Syllabus 2013-14
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Bring up the Bodies
BRING UP THE BODIES BY HILARY MANTEL ADAPTED FOR THE STAGE BY MIKE POULTON DRAMATISTS PLAY SERVICE INC. BRING UP THE BODIES Copyright © 2016, Mike Poulton and Tertius Enterprises Ltd Copyright © 2014, Mike Poulton and Tertius Enterprises Ltd Bring Up the Bodies Copyright © 2012, Tertius Enterprises Ltd All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BRING UP THE BODIES is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BRING UP THE BODIES are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. -
PDF Download Sherlock Holmes from Screen to Stage : Post
SHERLOCK HOLMES FROM SCREEN TO STAGE : POST- MILLENNIAL ADAPTATIONS IN BRITISH THEATRE PDF, EPUB, EBOOK Benjamin Poore | 258 pages | 05 Sep 2017 | Palgrave MacMillan | 9781137469625 | English | Basingstoke, United Kingdom Sherlock Holmes from Screen to Stage : Post-Millennial Adaptations in British Theatre PDF Book Sherlock Holmes. Robert Webb. Baskerville: A Sherlock Holmes Mystery [49]. New issue alert. The Secret Document [60]. Baker Street Victorian Undead. Who We Are. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. Sign In or Create an Account. Anthony Higgins. Radio ABC. I tend to foreground storytelling as a social act, that is, as a collaboration dependent on legal, economic and cultural conditions. Sign in via your Institution Sign in. Sherlock Holmes [19]. Stage Royal Shakespeare Company. Owen Gallighar, Eduardo Navas, Routledge, Sherlock Holmes in New York. The Valley of Fear. Wikimedia list article. I enjoy working with students one-on-one and have supervised independent studies on subjects as various as playwrights Susan Glaspell and August Strindberg, the theatre of India, children's books and young adult literature, stand-up comedy, true crime, erotica and Batman. I'm interested in how writing is made, marketed and sold. The Three Garridebs [52]. The Mask of Moriarty [44]. Young Sherlock Holmes. Metuchen, New Jersey: Scarecrow Press. Stage Metropolitan Opera House. Introduction: Sherlock Holmes Belongs to Everyone. This books provides a timely comparative case study that reveals the factors driving the International Sherlock Holmes and the Case of the Silk Stocking. The Armstrong and Miller Show. The Hound of the Baskervilles. -
THE JUNGLE by Joe Murphy & Joe Robertson Directed by Stephen Daldry & Justin Martin
PRESS RELEASE – Monday 11 June 2018 IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram @TheJungleLDN TheJunglePlay.co.uk A NATIONAL THEATRE AND YOUNG VIC CO-PRODUCTION WITH GOOD CHANCE THEATRE THE JUNGLE by Joe Murphy & Joe Robertson directed by Stephen Daldry & Justin Martin FULL CAST ANNOUNCED FOR CRITICALLY ACCLAIMED THE JUNGLE AND REHEARSAL PICTURES RELEASED TODAY THEATRE TRANSFORMATION UNDERWAY IN ORDER TO ACCOMMODATE MIRIAM BUETHER’S UNIQUE SET DESIGN FROM THE YOUNG VIC NEW FOR PLAYHOUSE AUDIENCES, THE DRESS CIRCLE WILL BE TRANSFORMED INTO ‘CLIFFS OF DOVER’, WITH UNIQUE AND INTIMATE VIEWS OVER THE SPACE BELOW ENHANCED BY SCREENS RELAYING CLOSE-UP ‘LIVE NEWS BROADCAST’ STYLE FOOTAGE OF THE ACTION AS IT HAPPENS THE JUNGLE WILL PREVIEW FROM 16 JUNE AT THE PLAYHOUSE THEATRE IN LONDON’S WEST END Following critical acclaim, and a sold-out run at the Young Vic, producers Sonia Friedman Productions, Tom Kirdahy and Hunter Arnold are delighted to announce the full cast for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin. The production is set in Europe’s largest unofficial refugee camp, the Calais Jungle, which in 2015, became a temporary home for more than 10,000 people. Previewing from 16 June, with World Refugee Day on 20 June, The Jungle will have an Opening Night on 5 July at the Playhouse Theatre, with rehearsal photography released today. Cast transferring from the Young Vic include Mohammad Amiri, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Ammar Haj Ahmad, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner and Nahel Tzegai. -
Felixelix Felixonline.Co.Uk Films of 2010 This Week
29 The award-winning student newspaper of Imperial College . 01 “Keep The Cat Free” . Issue 1,451 10 ffelixelix felixonline.co.uk Films of 2010 This week.... Smoke-free campus? DPEW felix looks ahead at the rreleaseseleases set tries to ban cigarettes to blobloww our minds! PPageage 17 for I voted News, Page 2 Ashley Brown STOIC makes a triumphant comeback... ish... as ICU President So News, Page 3 felix celebrates record label what’s Tru Thoughts’ anniversary Music, Page 21 changed? The iPad: giant iPhone, pile of poo or both? We interview Union President Ashley Brown on the successes and failures of his term, Pages 4 & 5 Tech, Page 25 2 felix FRIDAY 29 JANUARY 2010 News Editor Kadhim Shubber NEWS [email protected] Smoking stubbed out on campus? The world beyond AAlicelice RowlandsRowlands through. This reporter wonders wheth- er Mr Silver’s dislike of walking through the Quad may go some way to explain John James, Deputy President (Wel- his sporadic attendance at the office. College walls fare), presented a controversial paper A lot of people feel a student of Im- to central Union’s Representation and perial College ought to be able to ask Welfare Board (RWB) last Thursday, another to alter their behaviour, if they calling for a ban on smoking on all Un- see it as offensive. As pointed out by ion premises, including Beit Quad. The non-smoker, Jess Poore: “If it’s got to paper asks the Union to: Implement a the point where we can no longer rely ban on smoking in any part of Union on common courtesy and the ability to Sri Lanka premises and a ban on the sale of tobac- ask someone to move away from you co by the Union and to lobby college to if you find them smoking unpleasant, implement a smoke free campus. -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Fra Fee Photo: Ruth Crafer
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Fra Fee Photo: Ruth Crafer Location: London, United Kingdom Appearance: White Height: 5'8" (172cm) Eye Colour: Brown Weight: 10st. 8lb. (67kg) Hair Colour: Dark Brown Playing Age: 21 - 30 years Hair Length: Mid Length Film 2018, Feature Film, Jim, Animals, Sarah Brocklehurst Productions, Sophie Hyde 2014, Feature Film, Kieran, Monochrome, Electric Flix, Tom Lawes 2012, Feature Film, Courfeyrac, Les Miserables, Working Title Films, Tom Hooper Stage 2017, Stage, Michael Carney, Ferryman, Royal Court Theatre & West End, Sam Mendes 2016, Stage, Mole, THE WIND IN THE WILLOWS, Jamie Hendry Productions, Rachel Kavanaugh 2016, Stage, Cal Chandler, THE FIX, Union Theatre, Michael Strassen 2016, Stage, Amiens, As You Like It, National Theatre, Polly Findlay 2015, Stage, Man 2, PUTTING IT TOGETHER, Lyric Theatre, Belfast, Stephen Whitson 2015, Stage, Jamie, The Last Five Years, Lyric Theatre, Belfast, Stephen Whitson 2015, Stage, Romeo, Romeo & Juliet, Gate Theatre, Dublin, Wayne Jordan 2014, Stage, Philip, My Cousin Rachel, Gate Theatre Dublin / Spoleto Festival, Toby Frow 2013, Stage, Candide, Candide, Menier Chocolate Factory, Matthew White 2013, Stage, Robbie, A MAN OF NO IMPORTANCE, Salisbury Playhouse, Gareth Machin 2013, Stage, Young Buddy, FOLLIES, Opéra de Toulon, Olivier Bénézech / David Charles Abell 2012, Stage, Florizel, Howard Goodall's A WINTER'S TALE, Landor Theatre, Andrew Keates 2011, Stage, 1st cover Marius/2nd cover -
C O M U N E D I G U a S T a L
Piazza Mazzini, 1 C O M U N E D I G U A S T A L L A 42016 GUASTALLA Provincia di Reggio Emilia Tel. (0522) 839711 Fax (0522) 824834 Ufficio Stampa: Città sostenibile delle Bambine e dei Bambini tel. 0522839762 – fax 0522824834 1° Premio Anno 2000 [email protected] Guastalla, 12 luglio 2014 COMUNICATO0 STAMPA LUNEDÌ 14 LUGLIO IL MUSICAL FILM LES MISERABLES AL CINEMA ESTIVO DI GUASTALLA Fino al 27 agosto proiezioni ogni lunedì e mercoledì sera nel cortile delle scuole elementari (via Costa) Come secondo appuntamento della rassegna “Film sotto le stelle”, lunedì 14 luglio alle ore 21.30 presso il cortile delle scuole elementari (via Costa), sarà proiettato LES MISÉRABLES, adattamento cinematografico di uno dei musical di maggior successo di tutto i tempi, tratto dal celebre romanzo di Victor Hugo. In particolare, Les Misérables è l'adattamento cinematografico del musical scritto nel 1980 da Claude-Michel Schönberg (musiche) e Alain Boublil (testi) Siamo nella Francia della prima metà dell'Ottocento. Protagonista della storia è Jean Valjean, appena uscito di prigione in cerca di redenzione. Sotto falso nome, diventa un fortunato imprenditore e sindaco di una città della provincia francese. Perseguitato dall'ispettore Javert, è costretto a fuggire nuovamente, portando con sé la piccola orfana Cosette, che alleva come una figlia. Fedele al musical di partenza e con il valore aggiunto del canto dal vivo, in particolare quello di Hugh Jackman e Anne Hathaway, il film acquista anche valore cinematografico. DATA USCITA: 31 gennaio -
What I Learn from Theatregoing: Review Haiku
What I Learn from Theatregoing: Review Haiku Monica Prendergast1 University of Victoria [email protected] Abstract A haiku suite of theatre reviews and reflection on application to practice as drama educator and scholar. Keywords: poetic inquiry, theatre reviews, reflective practice, haiku 1 Biographical statement: Monica Prendergast is Associate Professor of drama/theatre education at the University of Victoria. She has published her poetic inquiry widely including two edited collections and two special issues. Monica also researches aspects of drama/theatre curriculum and pedagogy. Her latest project involves the development and implementation of a new performance studies curriculum for secondary students. What I Learn From Theatregoing: Review Haiku 292 Theatre is the most social of art forms, yet sharing the experience of theatre is often quite private. We might discuss the play we have seen for a few minutes with whomever has come with us and then life moves on. If we see a show alone (as I often do when travelling) our response is a soliloquy; a silent dialogue with ourselves. We may read, see or hear a review and allow the critic his or her privileged public monologue that is rarely responded to or challenged. Here, I invite you to share your responses to any or all of these review haiku created in response to theatre productions I have seen in Toronto, London, Stratford-Upon- Avon and New York in the past two to three years. I have been a freelance theatre reviewer for the Canadian Broadcasting Corporation since 2006. For over nine years now I have shared my responses to local theatre and opera productions with listeners of CBC Radio’s On the Island morning program. -
S011630 Brettenham House Brochure V10.Indd
Striking. The Thames & Covent Garden on your doorstep. Brettenham House is a magnificent building adjacent to Waterloo Bridge overlooking the Thames. Its powerful presence is accentuated by its Art Deco façade and positioning on the west side of Lancaster Place. Hyde Park Green Park Mayfair Oxford Street Regent Street Tottenham Court Road St James’s Charing Cross Station Covent Garden Holborn Waterloo Temple CHANCERY LANE HOLBORN CULTURE O R N H O L B H I G H 1 Adelphi Theatre 9 Theatre Royal, Drury Lane 10 M Lincoln’s I 2 Savoy Theatre 10 National Theatre TOTTENHAM COURT ROAD N Inn Fields U 4 Place. T A 3 London Coliseum 11 S E T E Royal Festival Hall T R E S A G S T 4 I L H E S H I G K 4 Noël Coward Theatre 12 Cambridge Theatre 0 The area benefi ts from I 0 N G 5 Garrick Theatre 13 Proud Galleries 15 S W London’s most historic A 6 14 6 Y Lyceum Theatre National Portrait Gallery 5 M theatres, galleries and 7 The Duchess Theatre 15 Southbank Centre IN Seven U 4 8 Dials T A Fortune Theatre E opera houses that are 12 12 S A 4 COVENT GARDEN 8 8 steeped in tradition A 9 7 WINE & DINE 4 0 10 13 16 0 and history. 1 Savoy Kaspar’s 10 Ivy COVENT D Seafood Bar & Grill 11 N 11 R A Inner Cucina Asellina GARDEN 7 4 S T 6 A Temple 2 Savoy American Bar 3 6 5 12 Hawksmoor Seven Dials LEICESTER SQUARE 17 7 Gardens Amenities are unrivalled with some 14 15 4 3 Gordon’s Wine Bar 13 Dishoom 4 8 Somerset House TEMPLE A 3 2 1 1 of the best eateries, hotels and cafés 5 4 Polpo Covent Garden 4 14 Petersham Nurseries Leicester the city has to off er on your doorstep. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Introduction to Theatre | University of Reading
09/26/21 FT1ITH: Introduction to Theatre | University of Reading FT1ITH: Introduction to Theatre View Online This module introduces you to the study of theatre and performance through a series of play text case studies and theatre visits. ‘[1973] “Not I” (Samuel Beckett)’, 2010 <https://www.youtube.com/watch?v=M4LDwfKxr-M> ———, 2010 <https://www.youtube.com/watch?v=M4LDwfKxr-M> ‘About the Play | Cymbeline | Royal Shakespeare Company’ <https://www.rsc.org.uk/cymbeline> ——— <https://www.rsc.org.uk/cymbeline> ‘Alan Cumming and Tony Curran in Rehearsals for The Bacchae’, 21AD <https://www.youtube.com/watch?v=slqXLI2DoRc> ‘A Pacifist’s Guide to the War on Cancer | National Theatre’ <https://www.nationaltheatre.org.uk/shows/a-pacifists-guide-to-the-war-on-cancer> ——— <https://www.nationaltheatre.org.uk/shows/a-pacifists-guide-to-the-war-on-cancer> Arnott, Peter D., and ebrary, Inc, Public and Performance in the Greek Theatre (London: Routledge, 1991) <http://site.ebrary.com/lib/reading/Doc?id=10060943> Ashby, Clifford, and ebrary, Inc, Classical Greek Theatre: New Views of an Old Subject (Iowa City, Iowa: University of Iowa Press, 1999), Studies in theatre history & culture <http://site.ebrary.com/lib/reading/Doc?id=10579441> Aston, E., ‘“Semiotics of Performance”’, in Theatre as Sign-System: A Semiotics of Text and Performance (London: Routledge, 1991), pp. 99–122 <http://reading.eblib.com/patron/FullRecord.aspx?p=1581598> Aston, Elaine, and George Savona, Theatre as Sign-System: A Semiotics of Text and Performance (London: Routledge, 1991) -
Monthly Bulletin
Monthly Bulletin October 2019 Issue No 150/10/2019 Bradford Theatres Morley St Bradford BD7 1AJ Box Office 01274 432000 bradford-theatres.co.uk Buddy, Balletboyz and Drama at the Alhambra Theatre What’s In A Name Egos, childish resentment and unspoken feelings are hilariously Tue 7 - Sat 11 April 2020 exposed in this riotously funny drama. Stars Joe Thomas Eves 7.30pm, Wed 2pm, Sat 2.30pm (The Inbetweeners), Bo Poraj (Miranda), Laura Patch (Afterlife), Summer Strallen Tickets £31.50 - £15.50 (Top Hat) and Alex Gaumond Concessions and Groups 12+ offers available (Company). On sale to Friends Mon 14 October, on public sale Mon 21 October Friends discount: £2.50 off two tickets Balletboyz: Deluxe There’s a treat in store for you next year; the multi award-winning BalletBoyz are coming! Get ready to meet the six exceptional Wed 22 April 2020, 7.30pm young dancers who star in this brand new feast of mesmerising and sublime dance, cleverly fused with trademark use of film and behind the scenes footage. Tickets £27 - £18 Concessions, Under 25s & Students and Groups 12+ offers available On sale to Friends Mon 14 October, on public sale Mon 21 October Friends discount: £2.50 off two tickets This sensational multi award-winning West End show Buddy: The Buddy Holly Story first opened in 1989 and has been thrilling audiences around the world ever since. Now it triumphantly Tue 21 - Sat 25 July 2020 th returns to Bradford as part of its landmark 30 Anniversary Tour. Eves 7.30pm, Wed 2pm, Sat 2.30pm Tickets £36.50 - £19.50 Concessions, Early Bird and Groups 12+ offers available On sale to Friends Mon 14 October, on public sale Mon 21 October Friends discount: £2.50 off two tickets Continues..