40 More Theatres Supported with Final Theatre Reopening Fund Grants
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Press Release
PRESS RELEASE Shakespeare’s Globe Announces Full Casting for Nick Bagnall’s Love’s Labour’s Lost 17 JULY 2018 Shakespeare’s Globe is delighted to announce full casting for Nick Bagnall’s Love’s Labour’s Lost, opening in the Sam Wanamaker Playhouse on Thursday 23 August. Dharmesh Patel will play Berowne. Dharmesh returns to the Globe after starring in Barrie Rutter's The Captive Queen in the Sam Wanamaker Playhouse earlier this year. Other recent theatre credits include Titus Andronicus, Antony and Cleopatra and Julius Caesar (RSC), The Two Gentlemen of Verona and The Tempest (Shakespeare's Globe). Kirsty Woodward is Princess of France. Kirsty appeared at The Globe in last year’s touring production of Tristan & Yseult, and has also appeared in Globe productions of Pericles and The Winter’s Tale. Her recent television work includes Bad Move (ITV) and Quacks (BBC). Paul Stocker will play King of Navarre, returning to the Globe after appearing as Palamon in Barrie Rutter's The Two Noble Kinsmen earlier this summer. Paul’s other theatre credits include The Curious Incident of the Dog in the Night-Time (West End), Coral, A Thousand Stars Explode in the Sky (National Theatre Studio) and A Midsummer Night’s Dream (Regent’s Park). Television work includes Doctors, EastEnders and The Rack Pack (BBC). Jade Williams is Rosaline. Jade has appeared in several Globe productions including Matthew Dunster's Doctor Faustus, Raz Shaw's God of Soho and Jessica Swale's Bedlam. Jade's other recent theatre work includes The Cherry Orchard, The Lower Depths (Arcola) and The Seagull (Chichester, National Theatre). -
March 2009.Pmd
Number 157 March 2009 The newsletter of London Drama Two Primary Reviews for your diary There are currently for further learning two prestigious reviews at the secondary LONDON DRAMA of the Primary stage’ rather than by Courses & Workshops Curriculum going on at their intrinsic value.” the moment: The Wed 4 Mar; 7-9pm Cambridge Primary The Cambridge Voices in the Park (Primary) Review initiated by the report identifies University of Cambridge areas of at Central School in 2006 and led by convergence with Professor Robin the interim Rose * * * Alexander; and the report (like the need Government’s to regroup the Wed 11 Mar; 6.30-8.30pm Independent Review of primary curriculum Drama with EAL Students the Primary Curriculum into areas of study at Central School led by Sir Jim Rose. rather than Each report is due to traditional subjects) * * * be published this year. but also important differences which reflect the reviews’ Sat 14 Mar; 10-1.15pm Is there a difference between the contrasting remits, scope, Half Day Workshop: two reports, and if so, what is it? evidence and degrees of Hoipolloi & WebPlay According to the authors of the independence. The Cambridge at Unicorn Theatre Cambridge Review, the answer is review is rather less sanguine one of remit and focus: about the problems of the existing * * * primary curriculum, and does not “..there is a sense in which the exempt current policies from Thurs 19 Mar; 6.30-8.30pm very focused remit of Rose, and comment. It asks whether the Drama & SEN students (KS1/2) the number of matters which are Rose review is more about at Bloomsbury Theatre apparently to be taken as given, curriculum rearrangement than may encourage the view that the reform, with educational aims * * * two enquiries are incompatible – added after the event rather than though we hope not. -
THE JUNGLE by Joe Murphy & Joe Robertson Directed by Stephen Daldry & Justin Martin
PRESS RELEASE – Monday 11 June 2018 IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram @TheJungleLDN TheJunglePlay.co.uk A NATIONAL THEATRE AND YOUNG VIC CO-PRODUCTION WITH GOOD CHANCE THEATRE THE JUNGLE by Joe Murphy & Joe Robertson directed by Stephen Daldry & Justin Martin FULL CAST ANNOUNCED FOR CRITICALLY ACCLAIMED THE JUNGLE AND REHEARSAL PICTURES RELEASED TODAY THEATRE TRANSFORMATION UNDERWAY IN ORDER TO ACCOMMODATE MIRIAM BUETHER’S UNIQUE SET DESIGN FROM THE YOUNG VIC NEW FOR PLAYHOUSE AUDIENCES, THE DRESS CIRCLE WILL BE TRANSFORMED INTO ‘CLIFFS OF DOVER’, WITH UNIQUE AND INTIMATE VIEWS OVER THE SPACE BELOW ENHANCED BY SCREENS RELAYING CLOSE-UP ‘LIVE NEWS BROADCAST’ STYLE FOOTAGE OF THE ACTION AS IT HAPPENS THE JUNGLE WILL PREVIEW FROM 16 JUNE AT THE PLAYHOUSE THEATRE IN LONDON’S WEST END Following critical acclaim, and a sold-out run at the Young Vic, producers Sonia Friedman Productions, Tom Kirdahy and Hunter Arnold are delighted to announce the full cast for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin. The production is set in Europe’s largest unofficial refugee camp, the Calais Jungle, which in 2015, became a temporary home for more than 10,000 people. Previewing from 16 June, with World Refugee Day on 20 June, The Jungle will have an Opening Night on 5 July at the Playhouse Theatre, with rehearsal photography released today. Cast transferring from the Young Vic include Mohammad Amiri, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Ammar Haj Ahmad, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner and Nahel Tzegai. -
Creative Spaces in Westminster
Creative Spaces in Westminster Map Facilities Company/organisation name Address Postcode Telephone For more information Key: C = cultural and community event; E = exhibitions; F = film / photography / cinema; L = launch, fashion show, reception; M = meeting / class / workshop; P = performance; R = audition / rehearsal Large Mixed Use Spaces 1 C, M Abbey Community Centre 34 Great Smith Street SW1P 3BU 020 7222 0303 www.theabbeycentre.org.uk/venue/ 2 M, P, R Amadeus Centre 50 Shirland Road W9 2JA 020 7286 1686 www.amadeuscentre.co.uk Corporate GIS Team 3 C, E, M, R Beethoven Centre Third Avenue Queens Park W10 4LJ 020 8825 1067 www.a2dominion.co.uk/rte.asp?id=984 4 Natural History Museum contact the Arts and Culture Service - 020 7641 2498 SW7 5BD www.nhm.ac.uk/ 5 C, E, M, P, R Paddington Arts 32 Woodfield Road W9 2BE 020 7286 2722 www.paddingtonarts.org.uk/roomhire.php 6 M, P, R Royal Academy of Music Marylebone Road NW1 5HT 020 7873 7373 www.ram.ac.uk/venue-hire 21 7 E, L, M Royal College of Art Kensington Gore SW7 2EU 020 7590 4118 www.rca.ac.uk/Default.aspx?ContentID=159651&groupID=159651 8 Royal Geographical Society contact the Arts and Culture Service - 020 7641 2498 SW7 2AR www.rgs.org/HomePage.htm 9 M, R Rudolf Steiner House 35 Park Road NW1 6XT 020 7723 4400 www.rsh.anth.org.uk/pages/house_fac.html 15 10 Science Museum contact the Arts and Culture Service - 020 7641 2498 SW7 2DD www.sciencemuseum.org.uk/ 11 E, L, M, P, R Tabernacle 34-35 Powis Square W11 2AY 020 7221 9700 www.tabernaclew11.com/rooms-for-hire/ 12 Victoria & Albert -
THE VALUE of SMALL GRANTS a Review by Peter Minet Trust and United St Saviour’S Charity March 2018 INTRODUCTION
THE VALUE OF SMALL GRANTS A review by Peter Minet Trust and United St Saviour’s Charity March 2018 INTRODUCTION United St Saviour’s Charity (UStSC) and Peter Minet Trust (Peter Minet) have been awarding small grants in South London for many years. In 2017 they joined forces to commission Rocket Science to review their grants programmes to better understand the impact that they make and to help the two organisations think about how to develop them for the future. Peter Minet supports organisations in Lambeth and Southwark with grants of up to £5,000. UStSC only works in Southwark and has two grants programmes; a ‘Community Investment’ programme’ of over £5,000 for larger strategic projects and a ‘Community Engagement’ programme of small grants. Only the latter was the subject of this review which looked back at the past three years of grant-making. Measuring the impact of small grants is inherently challenging and it was never the intention to produce a full-blown evaluation. However, both organisations set out to understand whether relatively small grants were of value to the groups and charities they fund. This document summarises the main findings of the review. In many ways it is a celebration of the two programmes and the difference that they make. 2 INVESTMENT OVER THREE YEARS COMBINED United St Saviour’s Charity 321 206 GRANTS AWARDED GRANTS £440,366 INVESTED 149 DIFFERENT ORGANISATIONS FUNDED £853,873 TOTAL INVESTMENT Peter Minet Trust 115 GRANTS AWARDED 243 £413,507 INVESTED DIFFERENT ORGANISATIONS 94 DIFFERENT ORGANISATIONS FUNDED -
Project Description
PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. IN THE AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BAR AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD Website graphics CONTAINS VERY STRONG LANGUAGE AND SEXUAL REFERENCES THROUGHOUT for each play were also created. AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, IN THE BAR, NORTH STREET, BROMLEY KENT BR1 1SB BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 Members: £8 / Non-members: £12 • Booking opens to non-members on 8th November Members: £8 / Non-members: £12 • Booking opens to non-members on 13th Sept Members: £7 / Members’ guests: £10 • Booking opens on 22 August Tickets also available from the Churchill Theatre box office Phil Graham 07941 508026 [email protected] PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. Website graphics AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD AN AMATEUR PRODUCTION BY ARRANGEMENT WITH NICK HERN BOOKS for each play were also created. KING CHARLES III BY MIKE BARTLETT Directed by PAULINE ARMOUR Fri 12th - Sat 20th Oct 2018 at 7.45pm (not -
2016 - 2017 Programme Whitstable (Oyster Festival Period)
Tuesday, 5 July, 11 am – 4 pm Saturday, 22 October – 1 pm Friends of Havering Museum was set up in Barnards Gardens in West Horndon with Talk on inspirational Women of WWII, this 2000 to support and promote the aims of lunch. Explore the wonderful gardens. Car includes pilots, spies and code breakers. Havering Museum. We provide an exclusive share to be arranged. and exciting programme of events which Free are designed for members. £17.00 includes entry, tea/ coffee/ lunch Saturday, 19 November – 8 pm Saturday, 23 July, 8.30 am The Sound of Simon (Simon and Garfunkel Coach trip to Aylesford Priory and Tribute Act) at Brookside Theatre, Romford. 2016 - 2017 Programme Whitstable (Oyster Festival period). Pick up Queens Theatre, Hornchurch. £TBC £20.50 Friday, 22 April, 1.30 pm Tuesday, 13 December, 2 pm – 4pm Tour of Thurrock Costume Centre and Set Tuesday, 16 August, 1 pm Friends Christmas Social at Havering Production who store all the costumes and Strawberry cream tea and talk on Copped Museum. sets for the Royal Opera House. Car share Hall, Epping. to be arranged £6 (includes cream tea) £5 £7 Tour Tuesday, 6 September – 9.40 am Saturday, 28 January, 2 pm Monday, 9 May, 11 am All day Silvertown Sugar Walk guided by Opportunity to explore the Museum’s Brian Evans’ guided walk of Islington. Meet Ian Selby. Meet at Romford Station. Walk Collections, handle objects and learn how at the Angel Underground Station, exit finishes around 5pm. to preserve your own treasures. Islington High Street. Free Free Free Saturday 10 September, 8.30 am – February 2017 - Quiz Night Coach trip to *Carr Taylor Vineyard, guided Details to be confirmed later. -
Celebrating 20 Years of the Camberwell Arts Festival
Celebrating 20 years of the Camberwell Arts Festival CATALOGUING CAMBERWELL 1 This year, the Camberwell Arts Festival celebrated its 20th birthday. From its infancy, the festival has brought life to little known locations, enabling new, emerging and established artists to take to the streets and create a narrative about the area we live and work in. And in 2014 it was all about the number 20! From pubs to parks, cafes to crypts, the whole of Camberwell becomes the gallery and performance space, inviting residents and visitors alike to explore the area in new and unexpected ways. As Camberwell evolves, so too does the organisation: Camberwell Arts prides itself on placing partnership at its heart. This year’s festival and the catalogue showcase this: from our work with Southwark Pensioners to the inclusion of Literary Kitchen, we’re open to all – and are committed to maintaining this going forward. As we look to the next 20 years, we’ve expanded our board and are casting the net even wider during these challenging times for the arts. Planning is already underway for the 2015 Festival, which will take place from 20–28 June; what happens during that week is as much up to you as it is to us! To find out more, submit an idea or get involved visit us at: www.camberwellarts.org.uk Michael Armstrong, Chair of Camberwell Arts 2 NEIGHBOURPUD WATCH TICKETS PLEASE! Eating our way around Camberwell seemed Margaret Thatcher was wrong to knock too good to be true – and Miss Cakehead’s people who travel on buses. -
Reviews: the Heresy of Love | Jumpy | Double
May 2017 | No. 62 | Bimonthly www.bromleylittletheatre.org THE OFFICIAL ORGAN OF PRESIDENT: MICHAEL YORK OBE Reviews: The Heresy Of Love | Jumpy | Double Top Previews: People | The Breath Of Life | Of Mice And Men + Auditions + Events Diary + Noticeboard 1 BLT chair Key contacts Another farewell needs to be made to Emma Kerby-Evans and Maxine Edwards Stevie Hughes, who is stepping down from in BLT's February 2017 production of The Heresy Of Love the role of website, poster, and Spotlights Call: 020 3189 1690 designer. A record of a few of his wonderful for box office, membership and key contacts designs can be seen among the posters enquiries (but not for booking tickets). plastered to the walls of the stage door stairs. We shall certainly miss his intelli- Key contact areas: gent, creative designs. [email protected] The board have been discussing for [email protected] some time how we can better organise the management of the theatre. We have Chair: decided that while Playgoers will remain [email protected] as an entity for the receipt of funds from Key: Jane Buckland the bar, membership and the coffee bar, Artistic: the day-to-day running of these and other [email protected] ooking back over the last couple of aspects of the theatre is to be by existing Keys: Pauline Armour / Jane Buckland Lyears, most BLT members will see that it personnel, overseen by the assigned board has been a period of change and development members. The former members of the for the theatre, and one which is set to Youth group: Playgoers committee will now be able to continue. -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
Core Strategy Vision and Objectives
1. Introduction Your chance to help shape the future of Bromley We would like you to help us develop the long-term planning strategy for the London Borough of Bromley. This strategy needs to show roughly where any new development should go and, how much development there should be, over the next 20 years. We are starting with what is known as the “Core Strategy” - the top-level document where we set the general direction for the future of the borough - but once this is prepared we will produce other documents with policies to guide the detail of any development. So, is this the “Core Strategy”? No, this is just the first step towards a Core Strategy. This document presents a wide range of information about the Borough and its places and suggests some of the key issues for the future. We are asking everyone with an interest in Bromley to tell us what they think about the issues we have identified – are they the right issues? Are there any more issues that our planning strategy needs to consider? Once we have agreed on the main issues, it’s time to look at the ways of tackling them – again, we’ll be asking for everyone to get involved by telling us what they think and whether anything has been missed. After this we’ll be able to produce a draft Core Strategy which will contain policies that can be used to guide development – this is the document that will be submitted to the Government for checking. Overall, this process will take about two years. -
Types & Forms of Theatres
THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them.