DOCSLIB.ORG

Julius Caesar | the Cripple of Inishmaan Collected Grimm Tales

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Julius Caesar | the Cripple of Inishmaan Collected Grimm Tales Jun 2014 | No. 46 | Quarterly www.BromleyLittleTheatre.org • Reviews: The Thrill Of Love | The Importance Of Being Earnest Two | Clybourne Park • Previews: Julius Caesar | The Cripple Of Inishmaan Collected Grimm Tales • Auditions: Collaborators | Great Expectations THE OFFICIAL ORGAN OF + Events Diary + Noticeboard MICHAEL YORK OBE PRESIDENT: Charis Anna Beyer and Sarah Hinchliffe in BLT’s March production of The Importance Of Being Earnest Photo: Tim Hinchliffe (www.timhinchliffe.com) Tim Hinchliffe Photo: Debbie Griffiths and Piers Newman in BLT’s March production of Two. In The Bar Photo: Phil Cairns (http://philcairns.zenfolio.com) Phil Cairns Photo: 2 BLT Chair Playgoers’ - W - Office Suite el Before any detailed architectural plans 6 June and theSpotlights KDA’s is on 7 June). May’s come were drawn up it gradually became obvi offering was (to be reviewed in- Spotlights!to the June ous that we needed to clarify who the September’s ) with Alan Bennett edition of people or organisations were who might giving us his usual poignantly-accurate ob be able to help us to address the landlord’s servations of ordinary people once more. As I write wish to see “bold plans” for the site. On The Playgoers’ Committee continues to this I am - Mark Foley’s advice, we engaged Stephen be active in the interests of the theatre immersed Browning, an arts management consultant and its playgoers: Christina Jeremiah, our in rehears to investigate: Membership Secretary, also acts as sound als for our • potential offers of funding or support;- designer from time to time; Pat Jones, our ambitious Julius Publicity Manager, stage manages and is production Caesar - • potential offers of extra space in prox on the Board of Directors; Paul Ackroyd, of imity to the theatre; and Box Office Manager, is a splendid actor; Jan which I have the privilege of direct The Cripple of Inishmaan. Greenhough, as well as being a talented ing, and am looking forward to the July • partners who may be able to share actor is compiling an up-to-date list of production of space in the theatre (if it was available), - members willing to help build sets (could- or provide daytime activity and rent. These last coupleA of Doll’s months House have seen BLT YOUR name be added to her list ? If so, call extend their productions out into the com He will report back in June and we will be 07946 414 233). Ruth Jarvis is our Secre mercial theatre: had such able to offer further information at the BLT tary - she manages to perform this job and a successful run recently at the Brockley Directors’ AGM on the 21st July at 8pm. occasionally act while bringing up a small - ClybourneJack Theatre Park. that we have been asked family; Rene Meissner is the committee’s back in September with our April show, All of us on the Board are aware of the treasurer; Ami Williamson, another accom A group of BLT actors put fine dramatic tradition of the theatre over plished actor, is on the Board of Directors; on another ‘Murder Mystery Evening’ at the past 75 years and wish to secure the and me – Pauline Pead – I wear three hats: Ferrari’s restaurant in aid of Bromley ‘Y’ theatre’s future in the long term. Please Playgoers’ Chairman, Board of Directors on 1st May, this time before six mayors contact me if you have any questions about and Bar Manager. from surrounding boroughs, including this exciting venture, developments that Would YOU like to join our committee? If the mayor of Bromley no less. As they you would like to see incorporated into our - so, please contact me on 01689 870 326. left, East Street looked like Beverley Hills plans, offers of help or expertise and most We would appreciate your input and assist with the six official cars and their drivers importantly suggestions how we might be Anne Boleyn ance in running your theatre. We are still in attendance! In July, our production of able to fund this development. in need of more volunteers for Bar, Coffee will be onstage at Hever Castle It is going to be very difficult to raise the Bar and Front of House so please come and and we hope many of you will buy tickets money we need and we are proceeding help. for what I’m sure will prove to be a run of cautiously, exploring what is possible some pretty magical performances at such step by step. We may find ultimately that AnneWe are Boleyn looking forward to a fine summer an appropriate venue.www.heverfestival-tickets. All enquiries should we cannot meet the landlord’s request and more great theatre – including taking co.ukbe made01732 directly 866 to 114the Festival Theatre - for “bold plans” but all of us involved are to Hever Castle (see page 5). - Jane Buckland at Hever Castle: determined to try. • ENJOY!- Pauline • Pead or . This is a commer ([email protected]) cial venture and as our actors all give their services for free, we hope to generate some good revenue for BLT. The artistic life of Bromley Little Theatre is thriving, and the theatre manages to put Playgoers’ on consistently high quality shows and draw appreciative audiences month after Committee month. Our beloved building, however, is gradually moving from quaint and quirky - to crumbling and problematic as the years How privileged we are! BLT’s Artistic roll on. This year our landlords, as a condi Directors and directors are churning out tion of the annual lease renewal, asked still more challenging productions for our us to explore “bold plans” for the theatre entertainment and doing us very proud in building and for the past six months the Themaintaining Importance such Of a Being high standard.Earnest March’s Board has been doing just that. We have modern day treatment of Oscar Wilde’s - had exploratory talks with three architects showed experienced in theatre work and selected just how flexibleTwo we can be while still suc Mark Foley from Burrell Foley Fischer to ceeding in pulling it off. Our ‘In The Bar’ begin the process of finding out how we production, , filled me with nothing can improve the facilities for actors and but admiration for the two actors and Kyle- audiences at BLT while retaining the spirit - Cluett’sClybourne debut asPark a director surpassed all Bromley Little Theatre and character of Bromley Little Theatre. expectations. April’s production, the excel Registered Charity No. 1132561 Some of the priorities identified are: ad lent and our entry into the www.BromleyLittleTheatre.org ditional rehearsal space, better facilities Bromley Theatre Guild and Kent Drama President: Michael York OBE and access for our audiences and actors, Association drama festivals, resulted in Spotlights improved technical facilities – oh, and a two very promising adjudications (watch roof that‘Spotlights’ doesn’t leak is designed in a downpour and typeset! by: this space: the BTG awards ceremony is on is published by Bromley Little Theatre COVER: SpotlightsLtd., North Street, Bromley, Kent BR1 1SB. Any Elizabeth Steele in BLT’s March production of 07789 123719 views or opinions expressed by individuals in The Importance Of Being Earnest are done so independently and are graphic design • web design • sound design Call: [email protected] www.triocreative.com Photo: Tim Hinchliffe (www.timhinchliffe.com) not necessarily the opinions of Bromley Little Theatre Ltd. or its directors. Diary Noticeboard & Dates Latest News Playgoers’ Club AGM A letter from Dame Eileen Atkins DBE 2014 Monday 28 Dame Eileen appeared on the BLT stage The annual general meeting of the BLT July 2014 at 8.00pm in 1961. Playgoers’ Club is to be held on “I think the play I did at the Bromley Little Theatre was called , by 1. Apologies for absence Marguerite Duras. I was in my mid-twen- there 2. Minutes of the AGM of 3 May 2013 ties and it was directed byThe Toby Square Robertson, are no shows on Sundays. 3. Matters arising from the minutes who became a great friend. Except for ‘In The Bar’ productions, Programme 4. Chairman’s report I have fond memories of the experience as subjectFri 6 - Sat to change.14 Jun 2014 at 7.45pm 5. Treasurer’s report I had no idea that Marguerite Duras was Julius Caesar highly regarded by intellectuals and that 6. Bar Treasurer’s report all sorts of important people would find Directed by Jane Buckland 7. Membership Secretary’s report their way to Bromley. by William Shakespeare Fri 4 - Sat 12 Jul 2014 at 7.45pm 8. Election of committee (nominations I just loved the play (which had been to reach the Secretary by Monday 21 adapted from the novel – it’s not possible The Cripple Of July 2014) to find a copy of the play- certainly not in Inishmaan 9.NOMINATIONS Any other business English anyway). It got reviewed in all the posh papers and I especially, (it’s a two Directed by Nikki Packham - hander) got wonderful reviews (at least I by Martin McDonagh Members may nominate themselves or think I did; as I don’t keep anything, I may Thu 24 - Sat 26 Jul 2014 other members for election to the Com be wrong). YOUTH THEATRE PRODUCTION mittee. Nominees must indicate their Collected Grimm Tales willingness to stand if nominated by others At that time, I had no agent and a grand and be supported by another member if literary agent was there and persuaded nominated by themselves. Nominations are his agency, London Management, to take DirectedAdapted by TundeCarol AnnEuba, Duffy Joel Trill invited from asRuth broad Jarvis a cross section of the me on, so I got my first agent, a wonderful &Dramatised Helen Dunlea by Tim Supple [email protected] as possible.
Load more

Recommended publications
  • Project Description
    PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. IN THE AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BAR AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD Website graphics CONTAINS VERY STRONG LANGUAGE AND SEXUAL REFERENCES THROUGHOUT for each play were also created. AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, IN THE BAR, NORTH STREET, BROMLEY KENT BR1 1SB BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 Members: £8 / Non-members: £12 • Booking opens to non-members on 8th November Members: £8 / Non-members: £12 • Booking opens to non-members on 13th Sept Members: £7 / Members’ guests: £10 • Booking opens on 22 August Tickets also available from the Churchill Theatre box office Phil Graham 07941 508026 [email protected] PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. Website graphics AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD AN AMATEUR PRODUCTION BY ARRANGEMENT WITH NICK HERN BOOKS for each play were also created. KING CHARLES III BY MIKE BARTLETT Directed by PAULINE ARMOUR Fri 12th - Sat 20th Oct 2018 at 7.45pm (not
    [Show full text]
  • Reviews: the Heresy of Love | Jumpy | Double
    May 2017 | No. 62 | Bimonthly www.bromleylittletheatre.org THE OFFICIAL ORGAN OF PRESIDENT: MICHAEL YORK OBE Reviews: The Heresy Of Love | Jumpy | Double Top Previews: People | The Breath Of Life | Of Mice And Men + Auditions + Events Diary + Noticeboard 1 BLT chair Key contacts Another farewell needs to be made to Emma Kerby-Evans and Maxine Edwards Stevie Hughes, who is stepping down from in BLT's February 2017 production of The Heresy Of Love the role of website, poster, and Spotlights Call: 020 3189 1690 designer. A record of a few of his wonderful for box office, membership and key contacts designs can be seen among the posters enquiries (but not for booking tickets). plastered to the walls of the stage door stairs. We shall certainly miss his intelli- Key contact areas: gent, creative designs. [email protected] The board have been discussing for [email protected] some time how we can better organise the management of the theatre. We have Chair: decided that while Playgoers will remain [email protected] as an entity for the receipt of funds from Key: Jane Buckland the bar, membership and the coffee bar, Artistic: the day-to-day running of these and other [email protected] ooking back over the last couple of aspects of the theatre is to be by existing Keys: Pauline Armour / Jane Buckland Lyears, most BLT members will see that it personnel, overseen by the assigned board has been a period of change and development members. The former members of the for the theatre, and one which is set to Youth group: Playgoers committee will now be able to continue.
    [Show full text]
  • Core Strategy Vision and Objectives
    1. Introduction Your chance to help shape the future of Bromley We would like you to help us develop the long-term planning strategy for the London Borough of Bromley. This strategy needs to show roughly where any new development should go and, how much development there should be, over the next 20 years. We are starting with what is known as the “Core Strategy” - the top-level document where we set the general direction for the future of the borough - but once this is prepared we will produce other documents with policies to guide the detail of any development. So, is this the “Core Strategy”? No, this is just the first step towards a Core Strategy. This document presents a wide range of information about the Borough and its places and suggests some of the key issues for the future. We are asking everyone with an interest in Bromley to tell us what they think about the issues we have identified – are they the right issues? Are there any more issues that our planning strategy needs to consider? Once we have agreed on the main issues, it’s time to look at the ways of tackling them – again, we’ll be asking for everyone to get involved by telling us what they think and whether anything has been missed. After this we’ll be able to produce a draft Core Strategy which will contain policies that can be used to guide development – this is the document that will be submitted to the Government for checking. Overall, this process will take about two years.
    [Show full text]
  • MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
    MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth.....................................................................................................
    [Show full text]
  • 40 More Theatres Supported with Final Theatre Reopening Fund Grants
    Theatres Trust supports 40 more theatres with final Theatre Reopening Fund grants The national public advisory body for theatre has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens. The theatres supported reflect the vital elements that make up the theatre ecosystem with awards made to significant producing theatres – Hampstead Theatre, Lyric Hammersmith, Pitlochry Festival Theatre, Theatre Royal Bath – major receiving houses Capital Theatres and Worthing Theatres, venues specialising in dance (Northern Ballet), new writing (Traverse, New Diorama, Gate Theatre) and one of the country’s few puppet theatres, Upfront Theatre. Community theatres across the country have received grants, including young people-focused Blue Elephant Theatre and Hanger Farm Arts Centre, which works with people with learning disabilities. Theatres Trust has also given grants to help reopen every type of theatre building, including the country’s last remaining Regency theatre, Theatre Royal Bury St Edmunds, theatres in converted cinemas (People’s Theatre and Blackburn Empire) and former churches (Headgate Theatre and Lowestoft Players Theatre), pub theatres (Jack Studio Theatre), outdoor theatre (Rutland Open Air) and even a travelling theatre – Paines Plough. Theatres Trust Director Jon Morgan says, We are beginning to look forward to a time when theatres can reopen, welcome audiences back inside and continue to play a vital role in their communities. It has been a difficult year, but Theatres Trust is pleased to have been able to support so many theatres through this grant scheme as well as our free advice service and the #SaveOurTheatres Crowdfunding campaign.
    [Show full text]
  • Wicked-Playbill-F9409bf2cc.Pdf
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA HOLLYWOOD PANTAGES THEATRE Marc Platt Universal Stage Productions The Araca Group and Jon B. Platt David Stone present Music and Lyrics Book Stephen Schwartz Winnie Holzman Based on the novel by Gregory Maguire Starring Jackie Burns Kara Lindsay Mili Diaz Jon Robert Hall Chad Jennings Michael Wartella Deanna Aguinaga-Whyte Allison Bailey Kerry Blanchard Beka Burnham Lauren Cannon Autumn Crockett Cooper Matt Densky Ryan Patrick Farrell Nick Gaswirth Sara Gonzales Sam Gravitte Kelly Lafarga Philip Dean Lightstone Chase Madigan Tiffany Rae Mallari Micaela Martinez Andy Richardson Wayne Schroder Jeff Sears Tregoney Shepherd Brandon Stonestreet Ben Susak Olivia Valli Justin Wirick and Jody Gelb Jason Graae Settings Costumes Lighting Sound Eugene Lee Susan Hilferty Kenneth Posner Tony Meola Projections Wigs & Hair Special Effects Technical Supervisor Elaine J. McCarthy Tom Watson Chic Silber Jake Bell Music Arrangements Music Director Dance Arrangements Music Coordinator Alex Lacamoire & Stephen Oremus Adam Souza James Lynn Abbott Michael Keller Associate Set Designer Associate Director Associate Choreographer Production Stage Manager Edward Pierce Lisa Leguillou Corinne McFadden Herrera David O’Brien General Management Casting Press Executive Producers 321 Theatrical Telsey + Company Phillip Aleman Marcia Goldberg Management & Nina Essman Orchestrations William David Brohn Music Supervisor Stephen Oremus Musical Staging by Wayne Cilento Directed by Joe Mantello Grammy Award-Winning Cast
    [Show full text]
  • Download 2012–2013 Catalogue of New Plays
    Cover Spread 1213.ai 7/24/2012 12:18:11 PM Inside Cover Spread 1213.ai 7/24/2012 12:14:50 PM NEW CATALOGUE 12-13.qxd 7/25/2012 10:25 AM Page 1 Catalogue of New Plays 2012–2013 © 2012 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Fall 2012 Dear Subscriber, This year we are pleased to add over 85 works to our Catalogue, including both full length and short plays, from our new and established authors. We were particularly fortunate with nominations and awards that our authors won this year. Quiara Alegría Hudes won the Pulitzer Prize with WATER BY THE SPOONFUL, and the two runners-up were John Robin Baitz’s OTHER DESERT CITIES and Stephen Karam’s SONS OF THE PROPHET. The Play Service also represents three of the four 2012 Tony nominees for Best Play, including the winner, Bruce Norris’ CLYBOURNE PARK, Jon Robin Baitz’s OTHER DESERT CITIES and David Ives’ VENUS IN FUR. All four of the Tony nominations for Best Revival are represented by the Play Service: DEATH OF A SALESMAN (the winner), THE BEST MAN, MASTER CLASS and WIT. Other new titles include Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, David Henry Hwang’s CHINGLISH, Katori Hall’s THE MOUNTAINTOP, Nina Raines’ TRIBES and Paul Weitz’s LONELY, I’M NOT. Newcomers to our Catalogue include Simon Levy, whose masterful adaptation of THE GREAT GATSBY is the only stage version to be authorized by the Fitzgerald Estate; Erika Sheffer, with her vivid portrait of an immigrant family in RUSSIAN TRANSPORT; Sarah Treem, with her absorbing and thought-provoking THE HOW AND THE WHY; and Tarell Alvin McCraney, with the three plays of his critically acclaimed BROTHER/SISTER TRILOGY.
    [Show full text]
  • Regeneration Strategy 2020 to 2030
    REGENERATION STRATEGY 2020 TO 2030 DRAFTwww.bromley.gov.uk/regeneration CONTENTS Foreword 3 Our borough: An overview 4 Our borough in numbers 6 Introduction 8 Context 10 Drivers and opportunities 12 Our approach to regeneration 17 Our priority areas: 19 1. Nurturing our green spaces 20 2. Activating high quality leisure and cultural provision 22 3. Supporting new and existing communities 24 4. Strengthening our town centres and local economy 26 5. Encouraging tourism 28 Delivering the strategy 30 Measuring our success 31 REGENERATION STRATEGY 2020 TO 2030 2 FOREWORD Regeneration supports wellbeing, through the development of improved community services such as libraries to better quality leisure centres. Regeneration ensures that the borough remains a place people choose to live, work and spend their time, supporting everyone in living happy and healthy lives. Regeneration is crucial to the success of Whilst the Council will work hard to our high streets and town centres. It leverage in grant monies and create enables our shops and restaurants to thrive commercial opportunities to support each in a competitive market, welcoming places regeneration project, the Council cannot attracting shoppers from across the deliver this strategy alone. This strategy borough and further afield. Regeneration of represents the Council’s commitment to and investment in our special historic becoming a proactive partner and leader to places and green spaces attracts tourism facilitate transformational regeneration and local spend. Regeneration is good for across the borough. We will work with business and supports independence and residents, developers and landowners, employment. investors and businesses, community groups and professional forums over the In line with the Building a Better Bromley next ten years to bring this strategy to life ambitions, this strategy sets out the and deliver high quality improvements for borough’s priorities for regeneration over all our residents.
    [Show full text]
  • Download 2018–2019 Catalogue of New Plays
    Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart.
    [Show full text]
  • February 20162016
    NewsletterNewsletter FebruaryFebruary 20162016 In This Issue • Chairman’s Letter P3 • The Floods P4 • New Writing P6 • Comedy Tonight P8 Vol.30Vol.30 No.1No.1 FebruaryFebruary 20162016 LTG Newsletter Vol .30 No.1 February 2016 Volume 30 No 1 February 2016 Tel: 01202 516260 11 The Carriages Mob: 07528 093908 Station Road The Little Theatre Guild represents Email: WARE 110 member theatres that control [email protected] SG12 9PL and manage their Theatre buildings. Tel: 01920 461715 Our members are all amateur theatre MILLER CENTRE THEATRE New email: [email protected] companies with an annual audience of Gail Bishop over 650,000 patrons, and a turnover 92 Godstone Road The New Year Book - Corrections of approximately £4 million. Visit us at Caterham www.littletheatreguild.org Surrey Editor Tom Williams reports: CR3 6RA Tel: 07763 727263 As usual mistakes are found as soon as Email: [email protected] publication happens. Grange Playhouse LTG Diary of Events details at the head of their entry should 13th February 2016 STUDIO THEATRE SALISBURY read - corrections in BOLD. I did not notice RELATIONSHIP MEETING Tim Greathead the changes in the copy sent to me. The Stoke on Trent Rep Theatre Thyme Cottage, 7 Newtown, header is so rarely changed! Broadchalke, THE GRANGE PLAYERS CENTRAL REGION 21st February 2016 Salisbury, Wiltshire. The Grange Players Ltd, Grange Playhouse, NATIONAL COMMITTEE MEETING SP5 5DS Broadway North, Walsall WS1 2QB, West Tel: 01722-780125 and 07968-129082. Midlands 8, 9, 10 April 2016 E-mail:
    [Show full text]
  • Impact of COVID-19 on DCMS Sectors: First Report
    House of Commons Digital, Culture, Media and Sport Committee Impact of COVID-19 on DCMS sectors: First Report Third Report of Session 2019–21 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 20 July 2020 HC 291 Published on 23 July 2020 by authority of the House of Commons Digital, Culture, Media and Sport Committee The Digital, Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Digital, Culture, Media and Sport and its associated public bodies. Current membership Julian Knight MP (Conservative, Solihull) (Chair) Kevin Brennan MP (Labour, Cardiff West) Steve Brine MP (Conservative, Winchester) Philip Davies MP (Conservative, Shipley) Alex Davies-Jones MP (Labour, Pontypridd) Clive Efford MP (Labour, Eltham) Julie Elliott MP (Labour, Sunderland Central) Rt Hon Damian Green MP (Conservative, Ashford) Rt Hon Damian Hinds MP (Conservative, East Hampshire) John Nicolson MP (Scottish National Party) Giles Watling MP (Conservative, Clacton) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www.parliament.uk. Publication © Parliamentary Copyright House of Commons 2019. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/copyright. Committee reports are published on the Committee’s website at www.parliament.uk/dcmscom and in print by Order of the House. Evidence relating to this report is published on the inquiry publications page of the Committee’s website.
    [Show full text]
  • 32 Sept Spotlights.Indd
    September 2011 No. 32 | Bimonthly www.bromleylittletheatre.org FLEA IN HER EAR! (Review: page 4 - Photos Back Cover) INSIDE: SEASON Review: Flea in Her Ear | Love On The Dole PREVIEW Auditions: California Suite | Twelfth Night | Equus Previews: The Glass Menagerie | The Weir | Brassed Off 2012 Howard Wilson Tribute • Events Diary • Noticeboard What’s Inside BLT Chair 2 Playgoers’ Noticeboard 3 Key Contacts 3 Review of Flea in Her Ear 4 The D.R.A.M.A.s 6 Howard Wilson: a tribute 7 BLT’s 2012 Season 8 Audition Notices 12 Previews 14 Diary Dates 16 Claire McRandal as Raymonde in Flea in her Ear will be looking at strategies to increase as many members are aware, BLT Chair the number of set designers, set we cannot make the necessary “I said at the builders, lighting designers, lighting investment in the theatre until beginning of operators etc. we are clear that we have a my previous column in BLT, the company and charity held, its such investment worthwhile. Our Spotlights that AGM on Monday 18 July. Key points currentsufficiently lease long is up lease for torenewal make I was writing at discussed included: at the beginning of 2012 and the beginning • Artistic values remain a key lease is the key priority for the sunny day of strength at BLT. Moreover, with Boardsecuring for a the sufficiently remainder long of newthis theof the summer. first It special thanks to Pauline Armour, year. turns out I’m our aim is to increase further, • Finally, having reported on the sad afraid that it was one of the few sunny the quality and consistency of loss of Tom Pead in the previous days of the summer and I should productions through an artistic edition of Spotlights, BLT lost have stilled my pen because I clearly assurance scheme.
    [Show full text]