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Project Description
PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. IN THE AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BAR AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD Website graphics CONTAINS VERY STRONG LANGUAGE AND SEXUAL REFERENCES THROUGHOUT for each play were also created. AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, IN THE BAR, NORTH STREET, BROMLEY KENT BR1 1SB BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 Members: £8 / Non-members: £12 • Booking opens to non-members on 8th November Members: £8 / Non-members: £12 • Booking opens to non-members on 13th Sept Members: £7 / Members’ guests: £10 • Booking opens on 22 August Tickets also available from the Churchill Theatre box office Phil Graham 07941 508026 [email protected] PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. Website graphics AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD AN AMATEUR PRODUCTION BY ARRANGEMENT WITH NICK HERN BOOKS for each play were also created. KING CHARLES III BY MIKE BARTLETT Directed by PAULINE ARMOUR Fri 12th - Sat 20th Oct 2018 at 7.45pm (not -
Reviews: the Heresy of Love | Jumpy | Double
May 2017 | No. 62 | Bimonthly www.bromleylittletheatre.org THE OFFICIAL ORGAN OF PRESIDENT: MICHAEL YORK OBE Reviews: The Heresy Of Love | Jumpy | Double Top Previews: People | The Breath Of Life | Of Mice And Men + Auditions + Events Diary + Noticeboard 1 BLT chair Key contacts Another farewell needs to be made to Emma Kerby-Evans and Maxine Edwards Stevie Hughes, who is stepping down from in BLT's February 2017 production of The Heresy Of Love the role of website, poster, and Spotlights Call: 020 3189 1690 designer. A record of a few of his wonderful for box office, membership and key contacts designs can be seen among the posters enquiries (but not for booking tickets). plastered to the walls of the stage door stairs. We shall certainly miss his intelli- Key contact areas: gent, creative designs. [email protected] The board have been discussing for [email protected] some time how we can better organise the management of the theatre. We have Chair: decided that while Playgoers will remain [email protected] as an entity for the receipt of funds from Key: Jane Buckland the bar, membership and the coffee bar, Artistic: the day-to-day running of these and other [email protected] ooking back over the last couple of aspects of the theatre is to be by existing Keys: Pauline Armour / Jane Buckland Lyears, most BLT members will see that it personnel, overseen by the assigned board has been a period of change and development members. The former members of the for the theatre, and one which is set to Youth group: Playgoers committee will now be able to continue. -
Core Strategy Vision and Objectives
1. Introduction Your chance to help shape the future of Bromley We would like you to help us develop the long-term planning strategy for the London Borough of Bromley. This strategy needs to show roughly where any new development should go and, how much development there should be, over the next 20 years. We are starting with what is known as the “Core Strategy” - the top-level document where we set the general direction for the future of the borough - but once this is prepared we will produce other documents with policies to guide the detail of any development. So, is this the “Core Strategy”? No, this is just the first step towards a Core Strategy. This document presents a wide range of information about the Borough and its places and suggests some of the key issues for the future. We are asking everyone with an interest in Bromley to tell us what they think about the issues we have identified – are they the right issues? Are there any more issues that our planning strategy needs to consider? Once we have agreed on the main issues, it’s time to look at the ways of tackling them – again, we’ll be asking for everyone to get involved by telling us what they think and whether anything has been missed. After this we’ll be able to produce a draft Core Strategy which will contain policies that can be used to guide development – this is the document that will be submitted to the Government for checking. Overall, this process will take about two years. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Julius Caesar | the Cripple of Inishmaan Collected Grimm Tales
Jun 2014 | No. 46 | Quarterly www.BromleyLittleTheatre.org • Reviews: The Thrill Of Love | The Importance Of Being Earnest Two | Clybourne Park • Previews: Julius Caesar | The Cripple Of Inishmaan Collected Grimm Tales • Auditions: Collaborators | Great Expectations THE OFFICIAL ORGAN OF + Events Diary + Noticeboard MICHAEL YORK OBE PRESIDENT: Charis Anna Beyer and Sarah Hinchliffe in BLT’s March production of The Importance Of Being Earnest Photo: Tim Hinchliffe (www.timhinchliffe.com) Tim Hinchliffe Photo: Debbie Griffiths and Piers Newman in BLT’s March production of Two. In The Bar Photo: Phil Cairns (http://philcairns.zenfolio.com) Phil Cairns Photo: 2 BLT Chair Playgoers’ - W - Office Suite el Before any detailed architectural plans 6 June and theSpotlights KDA’s is on 7 June). May’s come were drawn up it gradually became obvi offering was (to be reviewed in- Spotlights!to the June ous that we needed to clarify who the September’s ) with Alan Bennett edition of people or organisations were who might giving us his usual poignantly-accurate ob be able to help us to address the landlord’s servations of ordinary people once more. As I write wish to see “bold plans” for the site. On The Playgoers’ Committee continues to this I am - Mark Foley’s advice, we engaged Stephen be active in the interests of the theatre immersed Browning, an arts management consultant and its playgoers: Christina Jeremiah, our in rehears to investigate: Membership Secretary, also acts as sound als for our • potential offers of funding or support;- designer from time to time; Pat Jones, our ambitious Julius Publicity Manager, stage manages and is production Caesar - • potential offers of extra space in prox on the Board of Directors; Paul Ackroyd, of imity to the theatre; and Box Office Manager, is a splendid actor; Jan which I have the privilege of direct The Cripple of Inishmaan. -
40 More Theatres Supported with Final Theatre Reopening Fund Grants
Theatres Trust supports 40 more theatres with final Theatre Reopening Fund grants The national public advisory body for theatre has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens. The theatres supported reflect the vital elements that make up the theatre ecosystem with awards made to significant producing theatres – Hampstead Theatre, Lyric Hammersmith, Pitlochry Festival Theatre, Theatre Royal Bath – major receiving houses Capital Theatres and Worthing Theatres, venues specialising in dance (Northern Ballet), new writing (Traverse, New Diorama, Gate Theatre) and one of the country’s few puppet theatres, Upfront Theatre. Community theatres across the country have received grants, including young people-focused Blue Elephant Theatre and Hanger Farm Arts Centre, which works with people with learning disabilities. Theatres Trust has also given grants to help reopen every type of theatre building, including the country’s last remaining Regency theatre, Theatre Royal Bury St Edmunds, theatres in converted cinemas (People’s Theatre and Blackburn Empire) and former churches (Headgate Theatre and Lowestoft Players Theatre), pub theatres (Jack Studio Theatre), outdoor theatre (Rutland Open Air) and even a travelling theatre – Paines Plough. Theatres Trust Director Jon Morgan says, We are beginning to look forward to a time when theatres can reopen, welcome audiences back inside and continue to play a vital role in their communities. It has been a difficult year, but Theatres Trust is pleased to have been able to support so many theatres through this grant scheme as well as our free advice service and the #SaveOurTheatres Crowdfunding campaign. -
Infinita at the Peacock Theatre CULTURE THEATRE
Infinita at the Peacock Theatre CULTURE THEATRE 2ND FEBRUARY 2016 MICHELLE KEEPENCE “The loss of the face can be the beginning of a great freedom,” says Hago Schüler, director and performer of Infinita, in a recent interview. He goes on to explain the power of masks for both the artist and the spectator in the productions created by the Familie Flöz, and more specifically of Infinita, brought to England as part of 2016’s London International Mime Festival. Infinita’s masked characters are a fascinating spectacle that proves both mesmerising and inexplicably disturbing. Their use of exaggerated movement and hyperbolic gesture quickly dismisses the necessity of speech in the exploration of the most basic of human concepts: life and death. We are presented with characters at the beginning and the end of their lives, through which certain parallels are created, most notably between the physical extremes demonstrated by both babies and the elderly. Their relationships, despite having substantially developed over time, remain fundamentally the same as they move into the final stages of their lives, all of them experiencing love and loss. A series of sketches depicting mournful tragedy in one instance, and clown-esque slapstick comedy in the next, catapult the audience between fits of laughter and the unavoidable urge to cry. The music of the piece is a key tool used to transport us between the two extremes and create contrasting atmospheres, as well as provoking differing interactions between the characters. Interaction with the audience is encouraged, as one scene sees two babies playing with a giant ball that is batted in and out of the crowd, a scene particularly appreciated by the younger members of the audience. -
Syllabus 2013-14
Theatre in England Syllabus/Play Schedule, January 2014 Arrive either night of Jan. 1 or morning of Jan. 2 Each morning, we will meet in the parlor for seminar after breakfast (~9:00 am); each seminar will be an hour or slightly longer Thursday, Jan. 2 Matinee: 2:00 pm: Jack and the Beanstalk **Location: Lyric Hammersmith Tube Stop(s): Hammersmith Tube Zone: 2 General Location: Further West London Address: Lyric Square, King St, London W6 0QL . Run Time: 2 h 15 min . Synopsis/Tagline: Magic beans, a journey to an enchanted kingdom in the clouds, an evil giant, and some zumba, Jack and the Beanstalk has all the ingredients of a classic panto. (Panto = pantomime: a family-friendly musical comedy that also features dancing and slapstick humor, usually performed during the holiday season in the UK) . Cast and Crew: Steven Webb (Sprout), Howard Ward (Moreen Dripp), Nigel Richards (Mr Fleshcreep), Rochelle Rose (Jack), Joshua Tonks (Jill), Hannah Scarlett (Caroline the Cow), Emily Aitcheson, Bolaji Alakija, Seraphina Beh, Joe Black, Krystal Dockery, Elinor Machen-Fortune, Kaysha Woollery, Sarah Yesufu. Producer: Lyric Hammersmith. Author: Tom Wells. Director: Dan Herd. Website: http://www.lyric.co.uk/whats-on/production/jack-and-the-beanstalk/ Evening: 7:30 pm: Once a Catholic **Location: Tricycle Theatre Tube Stop(s): Kilburn Tube Zone: 2 General Location: Northwest London Address: 269 Kilburn High Road, London NW6 7JR . Run Time: 2 h 35 min . Synopsis/Tagline: Willesden, 1957. A convent girls’ school. Bad habits… and boys. The nuns at Our Lady of Fatima preach chastity and diligence as the swinging sixties approach. -
Regeneration Strategy 2020 to 2030
REGENERATION STRATEGY 2020 TO 2030 DRAFTwww.bromley.gov.uk/regeneration CONTENTS Foreword 3 Our borough: An overview 4 Our borough in numbers 6 Introduction 8 Context 10 Drivers and opportunities 12 Our approach to regeneration 17 Our priority areas: 19 1. Nurturing our green spaces 20 2. Activating high quality leisure and cultural provision 22 3. Supporting new and existing communities 24 4. Strengthening our town centres and local economy 26 5. Encouraging tourism 28 Delivering the strategy 30 Measuring our success 31 REGENERATION STRATEGY 2020 TO 2030 2 FOREWORD Regeneration supports wellbeing, through the development of improved community services such as libraries to better quality leisure centres. Regeneration ensures that the borough remains a place people choose to live, work and spend their time, supporting everyone in living happy and healthy lives. Regeneration is crucial to the success of Whilst the Council will work hard to our high streets and town centres. It leverage in grant monies and create enables our shops and restaurants to thrive commercial opportunities to support each in a competitive market, welcoming places regeneration project, the Council cannot attracting shoppers from across the deliver this strategy alone. This strategy borough and further afield. Regeneration of represents the Council’s commitment to and investment in our special historic becoming a proactive partner and leader to places and green spaces attracts tourism facilitate transformational regeneration and local spend. Regeneration is good for across the borough. We will work with business and supports independence and residents, developers and landowners, employment. investors and businesses, community groups and professional forums over the In line with the Building a Better Bromley next ten years to bring this strategy to life ambitions, this strategy sets out the and deliver high quality improvements for borough’s priorities for regeneration over all our residents. -
Films Shot in Lewisham Borough That Not Only Offer up the from Student Films and Art House Miss Pettigrew Lives for a Day Watts and Viggo Mortenson
01 moviefilm 03 moviefilm lewishamleisure moviefilm Lewisham may not 02 have its own cinema, but there are still Below: Horniman Museum and Downham Library plenty of places to view 07 moviefilm films in the borough 1 2 04 moviefilm 01 01A 03A 03 02A ithout a permanent 02 cinema in Lewisham, Above: Broadway 3 more and more of us Art house flicks Theatre and 4 W Forest Hill are swapping the thrill of the big For those who prefer contemporary screen for a somewhat less exciting films to classics, there’s the Fox and Library 07 07A DVD at home. Thankfully there are Firkin’s film night. Situated opposite 04 a number of cheap – and often free – Ladywell Leisure Centre, the pub 04A independent screenings and film recently relaunched its regular film clubs popping up all over the night and now offers up everything FiLms shot in LeWisham borough that not only offer up the from student films and art house Miss Pettigrew Lives For A Day Watts and Viggo Mortenson. usual big blockbusters but an flicks to animation and music exciting mix of classics, world videos. The Motion Picture and This comedy starring Frances Nil by Mouth Gary Oldman’s partly cinema and cutting-edge films, too. Independent film night, held on the McDormand was filmed at Brockley’s autobiographical portrayal of life in first Wednesday of every month, is famous Rivoli Ballroom last year. south-east London used the streets, Vintage film nights run by local film producer Sarah Bullet Boy Hard-hitting film about estates and pubs of Deptford and New Blackheath Halls may be best known Scott. -
February 20162016
NewsletterNewsletter FebruaryFebruary 20162016 In This Issue • Chairman’s Letter P3 • The Floods P4 • New Writing P6 • Comedy Tonight P8 Vol.30Vol.30 No.1No.1 FebruaryFebruary 20162016 LTG Newsletter Vol .30 No.1 February 2016 Volume 30 No 1 February 2016 Tel: 01202 516260 11 The Carriages Mob: 07528 093908 Station Road The Little Theatre Guild represents Email: WARE 110 member theatres that control [email protected] SG12 9PL and manage their Theatre buildings. Tel: 01920 461715 Our members are all amateur theatre MILLER CENTRE THEATRE New email: [email protected] companies with an annual audience of Gail Bishop over 650,000 patrons, and a turnover 92 Godstone Road The New Year Book - Corrections of approximately £4 million. Visit us at Caterham www.littletheatreguild.org Surrey Editor Tom Williams reports: CR3 6RA Tel: 07763 727263 As usual mistakes are found as soon as Email: [email protected] publication happens. Grange Playhouse LTG Diary of Events details at the head of their entry should 13th February 2016 STUDIO THEATRE SALISBURY read - corrections in BOLD. I did not notice RELATIONSHIP MEETING Tim Greathead the changes in the copy sent to me. The Stoke on Trent Rep Theatre Thyme Cottage, 7 Newtown, header is so rarely changed! Broadchalke, THE GRANGE PLAYERS CENTRAL REGION 21st February 2016 Salisbury, Wiltshire. The Grange Players Ltd, Grange Playhouse, NATIONAL COMMITTEE MEETING SP5 5DS Broadway North, Walsall WS1 2QB, West Tel: 01722-780125 and 07968-129082. Midlands 8, 9, 10 April 2016 E-mail: -
Impact of COVID-19 on DCMS Sectors: First Report
House of Commons Digital, Culture, Media and Sport Committee Impact of COVID-19 on DCMS sectors: First Report Third Report of Session 2019–21 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 20 July 2020 HC 291 Published on 23 July 2020 by authority of the House of Commons Digital, Culture, Media and Sport Committee The Digital, Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Digital, Culture, Media and Sport and its associated public bodies. Current membership Julian Knight MP (Conservative, Solihull) (Chair) Kevin Brennan MP (Labour, Cardiff West) Steve Brine MP (Conservative, Winchester) Philip Davies MP (Conservative, Shipley) Alex Davies-Jones MP (Labour, Pontypridd) Clive Efford MP (Labour, Eltham) Julie Elliott MP (Labour, Sunderland Central) Rt Hon Damian Green MP (Conservative, Ashford) Rt Hon Damian Hinds MP (Conservative, East Hampshire) John Nicolson MP (Scottish National Party) Giles Watling MP (Conservative, Clacton) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www.parliament.uk. Publication © Parliamentary Copyright House of Commons 2019. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/copyright. Committee reports are published on the Committee’s website at www.parliament.uk/dcmscom and in print by Order of the House. Evidence relating to this report is published on the inquiry publications page of the Committee’s website.