2021 NFA Virtual Convention Participants
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Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Concert Features Violinist Anne Akiko Meyers Performing Adam Schoenberg’S Orchard in Fog Associate Conductor Sameer Patel Makes Jacobs Masterworks Debut
FOR IMMEDIATE RELEASE January 12, 2018 MEDIA CONTACT Carrie Jones MeadsDurket 619‐688‐5248 [email protected] San Diego Symphony Hosts World Premiere February 10 and 11; Concert Features Violinist Anne Akiko Meyers Performing Adam Schoenberg’s Orchard in Fog Associate Conductor Sameer Patel Makes Jacobs Masterworks Debut San Diego, Calif. – The San Diego Symphony will present the world premiere of Adam Schoenberg’s Orchard in Fog for Violin and Orchestra during the Jacobs Masterworks concert Preludes and Premiere. Adam Schoenberg, who was inspired in part by a photograph by Massachusetts graphic artist Adam Laipson, wrote this piece specifically for violinist Anne Akiko Meyers, who will perform the work. San Diego Symphony Associate Conductor Sameer Patel will make his Jacobs Masterworks debut conducting the San Diego Symphony Orchestra in two performances Saturday, February 10, 2018, at 8 p.m. and Sunday, February 11 at 2 p.m. “We are delighted to present this world premiere,” said Martha Gilmer, San Diego Symphony CEO. “Two years ago we performed Adam’s lovely work, Finding Rothko, so it is our great pleasure not only to present his new piece, but to have Anne Akiko Meyers, for whom it was commissioned, perform it with us.” Anne Akiko Meyers is one of the most in demand violinists in the world. Regularly appearing as guest soloist with the world’s top orchestras, she presents groundbreaking recitals and is a best‐selling recording artist with 35 albums. Ms. Meyers is known for her passionate performances, purity of sound, deeply poetic interpretations, innovative programming and commitment to commissioning significant new works from young composers. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Soprano Cornet
SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor -
Made in America (2004) Dreamscape – Concerto for Oboe and Orchestra (2014)
TSO 2019–20 SEASON MADE IN AMERICA (2004) DREAMSCAPE – CONCERTO JOAN TOWER (1938 - ) FOR OBOE AND ORCHESTRA (2014) rammy award-winning ALYSSA MORRIS (1984 - ) composer, pianist, and conductor, whom the New rofessor of oboe and music Yorker heralded as “one of theory at Kansas State University, Gthe most successful woman composers Alyssa Morris composed this of all time,” Joan Tower spent nine work on a commission by years of her childhood in Bolivia. Upon PWilliam and Lois Johnson. The four PROGRAM NOTES returning to the United States, she was movements represent four different struck by the freedoms, advantages, dreams: and privileges that we so often take for • Falling Asleep and Chase — This granted. America the Beautiful came to dream is a familiar one that is mind as she composed this work. Its self-explanatory. tune runs throughout this piece as it • What? — This strange dream is competes with Tower’s idea of what is By Pam Davis By Pam depicted with abnormalities mixed inside that tune. The familiar rhythm of into a “normal” waltz. long-short-short and the rising motive is • Innuendo — A love scene. varied with unfamiliar elements including • Nightmare and Awakening — an extended opposing downward Beginning with the “dreamer’s tension by nasal muted trumpets and motive” heard in the first movement, oboes. The rest of the work takes off on the dreamer struggles to awaken those fragments. The climactic agenda but falls deeper asleep as a night- of the piece grows while juxtaposed with extended soft segments. Accord- mare commences. The tension is ing to Tower, the unsettling tension that relieved when the orchestra stops is evident in Made in America uncon- and the oboe states a cadenza that sciously ended up representing the awakens the dreamer with a return struggle of keeping America beautiful. -
DIRECTOR of DEVELOPMENT KANSAS CITY SYMPHONY Kansas City, Missouri
DIRECTOR OF DEVELOPMENT KANSAS CITY SYMPHONY Kansas City, Missouri http://kCsymphony.org The Aspen Leadership Group is proud to partner with the Kansas City Symphony in the search for a Director of Development. The Director of Development is the leader of the Symphony’s Development department and a member of the Orchestra’s senior-management team. The Director is responsible for establishing, facilitating, and evaluating a highly professional, ethical, and successful fundraising program. This person mentors and manages staff and volunteers in their design and implementation of annual, capital, endowment, and planned-giving programs. Major-gifts solicitation, stewardship, Board support, and a positive public presence are important facets of this position. The Director of Development will have a passion for symphonic music and be able to share her/his enthusiasm for the role of the symphony orchestra in a vibrant community. S/he will be able to articulate with personal conviction the mission and vision of the organization. The Director will appreciate and support the collaborative culture of the Kansas City Symphony, be comfortable sharing authority and delegate work accordingly, but will not hesitate to make decisions. The successful candidate will be a broad and disciplined thinker who identifies opportunities, prioritizes tasks in a demanding work environment, and overcomes obstacles. S/he will be proactive, solution-oriented and possess a balance of creativity and pragmatism. The Symphony places a premium on relationship-based fundraising and excellent stewardship of donors. The successful candidate will be an outstanding listener, a strategic fundraiser, and possess a warm and engaging public presence. The Director will be someone donors enjoy spending time with and will be perceived as an organizational leader. -
Curriculum Vitae Richard Antoine White, DM Education
Curriculum Vitae Richard Antoine White, DM 8617 Lynette Court SW Associate Professor, Dept. of Music Albuquerque New Mexico 87121 College of Fine Arts (812) 219-1174 1 University of New Mexico [email protected] Albuquerque NM 87121 Education Indiana University Jacob School of Music Doctor of Music 2012 Bloomington, Indiana Tuba Performance Minors: Music Education/Music Information Technology Dissertation: If Bach Had Had A Tuba: Best Practices for Transcribing for the Tuba -Recipient of the Graduate Associate Instructor Assistantship Indiana University Jacob School of Music Master of Music 1999 Bloomington Indiana Tuba Performance/Brass Pedagogy -Recipient of Indiana School of Music Scholarship -Recipient of American Symphony Orchestral League Scholarship The Johns Hopkins University Bachelor of Music 1996 Peabody Conservatory of Music Tuba Performance Baltimore, Maryland Baltimore School for the Performing Arts Diploma/Music Performance Baltimore, Maryland -Recipient, Baltimore School for the Performing Arts Honors Scholarship Teaching History University of New Mexico Associate Professor, Tuba/Euphonium Associate Marching Band Director Full-Time Tenure Track Department of Music, August 2015- present University of New Mexico Assistant Professor, Tuba/Euphonium Assistant Marching Band Director Full-Time Tenure Track Department of Music, August 2011-2015 New Mexico School Tuba / Euphonium Instructor For the Arts Staff August 2013-Present University of New Mexico Assistant Professor, Tuba/Euphonium Three-quarter Time Tenure Track Department -
JAZZ GUITAR TRIO: an HOUR of SERIOUS JAZZ /October 16/3.00PM Gerry Gibbs Is a Grammy Nominated Drummer, Producer, Band Leader, Composer & Arranger
ST. CATHERINE OF SIENA MUSIC SERIES / CONCERTS IN THE CHAPEL PRESENTS JAZZ GUITAR TRIO: AN HOUR OF SERIOUS JAZZ /October 16/3.00PM Gerry Gibbs is a Grammy nominated Drummer, Producer, Band Leader, Composer & Arranger. As a Solo Artist, Gibbs has released 9 Jazz Recordings. His first, back in 1996, ‘Gerry Gibbs Sextet – The Thrasher’ features Saxophonist Ravi Coltrane with Quincy Jones as Executive Producer, while his last two recordings: ‘Gerry Gibbs & The Thrasher Dream Trio’, ’We’re Back’ and ‘Live In Studio’ feature Ron Carter & Kenny Barron. In 2014 and 2015, all three recordings topped the National Jazz Radio Charts. Gerry performed, recorded and toured with a who’s who in jazz, funk, electronic & world music, among them: McCoy Tyner, Stanley Clarke, Joe Henderson, James Moody, Patrice Rushen, Dewey Redman, Eddie Harris, Mike Stern, Larry Coryell, Randy Brecker, Tom Harrell, Brad Mehldau, Parliament Funkadelic & Electronic Music Pioneer Flying Lotus, to name but a few. GERRY GIBBS / DRUMS Essiet Okon Essiet an internationally renowned Bassist, having toured throughout the The Americas, Europe and Japan as part of the Blue Note Allstars and Danilo Perez's Motherland Project and with South African pianist Abdullah Ibrahim. A member of Art Blakey and the Jazz Messengers, Essiet performed and recorded with such notables as Benny Golson, Johnny Griffin, James Moody, Freddie Hubbard, Bobby Hutcherson, Cedar Walton, Pat Martino, Kenny Burrell, Jackie McLean, Kenny Barron, Louis Hayes, Art Farmer, Victor Lewis, Kenny Garrett, Kenny Kirkland ,Mulgrew Miller, Jeff "Tain " Watts, Mike Stern, Fort Apache Band, to highlight only a partial list. Currently, Essiet leads his own group called "IBO" named after a Nigerian tribe.