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Annie Rowe CDG
Annie Rowe CDG SHORT FILM COMPANY DIRECTOR / PRODUCER A Stitch In Time Kind Prods Graham Atkins-Hughes Akua Obeng-Frimpong Indigo 6 Norman-Butler Films Nick Norman-Butler Paloma Fraile Safe Space Beat 24 Ben S Hyland Wishin’ and Hopin’ Great Lake Films Jacqueline Pepall Blood Type NFTS Jeong-Min Lee James Campbell-Smith Home To The Hangers Hurcheon Films AD Cooper The Dead Dog The Moirae Films Helen Bolter Saba Kia The Lion Carlow Films Sam Buchanan Camila Carlow (A Very) Ham-Fisted Stakeout Wardraw Prods Maximilian G L Ward Dominic Bolton In-Dreams Tomorrow and Co Joseph Morgan The Penny Dropped Hurcheon Films AD Cooper Faithless Kinetic Film Steven McCarten Seven James Morgan Films James Morgan Johnny Langenheim Padlock Beat 24 Ben Hyland Dominic Bolton Somnium Doro Films Mayed El Qasimi Alex Di Cuffa Annie Rowe Casting 98 St Albans Avenue, London W4 5JR t. 020 8354 2699 m. 07734809597 e. [email protected] www.annierowe-casting.com Annie Rowe CDG As One Facilitator Films Alan Powell Jewels Matty Groves Films Matty Groves Visiting Mr Keats Great Lake Films Jacqueline Pepall Annex We Are Cowboys Tommy Nagle A World For Her Picture Imperfect Carolina Petro Nick Jones Snare Top Woman Films Dani Deville Henriette Spiering War Ideastap Nilesh Bell-Gorsia Andrew Oldbury The Last Words Of Gavrilo Princip Great Lake Films Jacqueline Pepall Two Seas Matador Pictures Orlando Cubitt Jacob Swan-Hyam Phone Box Facilitator Films Alan Powell Rest Stop Messrs Ben Masson Mo Styles Waiting For Dawn BrotherBrother Richard Cousins Kaos Films Arif Hussein The Heart Of Dicken Partridge Laura Evers Johns Laura Evers Johns Trailing Dirt BrotherBrother Richard Cousins Glyn Ryland By Hook Laura Evers Johns Laura Evers Johns Modo and Mahu Ross McElwain Ross McElwain Annie Rowe Casting 98 St Albans Avenue, London W4 5JR t. -
Rapid Write Response: J'ouvert
ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience. -
Four Original Audio Dramas Commissioned by LAMDA and Audible
Press Release 24/10/19 For immediate release Introducing GNR8T: Four original audio dramas commissioned by LAMDA and Audible ▪ Four new audio dramas commissioned from emerging writers, Rebecca Boey, Eno Mfon, Joe White and Ross Willis ▪ Performed by LAMDA students as part of creative collaboration with Audible to train the next generation of audio artists ▪ Developed especially for young people, in line-with growing demand for audio content ▪ GNR8T will be available to download exclusively at www.audible.co.uk/podcasts from 24th October 2019 ▪ Images download here: https://we.tl/t-W365orax2o LAMDA (London Academy of Music & Dramatic Art) and Audible UK are today delighted to announce the release of GNR8T, a collection of four original audio dramas. Commissioned from some of the UK’s most exciting emerging writers and workshopped by LAMDA students, the final productions were recorded by 2019 LAMDA graduating students as part of the two organisations’ ongoing partnership. Exploring themes of identity, displacement, hysteria, environmental collapse and a dystopian epidemic, the thought-provoking short dramas have been created by and for young people. Award-winning playwright Joe White and director Guy Jones paint a portrait of contemporary Britain in Doggerland as two women dream of escape from their isolated lives. Two young people with hidden superpowers are on the run in Ross Willis’ fast-moving, fantastical adventure PowF*ckingPow, directed by Jane Fallowfield. Eno Mfon’s mystery drama The Falling, directed by Sophie Moniram, sees a young journalist trying to uncover a mystery illness which has befallen the inmates at Holloway Prison. Rebecca Boey transports audiences to a dystopian world and a battle for survival in Locusts, directed by Miranda Cromwell. -
FINISHING the PICTURE by Arthur Miller
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused. -
Célia Maria Silva Oliveira 995 – 20
Universidade do Minho Instituto de Letras e Ciências Humanas 0) 1 Célia Maria Silva Oliveira 995 – 20 From the Margins into the Mainstream: y Williams and Black British Theatre (1 Roy Williams and Black British Theatre (1995 – 2010) tream: Ro he Mains he Margins into t rom t F Célia Maria Silva Oliveira 2 1 UMinho|20 outubro de 2012 Universidade do Minho Instituto de Letras e Ciências Humanas Célia Maria Silva Oliveira From the Margins into the Mainstream: Roy Williams and Black British Theatre (1995 – 2010) Dissertação de Mestrado Mestrado em Estudos Ingleses Trabalho realizado sob a orientação da Professora Doutora Francesca Clare Rayner outubro de 2012 Acknowledgments I would like to thank Professor Francesca Rayner for introducing me to the world of New Writing in Britain and leading me in a quest of discovery. Thank you for the support and for believing in me and in the work that I could do. Thank you for the always open office door and the kind words. Filipe Couto, thank you for seeing qualities in me that I was not aware they existed. Thank you for the image that I have in your eyes. Sérgio Oliveira, more than my brother, my best friend, thank you for the support and the technical help. Sometimes, writing a thesis might have moments of desperation and Daniela and Neuza were always at the distance of a phone call. Thank you for the readings and for listening to my monologues. I would also want to thank all the people that direct and indirectly helped me and were part of this journey. -
Christopher York SERENA MANTEGHI Build a Rocket Was Christopher’S Debut Serena Manteghi Is an Established Play
Stephen Joseph Theatre and Tara Finney Productions present Running time: 75 minutes (no interval) | Age guidance: 14+ (Contains some strong language and adult themes) Tell us what you thought: @thesjt | @tara_finney | #BuildARocket Christopher York SERENA MANTEGHI Build a Rocket was Christopher’s debut Serena Manteghi is an established play. After winning HighTide’s First theatre practitioner and performer, Commissions Award, the text was working extensively in new writing, developed in conjunction with HighTide, devising and physical storytelling. She is Women at RADA and the SJT. It debuted the recipient of the following awards; at the SJT in 2018, and subsequently BankSA ‘Best Theatre’ Award for won The Holden Street Award at The Eurydice Edinburgh Festival, the Adelaide Fringe Best Theatre Weekly , The Sunday Mail’s ‘Best Female Award and was named as The Sunday Mail’s Best Female Solo Performance’ for Build A Rocket, ‘Honourable Mention’ Solo Show. by Critics Circle Award for Build A Rocket and she was shortlisted for the Norman Beaton Fellowship Award in Christopher’s adaptation of The Pit and the Pendulum also 2016. premiered in 2018, set in the modern day Middle East, it scrutinised the attire laws that oppress women in those Her theatre credits include; Hamlet (Shakespeare’s Rose areas. It opened in Oxford’s Bodleian Libraries’ historical Theatre), Salty Irina (Ovalhouse), Eurydice (Holden Street Convocation House before transferring to The Omnibus in Theatres, Adelaide), Build A Rocket (Stephen Joseph Theatre/ London. Various), The Terrible Infants (Wiltons Music Hall), The Rise and His new play 212 is an Arts Council England’s supported Fall of Little Voice (Stephen Joseph Theatre), Echoes (Brits Off project. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
BUT IT STILL GOES on by Robert Graves
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June - August Season 2018 Part of the Finborough Theatre's ! series' The world premiere BUT IT STILL GOES ON by Robert Graves. Edited with additional dialogue by Fidelis Morgan. Directed by Fidelis Morgan. Set Design by Doug Mackie. Costume Design by Carrie-Ann Stein. Lighting Design by Richard Williamson. Sound Design by Benjamin Winter. Presented by Andrew Maunder in association with Arsalan Sattari Productions and Neil McPherson for the Finborough Theatre. Cast: Alan Cox. Victor Gardener. Jack Klaff. Hayward B Morse. Rachel Pickup. Claire Redcliffe. Joshua Ward. Sophie Ward. Charlotte Weston. “This generation’s no good, no good at all. They don’t possess any deep emotions. They don’t know what passion is.” In a production commissioned by the Finborough Theatre, a world premiere from the author of Goodbye To All That and I Claudius, Robert Graves’ “post-catastrophic comedy”, But It Still Goes On, directed by Fidelis Morgan, opens at the Finborough Theatre for a four-week limited season on Tuesday, 10 July 2018 (Press Nights: Thursday, 12 July 2018 and Friday, 13 July 2018 at 7.30pm) as part of the Finborough Theatre’s THEGREATWAR100 series commemorating the centenary of the First World War. London 1932. Cecil Tompion, a popular writer, has bullied his children for most of their lives. Now, his son, an ex-army officer who survived the trenches of the Western Front, and his daughter, a doctor, are trying to break free. Their lives touched by another ex-soldier, David, and close friend Charlotte, who both desperately struggle to repress their homosexuality. -
See a Full List of the National Youth
Past Productions National Youth Theatre '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes -
KCW (March 2019)
LONDON NEWS, GLOBAL VIEWS KCWKENSINGTON, CHELSEA & WESTMINSTER, HAMMERSMITH & FULHAM, WANDSWORTH to ay AND SELECT LONDON BOROUGHS ISSUE 81 MARCH 2019 FREE "SO MANY BOOKS, SO LITTLE TIME" FRANK ZAPPA NEWS • BUSINESS & FINANCE • EDUCATION • HEALTH • DINING OUT MOTORING • ARTS & CULTURE • LIFESTYLE • LITERATURE • ASTRONOMY OPINION & COMMENT • SPORT • CROSSWORD • BRIDGE • CHESS 2 March 2019 Kensington, Chelsea & Westminster Today www.KCWToday.co.uk 020 7738 2348 March 2019 Kensington, Chelsea & Westminster Today 3 Contents & Offices News online: www.KCWToday.co.uk Kensington, Chelsea LONDON NEWS, GLOBAL VIEWS & Westminster Today Contents Plans to transform KCWKENSINGTON, CHELSEA & WESTMINSTER, HAMMERSMITH & FULHAM, WANDSWORTH to ay AND SELECT LONDON BOROUGHS ISSUE 80 FEBRUARY 2019 FREE 80-100 Gwynne Road, London, Oxford Street approved © Publica Photograph Image © Zaha 02 Image SW11 3UW by Westminster council Tel: 020 7738 2348 E-mail: [email protected] Website: News www.kcwtoday.co.uk 3 Advertisement enquiries: Statue & Blue Plaque new piazza is one of several new plans for [email protected] 6 Oxford Street which have been approved by Subscriptions: Westminster City Council. [email protected] 2019 • THE YEAR OF THE PIG Architecture The public space would be created on Oxford Circus NEWS • BUSINESS & FINANCE • FESTIVE EVENTS • EDUCATION • HEALTH DINING OUT • MOTORING • ARTS & CULTURE • LIFESTYLE • LITERATURE • 8 Publishers: ASTRONOMY • OPINION & COMMENT • CROSSWORD & BRIDGE • CHESS A with buses re-routed on either side of Regent Street. Kensington & Chelsea Today Limited During the busiest times of the day several other streets News would be closed to cars and buses, with many of the 9 pavements along the famous shopping area widened. The speed limit would be brought down from Appeal from Editor in Chief 30mph to 20mph and all vehicles without zero- 10 emissions would be banned.