Nine Inch Nails' Trent Reznor Feels
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Gone Girl : a Novel / Gillian Flynn
ALSO BY GILLIAN FLYNN Dark Places Sharp Objects This author is available for select readings and lectures. To inquire about a possible appearance, please contact the Random House Speakers Bureau at [email protected] or (212) 572-2013. http://www.rhspeakers.com/ This book is a work of ction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used ctitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2012 by Gillian Flynn Excerpt from “Dark Places” copyright © 2009 by Gillian Flynn Excerpt from “Sharp Objects” copyright © 2006 by Gillian Flynn All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com CROWN and the Crown colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Flynn, Gillian, 1971– Gone girl : a novel / Gillian Flynn. p. cm. 1. Husbands—Fiction. 2. Married people—Fiction. 3. Wives—Crimes against—Fiction. I. Title. PS3606.L935G66 2012 813’.6—dc23 2011041525 eISBN: 978-0-307-58838-8 JACKET DESIGN BY DARREN HAGGAR JACKET PHOTOGRAPH BY BERND OTT v3.1_r5 To Brett: light of my life, senior and Flynn: light of my life, junior Love is the world’s innite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnicent rose smelling faintly of blood. -
Old Town Road (I Got the Horses in the Back)
Old Town Road (I Got the Horses in the Back) by TRENT REZNOR, ATTICUS ROSS, MONTERO LAMAR HILL and KIOWA ROUKEMA Lyrics by: MONTERO LAMAR HILL, TRENT REZNOR, ATTICUS ROSS and KIOWA ROUKEMA Published Under License From Universal Music Publishing Group © 2018 Form and Texture Inc, Songs in the Key of Mink, Downtown DMP Songs, Downtown Music Publishing LLC, Songs of Universal and Sony/ATV Music Publishing Kobalt Songs Music Publishing, Universal Music Publishing Group and Sony/ATV Music Publishing LLC Contains "34 Ghosts IV" - Music and Lyrics by Trent Reznor and Atticus Ross All Rights Reserved Authorized for use by Irene NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Universal Music Publishing Group. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. musicnotes.com Old Town Road (I Got The Horses In The Back) Words and Music by MONTERO HILL, KIOWA ROUKEMA, TRENT REZNOR and ATTICUS ROSS 1. Hm Nah-ma dah,dah 2. Yeah, I’mgon-na take my horse to the oldtown road, I’mgon-na ride ’til I can’t no more.I’m gon-na take my horse to the oldtown road, I’mgon-na ride ’til I can’t no more I got the © 2018 Form and Texture Inc, Songs in the Key of Mink, Downtown DMP Songs, Downtown Music Publishing LLC, Songs of Universal -
The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University. -
Trent Reznor, La Única Persona Detrás De Nine Inch Nails, Es Uno De Mis Artistas Favoritos
musica universalis [NIN] Trent Reznor, la única persona detrás de Nine Inch Nails, es uno de mis artistas favoritos. Quizá no os suene su nombre, pero seguro que habéis escuchado su música muchas veces... n 2011 recibió, junto Sin embargo, «Sunspots», With con Atticus Ross, el Os- Teeth (2005), comienza con man- car a la mejor banda chas solares iluminando sus ojos Esonora por The Social (Sunspots cast a glare in my eyes). Network (2010); produjo el primer En «1,000,000», The Slip (2008), álbum de Marilyn Manson y par- se siente a un millón de millas de tes del segundo y tercero, Anti- distancia, que son unos 250 ra- christ Superstar (1996); algunos dios terrestres o 0,01 unidades temas de su álbum The Fragile astronómicas. Ya se había senti- (1999) se han usado para infini- do a esa distancia en «Hurt», The dad de anuncios y programas de Downward Spiral (1994), por cier- televisión, tráilers de cine y hasta to, inmejorablemente versionea- para torturar a presos en Guan- da por Johnny Cash justo antes «Hera, NASA, manzana y uñas de tánamo; ha colaborado con Mi- de morir. Por «Satellite», Hesi- nueve pulgadas». Portada del sencillo Juno (2016) de Trent Reznor y Atticus nistry, Black Sabbath, David tation Marks (2013), parece que Ross. Juno es en realidad la misión del Bowie (es su perseguidor en el Reznor toma imágenes largas Jet Propulsion Laboratory en órbita videoclip de «I’m Afraid of Ame- que le estropean la exposición: polar alrededor de Júpiter para de- terminar si el planeta tiene un núcleo ricans»), A Perfect Circle, Jane’s Data trails, like fingernails / Scratch sólido. -
“Praying Angrily”
“Praying Angrily” Psalm 69 Erica Cooper Assistant Minister August 4, 2019 The Ninth Sunday of Pentecost In 1993 I attended my very first rock concert. Or concerts, I should say. In the early 90’s Lollapalooza was a budding 4-day outdoor music festival touring the U.S. with top billing bands like Sonic Youth, the Breeders and Green Day. I was thirteen years old, still in middle school, and really had no business being there, but I had some older high school friends who invited me to go, with their mom chaperoning in the background of course. It was hot and humid that day, as is always the case in Atlanta in July. I had been chugging water all afternoon to stay hydrated, and soon needed to use the bathroom. Between bands, I took my friend Nori with me as we headed out on a thirty-minute journey across the field, weaving a bobbing through 20,000 sweaty, sunburned Gen-Xers. We made it to the bathroom finally, and were delighted that the next band had not yet gone on stage, we didn’t miss out on anything. So we headed back across the field to our area where the rest of our friends were. But, somewhere in the middle of our journey, Nori and I lost one another. I looked around but couldn’t find her, and at this same time, another band started to play, so I stopped where I was to listen. This band was unfamiliar to me, a band called Rage Against the Machine. At first I didn’t notice the group of 20- something shirtless men gathering around me. -
Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A. Amato Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Amato, Sara A., "Female Anti-Heroes in Contemporary Literature, Film, and Television" (2016). Masters Theses. 2481. https://thekeep.eiu.edu/theses/2481 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� f.AsTE�ILLINOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, andDistribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
Sociological Papers the Emerging Second Generation of Immigrant
Sociological Papers The Emerging Second Generation of Immigrant Israelis Series Editor: Larissa Remennick Managing Editor: Anna Prashizky Volume 16, 2011 Sponsored by the Leon Tamman Foundation for Research into Jewish Communities SOCIOLOGICAL INSTITUTE FOR COMMUNITY STUDIES BAR-ILAN UNIVERSITY Generation 1.5 Russians in Israel: From Vodka to Latte. Maturation and Integration Processes as Reflected in the Recreational Patterns Liza Rozovsky and Oz Almog The Department of Land of Israel Studies University of Haifa Abstract This article reflects on the process of coming of age among Russian Israelis who immigrated as older children or adolescents. It describes the culture of informal youth groups (tusovkas) of the 1990s that transplanted multiple elements of Russian subversive youth culture of the last Soviet and post-Soviet years onto Israeli soil. These groups - that flourished mainly in peripheral towns of Israel - served as both social safety net for alienated Russian teenagers and the bridge to their gradual acculturation. Entering adulthood, most tusovka members left the streets, completed their academic degrees, and moved to Central Israel in search of lucrative jobs and thriving cultural life. Although young Russian Israelis have adopted many elements of the mainstream lifestyle (particularly in the patterns of residence and entertainment), their social preferences and identity remain distinct in lieu of the lingering Russian cultural legacies. Introduction This article sheds light on the recent changes in the recreational patterns of "Generation 1.5" – Russian, Ukrainian and other former Soviet immigrants who immigrated in Israel along with their parents as preteens or young adolescents during the 1990s. Several factors shaped the recreational patterns of these Generation 1.5'ers during their initial years in Israel: the social characteristics of the Russian aliyah; the unique circumstances of their birth and socialization; and the policies of direct immigrant absorption first instituted in Israel during the 1990s. -
Download the Gone Girl Screenplay PDF for Personal, Private
SCRIPT TITLE Written by Name of First Writer Based on, If Any Address Phone Number BLACK SCREEN NICK (V.O.) When I think of my wife, I always think of her head. FADE IN: INT. BEDROOM-SOMETIME We see the back of AMY DUNNE’S HEAD, resting on a pillow. NICK (V.O.) I picture cracking her lovely skull, unspooling her brain, Nick runs his fingers into Amy’s hair. NICK (V.O.) Trying to get answers. He twirls and twirls a lock, a screw tightening. NICK (V.O.) The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? AMY wakes, turns, gives a look of anger...or alarm. NICK (V.O.) What will we do? BLACK SCREEN EXT. CARTHAGE - MORNING The sun rises on the small town of Carthage, Missouri. We see in flashes: A giant decrepit MEGAMALL, boarded up, a series of downtown buildings with CLOSED or FOR SALE signs. A carved marble entry—reading FOREST GLEN—ushers us into a ruined HOUSING DEVELOPMENT. The majority of McMansions are empty. FORECLOSED, FOR SALE signs everywhere. The place has an almost bucolic air: swaying grasses, stray wildlife. EXT.- NICK DUNNE’S BACKYARD - DAWN TITLE CARD: THE MORNING OF 2. Nick Dunne, 30s, handsome, is watching bits of trash float along the Mississippi River; a McMansion behind him. His yard is the only one mowed—all around him wilderness encroaches. The SUN rises over the treeline and blares its FIRST-DEGREE SPOTLIGHT in his face. He looks, fearful, ill. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Reform and Human Rights the Gorbachev Record
100TH-CONGRESS HOUSE OF REPRESENTATIVES [ 1023 REFORM AND HUMAN RIGHTS THE GORBACHEV RECORD REPORT SUBMITTED TO THE CONGRESS OF THE UNITED STATES BY THE COMMISSION ON SECURITY AND COOPERATION IN EUROPE MAY 1988 Printed for the use of the Commission on Security and Cooperation in Europe U.S. GOVERNMENT PRINTING OFFICE WASHINGTON: 1988 84-979 = For sale by the Superintendent of Documents, Congressional Sales Office U.S. Government Printing Office, Washington, DC 20402 COMMISSION ON SECURITY AND COOPERATION IN EUROPE STENY H. HOYER, Maryland, Chairman DENNIS DeCONCINI, Arizona, Cochairman DANTE B. FASCELL, Florida FRANK LAUTENBERG, New Jersey EDWARD J. MARKEY, Massachusetts TIMOTHY WIRTH, Colorado BILL RICHARDSON, New Mexico WYCHE FOWLER, Georgia EDWARD FEIGHAN, Ohio HARRY REED, Nevada DON RITTER, Pennslyvania ALFONSE M. D'AMATO, New York CHRISTOPHER H. SMITH, New Jersey JOHN HEINZ, Pennsylvania JACK F. KEMP, New York JAMES McCLURE, Idaho JOHN EDWARD PORTER, Illinois MALCOLM WALLOP, Wyoming EXECUTIvR BRANCH HON. RICHARD SCHIFIER, Department of State Vacancy, Department of Defense Vacancy, Department of Commerce Samuel G. Wise, Staff Director Mary Sue Hafner, Deputy Staff Director and General Counsel Jane S. Fisher, Senior Staff Consultant Michael Amitay, Staff Assistant Catherine Cosman, Staff Assistant Orest Deychakiwsky, Staff Assistant Josh Dorosin, Staff Assistant John Finerty, Staff Assistant Robert Hand, Staff Assistant Gina M. Harner, Administrative Assistant Judy Ingram, Staff Assistant Jesse L. Jacobs, Staff Assistant Judi Kerns, Ofrice Manager Ronald McNamara, Staff Assistant Michael Ochs, Staff Assistant Spencer Oliver, Consultant Erika B. Schlager, Staff Assistant Thomas Warner, Pinting Clerk (11) CONTENTS Page Summary Letter of Transmittal .................... V........................................V Reform and Human Rights: The Gorbachev Record ................................................