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Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/12/2010 to 08/18/2010 Last Period (TP) = 08/05/2010 to 08/11/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 15 15 0 1 39 Tomas Janzon Experiences Changes 2010 15 2 13 3 2 Curtis Fuller I Will Tell Her Capri 2010 13 11 2 3 23 Chris Massey Vibrainium Self-Released 2010 13 3 10 5 3 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 10 10 0 5 9 Buselli Wallarab Jazz Mezzanine Owl Studios 2010 10 5 5 Orchestra 7 16 Mark Weinstein Timbasa Jazzheads 2010 8 4 4 7 71 Amina Figarova Sketches Munich 2010 8 1 7 7 71 Steve Davis Images Posi-Tone 2010 8 1 7 10 5 Nnenna Freelon Homefree Concord 2010 7 8 -1 10 9 Fred Hersch Whirl Palmetto 2010 7 5 2 12 5 Tim Warfield A Sentimental Journey Criss Cross 2010 6 8 -2 12 8 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 6 0 12 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 4 2 12 23 The Craig Russo Latin Jazz Mambo Influenciado Cagoots 2010 6 3 3 Project 12 39 Radam Schwartz Songs For The Soul Arabesque 2010 6 2 4 12 71 Tamir Hendelman Destinations Resonance 2010 6 1 5 12 267 Buckwheat Zydeco Lay Your Burden Down Alligator 2009 6 0 6 12 267 Charlie Musselwhite The Well Alligator 2010 6 0 6 20 4 Jason Moran Ten Blue Note 2010 5 9 -4 20 7 Stephen Anderson Nation Degeneration Summit 2010 5 7 -2 20 16 Keith Jarrett -
Party Music & Dance Floor Fillers Another One Bites the Dust – Queen
Party Music & Dance Floor Fillers Another One Bites The Dust – Queen Beat It - Michael Jackson Billie Jean - Michael Jackson Blame It On The Boogie - Jackson 5 Blurred Lines - Robin Thicke Car Wash - Rose Royce Cold Sweat - James Brown Cosmic Girl - Jamiroquai Dance To The Music - Sly & The Family Stone Don't Stop Til You Get Enough - Michael Jackson Get Down On It - Kool And The Gang Get Down Saturday Night - Oliver Cheatham Get Lucky - Daft Punk Get Up Offa That Thing - James Brown Good Times - Chic Happy - Pharrell Williams Higher And Higher - Jackie Wilson I Believe In Mircales - Jackson Sisters I Wish - Stevie Wonder It's Your Thing - The Isley Brothers Kiss - Prince Ladies Night - Kool And The Gang Lady Marmalade - Labelle Le Freak - Chic Let Me Entertain You - Robbie Williams Let's Stay Together - Al Green Long Train Running - Doobie Brothers Locked Out Of Heaven - Bruno Mars Mercy - The Third Degree/Duffy Move On Up - Curtis Mayfield Move Your Feet - Junior Senior Mr Big Stuff - Jean Knight Mustang Sally - Wilson Pickett Papa’s Got A Brand New Bag - James Brown Pick Up The Pieces - Average White Band Play That Funky Music - Wild Cherry Rather Be - Clean Bandit Ft. Jess Glynne Rehab - Amy Winehouse Respect - Aretha Franklin Signed Sealed Delivered - Stevie Wonder Sir Duke - Stevie Wonder Superstition - Stevie Wonder There Was A Time - James Brown Think - Aretha Franklin Thriller - Michael Jackson Treasure – Bruno Mars Uptown Funk - Mark Ronson Ft Bruno Mars Valerie - Amy Winehouse Wanna Be Startin’ Something – Michael Jackson Walk This Way - Aerosmith/Run Dmc We Are Family - Sister Sledge You Are The Best Thing - Ray Lamontagne Classic Funk / Rare Groove Everybody Loves The Sunshine - Roy Ayers Expansions - Lonnie Liston Smith Freedom Jazz Dance - Brian Auger's Oblivion Express Home Is Where The Hatred Is - Gil Scot Heron Lady Day And John Coltrane - Roy Ayers Pass The Peas - James Brown / Maceo Parker Sing A Simple Song - Sly & Family Stone Soul Power '74 - James Brown / Maceo Parker The Ghetto - Donny Hathaway . -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The Asclepian
COOPER MEDICAL SCHOOL OF ROWAN UNIVERSITY JOURNAL OF ART & LITERATURE VOLUME V // 2020-2021 THE ASCLEPIAN A Note on the Front Cover Changing with the Times - Telemedicine Pencil on Paper Zain Shahzad, Class of 2024 Seemingly out of nowhere, we have found ourselves in a novel and defining moment that the COVID-19 pandemic has brought upon us. The fact that any mention of the pandemic and its impact on daily life has become cliché testifies to the radical change that a single historical event has brought on all members of society. In medicine, the pandemic has forced the healthcare system to re-evaluate existing technologies and practices, and either adapt to new pressures or altogether disappear. In light of just how drastically the medical field has had to adjust in one year, the cover-piece aims to satirically capture the portrait of medicine during the pandemic. At the center of the piece, the computer screen shows a patient and physician engaged in a video meeting – a depiction of the rise of telemedicine as a mode of routine patient-physician interactions. Beyond the screen, however, the boxy desktop, the flimsy microphone, and the loosely-placed webcam, are outdated technologies that contrast with advanced means of healthcare delivery. This comical juxtaposition underscores the adaptation of existing technologies and the resilience of healthcare professionals in serving the needs of medical-service delivery during the pandemic. However, it is important to note that while serving as a vital bridge between healthcare providers and patients, telemedicine has also contributed to the distance and isolation created by the pandemic. -
Icons of Patience Memoir
ICONS OF PATIENCE The first lockdown Newcomers and Visiting Scholars writing project Newcomers and Visiting Scholars 1 ICONS OF PATIENCE The first lockdown Newcomers and Visiting Scholars writing project Now with hope of a vaccine on the horizon, this online publication documents thoughts, feelings and activities of our NVS contributors during the earlier stages of this 2020 Covid-19 pandemic. The range of lockdown conflicts and contradictions captured so sensitively by the individual voices of our members is striking: isolation yet friendship; confusion yet clarity; perseverance yet frustration; fear yet courage; sadness yet humour. Here are small delights in the shadow of darkness. When you look, read, or even listen, I hope you find the experience as uplifting as I did. My thanks go to Jane Luzio and Jenny McGuigan, who have helped every step of the way. I feel sure they will both agree that we can turn to this, a little history, really, in many years to come and say, “Look, this was where we were, what we did, what we thought and felt in the Spring of 2020. This is what we managed to get through…together.” Marianna Fletcher Williams November 2020 Foreword Many thanks, of course, to Marianna for being the inspiration for this wonderful project. NVS has always been a place where people from all over the world can come together to discuss, debate and express their thoughts and ideas. This record of the past year in poetry and prose is a true testament to that. Amanda Farnsworth NVS Chair Eric Whitacre’s Virtual Choir 6: Sing Gently https://www.youtube.com/watch?v=InULYfJHKI0 2 I Miss the Rain in Winter I miss the rain in winter, which is cold and damp. -
Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**
BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison) -
Belles Lettres, 1941 Eastern Kentucky University, the Ac Nterbury Club
Eastern Kentucky University Encompass Belles Lettres Literary Magazines 5-1-1941 Belles Lettres, 1941 Eastern Kentucky University, The aC nterbury Club Follow this and additional works at: http://encompass.eku.edu/upubs_belleslettres Recommended Citation Eastern Kentucky University, The aC nterbury Club, "Belles Lettres, 1941" (1941). Belles Lettres. Paper 7. http://encompass.eku.edu/upubs_belleslettres/7 This Newsletter is brought to you for free and open access by the Literary Magazines at Encompass. It has been accepted for inclusion in Belles Lettres by an authorized administrator of Encompass. For more information, please contact [email protected]. A *>iy <> \u\ *>l> An annual anthology of student writing sponsored and published by the Canterbury Club of Eastern Kentucky State Teachers College at Richmond, Kentucky Editor Mary Agnes Finneran Associate Editor , Vera Maybury Business Manager Raymond Goodlett Faculty Sponsor Roy B. Clark, Ph. D. VOLUME SEVEN NINETEEN FORTY-ONE ©onteniD When I Dare To Think Ruth Catlett 3 Epitome Dock Chandler 4 Full Life James Brock 4 Death Sleep Harold McConnell 5 Time, a Bandit Vera Maybury 7 There's Beauty Still Rhoda Whitehouse 8 Pillar of Society Paul Brandes 9 Meditation Helen Bowling 14 Death Took You Yesterday .... Betty Jo Weaver 15 Fog Helen Ashcraft 16 Strings Orville Byrne 16 Poor Tom's a-Cold Emma Osborne 16 My Mother Paul Brandes 18 In the Bus Station Ann Thomas 19 The Veteran Barney Be Jarnette 20 Life Helen Ashcraft 22 Recompense Helen Klein 22 A Maid and Her Mark Paul Brandes 25 The Graveyard Robert Witt, Jr 26 Grandmother Vera Maybury 26 Alone Emma Sams 28 FOREWORD With a feeling of gratitude for the in- creased interest the public is showing in Belles Lettres, the editors present this year's volume (1941). -
The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T. -
AP Literature and Composition
Pearson Education AP* Test Prep Series AP Literature and Composition Steven F. Jolliffe Richard McCarthy St. Johnsbury Academy *Advanced Placement, Advanced Placement Program, AP, and Pre-AP are registered trademarks of the College Board, which was not involved in the production of, and does not endorse, these products. Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City Sao Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Vice President and Editor-in-Chief: Joseph Terry Senior Acquisitions Editor: Vivian Garcia Development Editor: Erin Reilly Senior Supplements Editor: Donna Campion Production Project Manager: Teresa Ward Production Management and Composition: Grapevine Publishing Services Cover Production: Alison Barth Burgoyne Manufacturing Buyer: Roy Pickering Executive Marketing Manager: Alicia Orlando Text and Cover Printer: Edwards Brothers Copyright © 2012 by Pearson Education, Inc. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, 1900 E. Lake Ave., Glenview, IL 60025. For information regarding permissions, call (847) 486-2635. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designa- tions appear in this book, and the publisher was aware of a trademark claim, the designations have been printed in initial caps or all caps. -
Biography of James Brown from the Chapter Essay by Ricky Vincent
Biography of James Brown From the Chapter Essay by Ricky Vincent The most important force in the change in black music from blues based to rhythm-based music was James Brown. Brown’s 50-plus year career began in 1952 and lasted until his passing on Christmas Day 2006. Brown was known as “Soul Brother Number One” by fans who appreciated his intensely passionate delivery, his professionalism, and his close community connections. Born in a one-room shack in rural South Carolina, James Brown was raised by his aunts in Augusta, Georgia, who ran a brothel. There Brown learned first hand the nuances and necessities of the hustle, and Brown was soon on the streets of Augusta engaging in odd jobs, and eventually petty crimes and juvenile offenses. At the age of 16 Brown was caught stealing a coat from a car, and was given an eight year sentence. Upon his release in 1952 after only 3 years Brown stayed with the family of local singer Bobby Byrd, and joined Byrd’s group the Gospel Starlighters. Shortly after seeing the popularity of secular performance in the region, the group renamed itself the Famous Flames and performed a repertoire of rhythm and blues hits. Brown developed an appealing raw style that was popular throughout the South at the time. His first recording is now legendary, as the urgently begging ballad “Please, Please, Please” has been a part of his show for 50 years. The James Brown tour became the most celebrated R&B show on the circuit, with a show stopping performance, crisp, clean band and a number of stage antics, giveaways, raffles, and visits from local celebrities. -
Filibuster 2008
Filibuster 2008 Writing a book is an adventure. To begin with, it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him to the public. Sir Winston Churchill Directly From the Editor!! Friends, full fraught with war-sweat glaring, kismet-dashed with derring-do, doth here present case: Alas the day when all voices cease and the final hours of coiling conundrum crash all together like minute pawns against the wagerly knights and evening kings and kingly queens in furious disparagement dispatch- ing the last breaths of mighty air! Not really. So, as both an editor and a writer, my chiefest frustration is also the greatest gift: I’m not included in this issue! “Humbug!” says Scrooge; “Hilarious!” says I! Aye. The focus changes when a feverish brain must reach for words other than its own, and here presented is the fruit of my labor(ers). No, I didn’t hire a score of goblins to sit in a dungeon and swim through page after page of unfaltering text. No. I swam through page after page, and one of the hardest things an editor must, MUST, do is say “No” to someone. I had to turn down some submissions. Sounding the trumpet from the blistering recesses of the computer lab to the towering heights of the Library’s tenth floor yielded a great wealth of submissions, for which I among others am thoroughly grateful. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.