug’s Life G 1998 Patch Adams PG-13 The Truman Show PG Mulan G 1998 You’ve Got Mail PG Shakespeare in Love R The Prince of Egypt PG 1998 Stepmom PG-13 City of Angels PG-13 Tarzan G 1999 The Sixth Sense PG-13 The Green Mile R Dinosaur PG 2000 What Lies Beneath PG-13 Erin Brockovich R Monsters, -
Mean Girls? the Influence of Gender Portrayals in Teen Movies on Emerging Adults' Gender-Based Attitudes and Beliefs
MEAN GIRLS? THE INFLUENCE OF GENDER PORTRAYALS IN TEEN MOVIES ON EMERGING ADULTS' GENDER-BASED ATTITUDES AND BELIEFS By Elizabeth Behm-Morawitz and Dana E. Mastro This two-part exploratory study utilized a social cognitive theory frame- work in documenting gender portrayals in teen movies and investigating the influence of exposure to these images on gender-based beließ about friendships, social aggression, and roles of women in society. First, a con- tent analysis of gender portrayals in teen movies was conducted, reveal- ing that female characters are more likely to be portrayed as socially aggressive than male characters. Second, college students were surveyed about their teen movie-viewing habits, gender-related beliefs, and atti- tudes. Findings suggest that viewing teen movies is associated with neg- ative stereotypes about female friendships and gender roles. Research examining the effects of media exposure demonstrates that media consumption has a measurable influence on people's per- ceptions of the real world, and, regardless of the accuracy of these per- ceptions, they are used to help guide subsequent attitudes, judgments, and actions. For example, these results have been yielded for view- ing media representations of race,' the mentally ill,^ and the elderly.^ Past research additionally indicates that watching televised gender portrayals has an effect on individuals' real-world gender-based atti- tudes, beliefs, and behaviors."* Based on this research, and the tenets of social cognitive theory, it would be expected that consumption of teen movies would have an analogous influence on audience members' gen- der-based attitudes and beliefs. Despite the popularity of teen movies, the influence of such films on emerging adults has not been examined. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
1 Primal Love
1 PRIMAL LOVE The heart breaks in so many different ways that when it heals, it will have faultlines. John Geddes As babies, our very survival depends on the fulfillment of a primal dream I call the ‘bliss dream’. It’s one of raw, sensual connection and soul-to-soul love where everything else is secondary. When the dream is unrequited or simply imperfect, loss and disappointment can cut faultlines of anxiety, lack of self-worth or gaping emotional hunger in a developing heart. Even those who suffer little incur some losses as they grow – having to share parents with siblings, feeling pain, experiencing inevitable separations. Everyone has faultlines. It’s part of being human. Some faultlines are deeper, more far-reaching or jagged than others. Over time our faultlines are made raw, broken and etched deeper by stormy emotional weather; in other seasons their edges are smoothed or even hardened by our various experiences. Our early experiences influence how we see the world. Our brains unconsciously start to map out the potential paths we will choose, the kinds of people we will be attracted to and the emotional lessons and reparations we will feel drawn to seek. From birth to death we define and traverse our Lovelands – our inner landscape of intimacy, passions and losses. It’s through love that we pursue our most primal needs: the need to belong, the need for security, the need for a home, for sensual desires and the search for purpose and pleasure. All our reasons to exist live there. Love is the pure elemental energy of life. -
The Devils' Dance
THE DEVILS’ DANCE TRANSLATED BY THE DEVILS’ DANCE HAMID ISMAILOV DONALD RAYFIELD TILTED AXIS PRESS POEMS TRANSLATED BY JOHN FARNDON The Devils’ Dance جينلر بازمي The jinn (often spelled djinn) are demonic creatures (the word means ‘hidden from the senses’), imagined by the Arabs to exist long before the emergence of Islam, as a supernatural pre-human race which still interferes with, and sometimes destroys human lives, although magicians and fortunate adventurers, such as Aladdin, may be able to control them. Together with angels and humans, the jinn are the sapient creatures of the world. The jinn entered Iranian mythology (they may even stem from Old Iranian jaini, wicked female demons, or Aramaic ginaye, who were degraded pagan gods). In any case, the jinn enthralled Uzbek imagination. In the 1930s, Stalin’s secret police, inveigling, torturing and then executing Uzbekistan’s writers and scholars, seemed to their victims to be the latest incarnation of the jinn. The word bazm, however, has different origins: an old Iranian word, found in pre-Islamic Manichaean texts, and even in what little we know of the language of the Parthians, it originally meant ‘a meal’. Then it expanded to ‘festivities’, and now, in Iran, Pakistan and Uzbekistan, it implies a riotous party with food, drink, song, poetry and, above all, dance, as unfettered and enjoyable as Islam permits. I buried inside me the spark of love, Deep in the canyons of my brain. Yet the spark burned fiercely on And inflicted endless pain. When I heard ‘Be happy’ in calls to prayer It struck me as an evil lure. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides -
SEPTEMBER 03, 2007 ARTIST MERLE HAGGARD TITLE Hag the Studio Recordings 1969 - 1976 LABEL Bear Family Records CATALOG # BCD 16749 PRICE-CODE FK EAN-CODE
SHIPPING DATE: AUGUST 13, 2007 (estimated) STREET DATE: SEPTEMBER 03, 2007 ARTIST MERLE HAGGARD TITLE Hag The Studio Recordings 1969 - 1976 LABEL Bear Family Records CATALOG # BCD 16749 PRICE-CODE FK EAN-CODE 4000127 167491 ISBN-CODE 978-3-89916-329-2 FORMAT 6-CD boxed set (LP-size) with 140-page hardcover book GENRE Country TRACKS 165 PLAYING TIME 467:21 KEY SELLING POINTS • A true legend of American music captured in his prime! • The follow-up to Bear Family’s hugely acclaimed 'Untamed Hawk' set. • All the studio recordings between 1969 and 1976, including 15 straight #1 country hits. • Includes Vietnam era classics like Okie From Muskogee and The Fightin’ Side Of Me, as well as the more moderate unreleased song Somewhere In Between. • More than 20 other unreleased performances! SALES NOTES Merle Haggard occupies a unique place in American music. The man who gave voice to the Silent Majority went on to become a counter-culture favourite. He has scored hits in the 1960s, 1970s, 1980s, 1990s, and 2000s, and still works 200 sold-out road dates a year. Ever since Bear Family released 'Untamed Hawk' in 1995, we’ve been asked for a follow-up comprising the rest of his legendary Capitol recordings. This is it…on 6 CDs, and it covers the tumultuous years between 1968 and 1976. The only exclusions are his Jimmie Rodgers tribute (already issued on a single CD by Bear Family) and the live recordings, which will be released in a companion volume. These were the years when Merle Haggard polarized the USA with songs like Okie From Muskogee and The Fightin’ Side Of Me, yet, as this set reveals, his approach to politics was more nuanced than many thought at the time. -
1 Column Unindented
DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat. -
Cindy Walker
Cindy Walker Cindy Walker, prolific and influential songwriter, was born on July 20, 1918 near Mart, Texas. Her father was a cotton-broker, but music ran in the family on her mother’s side. Her maternal grandfather, who composed hymns, may have been her earliest influence as a songwriter, and her mother was a singer and pianist. Walker’s early interest was in poetry, but she began a theatrical career at age ten, appearing in a traveling vaudeville production called the "Toyland Revue." She taught singing and dancing and began writing songs before she was in her teens. In 1936, she became part of the singing and dancing chorus for Casa Mañana, the immense dinner theater revue mounted by the legendary Billy Rose for the Ft. Worth site of the Texas Centennial celebration. Walker reportedly wrote a song entitled “Casa Mañana,” which bandleader Paul Whiteman adopted as the theme for the radio broadcast from the nightclub after he heard her singing it. Following an unsuccessful marriage, at age 22 Walker returned to her parents, who settled in Phoenix, Arizona. She accompanied her parents on a business trip to Los Angeles in 1940. While driving down Sunset Boulevard, she noticed Bing Crosby’s office building and insisted that her parents stop the car so she could run in with her briefcase full of songs. Walker talked the receptionist into letting her in to see Crosby’s brother Larry, who agreed to allow her to sing one song for him. Walker chose to play a song called “Lone Star Trail.” Larry Crosby took her to Paramount Studios the next day, where she played “Lone Star Trail” for Crosby and music composer/publisher Lester Santly. -
The Boy Who Was In
VOLUME 20, ISSUE 5 MAY/JUNE 2018 THE BOY WHO WAS IN THE EXCLUSIVE PLATINA POST INTERVIEW PAGE 3 Cover Design: Scott Weinberg PAGE 2 FROM PARIS TO NEW YORK TO PLATINA first thing I did was to go home,where I used to live. The apartment was THE STORY OF A HIDDEN CHILD WEINBERG SCOTT DESIGN: sealed off, so I broke through the seal and went inside. By David Wind It was then that I realized I was the first person to enter the apartment It was my great honor to interview Platina resident, since my mother’s arrest. The coffee cup my mother was drinking from Michel (Michael) Jeifa, who was one of the hidden when the Nazis came was still on the table. children of World War II. It was strange, and for some reason, I felt guilty about breaking in and went to the police to report it. The policeman who I spoke with, shook his It was in 1943 when Michel Jeifa became one of head. It is your apartment, he told me, you cannot break in to your apart- France’s hidden children. Until then, he lived in ment. Go back, go live in it. I did. Then I began to look for my father and Paris with his family. Michel’s father, Bernard, a high my sister. I visited his friends and learned that he had gotten false papers couture tailor, a secular Jew, and a socialist, immi- and returned to Paris in 1944. The French Police arrested him, for having grated to France from Russia in the early 1900’s. -
Courier Gazette : December 22, 1885
T he Courier-Gazette. ROCKLAND OA7.ETTK KSTABI ISHED 1R40. ( (TWO nnl.I.ARR A VKAIl IN ADTANCRl ROCKLAND COURIER ERTARMSHRD 1074. | <fln $lress is tbe 3irtbtincbean jfeber that Jfiobes tbe tfdlorlb at if too Dollars a (bar (SINUI.E COI-1K8 PRICK FIVK CKMT8. V o l . 4.—N e w S e r i e s . ROCKLAND, MAINE, TUESDAY, DECEMBER 22, 1885. N u m b e r 49. T h e coij ri er-gazette VAGRANT CHRISTMAS MUSINGS. that served as a dressing-room screen, Aldor THE CHRISTMAS POEM. “ There’s life for you. Nothing mewling us lilt iis with Ids skunk, anil when wilh great about that,” said the sporting editor, trium illdlcitlty we recovered from our confusion E oitfo by W. o. Fri.i.r.R, .Ir. W hat a good “Wliat in the matter ?” asked the managing phantly. tlmcChristinasls! and entered upon our song, he lifted up Ids editor. “ Where arc the liells in this poem ?’’ Inquired voire in such long-sustained and powerful the exchange editor ns he laid down bin It was n North Carolina man who mliireiRcd Oh, come now, The youngest young man on tlie staffhnd for Imitations of n eow, that we quite lost our scissors nnd rested the corns on his thumb. hi» petition to lltu Majesty President Cleve don't be so crnl>- some minutes liecn roving the dirty walls of the presenco of mind, and in a moment of rash “ You don’t seem to snv anything about tlie land. lie ought to have the oflico.