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SST Defies Industry, Defines New Music
Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever. -
Brno, 11. 1. 2016 | Průběžný Showcase
Brno, 11. 1. 2016 | Průběžný showcase RICHARD YOUNGS • UK festival Itch My Ha Ha Ha se vrací, aby od Richard Youngs, skotský zpěvák, kytarista, ledna do března 2016 představil v Brně další improvizátor a experimentátor bývá označován současné kapely, ale i odborné workshopy a za kultovní postavu současné (nejen kytarové) diskusní panely. hudby. Stal se jí díky své mimořádné aktivitě, desítkám sólových nahrávek i mnoha Druhou část IMHHH zahájí 17. ledna ikona spolupracím. V roce 1990 založil label No Fans soudobého britského undergroundu Records na kterém vydal dvacítku alb (první Richard Youngs. Ten vystoupí v rámci večera, Advent vyšlo v roce 1990), ale jeho nahrávky jímž se festival připojuje k celosvětovým najdeme i na „velkých“ labelech jako oslavám narozenin umění Art's Birthday 2016 v Jagjaguwar, Ba Da Bing nebo VHF. Rád kulturním prostoru PRAHA. Nenechte si ujít spolupracuje s dalšími hudebníky, ke kterým první a na dlouhou dobu pravděpodobně patří například Matthew Bower (Skullflower), jediné vystoupení sporadicky koncertujícího Alex Neilson (Six Organs of Admittance, Bonnie Youngse v České republice! Prince Billy), Neil Campbell (Astral Social Club), Makoto Kawabata (Acid Mothers Temple) či Součástí večera bude i koncert slovenské Simon Wickham-Smith. Youngs byl také formace Ospalý pohyb pod vedením členem doprovodné kapely na všech tří významného představitele soudobé a (známých) koncertech další kultovní a tajemné elektronické hudby Martina Burlase a také postavy – Jandeka. Jeho zatím poslední LP performance jedné z nejpozoruhodnějších Unicorns Everywhere (Sonic Oyster, 2015) českých extravagantních dvojic autorské vyšlo v limitované edici 250 kusů. performance 80. a 90. let – Josefa Daňka a Jeho koncertní aktivita je minimální a i když v Blahoslava Rozbořila. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Filipino Americans and Polyculturalism in Seattle, Wa
FILIPINO AMERICANS AND POLYCULTURALISM IN SEATTLE, WA THROUGH HIP HOP AND SPOKEN WORD By STEPHEN ALAN BISCHOFF A thesis submitted in partial fulfillment of the requirement for the degree of MASTER OF ARTS IN AMERICAN STUDIES WASHINGTON STATE UNIVERSITY Department of American Studies DECEMBER 2008 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of STEPHEN ALAN BISCHOFF find it satisfactory and recommend that it be accepted. _____________________________________ Chair, Dr. John Streamas _____________________________________ Dr. Rory Ong _____________________________________ Dr. T.V. Reed ii ACKNOWLEDGEMENTS Since I joined the American Studies Graduate Program, there has been a host of faculty that has really helped me to learn what it takes to be in this field. The one professor that has really guided my development has been Dr. John Streamas. By connecting me to different resources and his challenging the confines of higher education so that it can improve, he has been an inspiration to finish this work. It is also important that I mention the help that other faculty members have given me. I appreciate the assistance I received anytime that I needed it from Dr. T.V. Reed and Dr. Rory Ong. A person that has kept me on point with deadlines and requirements has been Jean Wiegand with the American Studies Department. She gave many reminders and explained answers to my questions often more than once. Debbie Brudie and Rose Smetana assisted me as well in times of need in the Comparative Ethnic Studies office. My cohort over the years in the American Studies program have developed my thinking and inspired me with their own insight and work. -
Hathawayinterview
MARCH 2019 #96 Real estate: Cashflow is king Luxury: Las Vegas! Fitness Group exercise Design Decor legends Travel Pita Maha, Bali Ardennes-Etape Radisson Red Champagne & Dining PERSONAL DEVELOPMENT Listen to your body Technology in Africa Transforming the mind Money & Politics Arnon Barnes: Giving back The three-letter word Be successful books Fashion & Beauty Art attitude Anne WWW.TOGETHERMAG.EU HathawayInterview IN A CHANGING WORLD, EXPATS FEEL AT HOME RIGHT AWAY. WITH YOU FROM THE START Simply enjoy the Belgian way of life. We take care of all your banking & BE 403.199.702 3 - B 1000 Brussels RPM/RPR Brussels, VAT Montagne du Parc/Warandeberg SA/NV, Fortis BNP Paribas Publisher: E. Jacqueroux, insurance matters. More info on bnpparibasfortis.be/expatinbelgium. The bank for a changing world BNP-11046-038892473327 - Nouvelles affiches agences EXPATS_330x230.indd 1 06/06/2018 14:45 YOUR SCAPA & SCAPA HOME LIFESTYLE STORE BOULEVARD DE WATERLOO 26 +32 2 469 02 77 BRUSSELS / BRUXELLES / BRUSSEL Editor’s IMAGINE THERE’S LETTER A HEAVEN A friend of mine was reading a book with an intriguing title, or rather she was re-reading it even though she had promised to pass it on to a niece – she couldn’t resist delving back into it one more time. It was written by Jason Leen or rather by John Lennon himself several years after his death. What’s that you say? Yes, af ter… The aforementioned intriguing title is: Peace at Together: Last: The After-Death Experiences of John Inspiring you Lennon, published in 1998. Leen describes his to reach your dreams.. -
Variations #6
Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Chris Coady Discography
Just Managing 99 Reade Street PHW New York City, NY 10013 [email protected] (212) 571-3591 Chris Coady Discography Smith Westerns Forthcoming Fat Possum Prod/Mix/Eng Gang Gang Dance Forthcoming 4AD Engineer Cult Of Youth TBA Sacred Bones Prod/Mix/Eng Kele (Bloc Party) “Tenderoni” Atlantic Mix Abe Vigoda Crush PPM Prod/Mix/Eng Lower Dens Twin Hand Movement Gnomonsong Mix Zola Jesus “Poor Animal” Sacred Bones Prod/Mix Golden Triangle Double Jointer Hardly Art Prod/Mix/Track We Are Scientists Barbara MRI Recordings Tracking Delorean Subiza True Panther Mix Yeah Yeah Yeah’s iTunes Original Session iTunes Engineer/Mix Beach House Teen Dream Sub Pop Prod/Mix/Track Islands Vapours Anti- Producer/Mixer Dappled Cities Zounds Dangerbird Producer/Mixer ...Trail of Dead The Century Of Self Justice Producer/Mixer Grizzly Bear Yellow House Warp Mix Emma Daumas Le Chemin de La Maison Universal France Mixer Marisa Nadler Little Hells Kemado Producer/Mixer Soft Forthcoming Fabtone Produce/Engineer TV on the Radio Dear Science Interscope Engineer Lemonade Lemonade True Panther Producer/Mixer Gang Gang Dance Saint Dymphna Social Registry Engineer We Are Scientists Brain Thrust Mastery Virgin Records Engineer Telepathe Dance Mother Angular Tracking/Mixer Golden Animals Free Your Mind Happy Part Producer/Mixer The Foals Antidotes Sub Pop Tracking Dragons of Zynth Coronation Thieves Gigantic Mixer We Are Scientists Brain Thrust Mastery Virgin Tracking Architecture in Helsinki Heart it Races Polyvinyl/V2 Tracking/Mixing Thank You Terrible Two Thrill Jockey -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
Camera 12 Able to Show Blockbusters Forfirst Time in 40 Years, Theater Can Book Any Movies by Elizabeth Nguyen the Kind of Film We Always Played It
A ir WOMEN'S VOLLEYBALL: Student intertwines Profiles of Associated Students Board Spartans bit the road to face art with personal Executive University of San Francisco history Meet Rachel Greathouse, Page 9 Jonathan Stoll and Pearl Yuan Page 7 Page 4 CELEBRATING 70 YEARS 1934-2004 SPARTAN DAILY WWW.THESPARTANDAILY.COM VOLUME 123, NUMBER 4 WEDNESDAY, SEPTEMBER 1, 2004 Camera 12 able to show blockbusters Forfirst time in 40 years, theater can book any movies By Elizabeth Nguyen the kind of film we always played it. I Mat Pr odu. non Editor the past." The owners of Camera Cinemas, The 11.,ffie "vvr wins h theaters are the theaters that are usually known ill, irul ti show what IllOVIes Mat for showing more independent and now he finished. The contniveisy rut art films, became very concerned after whine .i theater Wl irks they could not book the high grossing vi all I Myst.. ,i1 studios to restrict blo.ckbuster. NyBloni said. , mon mainstream movies "There are eight or nine major stu- o mt.? s'eti'le, was brought to dios, each release A couple dozen films p . attention att,u the state attorney a year: he said. "Those decisions Ito gei,etal se ii gait examining anti- mipose 'clearance') are usually horuired trust allrgation, lw the owners of by smaller distributors of specialized the lownho.al. 5. ailletaCille111.1S, 'laud .1 and art films. They tend to follow suit. iwnier and When C.1111erd 12 Was built, the ineillaS, Said owners wanted to have half of the 12 - the ite, t. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome