Taitung Festival a Slice of Island Life
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Red Sonic Trajectories - Popular Music and Youth in China de Kloet, J. Publication date 2001 Link to publication Citation for published version (APA): de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:08 Oct 2021 L4Trif iÏLK m BEGINNINGS 0 ne warm summer night in 1991, I was sitting in my apartment on the 11th floor of a gray, rather depressive building on the outskirts of Amsterdam, when a documentary on Chinese rock music came on the TV. I was struck by the provocative poses of Cui Jian, who blindfolded himself with a red scarf - stunned by the images of the crowds attending his performance, images that were juxtaposed with accounts of the student protests of June 1989; and puzzled, as I, a rather distant observer, always imagined China to be a totalitarian regime with little room for dissident voices. -
Absolutely Fabulous, 世均) Offer an Example of a Dreamy Celebrity Mar- Sodagreen (蘇打綠) Is That Rare Indie Band Riage Gone Sour
14 發光的城市 A R O U N D T O W N FRIDAY, JANUARY 1, 2010 • TAIPEI TIMES BY AndreW C.C. HuanG MUSIC STOP COMPILED BY HO YI Chen (陳泰銘) held last Saturday? Never hap- Absolutely pened? And anyway, Chen was still married last time local paparazzi checked. As for Hong Kong’s former diva Cherie Chung (鍾楚紅), the 49-year-old widow personally denied the speculation about fabulous her upcoming wedding with a certain wealthy Jolin Tsai, below, businessman from Singapore. is moving on While Hou has found her Mr Right, Jolin from pretty-faced Tsai (蔡依林) is getting cozy with fast-rising idol Eddie Peng model Godfrey Kao (高以翔), whose previous to model Godfrey claim to fame was his pair of delectable pinkish Kao, right. nipples, which he flagrantly exposed in his photo PHOTOS: TAIPEI TIMES book. It’s only a matter of time before intimate comparisons will be made between Kao and Tsai’s old flame Jay Chou (周杰倫). So what is the Mando-pop king, self-made film director and occasional actor doing with his love life? Not much. Unless you count the banter and teasing exchanges between him and supermodel-turned-actress Lin Chi-ling (林志玲) during the promotions for the fantasy adventure The Treasure Hunter (刺陵). The way Pop Stop sees it, the real-life flirting between the two is more convincing that the on-screen romance that they share in the movie, which was killed by the embarrassingly coy lines and dumb jokes that filled the clunky script. Finally, model-turned-housewife Hung Hsiao-lei (洪曉蕾) and her CEO-husband Wang Shih-chun (王 ndisputedly talented and absolutely fabulous, 世均) offer an example of a dreamy celebrity mar- Sodagreen (蘇打綠) is that rare indie band riage gone sour. -
Double-Edged Sword’
2 | Wednesday, August 25, 2021 HONG KONG EDITION | CHINA DAILY PAGE TWO Music: Internet a ‘double-edged sword’ Supporters attend a pop concert in Jianghan Road in downtown Wuhan, Hubei province, on Oct 31. Online reality shows play a key role in advancing a singer’s career. ZHAO JUN / FOR CHINA DAILY From page 1 theme song for the popular drama A Beijing Native in New York, in 1993, and Heroes’ Although the internet helps showcase Song for the 1997 TV series Shui Hu Zhuan new talent, which connects with fans (The Water Margin). through social media platforms, such plat- He also wrote and performed Asian forms can be a double-edged sword. Mighty Winds, the official theme song for Liu said figures suggest the music scene in the 1990 Asian Games in Beijing, and You China is booming. The 2021 International and Me, the theme song for the 2008 Bei- Federation of the Phonographic Industry jing Olympics, which he performed with annual Global Music Report ranked the British singer Sarah Brightman. nation as the seventh-largest music market It is not the first time that Liu has voiced last year. his concerns about the music scene. In 2019, According to the year-end report on Chi- when he appeared on Hunan Satellite TV’s na’s music market released by domestic reality show Singer, he said the pop music online music entertainment platform Ten- industry in China was in crisis and he called cent Music Entertainment Group, or TME, for domestic singer-songwriters to produce more than 748,000 new songs were written “good original music”. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
18F, No.16, Xinzhan Rd., Banqiao Dist., New Taipei City 220, Taiwan (R.O.C.) Tel: (02)7727-8168 Fax: (02)7738-0850 Web: E-Mail: [email protected] 01
FAR EASTERN DEPARTMENT STORES LTD. 2014 ANNUAL REPORT 遠 東 百 貨 股 份 有 限 公 司 一 〇 三 年 度 年 報 18F, No.16, Xinzhan Rd., Banqiao Dist., New Taipei City 220, Taiwan (R.O.C.) Tel: (02)7727-8168 Fax: (02)7738-0850 Web: www.feds.com.tw E-mail: [email protected] 01 02 Message to Shareholders 致股東報告書 46 Balance Sheets 個體資產負債表 Contents 14 President’s Remarks 總經理的話 50 Statements of Comprehensive Income 個體綜合損益表 52 Statements of Changes in Equity 個體權益變動表 18 Board of Directors 董事會 56 Statements of Cash Flows 個體現金流量表 New Trendy Outlook 新潮流視野 60 Independent Auditors’ Report 會計師查核報告 20 Enchanted with the Boutique.Focus 想精品.焦點 62 Management Team 經營團隊 24 Feast on the Delicacy.Selection 饗美饌.嚴選 28 Enjoy the Life.Taste 享生活.品味 71 Far Eastern Department Stores Ltd. 遠東百貨(股)公司—零售集團 Retail Group 32 Far Eastern Department Stores 遠東百貨各分公司 76 Address of Far Eastern Department 遠東百貨(股)公司—零售集團各分公司地址 34 Colorful Activities 活動集錦 Stores Ltd. Retail Group 39 2014 Financial Statements 2014年財務報表 78 The Far Eastern Group 40 Consolidated Balance Sheets 合併資產負債表 集團名錄 44 Consolidated Statements of 合併綜合損益表 Comprehensive Income 02 03 Message to Shareholders Preface Reflecting on 2014, the U.S. has wrapped up its quanti- tative easing (QE) strategy to announce the arrival of economic recovery, Euro zone continued to suffer from economic slowdown due to commodity prices and unemployment issues, China slowed its economic growth with impaired credit rating and over expansion of shadow banking resulting in lurking economic crisis; Japan adopting easy monetary policy, GDP still under reces- sion, not sure if domestic consumption and private investments could rebound to prosperity. -
Sons of Who? Mountains
14 發光的城市 A R O U N D T O W N FRIDAY, JANUARY 16, 2009 • TAIPEI TIMES ho is rigging the music W charts and mocking those who play fair and square? The story so far: Shiny Shoes Children’s Theater rings in the New Year with its Pop idol Alan Luo (羅 entertaining take on a Chinese legend. 志祥 ), also known as PHOTO COURTESY OF SHINY SHOES CHILDRen’s THEATER Little Pig (小豬), beats ABT heartthrob Wang Lee-hom (王力 宏) and secures the top spot in G-music’s Beware the Year Monster sales charts. Wang’s An ancient Chinese legend holds that a human- label, Sony BMG, eating beast called the Year Monster (年獸) strikes back and emerges from the sea to wreak havoc on villages accuses Luo’s label, every Lunar New Year’s Eve. Deathly afraid of Gold Typhoon (金牌 the beast — which in the popular imagination 大風), of cheating on the sales appears with a long head topped with a figures. To maximize the news ferocious-looking horn — villagers would flee value of its barb, Sony held a their homes to the safety of the mountains. press conference calling for Shiny Shoes Children’s Theater (鞋子兒童實驗劇 an “honesty movement” to 團) revives the Chinese tale with its version The eradicate corrupt practices Year Monster Has Arrived (年獸來了). The family from the music chart industry. performance begins tomorrow at Taipei Cultural What intrigues gossip Center’s Wenshan Branch. journos more, however, is As the tale goes, one year an old man appears Sons of Homer lead vocalist Brandon Thompson, whose band plays two shows this weekend in Taipei. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Victoria University Graduation Program May 2016
VICTORIA UNIVERSITY GRADUATION PROGRAM MAY 2016 #vualumni #vicunigrads #vu100 vu.edu.au VICTORIA UNIVERSITY Conferring of Degrees and Granting of Diplomas and Certificates 24–26 May 2016 Flemington Racecourse, Grandstand Epsom Road, Melbourne Table of Contents Welcome from the Chancellor and Vice-Chancellor and President 4 Victoria University 6 University Senior Executives 7 Academic Dress 9 Welcome to the Alumni Community 10 Ceremonies Tuesday 24 May 2016 9.30am 11 Tuesday 24 May 2016 1.30pm 15 Tuesday 24 May 2016 5.30pm 18 Wednesday 25 May 2016 9.30am 24 Wednesday 25 May 2016 1.30pm 27 Wednesday 25 May 2016 5.30pm 30 Thursday 26 May 2016 9.30am 33 Thursday 26 May 2016 1.30pm 39 Honorary Graduates of the University 1987–2016 43 2 GRADUATION 2016 Our Values ACCESS Victoria University is an accessible and friendly university to students and staff from diverse countries and cultures, socioeconomic and educational backgrounds, as well as to our industry, government and community partners. EXCELLENCE Victoria University is committed to excellence in education, research and knowledge exchange. RESPECT The staff and students of Victoria University demonstrate respect for others from diverse countries and cultures, educational and socioeconomic backgrounds, and for the natural environment. 3 VICTORIA UNIVERSITY A Message From the Chancellor As Chancellor of Victoria University I take pride in seeing first- hand the success of our students, the real world impact of our researchers and the contribution we make to the community. I am constantly impressed by our many achievements and the outstanding qualities of both our students and staff. -
Chapter 1: Place §1 Chinese Popular Music
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 1: Place §1 Chinese Popular Music After introducing the singer and describing his migration from Malaysia to Singa- pore and his recent popularity in Hong Kong, Taiwan, and all over the Chinese di- aspora, the anchor [of the 1995 May 1st Concert] asked Wu [Qixian] how he de- fined himself in the final analysis. The musician’s reply, “I am Chinese” (wo shi Zhongguoren), which stirred a most enthusiastic and warm response from the au- dience, encapsulated everything Wu’s participation stood for, at least from the point of view from the state… By inviting … gangtai singers to participate in concerts and television programs, the Chinese state is not engaged so much in competing with other Chinese politics and identities … but rather in contesting their independence and in co-opting them into a greater Chinese nationalism, of which China is the core. In other words, the Chinese state is engaged in appropri- ating the concept of Greater China (Da Zhonghua).1 Gangtai is a 1980s PRC term for highly successful cultural products from Hong Kong (xiang gang) and Taiwan. In the above quotation, Nimrod Baranovitch rightly recognizes Hong Kong and Taiwan as major areas of production of Chinese pop music. -
The Glimmerglass Festival
A 2017 Guide FEATURE ARTICLE Training Opera’s Next Generation A Tale of Two Festivals April 2017 Festivals Editor’s Note In our largest and most varied Guide to Summer Festivals yet, we focus on a common thread: training the next generation of performers and the artistic personnel who support them. At many festivals, young artists receive private lessons, coaching sessions, master classes, or all of the above during the day. By night they are either performing, observing the seasoned pros who train them by day, or a combination of the two. But honing or developing the skills of tomorrow’s generation of musicians is only part of the equation. It’s summertime, after all, and while the living may not exactly be “easy,” it’s certainly a lot more relaxed than during the season or school year. Consider the difference between waiting in the green-room line post-concert A 2017 Guide to shake the maestro’s hand vs. running into him in the festival cafeteria line, or at the local pub after the concert, or on a morning jog. Such is the kind of cross-fertilization for which festivals are known, and one of the reasons they are such ideal settings for rising artists. Sometimes the trainees are fully integrated into the schedule, such as at the Santa Fe Opera, where young artists are featured, often in leading roles. Sometimes they work independently of the main event, such as at Tanglewood, where the Tanglewood Music Center Orchestra, for instance, is comprised entirely of TMC Fellows and plays its own concerts, alongside the center-stage Boston Symphony Orchestra (whose members form much of the faculty). -
Mountains Faculty Concert Series
presents MUSIC IN THE MOUNTAINS FACULTY CONCERT SERIES SUMMER 2018 ROCKY RIDGE MUSIC CENTER, CONCERT HALL 465 LONGS PEAK RD. ESTES PARK, CO 80517 SUNDAYS @ 3:00 PM June 3, 10, 24 | July 1, 8, 22 | August 5 | September 2 $25/$20 JUNE 3, 2018 Adult Piano Seminar Faculty Sarabande from Partita No. 1 in B-flat Major Johann Sebastian Bach (1685–1750) Prelude and Fugue in B-flat Minor Étude 6, Pour les huit doigts Claude Debussy (1862-1918) Hsing-ay Hsu, piano Sonata for Four Hands in B-flat Major, Wolfgang Amadeus Mozart (1756-1791) K. 358 I. Allegro II. Adagio III. Molto presto Hsing-ay Hsu, piano Larry Graham, piano Sonata in B-flat Major, K.333 W.A. Mozart I. Allegro II. Andante cantabile III. Allegretto grazioso INTERMISSION Réminiscences de Lucia di Lammermoor Franz Liszt (1811-1886) 7 Fantasien, Op. 116 Johannes Brahms (1833-1897) Sergio Gallo, piano JUNE 10, 2018 Junior Artist Seminar Faculty Five Pieces for Two Violins and Piano Dmitri Shostakovich (1906-1975) arr. Levon Atovmyan I. Prelude II. Gavotte III. Elegy IV. Waltz V. Polka David Rife, violin Wynne Wong-Rife, violin James Welch, piano Trio in B-flat Major, Op. 11 Ludwig van Beethoven (1770-1827) I. Allegro con brio II. Adagio III. Tema con variazioni David Shea, clarinet Mary Beth Tyndall, cello James Welch, piano Épitaphe de Jean Harlow, Op. 164 Charles Koechlin (1867-1950) Catherine Peterson, Flute Grant Larson, Saxophone Marina Beretta-Hammond, piano INTERMISSION String Quartet No. 1 in E-flat Major, Op. 12 Felix Mendelssohn (1809-1847) I. -
Asian Youth Orchestra Fresh from a World Tour Marking the 20Th
Asian Youth Orchestra Board of Directors Mr. James Thompson Fresh from a World Tour marking the 20th anniversary of the founding of the Hong Chairman Kong SAR, the award-winning Asian Youth Orchestra, recipient of Japan s Praemium Imperiale and Nikkei Asia Prize, is counted amongst the finest youth Mr. Keith Griffiths orchestras around the world, (San Francisco Chronicle) ’ Dr. David K. P. Li Mr. Antony Tyler Past Chairmen Selected annually through a strict audition process, the 100-plus orchestra members represent mainland China, Hong Kong, Taiwan, Indonesia, Japan, the Dr. Darwin Chen Republic of Korea, Malaysia, the Philippines, Singapore, Thailand and Vietnam. Ms. Winnie Chiu They are together for six weeks, initially for a three-week Rehearsal Camp in Hong Dr. Roy C. P. Chung Kong, then for a three-week international concert tour with celebrated conductors Dr. Allen Fung and solo artists. Mr. Rupert Hogg Mr. Randy Kwei Dr. David K. P. Li Cellists Yo-Yo Ma, Steven Isserlis, Mischa Maisky, Wang Jian, Alban Gerhardt and Mr. Sam Lin Alisa Weilerstein, violinists Vadim Repin, Sarah Chang, Gidon Kremer, Gil Shaham, Mr. Y. S. Liu Elmar Oliveira, Young Uck Kim, Stefan Jackiw and Cho-Liang Lin, soprano Elly Ms. Angela Mackay Mr. Yat Siu Ameling, the Beaux Arts Trio, pianists Alicia de Larrocha, Gerhard Oppitz, Cecile Mr. James Thompson Licad and Leon Fleisher are among those who have performed with AYO under the Ms. Ada Tse direction of principal conductor James Judd, music director emeritus Sergiu Comissiona, Alexander Schneider, Tan Dun, and the orchestra s co-founders, Mr. Richard Pontzious Yehudi Menuhin and Richard Pontzious.