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2012 Edition
2012 Edition Cleveland State Community College ENGLISH DEPARTMENT Editor: Julie Fulbright Assistant Editor: Heather Cline Liner Front cover photography by: Amanda Guffey Graphic Design and Production: CSCC Marketing Department Printer: Dockins Graphics, Cleveland, Tenn. Copyright: 2012 Cleveland State Community College www.clevelandstatecc.edu All Rights Reserved Funding for this publication provided under Title I of the Carl D. Perkins Career and Technical Education Act of 2006. CSCC HUM/12095/04092012 - Cleveland State Community College is an AA/ EEO employer and does not discriminate on the basis of race, color, national origin, sex, disability or age in its program and activities. The following department has been designated to handle inquiries regarding the non-discrimination policies: Human Resources P.O. Box 3570 Cleveland, TN 37320-3570 [email protected] Table of Contents Written By Title Photo/Drawing By: Page Frankie Conar After the Storm Julie Fulbright 5 Brittney Glover Weep for Me James Loyless 6 Leaves of the Sea Amanda Guffey 7 Stormy Fisher Mother 8 Savannah Tioaquen I Am the Wind Brandon Perry 9 Tracey Thompson Rose Amanda Guffey 10 Mirror Mirror Megan Payne 11 Tonya Arsenault Siblings Marchelle Wear 12-13 We Can’t Go Back in Time Kimberley Stewart 14-15 Angel Jadoobirsingh Spying Angel Jadoobirsingh 16 My Pay Angel Crawford 17 Cody Thrift Through Solemn Eyes Misti Stoika 18 I Had a Dream I Died Alonzo Bell 19-20 The Hero Tonya Arsenault 21-22 Nicholas Johnson Such Is Life Angel Jadoobirsingh 23 Turn the Lights Out 24 The Window by the Tree Marchelle Wear 25 Chet Guthrie Christmas on the Battlefield Amanda Guffey 26-29 Sweet Kalan Tonya Arsenault 30-34 The 23rd Psalm Marchelle Wear 35-37 Letters through the Fence Marchelle Wear 38-42 Grandfather’s Axe Marchelle Wear 43-44 Her Beauty Daniel Stokes 45 In the Eyes of a Dreamer Megan Payne 46 Rise o’ Rise Dear Wall Street 47 The Old Man Michael Espinoza 48 A Night of Passion Shanna Calfee 49-50 Table of Contents - Cont’d. -
European Literary Tradition in Roth's Kepesh Trilogy
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 8 European Literary Tradition in Roth's Kepesh Trilogy Gustavo Sánchez-Canales Autónoma University Madrid Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Jewish Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Sánchez-Canales, Gustavo. -
Xx:2 Dr. Mabuse 1933
January 19, 2010: XX:2 DAS TESTAMENT DES DR. MABUSE/THE TESTAMENT OF DR. MABUSE 1933 (122 minutes) Directed by Fritz Lang Written by Fritz Lang and Thea von Harbou Produced by Fritz Lanz and Seymour Nebenzal Original music by Hans Erdmann Cinematography by Karl Vash and Fritz Arno Wagner Edited by Conrad von Molo and Lothar Wolff Art direction by Emil Hasler and Karll Vollbrecht Rudolf Klein-Rogge...Dr. Mabuse Gustav Diessl...Thomas Kent Rudolf Schündler...Hardy Oskar Höcker...Bredow Theo Lingen...Karetzky Camilla Spira...Juwelen-Anna Paul Henckels...Lithographraoger Otto Wernicke...Kriminalkomissar Lohmann / Commissioner Lohmann Theodor Loos...Dr. Kramm Hadrian Maria Netto...Nicolai Griforiew Paul Bernd...Erpresser / Blackmailer Henry Pleß...Bulle Adolf E. Licho...Dr. Hauser Oscar Beregi Sr....Prof. Dr. Baum (as Oscar Beregi) Wera Liessem...Lilli FRITZ LANG (5 December 1890, Vienna, Austria—2 August 1976,Beverly Hills, Los Angeles) directed 47 films, from Halbblut (Half-caste) in 1919 to Die Tausend Augen des Dr. Mabuse (The Thousand Eye of Dr. Mabuse) in 1960. Some of the others were Beyond a Reasonable Doubt (1956), The Big Heat (1953), Clash by Night (1952), Rancho Notorious (1952), Cloak and Dagger (1946), Scarlet Street (1945). The Woman in the Window (1944), Ministry of Fear (1944), Western Union (1941), The Return of Frank James (1940), Das Testament des Dr. Mabuse (The Crimes of Dr. Mabuse, Dr. Mabuse's Testament, There's a good deal of Lang material on line at the British Film The Last Will of Dr. Mabuse, 1933), M (1931), Metropolis Institute web site: http://www.bfi.org.uk/features/lang/. -
Violence and Social Orders
This page intentionally left blank VIOLENCE AND SOCIAL ORDERS All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some twenty- five countries have made the transition between the two types. Douglass C. North is co-recipient of the 1993 Nobel Memorial Prize in Economic Sci- ence. He is the Spencer T. Olin Professor in Arts and Sciences at Washington University in St. Louis, where he served as director of the Center for Political Economy from 1984 to 1990, and is the Bartlett Burnap Senior Fellow at the Hoover Institution at Stanford University. A member of the American Academy of Arts and Sciences and a former member of the Board of Directors of the National Bureau of Economic Research for twenty years, Professor North received the John R. Commons Award in 1992. The author of ten books, including Institutions, Institutional Change, and Economic Performance (Cambridge University Press, 1990) and Understanding the Process of Economic Change (2005), Professor North has research interests in property rights, economic organization in history, and the formation of political and economic institutions and their consequences through time. -
Read Book Dear Boy, : a Celebration of Cool, Clever, Compassionate You!
DEAR BOY, : A CELEBRATION OF COOL, CLEVER, COMPASSIONATE YOU! PDF, EPUB, EBOOK Paris Rosenthal | 40 pages | 23 Apr 2019 | HarperCollins | 9780062422514 | English | none Dear Boy, : A Celebration of Cool, Clever, Compassionate You! PDF Book If you order a book by phone or through our website, we will let you know when it is ready for pick-up at the door. Error loading page. Toys for Men Toys for Seniors. Nevertheless, we hope to make your Christmas and Hanukkah shopping as stress-free as possible! Add more details:. Check here for more details. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. This second Big Nate themed activity book is bursting with Parents' Ultimate Guide to Learn how we rate. Add a card Contact support Cancel. We will reach out to you as soon as possible. Your Email. More titles may be available to you. You can vote multiple times per day. See all 29 - All listings for this product. Where are the books for little boys? Related Deals. Books That Teach Empathy. Sign in to see the full collection. Add to Cart - Letters Only. Show More Show Less. Juvenile Fiction Juvenile Literature. Buy It Now. Dear Boy, : A Celebration of Cool, Clever, Compassionate You! Writer See all 29 - All listings for this product. Product categories. Any Condition Any Condition. The OverDrive Read format of this ebook has professional narration that plays while you read in your browser. The parents' guide to what's in this book. Developmental Goals. OverDrive Listen audiobook MP3 audiobook. We will reach out to you as soon as possible. -
Gheel, the City of the Simple
PRESS MARK Press No Shrif No /Uiok No GHEEL, THE CITY OF THE SIMPLE. : : ; GHEEL THE CITY OF THE SIMPLE. BY THE AUTHOR OF "FLEMISH INTERIOES." For he that is of Eeason's skm bereft wants the staffe of Wisdome , him to stay, "v ..""^ v«i<tJ' l^jfke a shippe in midst of tempest left f Witlmuten helme or pilot her to sway »JK^ Fuil and dreadfull is that shippe's event So ig tjhi| man that wants entendement. ^'"^ "\ Spenser. IT "^i LONDON CHAPMAN AND HALL, 193, PICCADn^LY. 1869. LONDON HOUSE, STRAND. PRINTED BY 0. WHITING, BEATJFOHT DEDICATED AS A TEIBUTB OF SURVTVINa BEGARD AND ESTEEM ®n ijiB Mimc\\ nf THE DISTINGUISHED AOT) LAMENTED BELGIAN SAVANT AND PHILANTHROPIST, M. EDOUAED-ANTOIKB DUCPETIAUX, INSPEOTEUR GENERAL, HONORAIRE, DES PRISONS ET BTABLISSEMENTS- DE BIENFAISANCE, MKMBBB DE L'ACADBMIB, MEMBEE COBRESPONDANT DB L'INSTITUT DB FRANCE, seCRetairb General du congrSs de malines, DBCORE DB LA CROIX DE FEE, OFFICIBR DB L'ORDEB DE LEOPOLD, &C. &0. &C., BY FRIENDSHIP, ONE WHO IS PROUD TO HAVE POSSESSED HIS THE AUTHOE. Digitized 1by the Internet Archive in 2015 https://archive.org/details/b21904339 PREFACE. In offering this little volume to the British public, I am animated by the hope that it may find its way, into the hands, among others, of those who are un- happily so placed as to bear the responsibility of caring and providing for the mentally affected. To such, the information it contains ought to be of the greatest practical value. It reveals to them a secret after which their hearts must long have yearned, and happily not only a secret, but an available fact—that their afflicted charges need not be subjected to incarceration, restrictions, coercion, viii PREFACE. -
Select Letters of Percy Bysshe Shelley
ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry. -
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
Jec Ballou and Siobhan Saunders with Freyja (Photo: Bill Gore Photography) PRESIDENT’S MESSAGE by Ben Volk, Ride and Tie Association President
Second place team in the short course at the Wild West race: Jec Ballou and Siobhan Saunders with Freyja (Photo: Bill Gore Photography) PRESIDENT’S MESSAGE by Ben Volk, Ride and Tie Association President FORT BRAGG OR BUST! AUGUST 24, 2013 Well folks you voted, and the results are in: Fort Bragg, CA was selected as the site of the 2013 World Champi- onship Ride & Tie over the more southerly location of Cuyamaca, CA. Some of you may recall that Fort Bragg was the site of the 2004 Championship; but do you remember who won the race in 2004? Of course it was none other than Jim Howard riding Magic Sirocco and teaming with Dennis Rinde. The team covered the 34 mile course in 4 hours and 1 minute to beat the second place team of Brandi Page and Laurie Wilson by 23 minutes. Rounding out the top 3 were Jim Brown and Russ Kiernan. There were 32 teams in the 34-mile long course that year and 7 teams in the 17-mile short course. Remarkably only one team in each distance did not finish. Best Condition was won by the 3rd place team riding Yaquar Adonai. Fast forward to August 24, 2013. We are camped at the beautiful Simcha Ranch located 7 miles from Fort Bragg in Mendocino County, CA. We have 40 teams registered and are planning for 10 more before the race starts. We are camped adjacent to the endurance riders who will be competing in the Mendocino Magic Endurance Ride at the same time. We are hoping that some of the endur- ance riders will catch Ride & Tie fever and decide to jump off their horse for a while and join us for a Ride & Tie. -
The Skeptical Gothic in Mary Shelley's Frankenstein
ARTICLE https://doi.org/10.1057/s41599-020-0408-5 OPEN Anatomy of tragedy: the skeptical gothic in Mary Shelley’s Frankenstein ✉ Veronika Ruttkay 1 ABSTRACT Combining philosophical and literary perspectives, this paper argues that Mary Shelley’s Frankenstein is informed by a skeptical problematic that may be traced back to the work of the young David Hume. As the foundational text on romantic monstrosity, Fran- kenstein 1234567890():,; has been studied from various critical angles, including that of Humean skepticism by Sarah Tindal Kareem (Eighteenth-century fiction and the reinvention of wonder. Oxford University Press, Oxford, 2014) and Monique Morgan (Romant Net 44, doi:10.7202/ 013998ar, 2006). However, the striking connections with Hume’s Treatise have not been fully explored. The paper begins by comparing the three narrators of Frankenstein with three figures appearing in Hume’s Conclusion to Book I: the anatomist, the explorer, and the monster. It proceeds by looking at the hybrid “anatomies” offered by Hume and Shelley, suggesting that Frankenstein might be regarded as a tragic re-enactment and radicalization of Hume’s skeptical impasse. Whereas Hume alerted his readers to the dangers of a thor- oughgoing skepticism only to steer his argument in a new direction, Shelley shows those dangers realized in the “catastrophe” of the Monster’s birth. While Hume had called attention to the impossibility of conducting strictly scientific experiments on “moral subjects”, Shelley devises a counterfactual plot and a multi-layered narrative structure in order to explore that very impossibility. Interpreting Frankenstein as an instance of the “skeptical gothic”, I suggest that both the monster and the scientist (Victor) share some traits with Hume’s radically skeptical philosopher, including a tendency to give up responsibility for what Stanley Cavell (The Claim of Reason: Wittgenstein, skepticism, morality, and tragedy. -
Louisville Overall Score Reports
Louisville Overall Score Reports Mini (8 yrs. & Under) Solo Performance Double Platinum 1 318 Stupid Cupid - Elite Academy of Dance & Performing Arts - Louisville, KY 111.8 Olivia Grace Viers Double Platinum 1 322 I'm Cute - Studio Dance - Danville, KY 111.8 Landree Douglas Double Platinum 2 287 Best Years of Our Lives - Julia's Dance Academy - Fort Branch, IN 111.6 Emma Englebrecht Platinum 1st Place 3 114 Walking on Sunshine - Elite Academy of Dance & Performing Arts - Louisville, KY 110.5 Noelle Fain Platinum 1st Place 4 143 Catch My Breath - Elite Academy of Dance & Performing Arts - Louisville, KY 110.3 Brooke Reed Platinum 1st Place 5 130 Shake Your Tailfeather - Elite Academy of Dance & Performing Arts - Louisville, KY 109.5 Ella Kate Viers Gold 1st Place 6 103 Lips Be Moving - Turn Out Dance Studio - Murfreesboro, TN 108.1 Teagan Grace Gold 1st Place 7 314 Hawaii - Drake Dance Academy - Sellersburg, IN 107.9 Averie Thornton Gold 1st Place 8 281 Cruella De Vil - Julia's Dance Academy - Fort Branch, IN 107.8 Madison Riker Gold 1st Place 9 324 Cruella Deville - Studio Dance - Danville, KY 107.3 Bailey Kate Sparks Gold 1st Place 10 323 Bossy - Studio Dance - Danville, KY 107.2 Jossy Moses Advanced Platinum 1st Place 1 183 Evacuate the Dance Floor - Dreamz Dance Company - Louisville, KY 110.5 Mikyla Calbert Competitive Crystal Award 1 294 Bathing Beauty - Dance Designs - Prospect, KY 113.8 Ella Liberty Mini (8 yrs. & Under) Duet/Trio Performance Platinum 1st Place 1 131 Get Into My Car - Elite Academy of Dance & Performing Arts - Louisville, -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological.