Chris Coady Discography

Total Page:16

File Type:pdf, Size:1020Kb

Chris Coady Discography Just Managing 99 Reade Street PHW New York City, NY 10013 [email protected] (212) 571-3591 Chris Coady Discography Smith Westerns Forthcoming Fat Possum Prod/Mix/Eng Gang Gang Dance Forthcoming 4AD Engineer Cult Of Youth TBA Sacred Bones Prod/Mix/Eng Kele (Bloc Party) “Tenderoni” Atlantic Mix Abe Vigoda Crush PPM Prod/Mix/Eng Lower Dens Twin Hand Movement Gnomonsong Mix Zola Jesus “Poor Animal” Sacred Bones Prod/Mix Golden Triangle Double Jointer Hardly Art Prod/Mix/Track We Are Scientists Barbara MRI Recordings Tracking Delorean Subiza True Panther Mix Yeah Yeah Yeah’s iTunes Original Session iTunes Engineer/Mix Beach House Teen Dream Sub Pop Prod/Mix/Track Islands Vapours Anti- Producer/Mixer Dappled Cities Zounds Dangerbird Producer/Mixer ...Trail of Dead The Century Of Self Justice Producer/Mixer Grizzly Bear Yellow House Warp Mix Emma Daumas Le Chemin de La Maison Universal France Mixer Marisa Nadler Little Hells Kemado Producer/Mixer Soft Forthcoming Fabtone Produce/Engineer TV on the Radio Dear Science Interscope Engineer Lemonade Lemonade True Panther Producer/Mixer Gang Gang Dance Saint Dymphna Social Registry Engineer We Are Scientists Brain Thrust Mastery Virgin Records Engineer Telepathe Dance Mother Angular Tracking/Mixer Golden Animals Free Your Mind Happy Part Producer/Mixer The Foals Antidotes Sub Pop Tracking Dragons of Zynth Coronation Thieves Gigantic Mixer We Are Scientists Brain Thrust Mastery Virgin Tracking Architecture in Helsinki Heart it Races Polyvinyl/V2 Tracking/Mixing Thank You Terrible Two Thrill Jockey Producer/Mixer Celebration Modern Tribe 4AD Tracking/Mixing Architecture In Helsinki Places Like This Polyvinyl/V2 Tracking/Mixing Blonde Redhead 23 4AD Tracking Jana Hunter There’s No Home Gnomon Song Mix Devestations Yes, U Beggars Mix Massive Attack Weather Underground Virgin Selected Tracking Gang Gang Dance Rawwar Social Registry Tracking Yeah Yeah Yeahs Show Your Bones Interscope Tracking Yeah Yeah Yeahs Gold Lion/Let Me Know Interscope Single B-Side Mix TV On The Radio Return To Cookie Mountain Interscope/4AD Tracking/Mixing TVotR w/ David BowieProvince Interscope/4AD Tracking/Mixing Das Oath Das Oath Dim Mak Tracking Soft Circle Full Bloom Eastern Development Recording/Mixing Celebration Celebration 4AD Tracking/Mixing Cass McCombs Perfection 4AD Mix Cass McCombs Sacred Heart 4AD Mix Entrance Wandering Stranger Ryko/Fat Possum Tracking/Mix/Prod Oxes Oxes Monitor Mastering Heartless Bastards Stairs and Elevators Ryko/Fat Possum Tracking/Mixing !!! Louden Up Now Touch and Go/Warp Tracking !!! Pardon My Freedom Touch and Go/Warp Tracking Entrance/Cat Power Do The Romp Fat Possum Tracking/Mixing/Prod TV On The Radio Desperate Youth… Touch and Go/4AD Technical Engineering TV On The Radio New Health Rock Touch and Go/4AD Tracking/Mixing Entrance Honey Moan Tigerstyle Mixing/Mastering Yeah Yeah Yeahs Fever To Tell Interscope Selected Mastering Yeah Yeah Yeahs Fever To Tell – UK Bonus Track Interscope Mastering .
Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Label ARTIST Piece Tracks/Notes Format Quantity
    Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes
    [Show full text]
  • Punk Aesthetics in Independent "New Folk", 1990-2008
    PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
    [Show full text]
  • {DOWNLOAD} Around the World Ebook
    AROUND THE WORLD PDF, EPUB, EBOOK Emily Bone,Jo Moore | 34 pages | 24 Jan 2011 | Usborne Publishing Ltd | 9781409514275 | English | London, United Kingdom Around the World PDF Book Work Life 5 traits of CEOs who successfully take their companies public. GfK Entertainment Charts. Quotes Phileas Fogg : Rules are made to be broken What is the rising action of faith love and dr lazaro? Supplementary pie charts tell us how many of the billionaires are men versus women and how many earned their fortune versus inherited it. Jean Michel Jim Broadbent For the Easy Hot Cross Buns recipe, click here. Third Degree Sexual Assault is, in shortest terms, rape. Retrieved 3 December External Reviews. Close View image. Color: Color. Parents Guide. Regional variations exist, with different types of meats , vegetables and spices included, but this recipe calls for beef rib-eye, zucchini, mushrooms, bean sprouts, spinach, carrots and Japanese radish. Clear your history. Retrieved 24 December Ultratop Around the World is when a man penetrates all areas of the woman's body, mouth, vagina, and anus. Try it with this recipe, which adds some Grana Padano cheese and butter for a creamier taste and texture. How much does does a dollar roblox gift card get you in robhx? IP Issues. Although a menu staple of many Indian restaurants, chicken tikka masala is actually a fusion dish with its origins in the United Kingdom. Retrieved 28 January In , the song was released for the first time in the United Kingdom in a newly remixed version, peaking at number All you need for this recipe are potatoes, eggs, onion, flour, garlic pepper and salt.
    [Show full text]
  • DESPAIR” VIDEO SHOT ATOP the EMPIRE STATE BUILDING NSFW If Afraid of Heights Video Co-Produced and Premiered by Noisey
    For Immediate Release: June 24, 2013 YEAH YEAH YEAHS “DESPAIR” VIDEO SHOT ATOP THE EMPIRE STATE BUILDING NSFW if Afraid of Heights Video Co-Produced and Premiered by Noisey ( Credit: Patrick Daughters) New York, NY…June 24…The Yeah Yeah Yeahs reach new heights today with the video for their new single “Despair.” Skyscraper heights. 102-story, 443-meter, Empire State Building heights, to be exact. "There's been a lot of career highs and lows over the years of being in a band, but in the end, how many can say they shot a video on the top of the Empire State Building? We win,” says singer Karen O. “Move out the way, King Kong, Yeah Yeah Yeahs are gonna get real with you up in this piece!” “Despair” is the second single off the NYC-based trio’s album Mosquito (Interscope), which entered the Billboard Top 200 this April at #5. The concept for the video came courtesy of Noisey.com, who decided they wanted to co-produce a video for the band’s single by pairing New York’s quintessential landmark with New York’s quintessential band. However, until now, no band had ever shot a video atop the World’s Most Famous Building. ”The Empire State Building’s iconographic presence is not limited to any date or age. We are happy to offer our magical canvas, the real magic of the real New York City, to this video,” says Anthony E. Malkin of Malkin Holdings. “Big bands deserve big ideas. So, when Noisey was given the challenge to come up with a big idea for a new Yeah Yeah Yeahs video, we jokingly said… ‘let's get them to play on top of the Empire State Building!!’ Then we said, ‘actually…wait, why not!?’ We called the Empire State Building and not only were they into it, they were a pleasure to work with.
    [Show full text]
  • In Search of Japanoise Globalizing Underground Music
    16 In Search of Japanoise Globalizing Underground Music David Novak In 1990, I had just returned from a year of teaching English in Japan, so I was surprised when I came back to college in Ohio and started to hear about “Jap- anese Noise Music.” Some cut out the “music” idea altogether and called it all “Japanese Noise,” and others just compressed it to “Japanoise.” The name was supposed to identify a specic Japanese type of “Noise,” which was already a pretty vague genre name. Some friends added that its top artists mostly came from the Kansai region and the cities Osaka and Kyoto where I’d been living. I’d run into some noisy punk rock and experimental music in little under- ground record stores and small clubs around Japan … but Japanoise? I had never heard of it until I was back in the United States, when the Boredoms’ LP Soul Discharge found its way to the college radio station where I was a DJ, and tapped into the emerging independent music scene. At the time, the ow of underground cassettes, CDs, and vinyl into the station was increasing on a daily level. But dropping the needle on Soul Discharge released the most spectacularly dissonant racket I’d ever heard, tog- gling through a spectrum of styles and sounds. Sometimes Boredoms sounded like a hardcore band, sometimes a random Dada cutup of popular culture: it was desperately heavy but also funny as hell. You couldn’t possibly take it seriously, but, at the same time, it demanded your full attention.
    [Show full text]
  • Lizzi Bougatsos CV 2021
    JAMES FUENTES 55 Delancey Street New York, NY 10002 - (212) 577 1201 [email protected] LIZZI BOUGATSOS Born 1974 in Queens, New York Lives and works in New York EDUCATION 1997 BFA Sculpture and Performance, Minor Women’s Studies/ Art History, West Virginia University College of Creative Arts SOLO EXHIBITIONS 2021 Works in Progress, James Fuentes Essex, NY 2017 Boo-Hooray, Summer Rental, Montauk, NY 2015 Work Habits, James Fuentes Gallery, NY 2010 Slut Freak, James Fuentes Gallery, NY 2009 The Breeder, Athens, Greece 2007 Street Feather, James Fuentes Gallery, NY TWO- AND THREE-PERSON EXHIBITIONS 2014 Angelblood, with Rita Ackermann, Home Alone 2, New York, NY 2013 Greetings from Bitburg, with Sadie Laska and Spencer Sweeney, Entrepot-galerie du Confort Moderne, Poitiers, France 2012 I'm Not Pregnant, Lizzi Bougatsos and Thornton Dial, James Fuentes Gallery, NY Lizzi Bougatsos “JERRY!!! and Rob Pruitt “Dinosaur dropping, Styrofoam varnished in cos mic-chrome”, Home Alone Gallery, New York, NY 2005 Failurisms with Kim Gordon, Reena Spaulings Fine Art, New York, NY 2000 Boug & Worth II, American Fine Arts, Co., New York, NY Boug & Worth, Fuck All Our Art Heroes/Assholes, American Fine Arts, Co., New York, NY SELECTED GROUP EXHIBITIONS 2020 Dance, Dance, Dance, Curated by Tyson Reeder, Arts of Life Gallery, Chicago IL 2018 ADAM MCEWEN SELECTS: Exhibition and Sale to Benefit the Foundation for Contemporary Arts, Barbara Gladstone, NY 2018 Kathy Acker: Who Wants to be Human All the Time, curated by Bjarne Melgaard,Performance Space New
    [Show full text]
  • Indie Mixtape Subscribers Can Get 10% Off This Can't-Miss Set by Entering the Code JONI10 Checkout
    :: View email as a web page :: The spring of 1995 was a crowded season in indie-rock history. Pavement dropped their polarizing third album, the willfully messy and frequently brilliant Wowee Zowee. Yo La Tengo continued their hit streak of low-key masterworks with Eletr-O-Pura. Illinois fuzz-rock quartet Hum hit hard with Youʼd Prefer An Astronaut, and Teenage Fanclub produced one of their finest jangle-pop efforts, Grand Prix. Wilco, Elastica, and Apples In Stereo put out well-regarded debuts. And Red House Painters hit a new high-water mark with Ocean Beach. But even in an era when classic indie records seemed to come out every week, there was nothing quite like Alien Lanes, the eighth full-length LP by a band from Dayton, Ohio called Guided By Voices. Released on April 4, 1995, Alien Lanes arrived with baked-in mythology. It had been supposedly recorded for just $10 in various concrete basements around Dayton by a group of blue-collar guys in their mid-30s. Uproxx dug into the history of this classic and produced this great oral history. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century OPENING TRACKS RINA SAWAYAMA This budding indie-pop star is among the buzziest acts to emerge this year, with an ear-catching single called “STFU” that’s like Carly Rae Jepsen if she spent years obsessing over Korn’s Follow The Leader. That pan-genre approach ultimately informs Sawayama — who was born in Japan and raised in London — and her aesthetic.
    [Show full text]
  • DIANE CLUCK DIANE Diane Cluck Is Telling Stories but Speed up My Need to Make Music When I Began Losing Interest in Pi- Giving Nothing Away
    dianeinterview by alan pedder cluck photos by luca etter 4 DIANE CLUCK diane cluck is telling stories but speed up my need to make music when i began losing interest in pi- giving nothing away. so far, so tho i don’t feel the city as an influ- ano guitar felt more mutable and journalistic cliché you may think, ence anymore subtle i like the way guitar works but there are precious few better with my body ways to describe the emotional rumour has it that you’re a nu- snapshots that constitute her tritionist by trade. any top tips how hard has it been for you uniquely and unflinchingly poetic for staying in good voice? to sell your music? are illegal songs. from her coolly narrative i often drink sage tea with honey downloads really harming inde- early work to the electric internal- before and during shows it helps pendent artists? ising of this year’s oh vanille/ova to open up my voice and ward off i haven’t been trying to sell music nil, cluck has a way of sequester- infection so it hasn’t been hard sometimes ing secrets and smuggling them i sell cds or get paid for shows and into your heart. stylistically, her is there a story behind the title sometimes i don’t origins lie closer to the circum- oh vanille/ova nil? i’ve never been harmed by an il- ference of the new york antifolk there is a story i actually just de- legal download people should do movement, a seemingly boundless leted it after typing it out and rev- what they like upload, download, reservoir of the offbeat and arty, eling in its cuteness i was walking freeload it doesn’t
    [Show full text]
  • The Body and Soul of Funk by Ketch Morse Your Gut with the First Chord and Ensuing Something Great
    KTRU 91.7 FM FALL 2007 A Rookie’s Guide to the Houston Scene By KTRU Staff two most famous groups: ZZ Top and lificacy, however, has been outmatched Spain Colored Orange, Bring Back the Houston is one of the best-kept secrets Destiny’s Child. by his reclusiveness; despite capturing Guns, and the Dimes, and acts like Mo- of American culture. Though Houston In addition to these superstars, Houston the imagination of three generations of tion Turns It On and Sharks and Sailors artists have made fascinating and diverse also nurtures a thriving underground that music geeks, Jandek has given only two push prog rock into new and exciting ter- contributions to popular music, the city has is little-known outside the city. Its history interviews in his entire life, and did not ritory. Local rock labels are popping up at an unjustified reputation as something of a can traced, roughly, to the Texas psyche- give the first of his still-meager handful of a nearly unprecedented rate, providing a cultural wasteland. Part of that reputation delic movement of the late 60s. Houston live performances until 2004 (in Glasgow, desperately needed foundation for local art- is due to comparison to Houston’s close was home to both the movement’s found- Scotland oddly enough), 26 years after the ists. Meanwhile, extreme heavy metal has neighbor Austin, which for decades was ing record label, International Artists, and start of his “career.” been and continues to be one of Houston’s one of the capitals of American counter- one of its most influential and long-lived The unrestrained imagination of artists specialties, with locals like Braced for culture—part of it is due to a virtually bands, the Red Krayola.
    [Show full text]
  • BRITTANY HOWARD NORISKDISC Major Muscle • Independent Spirit
    13 september 2019 - nr. 360 Het blad van/voor muziekliefhebbers BRITTANY HOWARD NORISKDISC major muscle • independent spirit proudly presents ci Iggy Pop 06.09 De ‘Godfather of Punk’ Iggy Pop komt met een geheel nieuwe plaat genaamd ‘Free’! ‘Free’ lijkt in geen opzicht op zijn voorgangers. “This album just kind of happened to me.” - Iggy Pop Clairo Metronomy 13.09 16.08 Metronomy is terug met Met haar ‘slaapkamer’ ‘Metronomy Forever’! Het single ‘Pretty Girl’ ging Clairo album bevat funk, energieke viral. “One of the smartest, club vibes, esoterische pop subtlest young musicians en wordt afgewisseld met around, and someone with melodieuze elektronische plenty more tricks up her tracks. sleeve” – NME (5*) Twin Peaks 13.09 De altijd veranderende rock band Twin Peaks is terug met het nieuwe album ‘Lookout Low’. Het album barst van de energie waarin de band hun enthousiasme, authenticiteit en passie deelt. Sleater-Kinney Denzel Curry 16.08 The Center Won’t Hold is 09.08 het tiende studio album van ZUU is de opvolger van het de iconische Amerikaanse album TA1300. Dit album vrouwenband. “Sums up gaat muzikaal terug naar zijn everything that makes the basis in Zuid-Florida. “Een band great, now and forever” halfuur schaamteloos goeie – Rolling Stone (4*) en harde hiphop” - Indie Style MANIA NO RISK DISC BRITTANY HOWARD Jaime (Columbia/Sony Music) LP zandkleurig, CD Brittany Howard, frontvrouw en gitariste van Alabama Shakes, stond voor een dilemma na twee schitterende funk, druggy soul ballads, hip-hop loops en nog veel platen met haar band. De rest van haar leven meer laat horen.
    [Show full text]
  • Tool the Commonheart Robert Randolf & the Family
    TANYA TUCKER COMMON REDD KROSS ROBERT RANDOLF & THE FAMILY BAND TOOL WHILE I’M LIVIN LET LOVE BEYOND THE DOOR BRIGHTER DAYS FEAR INOCULUM FANTASY LOMA VISTA MERGE RECORDS MASCOT LABEL GROUP RCA RECORDS Produced by (and co-written with) Brandi Carlile Grammy and Academy Award-winning rapper The best rock band you’ve still never heard of, Redd Robert Randolph grew up playing sacred steel music At long last Tool are back with Fear Inoculum – and Shooter Jennings, While I’m Livin’ marks Tanya Common’s twelfth studio album Let Love was inspired Kross, invite you to explore Beyond the Door, an – basically gospel played on pedal steel guitar – in the an album perfectly titled for these strange times. Tucker’s first release of all new material since 2002’s by his 2019 memoir Let Love Have the Last Word, album inspired by the band’s “total commitment to House of God church in Orange, NJ, and proceeded to Preceded by the sprawling 10-minute plus title cut Tanya. “It’s a musical biography of sorts,” says Carlile, which left him “charged to go to raw, personal and having the best f*cking time we can have while we’re take his joyous, gospel-infused music out to the clubs epic, the 85-minute follow-up to 2006’s 10,000 Days “about Tanya’s real life and the places she’s seen… spiritual places in the music.” Boasting contributions all still here” (what they like to call “The Party”). It’s a and into the world. When it was time to record Brighter was produced by Tool, with Joe Barresi (10,000 Days) And it’s narrated by the greatest country-and-western
    [Show full text]