Cataloguing Incunabula
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Printing and the Renaissance World University Libraries--University of South Carolina
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 5-2003 Printing and the Renaissance World University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Printing and the Renaissance World, May 2003". http://scholarcommons.sc.edu/rbsc_pubs/38/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PRINTING and the RENAISSANCE WORLD all exhibition of lJJanuscnpts and earlY books from Thomas Cooper Library J. C. ANDERSON LIBRARY University of South Carolina at Sumter * Mqy 18-JUilC 19, 2003 This exhibition illustrates the development and impact of printing, from Johann Gutenberg's invention of moveable type in Germany in the mid-fifteenth-centUlY, through its effects for the Renaissance in classical learning, for the Refonnation in religion, for science and geography during the age of exploration, and (more briefly) for illustration, science, and literature. Among the items on display are an iIluminated medieval manuscript codex or book from c. 1420; an early printed book from 1483, with hand-colored initials, and its original wooden binding; a wood-engraving by the Gennan artist Albrecht Durer; a leaf from the 1611 first edition of the King James Bible; and the 1625 English edition of Leo Africanus's account of the African city of Tirnbuktu. -
Lost Incunable Editions: Closing in on an Estimate
chapter 3 Lost Incunable Editions: Closing in on an Estimate Jonathan Green and Frank McIntyre Imagine, if you will, that you are a lepidopterist stationed in the butterfly-rich environment of a tropical Malaysian island. You hope to determine the number of butterfly species that live on the island, and so you resolve to survey an acre- sized patch of it for a month and record the number of individuals of each spe- cies that you find. At the end of the month, you find that a few species of butterfly are represented by a large number of specimens, while many species are repre- sented by only one or a few specimens. These results lead you to suspect that there remain many species of butterfly on the island that your survey has missed, but how many? And how many more species can you expect to discover with additional months of observation? As your opportunity to spend additional months on a tropical island depends on your presenting a convincing argument to your funding agency, these questions are of some urgency for you. This is a brief statement of what is known as the unseen species problem, which has been an area of intense study both within and well outside of the field of ecology for several decades. The example above concerning Malaysian butterflies is drawn from a pathbreaking article published in 1943 by Ronald Fisher, one of the founders of modern biology and statistics, who proposed statistical methods for estimating the number of unseen butterfly species.1 Since then, the development and implementation of these methods has con- tinued, so that several current statistical software packages can provide both an estimate of the number of missing species and determine the confidence interval of that estimation, that is, the range within which one is reasonably certain the actual number lies.2 In an ideal situation, the number of observed butterfly species will rise with each additional month of observation, but the estimate of total species will change only modestly as the confidence interval 1 R.A. -
Locating Boccaccio in 2013
Locating Boccaccio in 2013 Locating Boccaccio in 2013 11 July to 20 December 2013 Mon 12.00 – 5.00 Tue – Sat 10.00 – 5.00 Sun 12.00 – 5.00 The John Rylands Library The University of Manchester 150 Deansgate, Manchester, M3 3EH Designed by Epigram 0161 237 9660 1 2 Contents Locating Boccaccio in 2013 2 The Life of Giovanni Boccaccio (1313-1375) 3 Tales through Time 4 Boccaccio and Women 6 Boccaccio as Mediator 8 Transmissions and Transformations 10 Innovations in Print 12 Censorship and Erotica 14 Aesthetics of the Historic Book 16 Boccaccio in Manchester 18 Boccaccio and the Artists’ Book 20 Further Reading and Resources 28 Acknowledgements 29 1 Locating Boccaccio Te Life of Giovanni in 2013 Boccaccio (1313-1375) 2013 is the 700th anniversary of Boccaccio’s twenty-first century? His status as one of the Giovanni Boccaccio was born in 1313, either Author portrait, birth, and this occasion offers us the tre corone (three crowns) of Italian medieval in Florence or nearby Certaldo, the son of Decameron (Venice: 1546), opportunity not only to commemorate this literature, alongside Dante and Petrarch is a merchant who worked for the famous fol. *3v great author and his works, but also to reflect unchallenged, yet he is often perceived as Bardi company. In 1327 the young Boccaccio upon his legacy and meanings today. The the lesser figure of the three. Rather than moved to Naples to join his father who exhibition forms part of a series of events simply defining Boccaccio in automatic was posted there. As a trainee merchant around the world celebrating Boccaccio in relation to the other great men in his life, Boccaccio learnt the basic skills of arithmetic 2013 and is accompanied by an international then, we seek to re-present him as a central and accounting before commencing training conference held at the historic Manchester figure in the classical revival, and innovator as a canon lawyer. -
CFP the Print in the Codex Ca. 1500 to 1900
H-HistBibl CFP The Print in the Codex ca. 1500 to 1900 Discussion published by Jeanne-Marie Musto on Thursday, April 16, 2020 Call for Papers Bibliographical Society of America sponsored session College Art Association Annual Conference, New York, 10-13 February 2021: The Print in the Codex ca. 1500 to 1900 This session will consider bound volumes created or transformed through the incorporation of independently printed images. Inspired by recent scholarship that addresses the popularity of modifying, enhancing, or creating books in this manner, this session will focus on the production and reception of such books between the widespread adoption of the printing press in Europe, circa 1500, and the nineteenth-century rise of public museums and libraries, with their increasingly standardized and discrete organizational systems. Papers may address any books into which independently printed images have been incorporated, whether these books include text and whether they are analyzed as unique items or as products of broader creative or curatorial practices. This session seeks papers that consider both the material and the conceptual aspects of these complex volumes. Themes may include the agendas of specific creators; the codex as a structure and ways in which prints were designed for, or adapted to it; or how these works inform histories of reading, book and print production, or book and print collection. Papers may also address how these books relate to those of earlier centuries. Themes addressing subsequent reception are also welcome. Such themes include interpretive and practical challenges that the books present, and opportunities they offer, to the evolving institutional and media landscapes of the twenty-first century. -
Selection of Items Presented at the 2018 Pasadena Antiquarian Book Fair (Full Descriptions Available on Request)
Selection of items presented at the 2018 Pasadena Antiquarian Book Fair (Full descriptions available on request) 1- The transit of Venus recorded by 18th century Mexico´s most significant scientist, one of three known copies of this rare engraving Alzate y Ramirez, Jose Antonio; Bartolache, Jose Ignacio. Suplemento a la famosa observacion del transito de Venus por el disco del Sol. 1769. Mexico. Jose Mariano Navarro. 24,000 $ First edition of Mexico´s most significant scientific contributions to astronomy in the 18th century, the study of transit of Venus across the Sun of 1769 made by Alzate and Bartolache in Mexico City; the astronomical phenomena would be also recorded in Tahiti by Cook, Russia, the United States (the results published in the American Philosophical Society), and other parts of Mexico by Chappe d´Auteroche. 2- Herrera’s copy of the first edition of Argensola; extensively annotated throughout A milestone in the history of Spanish exploration Argensola, Bartolomé Leonardo de. Conquista de las Islas Malucas. 1609. Madrid. Alonso Martin. Eighteenth-century stiff parchment; ex-libris of José Nicolás de Azara (1730–1804). 145,000 $ First edition; an exceptional and unique copy of the celebrated account of the European discoveries in the Pacific, previously unknown, extensively annotated and critiqued –the annotations to-date unpublished- by Spain’s foremost historiographer of the East and West Indies and opponent of Argensola, Antonio de Herrera y Tordesillas. THIS EXTRAORDINARY COPY OF ARGENSOLA’S CONQUISTA DE LAS ISLAS MOLUCCAS ANNOTATED THROUGHOUT BY ANTONIO DE HERRERA IS REVEALING OF THE DEBATES WHICH OCCURRED CONTEMPORARY TO THE INITIAL YEARS OF EUROPEAN EXPLORATION AND CONQUEST IN THE WESTERN PACIFIC. -
FOLIOS DE UN INCUNABLE DESCONOCIDO Y SU IDENTIFICACIÓN CON EL ANÓNIMO VOCABULARIO EN ROMANCE Y EN LATÍN DEL ESCORIAL (F.II.10) H
FOLIOS DE UN INCUNABLE DESCONOCIDO Y SU IDENTIFICACIÓN CON EL ANÓNIMO VOCABULARIO EN ROMANCE Y EN LATÍN DEL ESCORIAL (F.II.10) h Cinthia María Hamlin Juan Héctor Fuentes SECRIT—CONICET/Universidad de Buenos Aires El volumen del primer tomo del Universal Vocabulario en latín y en romance (UV) de Alfonso Fernández de Palencia (1490) que se encuentra en Fires- tone Library, Princeton University (EXI Oversize 2530.693q), cuenta con dos hojas impresas insertas al principio y al fi nal que no pertenecen al ejemplar.1 Ambas presentan la misma tipografía gótica: Ungut & Polonus (Sevilla), Type 3:95G, datada entre 1491 y 1493.2 La primera, ubicada en el lugar del folio 1, transmite en su verso —el recto está en blanco— un Agradecemos al Prof. Charles Faulhaber, quien tuvo la generosidad de leer diversas versiones de este trabajo, corregirlo y hacer observaciones muy valiosas. Asimismo, agradecemos al Prof. Ottavio di Camillo por su lectura, siempre atenta e iluminadora, y a la Dra. Mercedes Rodríguez Temperley, por sus observaciones y la bibliografía fa- cilitada. Una mención especial merece la generosidad del curador de Rare Books en la Princeton University Library, el Dr. Eric White, quien mencionó el caso de estos folios y los ofreció para analizar. Agradecemos también al Dr. White el haber puesto a nues- tra disposición las descripciones materiales del tomo y los folios, los datos sobre su pro- cedencia, así como sus avances sobra la identifi cación de la tipografía. Es de agradecer también la cordialidad con la que el P. José Luis del Valle Merino recibió a Cinthia Hamlin en la Biblioteca del Escorial, así como las copias digitales del manuscrito que nos ha facilitado tan generosamente. -
Scriptorium: the Term and Its History Scriptorium : Le Terme Et Son Histoire
Perspective Actualité en histoire de l’art 1 | 2014 L’atelier Scriptorium: the term and its history Scriptorium : le terme et son histoire Alison Stones Electronic version URL: http://journals.openedition.org/perspective/4401 DOI: 10.4000/perspective.4401 ISSN: 2269-7721 Publisher Institut national d'histoire de l'art Printed version Date of publication: 1 June 2014 Number of pages: 113-120 ISSN: 1777-7852 Electronic reference Alison Stones, « Scriptorium: the term and its history », Perspective [Online], 1 | 2014, Online since 31 December 2015, connection on 01 October 2020. URL : http://journals.openedition.org/perspective/ 4401 ; DOI : https://doi.org/10.4000/perspective.4401 Débat Travaux Actualité Scriptorium: the term (c. 485-585) at Vivarium have a purpose- and its history designated room set aside for writing? What was it called? Although a tinted drawing of Alison Stones Cassiodorus’s monastery in a manuscript in Bamberg (Staatsbibliothek Msc. Patr. 61, f. 29v) does not indicate the location of the scriptorium, What is a scriptorium and how does it fit into the we do know that it was important enough for notion of atelier? Broadly speaking, both terms one of its products, a prized pandect (a complete have come to refer to places where people met in Bible in one volume) to be acquired a century the past or meet today to work together on col- later in Rome in 679-680 by Benedict Biscop laborative projects. While the term scriptorium and Ceolfrith of Wearmouth-Jarrow and used in is usually associated with the writing of religious Northumbria as a model for three more pandects, books in a monastic context in the early Middle of which one, the Codex Amiatinus, survives in Ages, the notion of a place of communal work, the Biblioteca Medicea-Laurenziana in Florence workshop or atelier is in place in the Livre des (MS Amiatinus 1). -
Two Unrecorded Incunables: Rouen, Circa 1497, and Lyons, Circa 1500
TWO UNRECORDED INCUNABLES: ROUEN, CIRCA 1497, AND LYONS, CIRCA 1500 DAVID J.SHAW FOR a number of years, I have been re-examining the British Library's books printed in France between 1501 and 1520 for a typographical catalogue of the Library's French post-incunables. This catalogue is a revision of the unpublished manuscript of Col. Frank Isaac's Index to the British [Museum] Library's books printed in France between 1501 and 1520 which remained incomplete at his death in 1943. The Indexes of books printed between 1501 and 1520 were started by Robert Proctor, who pubUshed the volume for Germany in 1903 as an outgrowth from his incunable catalogue, and were continued by Isaac for Italy (published in 1938)^ and for France (unpublished).^ As with the incunable catalogues, these Indexes are arranged according to Proctor's methodology - by place of printing, then by printer, and for each printer the books are hsted in chronological order. The main function of the work is to attribute unsigned books to their printer when possible and to order the production of each workshop chronologically, assigning dates where necessary. As with the incunable catalogues, a large part of this task involves the identification and classification of each printer's typographical material. I have tried to extend this aspect of the work, so that the finished catalogue should present important new evidence on the supply of type in France in the early sixteenth century and on its use in the printing-houses of the time. The undated books pose problems at both ends of the chronological span. -
Antiquarian and MODERN BOOKS Blackwell’S Rare Books 48-51 Broad Street, Oxford, OX1 3BQ
Blackwell’S rare books Antiquarian AND MODERN BOOKS Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Say Printing Advances Enable Entire Books on Posters
A.D. Wissner-Gross & T.M. Sullivan say printing advances enable entire books on posters Codex Poste r advantages of archiving large texts in an- Imagine a b o o k on one poster, an entire volume reproduced alog form (e.g., considering the upcom- and readable on a single poster-sized piece of paper. High-resolution ing black hole of digital data). Electronic printing technology enables the unexpected condensation of vast texts ink enables a single page to display en- in this way. For properly displayed fonts, "books on poster" can also be tire books, but it remains expensive. Norsam Technologies' High Defi- legible at a reading distance of a few inches. This novel medium may nition Rosetta technology employs have profound consequences for education and literacy. electron beams to inscribe microscopic English text into nickel plates intended to last for thousands of years. However, The perceived size of a book is propor- Character readability at a fixed reading Rosetta and the more traditional micro- tional to the time taken to read it. This is, in distance is measured by rhe angle stretched film format are not readable by humans. turn, proportional to the time taken to scan beneath character features. Thus, for sufFi- In contrast, texts condensed to a 2' x 3' rapidly each line. Also, line scanning time is ciendy small character widths, the readabil- sheet of paper can be legible to the na- proportional to character width for a com- ity is surprisingly good, based on charaaer ked eye for young adults and with the mon adult scanning speed. -
The Futures of Books: Technologies and Forms
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU English Faculty Publications English Spring 2009 The Futures of Books: Technologies and Forms Cynthia N. Malone College of Saint Benedict/Saint John's University, [email protected] Follow this and additional works at: https://digitalcommons.csbsju.edu/english_pubs Part of the Arts and Humanities Commons Recommended Citation Malone, Cynthia N., "The Futures of Books: Technologies and Forms" (2009). English Faculty Publications. 14. https://digitalcommons.csbsju.edu/english_pubs/14 copyright: Cynthia Malone 1 The Futures of Books: Technologies and Forms Cynthia N. Malone New forms of the book ranging from Amazon’s Kindle to artists’ books can help students reconsider the assumption that “book” means “codex.” In order to draw literature students into discussions about forms of the book, I’ve designed a series of linked assignments highlighting historical and theoretical issues in the debates about the future of the book. The sequence begins with readings about the definition of “the book.” As the students consider the problem of definition, they analyze innovative artists’ books, paying particular attention to the integration of form and content in works that adapt or depart from the codex. These assignments prepare the students to read Johanna Drucker’s lecture, “The Virtual Codex from Page Space to E-Space.” After exploring the question of how a book works, students create their own handmade books, striving to integrate form and content as fully as possible. Finally, they write essays about the ways in which the sequence of assignments has changed their relationship with books. When the assignments succeed most fully, students shift their stances on the future of the book; they appreciate and value the codex form, and they begin to imagine possibilities for electronic and paper forms that neither mimic nor threaten the codex. -
The Death of the Book Through the Ages - Nytimes.Com
The Death of the Book Through the Ages - NYTimes.com http://www.nytimes.com/2012/08/12/books/review/the-death-of-the... August 10, 2012 Dead Again By LEAH PRICE Two decades ago, the Book Review ran an essay, “The End of Books,” in which the novelist Robert Coover questioned whether print could survive the age of “video transmissions, cellular phones, fax machines, computer networks, and in particular out in the humming digitalized precincts of avant-garde computer hackers, cyberpunks and hyperspace freaks.” Was the book as “dead as God”? Coover’s answer was noncommittal, but his metaphor launched a thousand eulogies for the book as we knew it: a gathering of printed pages mass-produced on spec to be sold to anonymous strangers for financial gain. Back then, hyperlinks were the killer app. Coover’s title punned on the page-turning powers of the codex, which sweeps novel readers inexorably from Page 1 to The End. (He ignored how many codices, like the Yellow Pages, are designed for random access; millenniums before the advent of Bible.com, the codex allowed the first Christians to cross-reference their Scriptures.) Now, succession planners have shifted their sights from the lowly hyperlink to the seemingly indomitable e-reader. Earlier this year, the Pew Research Center calculated that the percentage of Americans who own e-reading devices doubled last December. Christmas, for centuries the publishing industry’s busiest season, became a gift to hardware manufacturers. And last year, Amazon announced it was selling more e-books than print books — hardcover and paperback combined.