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Campus Security's New Eyes Volunteer Radio Station WNMC Has Been Taken Over by the College and Effectively Censored
January 28, 2008 Vol. XXIV No. 7 one copy FREE NORTHWESTERN MICHIGAN COLLEGE WHITE PINE P *A2 We hew to the line; let the chips fall where they may Granny Flats a No-Go TWISTING REALITY Last month the Traverse City Commission voted 5-2 against an ordinance that would have allowed Accessory Dwelling Units, affectionately called Granny Flats, in Traverse City. The ordinance was originally presented to attract young professionals to the city by FIRST-YEAR NMC providing affordable housing. STUDENT Sarah Za Twenty-one TC residents spoke tolokin makes faces on the issue at the December 10 in the distorted mirror Commission meeting. Mayor simulator at the Den- Estes told the White Pine Press, nos Museum. Actually a “I think the city would like camera that warps your two things: we would like to image straight from the see young people stay and we lens to a screen, the would like to see more people simulator is one of the here. But when the commission many unique and inter had the chance to weigh that, esting features at the they didn’t see how ADUs museum. "No matter would solve that issue.” what's going on at Den- nos, you have to check NMCs Wikipedia out this playroom," said Hiccup Zatolokin. "It's my new From Dec. 15 through favorite thing to do." Jan. 3, two negative and Press photo/KAYLEIGH MARLIN accusatory paragraphs were posted on NMCs Wikipedia site. Wikipedia user “Politicaldiscrimination” claimed in paragraph one that the Campus security's new eyes volunteer radio station WNMC has been taken over by the college and effectively censored. -
Iggy & the Stooges
3/29/2011 Iggy & the Stooges - "Raw Power Live:… Share Report Abuse Next Blog» Create Blog Sign In Ads by Google Band Iggy Pop Video DVD Disc Disc Jockey Music SATURDAY, MARCH 05, 2011 HELP PUT CHICAGO'S EMPIRES ON THE COVER OF ROLLING STONE Iggy & the Stooges - "Raw Power Live: In the Hands of the Fans" CD Review (MVD) RollingStone Do you wanna be a Rock & Roll Star? Presented by Garnier Fructis On Friday, Sept. 3rd last year, Iggy & the Stooges (featuring James Williamson on guitar) performed Help put 197 3's Raw Power in its entirety at All Empires Tomorrow's Parties New York. A live document of on the cover of this show, Raw Power Live: In the Hands of the Fans , is coming out next month as a limited edition 180 gram vinyl release for Record Store Day 2011. "Getting this top-notch performance of the entire Raw Power album by The Stooges realized a life long dream, " said Iggy Pop " This shit really sizzles RATE THIS and we are so obviously a crack band in a class 1 of our own. " 2 3 4 5 BrooklynRocks Concert Calendar Today Tuesday, March 29 Thursday, March 31 8:00pm Bridge to Japan (Benefit Concert) Saturday, April 2 8:00pm Tommy Rodgers (BTBAM) Saturday, April 9 10:00pm Surf City / Bardo Pond Monday, April 11 9:00pm The Builders and The Butchers Tuesday, April 12 9:00pm Surf City Thursday, April 28 Events show n in time zone: Eastern Time CONTACT INFO. Billboard Magazine had the following to say about The Stooges' performance: " [a]s the pretty clear M IKE main attraction, Iggy and the Stooges granted a predictably explosive show. -
Living Labor: Marxism and Performance Studies Joshua Lubin-Levy* and Aliza Shvarts
Women & Performance: a journal of feminist theory, 2016 Vol. 26, Nos. 2–3, 115–121, http://dx.doi.org/10.1080/0740770X.2016.1269504 Living Labor: Marxism and Performance Studies Joshua Lubin-Levy* and Aliza Shvarts New York University, New York, N.Y., USA Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks. – Karl Marx, Capital, Vol. 11 To live and to labor are the twinned imperatives to which we are always already given. Together, they animate a rhythm of material production and reproduction that extends over time. This special issue of Women & Performance examines how thinking about life and labor between Marxism and Performance Studies can help us attend to the world at hand. Living Labor began as a conference hosted by the department of Performance Studies at New York University, which took place 11–13 April 2014. It featured over 70 presentations, film screenings, artist presentations, and keynote addresses by Fred Moten and Sianne Ngai. The provocation of this conference was to ask what formal criteria could be articulated between aesthetic analysis and political economy. That is, how does performance analysis bring together the living body and the working body? How do Marxist and Marxist-inspired philosophies articulate and reimagine labor, value, and revo- lutionary struggle, particularly in relation to the social, aesthetic, and political dimensions of performance and performativity? How are theories of difference – which cut across the divisions of race, gender, sexuality, and disability – differently animated by the many his- tories of anti-capitalist critique? The collected essays, short texts, and artworks that com- prise this special issue include versions of the papers presented at the conference as well as new contributions from cultural producers and theorists. -
Freeandfreak Ysince
FREEANDFREAKYSINCE | DECEMBER THIS WEEK CHICAGOREADER | DECEMBER | VOLUME NUMBER IN THIS ISSUE TR - YEARINREVIEW 20 TheInternetTheyearofTikTok theWorldoff erstidylessonson “bootgaze”crewtheKeenerFamily @ 04 TheReaderThestoryof 21 DanceInayearoflosswefound Americanpowerdynamicsand returnwithasecondEP astoldthroughsomeofourfavorite thatdanceiseverywhere WildMountainThymefeaturesone PPTB covers 22 TheaterChicagotheaterartists ofthemostagonizingcourtshipsin OPINION PECKH 06 FoodChicagorestaurantsate rosetochallengesandcreated moviehistory 40 NationalPoliticsWhen ECS K CLR H shitthisyearAlotofshitwasstill newonesin politiciansselloutwealllose GD AH prettygreat 24 MoviesRelivetheyearinfi lm MUSIC &NIGHTLIFE 42 SavageLoveDanSavage MEP M 08 Joravsky|PoliticsIthinkwe withthesedoublefeatures 34 ChicagoansofNoteDoug answersquestionsaboutmonsters TDEKR CEBW canallagreethenextyearhasgot 28 AlbumsThebestoverlooked Maloneownerandleadengineer inbedandmothersinlaw AEJL tobebetter Chicagorecordsof JamdekRecordingStudio SWMD LG 10 NewsOntheviolencesadness 30 GigPostersTheReadergot 35 RecordsofNoteApandemic DI BJ MS CLASSIFIEDS EAS N L andhopeof creativetofi ndwaystokeep can’tstopthemusicandthisweek 43 Jobs PM KW 14 Isaacs|CultureSheearned upli ingChicagoartistsin theReaderreviewscurrentreleases 43 Apartments&Spaces L CSC-J thetitlestillhewasdissingher! 32 MusiciansThemusicscene byDJEarltheMiyumiProject 43 Marketplace SJR F AM R WouldhedothesametosayDr doubleddownonmutualaidand FreddieOldSoulMarkLanegan CEBN B Kissinger? fundraisingforcommunitygroups -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
1989 and After
1 1989 AND AFTER BEGINNINGS It begins with a string quartet: two violins, a viola, and a cello pumping notes up and down like pistons. An image of the American machine age, hallucinated through the sound of the European Enlightenment. Th e image is strengthened as a voice—mature, female, American—intones an itinerary: “From Chicago . to New York.” Th e sound is prerecorded, digitally sampled and amplifi ed through speakers beside the ensemble. More samples are added: more voices; the whistles and bells of trains; one, two, three, or even more string quartets. Rapidly the musi- cal space far exceeds what we see on stage. Th is is a string quartet for the media age, as much recordings and amplifi cation as it is the four musicians in front of us. Yet everything extends from it and back into it, whether the quartet of quartets, which mirror and echo each other; the voices, which seem to blend seamlessly with the instrumental rhythms and melodies; or the whistles, which mesh so clearly with the harmonic changes that it seems certain they come from an unseen wind instrument and not a concrete recording. ••• It begins with thumping and hammering, small clusters struck on the piano key- board with the side of the palm or with three fi ngers pressed together, jabbing like a beak. Th e sound recalls a malevolent dinosaur or perhaps a furious child, but it isn’t random; a melody of sorts, or an identifi able series of pitches at least, hangs over the tumult. Aft er twenty seconds or so the thunder halts abruptly for a two- note rising motif played by the right hand, which is then imitated (slightly altered) 1 2 1989 AND AFTER by the left . -
Camera 12 Able to Show Blockbusters Forfirst Time in 40 Years, Theater Can Book Any Movies by Elizabeth Nguyen the Kind of Film We Always Played It
A ir WOMEN'S VOLLEYBALL: Student intertwines Profiles of Associated Students Board Spartans bit the road to face art with personal Executive University of San Francisco history Meet Rachel Greathouse, Page 9 Jonathan Stoll and Pearl Yuan Page 7 Page 4 CELEBRATING 70 YEARS 1934-2004 SPARTAN DAILY WWW.THESPARTANDAILY.COM VOLUME 123, NUMBER 4 WEDNESDAY, SEPTEMBER 1, 2004 Camera 12 able to show blockbusters Forfirst time in 40 years, theater can book any movies By Elizabeth Nguyen the kind of film we always played it. I Mat Pr odu. non Editor the past." The owners of Camera Cinemas, The 11.,ffie "vvr wins h theaters are the theaters that are usually known ill, irul ti show what IllOVIes Mat for showing more independent and now he finished. The contniveisy rut art films, became very concerned after whine .i theater Wl irks they could not book the high grossing vi all I Myst.. ,i1 studios to restrict blo.ckbuster. NyBloni said. , mon mainstream movies "There are eight or nine major stu- o mt.? s'eti'le, was brought to dios, each release A couple dozen films p . attention att,u the state attorney a year: he said. "Those decisions Ito gei,etal se ii gait examining anti- mipose 'clearance') are usually horuired trust allrgation, lw the owners of by smaller distributors of specialized the lownho.al. 5. ailletaCille111.1S, 'laud .1 and art films. They tend to follow suit. iwnier and When C.1111erd 12 Was built, the ineillaS, Said owners wanted to have half of the 12 - the ite, t. -
Merzbow, Mats Gustafsson, Balazs Pandi –
Merzbow, Mats Gustafsson, Balazs Pandi – Cuts Open (85:42, DCD, DLP-Vinyl, Digital, RareNoiseRecords, 2020) Wenn die Namen Merzbow (Masami Akita), Mats Gustafsson oder Balázs Pándi fallen, verlässt schon mal die gute Hälfte der Menschen den Raum – „viel zu abgedreht“ heisst es da, und weg sind sie. Die andere Hälfte bleibt gespannt vor Ort und schaut und hört erst einmal hin. Fallen gar alle drei Namen gemeinsam, dünnt sich wahrscheinlich die Gesamtsituation noch deutlicher aus. Was ist zunächst die Erwartung? Nun, explosive Freejazz-Attacken, apokalyptische Geräusche und Exzesse. Legt man die Scheibe(n) aber ein, kommt ein völlig anderes Bild zum Vorschein. Die drei Musiker spielen fast zärtlich miteinander. Vier Plattenseiten mit je einem langen Stück erlauben uns einen intimen Blick in ein geradezu meditatives Zusammenspiel. Völlig freiformatige Improvisationen mit viel Zeit zum Erkunden des Augenblickes sind zu hören. Freilich kommen sie nicht ohne die erwarteten Ausbrüche und Eskapaden aus, jedoch finden sie immer wieder zurück zu Ruhe und fast besinnlicher Innenschau. Das ganze Album ist ein hingeworfenes Kunstwerk, ein tongewordener Moment, eine Begegnung. Das ist das Faszinierende und gleichzeitig das Problem, denn entweder man ist in der Lage und/oder in der Stimmung, dem Fluss der Klänge zu folgen, dann versinkt man darin, oder der Schlüssel passt überhaupt nicht in das Schlüsselloch, dann wird man mit der Musik überhaupt nichts anfangen können. Es hilft also nichts: Ausprobieren! RareNoiseRecords · And We Went Home (from ‚Cuts Open‘) Pándi: “For me, every possibility to play with the trio is special,” . “We can play together [only on rare occasions], so whenever it happens, we give it our all. -
Danh Vō and Xiu Xiu: “Metal” September 27–October 18, 2014
Danh Vō and Xiu Xiu: “Metal” September 27–October 18, 2014 The Kitchen is pleased to present “Danh Vō and Xiu Xiu: Metal,” on view through October 18. The exhibition is curated by Tim Griffin with Lumi Tan. Having previously remarked that “the passport is the ultimate performance piece”—citing Felix Gonzalez Torres’s understanding of how movement and, by extension, cultural perspective, takes place in a legislated sphere— Vō has invited two Bangkok, Thailand-based gold pounders, Nantapol and Pruan Panicharam, to be present in the gallery while producing the gold leaf that often adorns his sculptures, from cardboard cartons featuring brand names from Budweiser to Colgate. This father-and-son team’s process of flattening 24-carat squares of gold into leaf takes three hours to execute; they will be working in the gallery daily from noon to 3pm, Tuesday through Saturday. In tandem with this duo, the band Xiu Xiu—featuring composer and musician Jamie Stewart with bandmates Shayna Dunkelman and Ches Smith—will present 52 musical compositions, with a daily selection timed cumulatively to match the duration of the gold pounders’ labor. These pieces derive from a variety of compositional techniques, with some made in the vein of new music and entirely notated, while others are either improvised in the mode of post-1950s free jazz or modeled after game structures in which the musicians follow specific sets of rules. As important as the overall duration of these works is the fact that each individual piece is five minutes long; endings are marked by loud sound—what Stewart calls an alarm—indicating transitions from one piece to the next. -
Pioneers Becomes Pride Formance at Widener
.. In This Issue: " THE .DoME Widener University's Student News and Entertainment P. 3 - Lewis Black Volume 07, Issue 4 Friday, October 20, 2006 Mary Fernandez covers Lewis Black's recent per Pioneers Becomes Pride formance at Widener. P. 5 - Widener VS Albright Sean Carney covers Widener's Homecoming victory against Albright. P. 6 - Alan Jackson Josh Low reviews coun try artist Alan Jackson's new album. Photo by Scott Ware I Widener retires Rocky, our former mascot at Homecoming. several options in an online by the University of how well does pride really mean? special meaning in academic Miranda Craige poll in August, the concept of the Pioneer fit Widener's history, According to Riley, Widener circles, in the residence halls, pride posses everything Widener image and vision alluded to University'S representation of in our neighboring communities, Staff Writer University has to offer. the change. On the poll seven pride is a pack of lions, both male and among our alumni, donors, Widener's long-time mascot, different mascots were voted and female, working together in and community constituents," he Dictionary.com defmes pride Rocky the Pioneer, retired in front on, Cadets, Pride, Chargers, prides for the betterment of the said. as the state or feeling of being of thousands of Widener fans Stallions, Keystones, Wolves and community. Pride is the mascot of five proud, a becoming or dignified before the Homecoming football Wolverines. "Widener's ffilSSlon and other colleges and universities sense of what is due to oneself or game against Albright College The results of the poll vision are vividly represented around the nation. -
The Body and Soul of Funk by Ketch Morse Your Gut with the First Chord and Ensuing Something Great
KTRU 91.7 FM FALL 2007 A Rookie’s Guide to the Houston Scene By KTRU Staff two most famous groups: ZZ Top and lificacy, however, has been outmatched Spain Colored Orange, Bring Back the Houston is one of the best-kept secrets Destiny’s Child. by his reclusiveness; despite capturing Guns, and the Dimes, and acts like Mo- of American culture. Though Houston In addition to these superstars, Houston the imagination of three generations of tion Turns It On and Sharks and Sailors artists have made fascinating and diverse also nurtures a thriving underground that music geeks, Jandek has given only two push prog rock into new and exciting ter- contributions to popular music, the city has is little-known outside the city. Its history interviews in his entire life, and did not ritory. Local rock labels are popping up at an unjustified reputation as something of a can traced, roughly, to the Texas psyche- give the first of his still-meager handful of a nearly unprecedented rate, providing a cultural wasteland. Part of that reputation delic movement of the late 60s. Houston live performances until 2004 (in Glasgow, desperately needed foundation for local art- is due to comparison to Houston’s close was home to both the movement’s found- Scotland oddly enough), 26 years after the ists. Meanwhile, extreme heavy metal has neighbor Austin, which for decades was ing record label, International Artists, and start of his “career.” been and continues to be one of Houston’s one of the capitals of American counter- one of its most influential and long-lived The unrestrained imagination of artists specialties, with locals like Braced for culture—part of it is due to a virtually bands, the Red Krayola. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.